The Canon 135mm Sumire Prime T2.2 is a manual focus prime lens that covers full frame and Super 35 sensor formats providing center-to-edge resolution that supports 4K production. It features a PL mount and has focus scales marked in feet. The Sumire lens series is designed with the goal of creating pleasing facial close-ups across all ages, genders, and ethnicities. This effect is increased as the lens approaches its widest aperture. The 135mm offers a maximum T-stop of 2.2 and has an 11-blade iris that provides round natural-looking, out-of-focus highlights for a pleasing bokeh. The lens barrel features 300° smooth rotation from close focus to infinity, giving you a high degree of precision and consistent focus. The lens is designed to minimize focus breathing. It offers focus distance markings on both sides of the barrel, with the rear markings on an angled surface, making it readable from either side of the camera. Some of the markings are done in phosphorescent paint, making them easier to see them in dim conditions. All lenses in the Sumire series share the same 114mm front barrel diameter, focus rotation, and focus and iris gear positions, allowing for easier lens swaps.   FEATURES The Sumire Prime Lens series features a nuanced look as the lens aperture approaches its maximum setting. This subtly modifies the textural renderings of the human facial close-up and a pleasing bokeh. The lens features a large-diameter aspheric lens and anomalous dispersion glass, for high-resolution image reproduction from image center to image edge. The lens produces warm color tones that help to softly capture facial expressions, and shares a unified color balance with other Canon Cinema lenses. The 11-blade clickless iris produces artistic and beautiful out-of-focus areas, creating a more three-dimensional bokeh. The use of an odd number of blades helps reduce flaring of specular highlights. The Sumire Prime Lens series features a unified front diameter (114mm), rotation angle (300°) and gear position on the focus and iris rings. The focus and iris rings are designed to maintain a consistent amount of resistance and operating torque in order to help provide the camera operator or assistant with predictable lens operation. Lens markings are displayed on both sides of the lens. To improve visibility in dim light conditions, indicator markings with phosphorescent paint have been adopted for the front barrel for right-side viewing. All lenses in the series except the 14mm accept a 105mm diameter threaded filter in the front of the lens. All lenses are available in feet and meter. SPECIFICATIONS Focal Length: 135mm Lens Mount: PL Format: Full Frame Maximum T-Stop: T2.2 Horizontal Angle of View: Full Frame: 15.2°  Minimum Focus Distance from Image Plane: 39” / 99.06 cm Iris Blades: 11 Gear MOD & Pitch: Focus: 0.8 MOD / 32 Pitch; Iris: 0.8 MOD / 32 Pitch Front Diameter: 114 mm Filter Thread: 105 mm Focus Scales: Imperial Focus Rotation: 300° Length: 4.24” / 107.6 mm Weight: 3.1 lb / 1.4 kg  

The Canon 14mm Sumire Prime T3.1 is an ultra wide-angle, manual focus prime lens that covers full frame and Super 35 sensor formats providing center-to-edge resolution that supports 4K production. It features a PL mount and has focus scales marked in feet. The Sumire lens series is designed with the goal of creating pleasing facial close-ups across all ages, genders, and ethnicities. This effect is increased as the lens approaches its widest aperture. The 14mm offers a maximum T-stop of 3.1 and has an 11-blade iris that provides round natural-looking, out-of-focus highlights for a pleasing bokeh. The lens barrel features 300° smooth rotation from close focus to infinity, giving you a high degree of precision and consistent focus. The lens is designed to minimize focus breathing. It offers focus distance markings on both sides of the barrel with the rear markings on an angled surface, making it readable from either side of the camera. Some of the markings are done in phosphorescent paint, making them easier to see them in dim conditions. All lenses in the Sumire series share the same 114mm front barrel diameter, focus rotation, and focus and iris gear positions, allowing for easier lens swaps.   FEATURES The Sumire Prime Lens series features a nuanced look as the lens aperture approaches its maximum setting. This subtly modifies the textural renderings of the human facial close-up and a pleasing bokeh. The lens features a large-diameter aspheric lens and anomalous dispersion glass, for high-resolution image reproduction from image center to image edge. The lens produces warm color tones that help to softly capture facial expressions, and shares a unified color balance with other Canon Cinema lenses. The 11-blade clickless iris produces artistic and beautiful out-of-focus areas, creating a more three-dimensional bokeh. The use of an odd number of blades helps reduce flaring of specular highlights. The Sumire Prime Lens series features a unified front diameter (114mm), rotation angle (300°) and gear position on the focus and iris rings. The focus and iris rings are designed to maintain a consistent amount of resistance and operating torque in order to help provide the camera operator or assistant with predictable lens operation. Lens markings are displayed on both sides of the lens. To improve visibility in dim light conditions, indicator markings with phosphorescent paint have been adopted for the front barrel for right-side viewing. All lenses in the series except the 14mm accept a 105mm diameter threaded filter in the front of the lens. All lenses are available in feet and meter. SPECIFICATIONS Focal Length: 14mm Lens Mount: PL Format: Full Frame Maximum T-Stop: T3.1 Horizontal Angle of View: Full Frame: 104.3°  Minimum Focus Distance from Image Plane: 8” / 20.32 cm  Iris Blades: 11 Gear MOD & Pitch: Focus: 0.8 MOD / 32 Pitch; Iris: 0.8 MOD / 32 Pitch Front Diameter: 114 mm Filter Thread: None Focus Scales: Imperial  Focus Rotation: 300° Length: 3.39” / 86 mm Weight: 2.6 lb / 1.2 kg  

The Canon 20mm Sumire Prime T1.5 is a manual focus prime lens that covers full frame and Super 35 sensor formats providing center-to-edge resolution that supports 4K production. It features a PL mount and has focus scales marked in feet. The Sumire lens series is designed with the goal of creating pleasing facial close-ups across all ages, genders, and ethnicities. This effect is increased as the lens approaches its widest aperture. The 20mm offers a maximum T-stop of 1.5 and has an 11-blade iris that provides round natural-looking, out-of-focus highlights for a pleasing bokeh. The lens barrel features 300° smooth rotation from close focus to infinity, giving you a high degree of precision and consistent focus. The lens is designed to minimize focus breathing. It offers focus distance markings on both sides of the barrel, with the rear markings on an angled surface, making it readable from either side of the camera. Some of the markings are done in phosphorescent paint, making them easier to see them in dim conditions. All lenses in the Sumire series share the same 114mm front barrel diameter, focus rotation, and focus and iris gear positions, allowing for easier lens swaps. FEATURES The Sumire Prime Lens series features a nuanced look as the lens aperture approaches its maximum setting. This subtly modifies the textural renderings of the human facial close-up and a pleasing bokeh. The lens features a large-diameter aspheric lens and anomalous dispersion glass, for high-resolution image reproduction from image center to image edge. The lens produces warm color tones that help to softly capture facial expressions, and shares a unified color balance with other Canon Cinema lenses. The 11-blade clickless iris produces artistic and beautiful out-of-focus areas, creating a more three-dimensional bokeh. The use of an odd number of blades helps reduce flaring of specular highlights. The Sumire Prime Lens series features a unified front diameter (114mm), rotation angle (300°) and gear position on the focus and iris rings. The focus and iris rings are designed to maintain a consistent amount of resistance and operating torque in order to help provide the camera operator or assistant with predictable lens operation. Lens markings are displayed on both sides of the lens. To improve visibility in dim light conditions, indicator markings with phosphorescent paint have been adopted for the front barrel for right-side viewing. All lenses in the series except the 14mm accept a 105mm diameter threaded filter in the front of the lens. All lenses are available in feet and meter.   SPECIFICATIONS Focal Length: 20mm Lens Mount: PL Format: Full Frame Maximum T-Stop: T1.5 Horizontal Angle of View: Full Frame: 84.0° Minimum Focus Distance from Image Plane: 12” / 30.48 cm Iris Blades: 11 Gear MOD & Pitch: Focus: 0.8 MOD / 32 Pitch; Iris: 0.8 MOD / 32 Pitch Front Diameter: 114 mm Filter Thread: 105 mm Focus Scales: Imperial Focus Rotation: 300° Length: 3.68” / 93.5 mm Weight: 2.6 lb / 1.2 kg  

The Canon 24mm Sumire Prime T1.5 is a manual focus prime lens that covers full frame and Super 35 sensor formats providing center-to-edge resolution that supports 4K production. It features a PL mount and has focus scales marked in feet. The Sumire lens series is designed with the goal of creating pleasing facial close-ups across all ages, genders, and ethnicities. This effect is increased as the lens approaches its widest aperture. The 24mm offers a maximum T-stop of 1.5 and has an 11-blade iris that provides round natural-looking, out-of-focus highlights for a pleasing bokeh. The lens barrel features 300° smooth rotation from close focus to infinity, giving you a high degree of precision and consistent focus. The lens is designed to minimize focus breathing. It offers focus distance markings on both sides of the barrel, with the rear markings on an angled surface, making it readable from either side of the camera. Some of the markings are done in phosphorescent paint, making them easier to see them in dim conditions. All lenses in the Sumire series share the same 114mm front barrel diameter, focus rotation, and focus and iris gear positions, allowing for easier lens swaps.   FEATURES The Sumire Prime Lens series features a nuanced look as the lens aperture approaches its maximum setting. This subtly modifies the textural renderings of the human facial close-up and a pleasing bokeh. The lens features a large-diameter aspheric lens and anomalous dispersion glass, for high-resolution image reproduction from image center to image edge. The lens produces warm color tones that help to softly capture facial expressions, and shares a unified color balance with other Canon Cinema lenses. The 11-blade clickless iris produces artistic and beautiful out-of-focus areas, creating a more three-dimensional bokeh. The use of an odd number of blades helps reduce flaring of specular highlights. The Sumire Prime Lens series features a unified front diameter (114mm), rotation angle (300°) and gear position on the focus and iris rings. The focus and iris rings are designed to maintain a consistent amount of resistance and operating torque in order to help provide the camera operator or assistant with predictable lens operation. Lens markings are displayed on both sides of the lens. To improve visibility in dim light conditions, indicator markings with phosphorescent paint have been adopted for the front barrel for right-side viewing. All lenses in the series except the 14mm accept a 105mm diameter threaded filter in the front of the lens. All lenses are available in feet and meter.   SPECIFICATIONS Focal Length: 24mm Lens Mount: PL Format: Full Frame Maximum T-Stop: T1.5 Horizontal Angle of View: Full Frame: 73.7° Minimum Focus Distance from Image Plane: 12” / 30.48 cm Iris Blades: 11 Gear MOD & Pitch: Focus: 0.8 MOD / 32 Pitch; Iris: 0.8 MOD / 32 Pitch Front Diameter: 114 mm Filter Thread: 105 mm Focus Scales: Imperial Focus Rotation: 300° Length: 3.68” / 93.5 mm Weight: 2.6 lb / 1.2 kg  

The Canon 35mm Sumire Prime T1.5 is a manual focus prime lens that covers full frame and Super 35 sensor formats providing center-to-edge resolution that supports 4K production. It features a PL mount and has focus scales marked in feet. The Sumire lens series is designed with the goal of creating pleasing facial close-ups across all ages, genders, and ethnicities. This effect is increased as the lens approaches its widest aperture. The 35mm offers a maximum T-stop of 1.5 and has an 11-blade iris that provides round natural-looking, out-of-focus highlights for a pleasing bokeh. The lens barrel features 300° smooth rotation from close focus to infinity, giving you a high degree of precision and consistent focus. The lens is designed to minimize focus breathing. It offers focus distance markings on both sides of the barrel, with the rear markings on an angled surface, making it readable from either side of the camera. Some of the markings are done in phosphorescent paint, making them easier to see them in dim conditions. All lenses in the Sumire series share the same 114mm front barrel diameter, focus rotation, and focus and iris gear positions, allowing for easier lens swaps.   FEATURES The Sumire Prime Lens series features a nuanced look as the lens aperture approaches its maximum setting. This subtly modifies the textural renderings of the human facial close-up and a pleasing bokeh. The lens features a large-diameter aspheric lens and anomalous dispersion glass, for high-resolution image reproduction from image center to image edge. The lens produces warm color tones that help to softly capture facial expressions, and shares a unified color balance with other Canon Cinema lenses. The 11-blade clickless iris produces artistic and beautiful out-of-focus areas, creating a more three-dimensional bokeh. The use of an odd number of blades helps reduce flaring of specular highlights. The Sumire Prime Lens series features a unified front diameter (114mm), rotation angle (300°) and gear position on the focus and iris rings. The focus and iris rings are designed to maintain a consistent amount of resistance and operating torque in order to help provide the camera operator or assistant with predictable lens operation. Lens markings are displayed on both sides of the lens. To improve visibility in dim light conditions, indicator markings with phosphorescent paint have been adopted for the front barrel for right-side viewing. All lenses in the series except the 14mm accept a 105mm diameter threaded filter in the front of the lens. All lenses are available in feet and meter.   SPECIFICATIONS Focal Length: 35mm Lens Mount: PL Format: Full Frame Maximum T-Stop: T1.5 Horizontal Angle of View: Full Frame: 54.4° Minimum Focus Distance from Image Plane: 12” / 30.48 cm Iris Blades: 11 Gear MOD & Pitch: Focus: 0.8 MOD / 32 Pitch; Iris: 0.8 MOD / 32 Pitch Front Diameter: 114 mm Filter Thread: 105 mm Focus Scales: Imperial Focus Rotation: 300° Length: 3.68” / 93.5 mm  Weight: 2.4 lb / 1.1 kg  

The Canon 50mm Sumire Prime T1.3 is a manual focus prime lens that covers full frame and Super 35 sensor formats providing center-to-edge resolution that supports 4K production. It features a PL mount and has focus scales marked in feet. The Sumire lens series is designed with the goal of creating pleasing facial close-ups across all ages, genders, and ethnicities. This effect is increased as the lens approaches its widest aperture. The 50mm offers a maximum T-stop of 1.3 and has an 11-blade iris that provides round natural-looking, out-of-focus highlights for a pleasing bokeh. The lens barrel features 300° smooth rotation from close focus to infinity, giving you a high degree of precision and consistent focus. The lens is designed to minimize focus breathing. It offers focus distance markings on both sides of the barrel, with the rear markings on an angled surface, making it readable from either side of the camera. Some of the markings are done in phosphorescent paint, making them easier to see them in dim conditions. All lenses in the Sumire series share the same 114mm front barrel diameter, focus rotation, and focus and iris gear positions, allowing for easier lens swaps. FEATURES The Sumire Prime Lens series features a nuanced look as the lens aperture approaches its maximum setting. This subtly modifies the textural renderings of the human facial close-up and a pleasing bokeh. The lens features a large-diameter aspheric lens and anomalous dispersion glass, for high-resolution image reproduction from image center to image edge. The lens produces warm color tones that help to softly capture facial expressions, and shares a unified color balance with other Canon Cinema lenses. The 11-blade clickless iris produces artistic and beautiful out-of-focus areas, creating a more three-dimensional bokeh. The use of an odd number of blades helps reduce flaring of specular highlights. The Sumire Prime Lens series features a unified front diameter (114mm), rotation angle (300°) and gear position on the focus and iris rings. The focus and iris rings are designed to maintain a consistent amount of resistance and operating torque in order to help provide the camera operator or assistant with predictable lens operation. Lens markings are displayed on both sides of the lens. To improve visibility in dim light conditions, indicator markings with phosphorescent paint have been adopted for the front barrel for right-side viewing. All lenses in the series except the 14mm accept a 105mm diameter threaded filter in the front of the lens. All lenses are available in feet and meter. SPECIFICATIONS Focal Length: 50mm Lens Mount: PL Format: Full Frame Maximum T-Stop: T1.3 Horizontal Angle of View: Full Frame: 39.6° Minimum Focus Distance from Image Plane: 18” / 45.72 cm Iris Blades:11 Gear MOD & Pitch: Focus: 0.8 MOD / 32 Pitch; Iris: 0.8 MOD / 32 Pitch Front Diameter: 114 mm Filter Thread: 105 mm Focus Scales: Imperial Focus Rotation: 300° Length: 3.68” / 93.5 mm Weight: 2.4 lb / 1.1 kg          

The Canon 85mm Sumire Prime T1.3 is a manual focus prime lens that covers full frame and Super 35 sensor formats providing center-to-edge resolution that supports 4K production. It features a PL mount and has focus scales marked in feet. The Sumire lens series is designed with the goal of creating pleasing facial close-ups across all ages, genders, and ethnicities. This effect is increased as the lens approaches its widest aperture. The 85mm offers a maximum T-stop of 1.3 and has an 11-blade iris that provides round natural-looking, out-of-focus highlights for a pleasing bokeh. The lens barrel features 300° smooth rotation from close focus to infinity, giving you a high degree of precision and consistent focus. The lens is designed to minimize focus breathing. It offers focus distance markings on both sides of the barrel, with the rear markings on an angled surface, making it readable from either side of the camera. Some of the markings are done in phosphorescent paint, making them easier to see them in dim conditions. All lenses in the Sumire series share the same 114mm front barrel diameter, focus rotation, and focus and iris gear positions, allowing for easier lens swaps. FEATURES The Sumire Prime Lens series features a nuanced look as the lens aperture approaches its maximum setting. This subtly modifies the textural renderings of the human facial close-up and a pleasing bokeh. The lens features a large-diameter aspheric lens and anomalous dispersion glass, for high-resolution image reproduction from image center to image edge. The lens produces warm color tones that help to softly capture facial expressions, and shares a unified color balance with other Canon Cinema lenses. The 11-blade clickless iris produces artistic and beautiful out-of-focus areas, creating a more three-dimensional bokeh. The use of an odd number of blades helps reduce flaring of specular highlights. The Sumire Prime Lens series features a unified front diameter (114mm), rotation angle (300°) and gear position on the focus and iris rings. The focus and iris rings are designed to maintain a consistent amount of resistance and operating torque in order to help provide the camera operator or assistant with predictable lens operation. Lens markings are displayed on both sides of the lens. To improve visibility in dim light conditions, indicator markings with phosphorescent paint have been adopted for the front barrel for right-side viewing. All lenses in the series except the 14mm accept a 105mm diameter threaded filter in the front of the lens. All lenses are availabel in feet and meter.   SPECIFICATIONS Focal Length: 85mm Lens Mount: PL Format: Full Frame Maximum T-Stop: T1.3: Full Frame: 23.9° Minimum Focus Distance from Image Plane: 38” / 96.52 cm Iris Blades: 11 Gear MOD & Pitch: Focus: 0.8 MOD / 32 Pitch Iris: 0.8 MOD / 32 Pitch Front Diameter: 114 mm Filter Thread: 105 mm Focus Scales: Imperial Focus Rotation: 300° Length: 3.68” / 93.5 mm Weight: 2.9 lb / 1.3 kg  

CN7×17 KAS T/R1 has an RF mount, a first in the CINE-SERVO Lens series, while CN7×17 KAS T/P1 has a PL mount which is widely used in the visual industry. Both cinema lenses inherit features from the conventional model CN7x17 KAS S (released in August 2014) such as high optics for 4K/8K support, while offering new features including enhanced communication functions through their respective mounts in addition to improved operability and functionality through the inclusion of the new digital drive unit e-Xs V. CINE-SERVO lenses meet a broad range of needs of expanding shooting methods from live sports broadcasts to remote shooting and virtual production for movies and other video productions, and demand for efficient workflows. In compliance with RF mount communications protocol, the lenses can be combined2 with EOS C400 (scheduled for release in early September 2024), EOS C70 (released in November 2020), or EOS R5 C (March 2022) cameras to make lateral chromatic aberration corrections and light intensity corrections and adjust the dual pixel focus guide through camera operation just like previous models, in addition to supporting distortion correction as a newly added feature. Moreover, these lenses now enable metadata output suitable for virtual production. Combined with the EOS C400, they support highly accurate CG compositing in real time and post-production. For the first time in the CINE-SERVO series, the lenses will come equipped with the new e-Xs V digital drive unit. The focus and iris are faster than previous models, allowing camera operators to shoot just as intended even when capturing rapidly moving subjects such as during sports broadcasts. The optical design limits changes in the angle of view that occur during focusing, while the lens features a focus breathing correction function linked with the zoom function to automatically make precise corrections. Additionally, the highly versatile USB Type-C terminal makes it possible to export and import lens setting data from a USB memory drive, thereby allowing users to update firmware on their own. The new lenses boast not only broadcast-style operation through servo control by harnessing a digital drive unit, but also functions as a design suited for cinema-style shooting focused on full manual operation. They also feature 12-pin serial communication, a communication standard for broadcast camera systems. In addition, CN7x17 KAS T/P1 supports /i Technology from Cooke Optics, which is widely used in the visual creation industry, as well as eXtended Data3 from ZEISS. Enabling the external output of various lens-related information during shooting in real time through the lens mount interface will help to improve the efficiency of shooting and editing. Features 7x Wide-angle cinema zoom lens with 17-120mm focal range Outstanding Optical Performance that supports 8K Cameras Compatible with Super 35mm sensor 11-blade aperture diaphragm creates soft and attractive blurring 180 degrees focus rotation angle for precise focusing performance New removable Drive Unit supports focus breathing correction Complying multiple lens-camera data communication standards Compatible with industry-standard manual and electronic accessories and matte boxes

  CANON CN8x15 IAS S E1/P1 CINE-SERVO ZOOMA wide-angle Cine-Servo lens offering a stunning 4K performance with an 8x zoom plus built-in 1.5x Extender. Make the whole world cinematicWith outstanding optical performance for HDR, 4K and 8K productions, the CN8x15 IAS S E1/P1 supports Cooke /i Technology™, ZEISS eXtended Data™ and EF mount communication. Engage the 1.5x Extender for reach up to 180mm and full coverage for full frame sensor cameras. A Cine-Servo lens offering great connectivity for any situation The CN8x15 IAS S E1/P1 shoots wide and captures striking video. CINEMATIC PRODUCTIONS | Incredible quality and colourCN8x15 IAS S E1/P1 is built to the highest standards demanded by filmmakers TV PRODUCTION | Integrate with Virtual SystemsAdd the CN8x15 IAS S E1/P1 to your next multi-camera production LIVE EVENTS | Creativity at its coreWith a wide zoom and a 1.5x Extender, the CN8x15 IAS S E1/P1 gives you more range BROADCAST | Comfort and versatilityA removable servo allows you to operate the lens to your preferred method Exceptional quality, exceptional clarityCapture your subject in exquisite edge-to-edge detail with Super35mm or Full Frame Cameras1 while an 11-blade iris produces beautiful specular highlights with cinematic depth-of-field.Wide-angle with extra reachThe CN8x15 IAS S E1/P1 is Canon’s widest Cine-Servo lens, ideal for live events and creative productions. And with a built-in 1.5x Extender, it gives Super35mm sensor cameras greater reach as well as providing full frame sensor cameras with edge-to-edge coverage for large format productions.Advanced communication and efficiencyThe EF mount offers advanced lens communication for precise metadata recording. The lens also supports Cooke /i Technology™ and ZEISS eXtended Data™ communication via PL mount.Incorporate into Virtual SystemsA 20-pin connector links to the 16-bit encoder for positional information and supports Cooke /i Technology™ as well as ZEISS eXtended Data™, which can be used for XR and Virtual solutions. Unified Canon colourMatch lenses across Canon’s entire video lens catalogue and deliver organic, warm, pleasing skin tones with accurate and consistent colour.Lens mount versatilityAvailable in both EF and PL mount; authorised Canon service centres can change the mount to accommodate different systems and workflows for greater flexibility.Robust, reliable – and built to performRemove the drive unit to operate the CN8x15 IAS S E1/P1 like a traditional cine lens. With a front diameter of 114mm use industry-standard accessories such as matte boxes and follow focus units. The focus ring sports 0.8 and 0.5 pitch gears with improved markings and engravings.Enhanced Servo Drive UnitThree 20-pin connectors integrate with Canon’s ZSD-300D and FPD-400D zoom and virtual systems and an electronic display offers precise adjustment and control. Remove the Servo drive for Cinema style operation supporting third-party Cinema accessories. ___________________________ Specifications___________________________ 4K, 8K, HDR: Supports High resolution capture and High dynamic range workflows Super 35mm and Full Frame: Shoot on different formats with impressive edge-to-edge detail EF/PL Mount2: Industry-wide compatibility 11 iris blades: Truly cinematic highlights and depth-of-field control 15-120mm focal length (22.5-180mm with Extender): Increased reach and format flexibility Enhanced Servo drive unit: Includes rocker switch, start/stop record, one-shot AF button and adjustable grip angle. Focus, Zoom, and Iris dials: Clear to see markings making adjustments easy in challenging conditions   Specifications in detail Zoom Ratio: 8x Focal Length: 15 – 120 mm / 22.5 – 180 mm Number of Iris Blades: 11 Minimum Shooting Distance: 0.85 m / 2.8’ Front Diameter (mm): Φ 114 mm Outer Dimensions (W x D x H): 186.7 x 131.7 x 294.9 mm (EF Mount) / 186.7 x 131.7 x 286.9 mm (PL Mount) Weight (g): 3.40kg Maximum Diameter Ratio (T-Number) T2.95 @ 15 – 90mm T3.95 @ 120 mm T4.4 @ 22.5 – 135 mm T5.9 @ 180 mm1 Angle View Aspect Ratio 1.9:1 FULL FRAME (38.1 x 20.1 mm) 80.5° x 48.1° @ 22.5 mm 12.1° x 6.4° @ 180 mm Aspect Ratio 1.5:1 FULL FRAME (36 x 24 mm) 77.3° x 56.1° @ 22.5 mm 11.4° x 7.6° @ 180 mm Aspect Ratio 1.78:1 SUPER 35 (24.6 x 13.8 mm) 78.7° x 49.4° @ 15 mm 11.7° x 6.6° @ 120 mm 57.3° x 34.1° @ 22.5 mm 7.8° x 4.4° @ 180 mm Aspect Ratio 1.9:1 SUPER 35 (26.2 x 13.8 mm) 82.3° x 49.4° @ 15 mm 12.5° x 6.6° @ 120 mm 60.4° x 34.1° @ 22.5 mm 8.3° x 4.4° @ 180 mm Shooting Range at Closest Approach 1.9:1 FULL FRAME (38.1 x 20.1 mm) 96.0 x 50.6 cm @ 22.5 mm 11.6 x 6.1 cm @ 180 mm 1.5:1 FULL FRAME (36 × 24 mm) 90.7 x 60.5 cm @ 22.5 mm 11.0 x 7.3 cm @ 180 mm 1.78:1 SUPER 35 (24.6 × 13.8 mm) 93.0 x 52.1 cm @ 15 mm 11.3 x 6.3 cm @ 120 mm 62.0 x 34.7 cm @ 22.5mm 7.5 x 4.2 cm @ 180 mm 1.9:1 SUPER 35 (26.2 × 13.8 mm) 99.0 x 52.1 cm @ 25 mm 12.0 x 6.3 cm @ 120 mm 66.0 x 34.7 cm @ 22.5 mm 8.0 x 4.2 cm @ 180 mm  

  Robust and compact 17-inch 4K UHD display for critical picture monitoring in Studio and OB Vans.Features both 12G-SDI and HDMI inputs, a rack mount option, plus support for HDR EOTFs and extensive HDR compatibel functions FEATURES 17.3" LCD Panel Resolution 3840 x 2160, true 10-bit HD-SDI/3G-SDI/6G-SDI/12G-SDI input support (up to 4096x2160 p60) Brightness: 300Nits / 600Nits available with an additional purchased license, and wehn "Bost on" is selected 4x 3G/6G/12G-SDI input 4x 3G/6G/12G-SDI pass-through output 1x HDMI 2.0 input TECHNICAL SPECS Size: 17.3" Resolution: 3840 x 2160 / 4K UHD Brightness: 300Nits Input: 4x BNC 12G/6G/3G/HD/SD-SDI Output: 4x BNC 12G/6G/3G/HD/SD-SDI SDI Input Signal Formats: up to 3840 x 2160p60 Power: AC 100~240V (50/60 Hz) DC 12V max. 10A, XLR Dimensions with stand: 43,5 x 35,6 x 19,4 cm Dimensions Monitor only: 43,5 x 30,8 x 15,4 cm Weight: 8 Kg

  Canon DP-V1830 Professional DisplayWith a compact and lightweight design for either studio or on-set environments, the DP-V1830 Professional Monitor provides exceptional 4K HDR imaging performance. 18” Display with Exceptional BrightnessThe DP-V1830 features an 18-inch 4K UHD LCD Panel with full-screen and uniform brightness up to 1,000 cd/m². Complimented by an ultra-low black level of 0.001 cd/m², this monitor produces flawless HDR performance and accuracy. Simultaneous Dual/Quad Display and 8K SupportThe DP-V1830 supports simultaneous viewing up to 4K in either Dual or Quad array for consolidated multi-cam monitoring. It is also capable of supporting 8K signals, ready for future high-resolution workflows.   TECHNICAL SPECS Size: 18.4" / 46,9 cm Panel: α-SI TFT Active Matrix LCD Resolution: 3840 x 2160 (UHD) Brightness: 1000 nits Viewing angle: 89°/89°/89°/89° Aspect Ratio: 16:9 Pixel Pitch: 238 ppi Video Inputs: 4x 12G/6G/3G/HD/SD-SDI,1x HDMI (Type-A) Video Outputs: 4x 12G/6G/3G/HD-SDI, Pass-through; Multifunc. SDI Out* Power Inputs:1x  XLR-type 3pin (m), 22V-32V DC Data I/O: 1x RJ45 8pin (Parallel Remote), 1x Ethernet 10BASE-T/1000BASE-TX RJ45 (Serial Remote LAN) LUTs: 33 grid point or 17 grid point .cube files are supported, User 3D LUT, Audio: 2x stereo mini-jack (front/rear) Other: USB A receptacle terminal LAN: RJ-45 terminal Remote: RJ-45 terminal, GPI 8pin Power Requirements: AC 100V - 240V, Rated frequency: 50/60 Hz; DC 24V (22-28V), Max. allowable current 10A, XLR terminal Power Consumption: At max. load (incl. change in brightness due to aging): approx. 210W (185W via DC) Dimensions with handle and with stand (HxWxD): 44,3x 37,2x 18,0 cm Dimensions display unit only, without protruding parts (HxWxD): 44,3x 31,0x 13,0 cm Weight: 7.5 Kg * For expanded functionality in future firmware updates.   FEATURES 4K/UHD 18.4” 10-bit LCD monitor 1000Nits Brightness 12G-SDI Video input Advanced HDR Monitoring: Waveform Monitor, False Colour, Range Check and much more Dual/Quad Display and 8K Support Exceptional Image Quality: Delivering Dolby Vision and EBU TECH3320 standards* * Grade 1A rating achieved for contrast ratio, peak luminance, black level, luminance uniformity and delay time.    

  Canon DP-V2730A powerful and flexible 27-inch 4K reference monitor for exceptional HDR imaging performance; ideal for live broadcast and post-production.An advanced professional 4K HDR Display for the new generationWith a 27-inch screen and 1,000 cd/m² full screen peak brightness, the DP-V2730 reference monitor has a suite of award-winning monitoring tools such as a waveform monitor, pixel value check and configurable false colour, driven by Canon’s latest processing platform for class-leading performance. Award-winning Advanced HDR Monitoring ToolsThe DP-V2730 features Canon’s award-winning advanced HDR monitoring tools to assist in evaluating HDR content over every aspect of the displayed signal. HDR Waveform Monitor/RGB Parade: Analyse the brightness of an image from left to right with a monitor scale supporting IRE, PQ, HLG and even Log signals from multiple manufacturers. HDR False Colour: Visually represents exposure and image clipping based on detailed and customisable colour scales for IRE, PQ or HLG. Range Check: Switches the display output to monochrome and enables users to specify a peak brightness level to easily identify areas that require adjustment. Pixel Value Check/ Chromaticity Diagram: Accurately examine the colour and brightness values of a specific pixel. A CIE diagram is also displayed to illustrate the pixel colour space location or overall gamut of the entire image. Out of Gamut Display: Switches the display output to monochrome and highlights colours outside the selected colour gamut. Users can select either ITU-R BT.709 or Native gamut. HDR/ SDR Compare View: An advanced function that converts HDR content to SDR for side-by-side evaluation. This function can be used to compare original content alongside enabled User LUTs or CDLs. HDR Histogram: A graphical representation of the brightness distribution in an image. This feature can also illustrate SDR and HDR brightness ranges. Frame Luminance Monitor: An innovative tool that allows users to closely monitor changes in peak brightness over time when viewing video sequences. Multi Information View: Utilise multiple HDR monitoring tools simultaneously without obstructing the displayed image. 27” Display with Exceptional BrightnessThe DP-V2730 features a 27-inch 4K UHD LCD Panel with full-screen and uniform brightness up to 1,000 cd/m². Canon’s local dimming technology gives an ultra-low black level of 0.001 cd/m².Faithful HDR Colour ReproductionCanon’s cutting-edge brightness, detailed shadows and wide colour gamut across the entire screen achieve Dolby Vision certification and Grade1A in EBU TECH3320 standards2.Simultaneous Dual/Quad Display and 8K SupportView up to 4K in either Dual or Quad array from both SDI and HDMI signals, as well as individual Picture Profiles or User LUTs. DP-V2730 supports future high-resolution 8K workflows.Uncompromised ConnectivityThe DP-V2730 has an HDMI input and 12G-SDI Terminals (4x Inputs and 5x Outputs) capable of delivering 4K60P 4:2:2 10-bit or 4K30P 4:4:4 12-bit signals, ideal for seamless integration into multiple workflows.Remote Control/ Multi-Display LinkLink the DP-V2730 to a computer, tablet or smartphone plus multiple Canon Displays (via a LAN connection) with the Remote Control Web UI. This touch-optimised interface provides live image viewing, detailed signal information and direct control over inputs, monitoring tools and settings.In-built SDI SwitcherUse 4-way SDI input switching thanks to a MULTI-FUNC SDI Output3 that supports workflow applications such as sending an output feed to a director’s monitor, external recorder or live steaming solution.   ___________________________ Specifications___________________________ 27” 4K HDR Display: 3840 x 2160 LCD panel providing 1,000 cd/m² full-screen brightness Advanced HDR Monitoring: Waveform Monitor, False Colour, Range Check and much more Exceptional Image Quality: Delivering Dolby Vision and EBU TECH3320 standards Dual/Quad Display and 8K Support: For seamless multi-cam monitoring and high-resolution workflows Remote Control/Multi-Display Link: Can be linked to a computer, tablet, or smartphone for remote control Uncompromised Connectivity: 1x HDMI input and 12G-SDI Terminals (4x Inputs and 5x Outputs) Specifications in detailPanel Panel Type: a-Si TFT Active Matrix LCD Panel Screen Size: 27 inch (68.5 cm) Aspect Ratio: 16:9 Resolution: 3840 x 2160 (8.3 megapixels) Active Display Area: Approx. 596.7x335.7 mm Pixel Pitch: 155.4 μm Image Quality Brightness: Standard: 100 cd/m2 / Peak, Full screen white: 1,000 cd/m21 Viewing Angle (Up, Down, Left, Right): 89° (contrast ratio 10:1 or higher) Surface Treatment: Anti glare coating General Backlight Type: LED, Matrix Array Power: Rated voltage: AC 100 - 240 V Rated frequency: 50/60 Hz Power Consumption At maximum load (including luminance changes over time): Approx. 525W At factory shipment: Approx. 125 W In standby mode: 0.5W or less Environmental Conditions Temperature and humidity: 0 to 40℃ (32 - 104°F) (20 - 85 % RH no condensation） Recommended: 15 - 30 ℃ (59 - 86 °F) (20 - 80% RH no condensation) Pressure: 700 - 1060 hPa Storage/Transporting Temperature and humidity: -20 to 40℃ (-4 - 104°F) (20 - 85 % RH no condensation） 41 to 60℃ (105 - 140°F) (20 - 30 % RH no condensation） Pressure: 700 - 1060 hPa Dimensions (W x H x D) & Weight Approx. 635×447×214mm (including stand and handle) Approx. 635×426×158mm (display unit only, without protruding parts) Weight: Approx. 16.0 kg Mounting Hole Pitch: VESA standard 200x100 mm InterfaceInput: 12G/6G/3G/HD/SD-SDI: 4x BNC (75 Ω) terminals 12G-SDI: SMPTE 2082 compliant 6G-SDI: SMPTE 2081 compliant 3G-SDI: SMPTE 2048-2/274M/296/372/425-5/425-3/425-1/428-19/428-9 compliant HD-SDI: SMPTE 2048-2/274M/292-1/296/428-19/428-9 compliant SD-SDI: SMPTE 259M compliant HDMI: 1x Type A terminal Copy protection: HDCP 2.3 / 1.4 Output: 12G/6G/3G/HD-SDI: 4x (Pass-through) BNC (75 Ω) terminals MULTIFUNC. SDI OUT2: 1x BNC (75 Ω) terminal Speakers: 2W (stereo) Headphone / Audio Output: 2x stereo mini-jacks (front / rear), supported impedance: 32 Ω - 64 Ω Others: USB: 1x USB A receptacle terminal Universal Serial Bus Specification Revision 3.0 compliant LAN: 1x RJ-45 terminal IEEE802.3 10BASE-T/100BASE-TX/1000BASE-T compliant GPI: 1x RJ-45 terminal    

  Canon DP-V3120 - The 31-inch 4K HDR professional reference display Extraordinary HDR capabilityCanon DP-V3120 is a 31-inch 4K HDR Professional Reference Display which provides industry leading 2,000 cd/m2 of full-screen brightness and 2,000,000:1 contrast ratio with exceptional accuracy and consistency, alongside extensive HDR monitoring assist functions. DP-V3120 is ideal for professional HDR production workflows. Full-screen brightness at 2,000 cd/m2, 2,000,000:1 contrast ratioCanon DP-V3120 provides an incredible 2,000 cd/m2 of full-screen brightness, giving you higher flexibility to create stunning High Dynamic Range content. With a Canon developed cutting-edge backlight system, precise LED control algorithm and advanced image processing, DP-V3120 is able to deliver a minimum black level of 0.001 cd/m2 and an outstanding 2,000,000:1 contrast ratio, ensuring accurate reproduction of shadow detail and brighter highlights.Accurate image quality with flexibility for all production requirementsPrecise image reproduction is important for proper HDR monitoring. DP-V3120 can accurately achieve full range grey scale reproduction from low luminance to high luminance, as well as each R, G, B primaries delivering the appropriate luminance level. This level of accuracy offers greater confidence to manage HDR mastering workflows. With support for conventional 2.2, 2.4, 2.6, and ITU BT.1886 gamma, as well as HDR Electro-Optical Transfer Functions (EOTF) SMPTE ST.2084 and ITU-R BT.2100 (HLG), DP-V3120 also supports BT.2020 and DCI-P3 wide colour spaces with faithful and consistent colour reproduction to meet both SDR and HDR production requirements. Extensive HDR monitoring functionsCanon DP-V3120 provides industry leading extensive HDR monitoring functions, these enable users to visualise HDR signal parameters such as HDR Reference white, signal levels, and image brightness for accurate signal optimisation. HDR waveform monitor / Vector-scope Pixel value checker HDR histogram HDR false colour Frame luminance monitor BT.2020 outside of gamut view HDR over range check HDR / SDR comparison Reliable and quiet operationCanon’s innovative backlight system, with highly efficient LEDs and newly designed cooling mechanism, enables and maintains a high continuous luminance level, even at 2,000 cd/m2. This newly designed cooling mechanism achieves quiet operation with high brightness, ideal for environments such as grading suites. Additionally, Canon’s innovative backlight system uses a full screen sensor array to monitor the backlight performance, while using an intelligent auto correction technology to maintain and adjust image accuracy during operation. Advanced interface and operabilityDP-V3120 is equipped with a 12G-SDI interface to fit the latest 4K production environments, enabling a 4K signal over a single SDI cable. With four 12G-SDI interface terminals, the display can handle multiple 4K signals, providing a 4-screen split view, single 4K image, or single 8K image (displayed in 4K) is also possible.DP-V3120 supports Payload ID to identify signal’s transfer characteristics, and the Auto Setting function enables automatic switching of the Display’s [Picture Mode] settings. Additionally, signal monitoring functions enable DP-V3120 to identify signal errors such as lack of or wrong order of 2SI signals and CRC errors. Remote controlDP-V3120 can be remotely controlled by LAN connection using either a PC or tablet enabling access to the menu, as well as various display information. View (initial screen): Checking and zooming of the displayed image. Simple Channel and Function button operations. Information: Access to display settings and signal information. Control / Setting / Link: Access to full menu controls, settings and link to other monitors. ____________________________ Specifications____________________________ 4K - (4096 x 2160) resolution UHD - (3840 x 2160) resolution DCI - (2048 x 1080) resolution 12G-SDI- Supporting 4 x 12G-SDI Supporting HDR standards - ITU-R BT.2100 and SMPTE ST 2084   Panel Panel type: IPS LCD panel Screen size: 31.1 inch (79.0 cm) Aspect Ratio: 17:9 Resolution: 4096×2160 (8.8 megapixels) Active display area: Approx. 698.0×368.1 mm Pixel Pitch: 170 μm/149 ppi   General Backlight type: LED, Matrix Array Power: Rated voltage: AC 100 - 240 V / Rated frequency: 50/60 Hz Power Consumption: At maximum load (including change in brightness due to aging): Approx. 840W / At factory shipment: Approx. 175 W Dimensions (width x height x depth): Approx. 749×492×335 mm (including handle) / Approx. 749×470×295 mm (Display unit only, without protruding parts) Weight: Approx. 31 kg Mounting Hole Pitch: VESA standard　200×200 mm   Interface Input: 12G/6G/3G/HD/SD-SDI 4 (1 channel) BNC (75 Ω) Receptacle terminal 12G-SDI: SMPTE 2082 compliant 6G-SDI: SMPTE 2081 compliant 3G-SDI: SMPTE 2048-2/274M/296/372/425-5/425-3/425-1/428-19/428-9 compliant HD-SDI: SMPTE 2048-2/274M/292-1/296/428-19/428-9 compliant SD-SDI: SMPTE 259M compliant HDMI: 1 Type A / Copy protection: HDCP 2.2 Output: 12G/6G/3G/HD-SDI 4 (Pass-through 1 channel) Headphone: 1 stereo mini-jack, supported impedance: 32 Ω - 64 Ω Others: 1 USB A receptacle terminal Universal Serial Bus Specification Revision 2.0 compliant LS (Low Speed)/FS (Full Speed)/HS (High Speed) mode compatible Enhanced Host Controller Interface Specification for Universal Serial Bus Revision 1.0 compliant 1 RJ-45 terminal IEEE802.3 10BASE-TX / IEEE802.3u 100BASE-TX compliant 1 RJ-45 terminal, GPI 8 pin  

  Canon DP-V3120 - The 31-inch 4K HDR professional reference display Extraordinary HDR capabilityCanon DP-V3120 is a 31-inch 4K HDR Professional Reference Display which provides industry leading 2,000 cd/m2 of full-screen brightness and 2,000,000:1 contrast ratio with exceptional accuracy and consistency, alongside extensive HDR monitoring assist functions. DP-V3120 is ideal for professional HDR production workflows. Full-screen brightness at 2,000 cd/m2, 2,000,000:1 contrast ratioCanon DP-V3120 provides an incredible 2,000 cd/m2 of full-screen brightness, giving you higher flexibility to create stunning High Dynamic Range content. With a Canon developed cutting-edge backlight system, precise LED control algorithm and advanced image processing, DP-V3120 is able to deliver a minimum black level of 0.001 cd/m2 and an outstanding 2,000,000:1 contrast ratio, ensuring accurate reproduction of shadow detail and brighter highlights.Accurate image quality with flexibility for all production requirementsPrecise image reproduction is important for proper HDR monitoring. DP-V3120 can accurately achieve full range grey scale reproduction from low luminance to high luminance, as well as each R, G, B primaries delivering the appropriate luminance level. This level of accuracy offers greater confidence to manage HDR mastering workflows. With support for conventional 2.2, 2.4, 2.6, and ITU BT.1886 gamma, as well as HDR Electro-Optical Transfer Functions (EOTF) SMPTE ST.2084 and ITU-R BT.2100 (HLG), DP-V3120 also supports BT.2020 and DCI-P3 wide colour spaces with faithful and consistent colour reproduction to meet both SDR and HDR production requirements. Extensive HDR monitoring functionsCanon DP-V3120 provides industry leading extensive HDR monitoring functions, these enable users to visualise HDR signal parameters such as HDR Reference white, signal levels, and image brightness for accurate signal optimisation. HDR waveform monitor / Vector-scope Pixel value checker HDR histogram HDR false colour Frame luminance monitor BT.2020 outside of gamut view HDR over range check HDR / SDR comparison Reliable and quiet operationCanon’s innovative backlight system, with highly efficient LEDs and newly designed cooling mechanism, enables and maintains a high continuous luminance level, even at 2,000 cd/m2. This newly designed cooling mechanism achieves quiet operation with high brightness, ideal for environments such as grading suites. Additionally, Canon’s innovative backlight system uses a full screen sensor array to monitor the backlight performance, while using an intelligent auto correction technology to maintain and adjust image accuracy during operation. Advanced interface and operabilityDP-V3120 is equipped with a 12G-SDI interface to fit the latest 4K production environments, enabling a 4K signal over a single SDI cable. With four 12G-SDI interface terminals, the display can handle multiple 4K signals, providing a 4-screen split view, single 4K image, or single 8K image (displayed in 4K) is also possible.DP-V3120 supports Payload ID to identify signal’s transfer characteristics, and the Auto Setting function enables automatic switching of the Display’s [Picture Mode] settings. Additionally, signal monitoring functions enable DP-V3120 to identify signal errors such as lack of or wrong order of 2SI signals and CRC errors. Remote controlDP-V3120 can be remotely controlled by LAN connection using either a PC or tablet enabling access to the menu, as well as various display information. View (initial screen): Checking and zooming of the displayed image. Simple Channel and Function button operations. Information: Access to display settings and signal information. Control / Setting / Link: Access to full menu controls, settings and link to other monitors. ____________________________ Specifications____________________________ 4K - (4096 x 2160) resolution UHD - (3840 x 2160) resolution DCI - (2048 x 1080) resolution 12G-SDI- Supporting 4 x 12G-SDI Supporting HDR standards - ITU-R BT.2100 and SMPTE ST 2084   Panel Panel type: IPS LCD panel Screen size: 31.1 inch (79.0 cm) Aspect Ratio: 17:9 Resolution: 4096×2160 (8.8 megapixels) Active display area: Approx. 698.0×368.1 mm Pixel Pitch: 170 μm/149 ppi   General Backlight type: LED, Matrix Array Power: Rated voltage: AC 100 - 240 V / Rated frequency: 50/60 Hz Power Consumption: At maximum load (including change in brightness due to aging): Approx. 840W / At factory shipment: Approx. 175 W Dimensions (width x height x depth): Approx. 749×492×335 mm (including handle) / Approx. 749×470×295 mm (Display unit only, without protruding parts) Weight: Approx. 31 kg Mounting Hole Pitch: VESA standard　200×200 mm   Interface Input: 12G/6G/3G/HD/SD-SDI 4 (1 channel) BNC (75 Ω) Receptacle terminal 12G-SDI: SMPTE 2082 compliant 6G-SDI: SMPTE 2081 compliant 3G-SDI: SMPTE 2048-2/274M/296/372/425-5/425-3/425-1/428-19/428-9 compliant HD-SDI: SMPTE 2048-2/274M/292-1/296/428-19/428-9 compliant SD-SDI: SMPTE 259M compliant HDMI: 1 Type A / Copy protection: HDCP 2.2 Output: 12G/6G/3G/HD-SDI 4 (Pass-through 1 channel) Headphone: 1 stereo mini-jack, supported impedance: 32 Ω - 64 Ω Others: 1 USB A receptacle terminal Universal Serial Bus Specification Revision 2.0 compliant LS (Low Speed)/FS (Full Speed)/HS (High Speed) mode compatible Enhanced Host Controller Interface Specification for Universal Serial Bus Revision 1.0 compliant 1 RJ-45 terminal IEEE802.3 10BASE-TX / IEEE802.3u 100BASE-TX compliant 1 RJ-45 terminal, GPI 8 pin  

The next generation EOS C300 Mark III incorporates Canon’s newly developed 4K Super 35mm DGO sensor, with 4K 120p Slow motion, High Dynamic Range and Dual Pixel CMOS AF into the same body as the EOS C500 Mark II. New 4K Super 35mm CMOS Dual Gain Output (DGO) Sensor A new developed 4K Super 35mm DGO sensor delivers high resolution image with 16 stops of dynamic range and ISO up to 102,400.The DGO (Dual Gain Output) Sensor is a newly-developed imaging system that generates high dynamic range and maintains low-noise levels by reading out each pixel with different gains. It combines images using pixels shot with a saturation-prioritizing amplifier for bright areas, and a lower-noise noise-prioritizing amplifier for darker areas. DIG!C DV7 Image Processor The EOS C300 Mark III features Canon’s DIG!C DV7 image processor that takes the extensive RAW information captured from the imaging sensor and processes it for output. DiG!C is also the engine behind features such as high frame rate recording, Dual Gain Output (DGO) Sensor, Dual Pixel Autofocus, Cinema Raw Light Recording, HDR (PQ) output, Electronic Image Stabilization, and proxy recording. Multiple Recording Formats Dual card slots enable simultaneous internal recording of 4K Cinema RAW light files (10/12-bit) or 4K XF-AVC files (4:2:2, 10-bit) onto CFexpress cards. A Proxy can also be recorded onto SD card.Cinema RAW Light: 4K up to  1Gbps or 2.1Gbps at 120fpsXF-AVC: 4K 4:2:2 10-bit up to 810Mbps or 2Gbps at 120fps LM-V2 4.2" LCD Touchscreen Monitor The LM-V2 4.3” LCD Monitor is an easy to view touch panel with approx. 2.76 million dots. The monitor easily attaches to the EOS C300 Mark III using included accessories and can be adjusted to different viewing positions. The LCD monitor is capable of displaying both image framing and visual confirmation of camera settings.  4-Channel Audio Recording Canon EOS C300 Mark III supports up to 4-channel audio recording. Audio input from the camera’s internal microphone, mini mic port, and XLR ports can be assigned to the 4 different audio channels. With Expansion Unit EU-V2, a total of 4 XLR ports are supported. Dual Pixel CMOS AF Technology For DAF, each pixel in the camera´s CMOS sensor is configured with two photodiodes. Two independent image signals can then be detected at each photosite and compared using phase-difference to provide autofocus with compatible lenses. DAF can survey the scene and recognizes not only whether the subject is in focus or not, but in which direction (near or far), and by how much. Interchangable Lens Mounts Canons EOS C300 Mark III ships with EF-Mount which can be easily user swapped (by removing four M3 hex screws) to an optical Lockin EF (EF-C) or PL-mount.   Technical Specifications: 4K Super35 DGO Sensor and DIGIC DV7 image processor 4K recording 12fps - 120fps in Cinema RAW Light and XF-AVC 2K (crop) mode recording 12fps - 180fps in XF-AVC Sensor-Modi: Super 35mm (Crop) / Super 16mm (crop) Pixel: cca. 9,6 Megapixel / 4206x2280 Effective Sensor area: Super 35mm* 4096x2160 or 2049x1080 selected resolution: 26.2x13.8mm (29.6mm diagonal)* 3840x2160 or 1920x1080 selected resolution: 24.6x13.8 (28.2mm diagonal) Dual Gain Output (16+ stops of dynamic range) Internal 4K Cinema RAW light recording 4K 4:2:2 10-bit and up to 810Mbps internal recording Dual CFexpress slots Supports both Canon Log 2 and Canon Log 3 Gamma. Dual Pixel Autofocus with touch screen control High Dynamic Range support (SMPTE ST 2084 and ITU-R BT.2100) Upload and apply custom LUTs Supports 4K resolution up to 60p output via single 12G-SDI cable ND Filters 2/4/6 and extended 8/10 stops 1.3x and 2.0x Anamorphic Desqueeze Same built-in five-axis electronic Image Stabilization as EOS C500 MK II Approx. Camerabody weight: 1.750g In the Box: C300 Mark III Body LCD Monitor LM-V2 LCD Attachment Unit LA-V2 Unit Cable UN-5 Camera Grip GR-V1 Handle Unit Mic Holder Unit Battery Pack BP-A60 Battery Charger CG-A20 Compact Power Adapter CA-CP200B AC Power Cable Shoulder Strap SS-1200 Extension System Attachment Bracket Thumb Rest Body Cap Allen wrenched bolts  

The Canon EOS C300 Mk II Touch Focus Kit consists of a C300 Mk II digital cinema camera with EF Mount, LM-V1 4" Touchscreen LCD Monitor (identical to that shipping with the C200), and MA400 XLR Accessory, which is a separate XLR unit. Using these two accessories instead of the traditional "clamshell" Monitor/XLR unit (not included) enables a more flexible, streamlined configuration. If the user does not require XLR functionality, the C300 Mark II can be used with the LCD only for an incredibly compact camera build (ideal for use with Gimbal Stabilizers). The original top handle is still included and compatible with the new configuration options.CameraThe Canon EOS C300 Mark II Digital Cinema Camera with EF lens mount features a dynamic range of 15 stops, CFast recording technology, 4K/2K/Full HD internal and external recording with 4K RAW output, plus a new 10-bit Canon Log 2 Gamma. Canon also improved the Dual Pixel CMOS Autofocus along with an innovative focus assist engineering. This camera was remodeled with user input to enhance the user experience of studio motion picture applications, broadcast, indie productions, sports, and many more.SensorThe redesigned camera boasts an 8.85 Megapixel Canon Super 35mm 16:9 CMOS image sensor. It supports up to 4K DCI recording with a maximum resolution of 4096x2160 pixels. Data from the 4K sensor, working with its dual Canon DIGIC DV5 image processors, delivers Over-Sampling HD Processing for reduced-moiré 2K (DCI)/Full 1080-60p HD recording and Dual-Pixel CMOS Autofocus.The dual DIGIC DV5 image processors also help to reduce visual noise and enable high-sensitivity shooting at a maximum speed of ISO 102,400 (+54dB) for sharp, clear image capture using only ambient lighting. The EOS C300 Mark II camera also incorporates a trio of XF-AVC H.264 codecs to enable in-camera 4K (DCI) recording to dual CFast card slots and 2K/Full HD recording to an SD card slot. For external recording and monitoring, twin 3G-SDI outputs capable of 4K RAW output are included on the rear of the camera body. You can choose among multiple recording modes, resolutions, and frame rates to meet your individual production needs.Each pixel in this CMOS imaging sensor also maintains a wide pixel pitch to maximize the amount of light which falls on each photo site. This enhances the sensitivity while also minimizing noise. It also supports ISO speeds of up to 102,400 for low-light imaging. This sensor reduces data-readout time to about half of what it was in the original EOS C300 Camera, which results in a significant reduction in rolling-shutter artifacts.AutofocusThe Autofocus now includes an expanded focusing area and Face Detection when used in combination with Canon EF lenses. Each pixel in the camera's CMOS sensor is configured with two photodiodes. Two independent image signals can be detected at each photosite. By implementing phase-difference AF, smooth focusing is accomplished using Canon EF lenses with much higher speed and accuracy than was possible with previous technologies.Canon expanded the DAF focusing area to approximately 80% (vertically) x 80% (horizontally). You can move the focus area using the convenient 4-direction key to provide you with a more manual control over Autofocus operation. This only functions when the Guide Area is within the Dual Pixel CMOS AF Range.Face Detection AF on Canon EF lenses will recognize a face, focus on it, then follow that face when it moves.One innovative feature of the enhanced AF allows you to confirm if you are focused in front of or behind the subject through visual observation. In this manner, quick and accurate manual focus can be achieved.LensesThe C300 Mark II is compatible with the full range of 100 Canon EF and EF-S photographic lenses, including specialty tilt-shift and fisheye models, plus Canon CN-E Cinema prime and zoom lenses, including the ENG-style Canon CINE-SERVO zooms. New Dual-Pixel CMOS AF capabilities of the EOS C300 Mark II are enabled by the AF motors in Canon EF lenses. The improved EF lens communication capabilities of the EOS C300 Mark II camera allow for the display of CN-E Cinema lens T-values, lens metadata acquisition, and chromatic aberration correction on the camera’s LCD Monitor/EVF/Output display.ImprovementsThe Canon EOS C300 Mark II Digital Cinema Camera facilitates operation and creative freedoms, such as full manual control, an Ultra-High Resolution 1.77 Megapixel color OLED EVF with adjustable 60° tilting angle, a built in internal mono reference microphone, a removable hand grip, and an improved camera handle extension with additional attachment points. The modular design of the EOS C300 Mark II camera accommodates many third-party accessories.A new log gamma designated as Canon Log Gamma 2 was designed explicitly for the camera's 10-bit recording capabilities. The files produced using Log format are ideal for color correction and grading in post-production. Canon did this to produce a high level of creative freedom while minimizing degradation of image quality. When using Canon Log 2, the Cinema EOS C300 Mark II can provide a dynamic range up to 1600%.Be sure to check out the images where a chart on Slow and Fast Motion recording has been provided for your reference.RecordingThe Canon EOS C300 Mark II employs CFast (CompactFast) 2.0 cards for in-camera 4K video recording. The camera features two CFast card slots. Each slot is protected by a convenient hinged cover. The camera also includes an SD card slot for HD and Proxy recording. The camera can simultaneously record 4K on two CFast (2.0) cards along with 2K proxy images on its SD card for off-line editing. Canon provided a chart to show the memory cards verified for the EOS C300 Mark II.ErgonomicsThis camera builds on the efficient ergonomic design of the original, while adding new advantages. Redesigned to maximize shooting comfort and the usability improvements asked for by users, the EOS C300 Mark II Digital Cinema Camera's modular design allows different components to be added or removed as needed to meet both the demands of a particular shooting environment and the comfort of the camera operator. In addition to the core body, the EOS C300 Mark II Digital Cinema Camera comes with a removable hand grip, and improved low-angle camera handle extension with additional attachment points. Connectivity & ControlThe C300 MK II arrives equipped with (2) 3G-SDI, a gunlock input, a timecode input/output, and an HDMI output. It also includes a remote terminal, a standard headphone jack, and both an audio and a video terminal to connect exclusively to a monitor.The camera supports the Canon RC-V100 remote controller (sold separately) to enable adjustments to camera controls and image quality from a distance. It supports a variety of third-party LANC accessories.You do not need a remote to achieve remove control though. Use a standard web browser on a WiFi capable device (your smart phone, laptop, tablet, etc.) to take dynamic control of your camera functionality. Canon added focus control functions. You can adjust the focus area by touch. The EOS C300 Mark II camera offers full manual control of functions such as iris, shutter speed, gain, zoom, focus, and audio. The user also has access to Custom Picture Settings, Custom Functions, and Custom Display Options.The Canon LM-V1 LCD Monitor is a fully adjustable and detachable 4" display for the Canon C200 & C300 Mk II digital cinema cameras. This 1.23 million dot, touch capacitive monitor features Canon's exclusive AF technologies for easy monitoring and one-finger "tap-focusing" during shooting.The Canon MA-400 Microphone Adapter allows you to mount a microphone on your Canon EOS C300 MK II Camera or Canon XC15 4K Professional Camcorder. The Mic Adapter fits on your camera accessory shoe so you can hold an optional on-board microphone. The Mic Adapter is powered by the camera or camcorder's power supply and does not require additional power or batteries to operate.The Microphone Adapter provides the ability to use the INPUT Terminals to record audio from your compatible microphone (19-20 mm diameter) or analog line in sources with an XLR connector.Attach the MA-400 to your camera or camcorder by sliding the attachment base into your camera or camcorder's accessory shoe, then tightening the lock screw to secure in place. Connect the AUDIO terminal to the camcorder or camera AUDIO terminal with the appropriate cable. A cable clamp can be helpful to keep this cable from snagging as you move the camera during recording.Your condenser microphone with its own power supply and a 3.5mm stereo mini jack/plug can be used in the Microphone Adapter. To attach your microphone to the MA-400 Microphone Adapter, begin by loosening the microphone lock screw on the top of the Adapter. Open the microphone holder to insert your microphone, then tighten the lock screw. The microphone cable feeds through the cable clamp under your microphone holder. Place the mic cable into either an INPUT Terminal or a MIC Terminal (Input 1 and Input 2) on this Mic Adapter.Includes: C300 MkII Body / without Standard-display Touch LCD LM-V1 / the same unit included in C200 MA-400 XLR-accessory Mount Arm Small HD  

Convincing performance for cinema, live broadcasting and virtual roductionAdapting to the evolving needs of the market and designed with versatility in mind, the EOS C400 offers an all-in-one solution tailored to support a vast range of different productions, from indie cinema and documentary, live and virtual broadcasts to the electronic news gathering field. The EOS C400 is the first high-end RF mount cinema EOS camera, ushering in a groundbreaking new era for Canon products particularly within the EOS R System. Compact yet mighty, the innovative design packs advanced features and specifications typically found in larger cameras into a more nimble box shaped design, prioritising ease of use and operability without compromising on capability. Moreover, specific in-camera connectivity such as genlock, return input and 12-pin lens terminal all support live multi-camera productions. BSI sensor and triple ISO The EOS C400 is equipped with a cutting-edge 6K full frame backside-illuminated, stacked CMOS sensor (BSI), boasting 16 stops of dynamic range. The technology enhances light capture efficiency and facilitates faster readouts, ensuring superior image quality. Setting a new standard, the camera introduces the Canon triple base ISO technology, crafted for optimal performance in low light environments and delivering the cleanest optical results. With base ISO levels of 800, 3,200 and 12,800 when shooting in Canon Log 2 or 3, users have greater flexibility when it comes to shooting in challenging lighting conditions. To make the shooting process that much easier, an automatic switching mode detects ambient lighting and adjusts the base ISO level accordingly, enhancing the overall user experience. RF mount Supporting Canon RF mount technology, the EOS C400 seamlessly integrates with a wide array of RF prime, zoom, hybrid, cinema and VR lenses. For added flexibility without the need for third party accessories, the camera also supports the option to use a variety of Canon’s EF-EOS R mount adapters as well as the new PL-RF mount adaptor. Additionally, the camera has enhanced metadata capabilities and connectivity options facilitating real time frame-by-frame data capture enhancing both VFX and Virtual Production workflows. Dual Pixel CMOS AF II Canon is now introducing its Dual Pixel CMOS AF II to its cinema EOS system, providing filmmakers with improved autofocus features. With comprehensive 100% coverage across the sensor plane, the Dual Pixel CMOS AF II delivers swift and precise performance, upgrading filmmaking clarity and reliability whilst providing piece-of-mind that you are nailing the shot every time. This latest system also unlocks additional benefits such as face/ eye/ body tracking and animal detection and tracking, especially useful when working solo in a fast-paced environment. Recording formats With more options when it comes to internal recording formats, users can now tailor the format to suit their specific needs. Options include Canon’s scalable 12-bit Cinema RAW Light LT/ ST/ HQ, reliable 4:2:2 10-bit XF-AVC and all-new MP4 based XF-AVC S and XF-HEVC S formats, accommodating several types of professional requirements. All of which accommodate detailed filmmaking workflows with professional filename and metadata support. Compact design Users familiar with the EOS C500 Mark II will appreciate the EOS C400’s recognisable design, now upgraded with an even more compact form while still offering an extensive array of connectivity. This enables operators to access the full suite of features typically associated with larger scale production cameras without the burden of size, weight or attaching additional modules. The new compact design and enhanced accessories such as a versatile LCD bracket, advanced top handle and improved hand grip offer compatibility with a range of shooting styles whether handheld, on a gimbal, drone or shoulder-mounted. Introducing the latest Cine Servo lens The all new CN7x17 KAS T available with either RF or PL mount sits within the Canon Cine Servo lens range, an evolution to the previous CN7x lens but with improved updates designed to bolster operational performance and extend compatibility with virtual and VFX workflows. With an expansive 7x optical zoom and 17-120mm focal length, the lens appeals to live sports and news, documentary, film, remote and virtual productions. 11 iris blades produce softly diffused highlights and silky out of focus backgrounds. Among its standout features are improved connectivity between the lens and camera, streamlining processes such as real-time lens distortion correction, frame by frame lens metadata and virtual production workflows with an Unreal Engine plug-in tailored for the EOS C400. The PL mount variant of the lens supports both Cooke /i TechnologyTM and ZEISS eXtended DataTM for lens metadata and distortion/ shading correction1. Features Canon Full-frame Back-illuminated Stacked CMOS sensor provides high sensitivity and low noise image 6K (6000 x 3164) / 60P 12-bit Cinema RAW Light format at maximum 2.1Gbps recording bit rate 4K (4096 x 2160) / 120P YCC422 10-bit XF-AVC Intra format at maximum 1.2Gbps recording bit rate 2K (2048 x 1080) / 180P YCC422 10-bit XF-AVC Intra format at maximum 300Mbps recording bit rate Support new file format XF-HEVC S and XF-AVC S / Long GOP which use computer -friendly format for easy editing Support 6K oversampling and debayering for high quality 4K video with less moiré[1] Canon Log 2 & 3 Gamma selection to realize a wide dynamic range up to 16stops Supports HDR (HLG and PQ) recordingSupports three switchable base ISO for the best dynamic range and S/N ratio depends on the scene Support new 3D LUT that converts to CMT DCI / CMT HLG / CMT PQ is provided for the gamma recorded by the camera Offers Tally and Return video for multi-camera live production Built-in Dual Pixel CMOS AF II with animal and body (people) detection for quick and accurate continuous AF function Built-in 5-axis electronic IS system, provide more powerful image stabilization effect when paired with a compatible RF lens supported optical IS 3.5" 2,760,000-dot high resolution LCD touch panel, able to choose focus point with a touch CFexpress (Type B) and SD card (UHS-II) slot for 6K RAW (CFexpress) / 2K proxy (SD card) simultaneous recording Built-in 2-stop, 4-stop, 6-stop, 8-stop and 10-stop ND filters Supports 24-bit / 48kHz 2-channel audio input New optional PL mount adaptor PL-RF for attaching PL lens Built-in Wi-Fi & Ethernet supports IP streaming for online video streaming in real time12G-SDI output terminal, able to view 4K video on 4K display with just one SDI cable Provides Cinema RAW Development software for RAW data preview and output Provides XF Utility software for XF-AVC video capture and playback Support EOS VR System, enables VR recording with a single sensor, providing a simple VR workflow without the need for post-shoot stitching What’s in the box EOS C400 Body Handle Unit Camera Grip (incl. grip attachment ring) LCD Monitor & Attachment Unit MC-5U Monitor Cable Microphone Holder & Screws Body Cap Tape Measure Hook Hex Wrench BP-A60N Battery CG-A20 Battery Charger CA-CP300B Power Adapter User Manual

Canon Cinema EOS C500 Mark II EF 5.9K Full Frame Digital Cinematography Camcorder with EF Lens Mount, 512GB CF Express Card & Card Reader.New generation Cinema EOS System with 5.9K Full Frame sensor in a compact body, delivers breathtaking image quality with Canon colour science. Newly developed technologies ensure great flexibility and reliability for all cinematographers.Breathtaking Full Frame image quality Canon’s own developed 5.9K full frame CMOS sensor delivers an immersive cinematic look combined with natural, smooth skin-tones and faithful colour reproduction with Canon colour science. The sensor also provides 15+ stop latitude with a wide colour space, perfect for High Dynamic Range productions.High quality and efficient recording formatsThe EOS C500 MARK II features a newly developed DIGIC DV 7 image processor which enables Cinema RAW Light recording internally at 5.9K, as well as supporting recording of Canon’s XF-AVC format in 4K 4:2:2 10-bit. FEATURES 5.9K Full Frame CMOS sensor Immersive Full Frame look with faithful colour reproduction Internal 5.9K Cinema RAW Light recording Efficient RAW file onto CFexpress 4K 4:2:2 10-bit Up to 810Mbps internal recording Dual CFexpress slots Simultaneous or relay recording High Dynamic Range support SMPTE ST 2084 and ITU-R BT.2100 (HLG) Pioneering Autofocus Technology Accurate and reliable, with touch screen control DIGIC DV7 Image Processor - to power the advanced features of the camera 12G-SDI terminal - Deliver 4K signal via single cable SUMMARYResolution: 1920 x 1080, 2048 x 1080, 2048 x 2160, 4096 x 2160, 5952 x 3140Video Resolution: 5.9KRecording Media: CFexpress, SD cardHDMI Output: YesSDI Output: YesLens Mount: Canon EFMaximum Video Resolution (recorded): 5952 x 3140Sensor Resolution (Mega Pixels): 18.69 MPSensor Size: Full FrameSensor Type: CMOSType: CineWeight: 0-2kgXLR Audio Input: Yes  

The EOS C70 is a new generation RF Mount Cinema EOS System camera featuring Canon´s 4K Super 35mm DGO sensor. With 4K 120P Slow Motion, High Dynamic Range and Dual Pixel CMOS AF ina compact body, it takes the RF System into a brand-new era. The EOS C70 is the first Cinema EOS System camera to employ the RF mount, which makes possible a compact and lightweight1 body that can be equipped with any of the RF lenses from Canon’s EOS R System. When equipped with the Mount Adapter EF-EOS R 0.71x (released in November 2020, sold separately), the camera can also support the rich lineup of lenses from the EF lens series2, opening up a myriad possibilities for creative cinematography and visual expression. Featuring a 4K Super 35mm CMOS DGO (Dual Gain Output) sensor, the EOS C70 can capture high-image-quality 4K video in 4:2:2 (10-bit) color that delivers rich gradation without losing focus, even in environments with significantly different levels of brightness. What’s more, the camera is equipped with the DIGIC DV7 image-processing platform capable of high-speed processing, enabling users to record high-framerate 4K/120P video to UHS-II standard SD cards. The EOS C70 is equipped with two SD card slots and supports a wide variety of dual-card recording modes such as simultaneous proxy recording to save backups, relay recording and 4K/2K recording. In addition, the camera enables smooth workflows thanks to features including a subject recognition algorithm that utilizes deep learning to detect and smoothly track subjects when using Dual Pixel AF, and a “Direct Touch Control” function that allows users to change recording settings quickly and directly from the camera’s touchscreen panel. 1 The EOS C70 measures approximately 160.0 mm (W) x 130.2 mm (H) x 115.9 mm (D) and weighs approximately 1,170 g. 2 Includes CN-E (EF cinema) lenses. Excludes EF-M lenses and EF-S lenses   Technical Specifications: Sensor: 4K Super35 DGO; DIGIC DV7 Image Processor Sensor Modi: Super 35mm/ Super 16mm (crop) Pixel: cca. 9,6 Megapixel / 4206x2280 Effective Sensor Screen Size: Super 35mm* 4096x2160 or 2049x1080 selected resolution: 26.2x13.8mm (29.6mm diagonal)* 3840x2160 or 1920x1080 selected resolution: 24.6x13.8 (28.2mm diagonal) Effective Pixels:* 4096x2160 approx. 8.85 megapixels when 4096 x 2160 or 2048 x 1080 is selected as resolution* 3820x2160 approx. 8.29 megapixels when 3840 x 2160 or 1920 x 1080 is selected as resolution Dynamic Range: * Canon Log 2: 1600% & 16+ stops* Canon Log 3: 1600% / 14 stops* Wide DR: 800% (at ISO 400) Internal recording Media: SD card for Cinema RAW Light LT, XF-AVC or MP4 recording, Dual Slot rec Rec Formats:* Cinema RAW Light (CRM)*: 12-bit RAW* XF-AVC (MXF) ALL-I or Long GOP, 4:2:2 10-bit* MP4 H.265/HEVC, 4:2:2 10-bit* MO4 H.264, 4:2:0 8-bit Frame Rates: * 59.94Hz mode (59,94 / 59,94i / 29,97p / 23.98p)* 50.00Hz mode (50p, 50i, 25p)* 24.00Hz mode (24p) HDMI Type A Connector 24V DC input Dimensions (Main Body Only): 16x 13x 11,6 cm Weight (Body Only): 1190g Operating Temperature Range:* approx. 0°C to 40°C (85% relative humidity)* approx. -5°C to 45°C (60% relative himidity) In the Box: C70 Body Handle Unit Mic Holder Unit Mic Holder Adapter Battery Pack BP-A30 Battery Charger CG-A20 Compact Power Adapter CA-CP200L Shoulder Strap Body Cap Measure Hook  

The EOS C80 Builds on the Success of the EOS R5 C and EOS C70, Combining Cutting-Edge Technology with a Compact and Ergonomic Design to Support Professional Users in Creative Filmmaking. Features Latest Canon Cinema Camera with 6K Full-Frame BSI Stacked Sensor 6K 30p internal RAW, 6K Oversampling with 4K 4:2:2 10-bit Recording High Frame Rate up to 2K 180p, 4K 12p Enhanced Low Light and Autofocus Performance Improved Support for Live Productions State-of-the-Art Technology: 6K Full-Frame BSI Stacked Sensor The EOS C80 is Canon’s second EOS Cinema camera to feature a Backside Illuminated (BSI) stacked CMOS sensor, first introduced with the EOS C400 earlier this year. This sensor enables stunning 6K full-frame recording with a dynamic range of 16 stops, offering exceptional sensitivity with minimal noise. The Canon EOS C80’s Triple Base ISO of 800, 3,200, and 12,800 allows effortless adaptation to varying lighting conditions, delivering optimal image quality in any environment. An intelligent automatic mode seamlessly switches between these native ISO settings, benefiting dynamic scenes such as news broadcasts or live sports events. Equipped with Canon’s renowned Dual Pixel CMOS AF II technology, the EOS C80 now features advanced autofocus functions for unparalleled precision and responsiveness. With responsive face, eye, and head tracking, as well as newly developed body and animal tracking, the subject remains in focus. Proven and Enhanced Design with Professional Connectivity Options The EOS C80 retains the compact and familiar form of the EOS C70, with refined ergonomics that are especially beneficial for handheld use or mounting on gimbals and drones. The newly designed and detachable top handle enhances comfort, while a new multifunctional accessory shoe expands compatibility with audio accessories. Additionally, the camera features a brighter LCD display for improved visibility in outdoor use. The redesigned joystick is now closer to the thumb, making operation easier. As the latest addition to the Cinema EOS System, the EOS C80 supports the Canon PL-RF adapter, opening up a world of creative possibilities. Filmmakers can access a broad range of PL mount lenses, including support for Cooke /i Technology™ metadata. Integrated Wi-Fi and Ethernet connectivity ensure seamless file transfer, camera control, IP streaming, and optimized collaboration on set. Real-time capture and output of lens metadata and directory data enable workflow efficiency and creative control for VFX and virtual productions. The integrated VR functions are optimized for use with the Canon RF 5.2mm F2.8 L Dual Fisheye lens, delivering a realistic filming experience. Higher Quality Recording Formats The new Cine Camera offers a range of professional recording formats and high frame rates to meet the demands of any production. It supports 12-bit Cinema RAW Light up to 6K 30p and also introduces new MP4 video formats such as XF-AVC S and XF-HEVC S. These options provide exceptional 4K 4:2:2 10-bit image quality with oversampling at manageable file sizes, optimizing workflows from recording to post-production. All recording formats benefit from detailed metadata and structured filenames for seamless organization and efficient editing.

The EOS C200 Digital Cinema Camera is a "ready-to-go" production camera that comes with a built-in electronic viewfinder and an array of accessories including a 4-inch touch screen LCD monitor, a versatile handle and ergonomic handgrip. The camera can record internal 4K RAW to a CFast™ 2.0 card in Canons new Cinema RAW Light format without compromising detail, as well as 4K UHD and Full HD in MP4 format to SD cards. The 8.85 Megapixel Super 35mm CMOS sensor, 13 stops of dynamic range, Dual Pixel CMOS AF, full compatibility with Canon EF-mount lenses, and HDR capability help make the EOS C200 ideal for film, documentary and television production, corporate and event videography, and newsgathering. The camera's multitude of features helps deliver outstanding image quality, performance and versatility. EOS C200 Kit Contents EOS C200 Camera Body LCD Touch Panel Monitor (LM-V1) LCD Attachment Unit (LA-V1) Handle Unit (HDU-2) Camera Grip (GR-V1) Shoulder Strap (SS-1200) AC Adapter (CA-A10) Battery Pack (BP-A30) Battery Charger (CG-A20) Compact Power Adapter (CA-CP200B) 50cm Unit Cables (UN-5) Eyecup Mic Holder Unit Tape Measure Hook x1 Thumb Rest Body Cap

The EOS C300 Mark II Digital Cinema Camera delivers improved image-expression capabilities and operability advances not only including a fast dual pixel auto-focus system but also in-camera 4K recording to two CFast card slots and 2K/Full HD recording to an SD card slot, up to 15 stops of dynamic range, 10-bit Canon Log Gamma 2 recording, and MXF support for a diverse array of workflow environments.  

Canon’s EOS C700 FF top-end digital cinema camera features a full frame CMOS sensor designed to meet an extensive range of production needs. The camera’s full frame sensor provides higher resolution and produce footage with shallower depth of field than Canon cameras with Super 35 sized sensors, giving filmmakers a variety of creative options.  

FEATURESThe EVF-V70 OLED Viewfinder is an electronic viewfinder for the Canon C700 that features a 1920 x 1080 resolution, making it suitable for critical 4K applications. The EVF puts its controls at your fingertips, offering four assignable buttons plus a menu navigation joystick and menu selector that are both readily accessible. It features false color and zebra to assist in exposure, and there is a magnification mode for critical focus.SUMMARY     Four assignable buttons     Magnification, false color, and zebra patterns     Joystick and menu select dial/button     Self-illuminating buttons