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Leitz 35mm M 0.8 Leitz f/1.4
The M full frame lenses have captured unique, iconic images for over than 60 years around the world. To bring the characteristics of these lenses directly to the cinema world, Leitz Cine Wetzlar designed the new M 0.8 lenses. The complete set contains focals of 21mm, 24mm, 28mm, 35mm, 50mm, 50-N, 75mm and 90mm. The M 0.8 lenses interpret light and skin tones with a unique sense of clarity, color and charisma. FEATURES Focal Length:        35 mm Max. Aperture:     f/1.4 Format:                  Full Frame (24mm x 36mm) Mount:                   Leica M-Mount Front Diameter:    80mm Weight:                   380g CAMERA COMPATIBILITY Sony VENICE ARRI Alexa Mini/Amira RED Monstro and more - see comparative table:  

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Raptor T2.9 150mm Lens
  IB/E Optics Raptor T2.9 150mm Cine Macro Lens - UMS PL Mount The RAPTOR lenses featuring full frame (24×36) coverage and beyond, 1:1 magnification, T-Stop 2.9 as well as robust and durable professional cine mechanics. Features: Maximum magnification 1:1 No change in length, thanks to internal focusing extended color correction (APO) Aperture T 2.9-T22 Constistent distance from flange to iris- and focusring Front diameter of 95 mm M0.8 gear wheels for focus and iris UMS PL Mount (LPL, Canon EF, Sony NEX E,...) Robust and durable mechanical design Data sheet downloadAPO CINE MACRO LENS FAMILY    

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Raptor T2.9 60mm Lens
  IB/E Optics Raptor T2.9 60mm APO Cine Macro VV Lens - UMS PL Mount All RAPTOR lenses featuring full frame (24x36) coverage and beyond, 1:1 magnification, max T-Stop 2.9 as well as robust and durable professional cine mechanics. Features: Maximum magnification 1:1 No change in length, thanks to internal focusing extended color correction (APO) Constistent distance from flange to iris- and focusring Front diameter of 95 mm M0.8 gear wheels for focus and iris UMS PL Mount (LPL, Canon EF, Sony NEX E, …) Robust and durable mechanical design Data sheet downloadAPO CINE MACRO LENS FAMILY  

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Raptor T2.9 100mm Lens
  IB/E Optics Raptor T2.9 100mm Cine Macro Lens - UMS PL Mount The RAPTOR lenses featuring full frame (24×36) coverage and beyond, 1:1 magnification, T-Stop 2.9 as well as robust and durable professional cine mechanics. Features: Maximum magnification 1:1 No change in length, thanks to internal focusing extended color correction (APO) Aperture T 2.9-T22 Constistent distance from flange to iris- and focusring Front diameter of 95 mm M0.8 gear wheels for focus and iris UMS PL Mount (LPL, Canon EF, Sony NEX E,...) Robust and durable mechanical design Data sheet downloadAPO CINE MACRO LENS FAMILY    

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Sony VENICE CineAlta 6K FullFrame camera
Next generation camera with forward thinking full frame sensor, phenomenal color science and user-friendly operation Simple and intuitive Usability and reliability of the camera is one of the major concerns for operators, especially in tough or time-critical filming conditions. With a user-friendly design, clear and simple menu navigation, and a highly durable, reliable construction, VENICE lets you simply concentrate on filming, and not the camera.   Full-Frame sensor for cinema VENICE features an all-new Full-Frame sensor with the classic 36 x 24-mm dimensions that have been a staple of photography for over 100 years. Designed exclusively for high-end cinematography, this sensor can capture images up to a maximum resolution of 6048 x 4032. Switchable imager modes mean VENICE can support an unprecedented number of cinematic aspect ratios for complete creative freedom:   Full width 36 mm 6K In full-frame, you can use the full 6048 pixel width of the sensor for 6K imager modes such as 3:2, 2.39:1*, 1.85:1, 17:9, and 16.9*. Equivalent to 4-perforation motion picture film, these 6K modes allow for extra-shallow depth of field, super-wide shooting, and other creative effects.   Super35 anamorphic 4K For super-wide screen productions, VENICE offers two full-height 2x squeeze anamorphic imager modes that include 6:5 and 4:3 recording modes for 12:5 (known as 2.39:1) and 8:3 (2.66:1) scenes, respectively. Explore how VENICE can meet your production requirements with the firmware and licensing requirements in the aspect ratio chart: Fast shutter VENICE’s high-speed readout sensor minimizes the jello effect typical in CMOS sensors.   Phenomenal latitude VENICE has an exceptional 15+ stops of latitude, with low noise for extraordinary performance in delivering phenomenal images in conditions from searing sunlight to almost no light. VENICE’s real-world performance also excels at High Dynamic Range imaging and allows unprecedented creative freedom in grading.   More colors for more expression VENICE can exceed Rec. 2020 color space. This means the color range is wider than DCI-P3 and can beautifully reproduce the true color of the scene in front of your lens. This also provides the broad palette in the grading suite using the established workflow of Sony’s third-generation LOG gamma encoding (S-Log3) and ultra-wide color space.   More colors for more expression VENICE can exceed Rec. 2020 color space. This means the color range is wider than DCI-P3 and can beautifully reproduce the true color of the scene in front of your lens. This also provides the broad palette in the grading suite using the established workflow of Sony’s third-generation LOG gamma encoding (S-Log3) and ultra-wide color space.   Dual Base ISO VENICE has a base ISO of 500 to provide the optimal dynamic range for typical cinematography applications with on-set lighting. A secondary High Base ISO of 2500 excels in low-light High Dynamic Range capture, with an exposure latitude from 6 stops over to 9 stops under 18% Middle Gray, for a total of 15 stops. High Base ISO 2500 is ideal whenever you’re using slow lenses or shooting dimly-lit environments. Combining ISO2500 with VENICE’s internal eight-step Optical ND filter system offers the ability to emulate different ISOs while maintaining maximum latitude of +6 and -9 stops, enabling you to use VENICE as an ISO1250 camera.     World’s first 8-step mechanical ND Filters VENICE is the world’s first camera of its class with a servo-controlled 8-step mechanical ND filter mechanism built into the camera chassis. It offers a massive ND of 0.3 (1/2 = 1 stop) to ND2.4 (1/256 = 8 stops) range that reduces time lost on set changing external filters. The ND filters also greatly increase VENICE’s flexibility when being controlled remotely on drones and cranes, or in an underwater housing.     Next generation viewfinder The DVF-EL200 was created as the perfect partner for VENICE. A 1920 x 1080 OLED panel enables precise, high-resolution focusing and framing, including False Color Display at the touch of a button. A rotary encoder provides instant access to brightness, peaking and contrast. An all-new ergonomic design allows for tool-free attachment/detachment and reconfiguring within seconds. The industry-standard LEMO connector offers exceptional durability.    Engineered to survive VENICE’s chassis is engineered to be amazingly robust and has been rigorously tested in the harshest conditions. Its ventilation system is completely isolated from all electronic components to prevent ingress of dust, sand and splash. The silent-running fan can be cleaned or even swapped out on set quickly and easily.   Easily configurable VENICE has a fully modular design and even the sensor block is interchangeable. So, as sensor technology advances in far future, you have the opportunity to upgrade without investing in a new camera. In order to maintain ergonomic balance for operators, the top handle and viewfinder are easily adjustable. As the height of the camera from the bottom to the optical center of the lens mount is the same as the F55, base plates and other accessories used for the F55 can be used with VENICE. The AXS-R7 recorder can be attached to VENICE with just four screws.   Additional features of the Venice camera: native PL- and E-mount (Lever lock type) anamorphic aspect ratios of 4:3 and 6:5 at 4K for shooting both 2.4:1 and 2.66:1 widescreen desqeeze function on monitor out for several anamorphic squeeze factors up to 16bit of tonal range when recording in RAW or X-OCN (16-bit eXtended tonal range Original Camera Negative) file formats downsampling from Full Frame Image with 6K resulution to 4K XAVC codec parallel recording of Proxy Files or XAVC on SxS cards while recording 6K (RAW or X-OCN) on AXS cards the Select FPS function lets you choose frame rates from 1 frame per second to as high as 120 fps, depending on imager mode.  *Note: higher Framerates than 60fps require the HFR License available from summer 2019 several control tools for checking aperture an focus such as: up to 4.0x Dot-by-Dot magnification of the viewfinder image, Surround View (Look Around), High/Low Key, USER 3D LUTs, ACES compatibility Full menu control via web browser based wired and wireless connection and much more...  More information about the Sony VENICE can be found at www.sonycine.com  Download Technicolor Look Collection for VENICE here.

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Cameras
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Arri ALEXA Mini LF
Combining the compact size and low weight of the popular ALEXA Mini with the large-format ALEXA LF sensor, ALEXA Mini LF brings exciting new creative possibilities to ARRI's large-format camera system. The LF camera system consists of the high-speed ALEXA LF and ALEXA Mini LF cameras, ARRI Signature Prime lenses, LPL lens mount, PL-to-LPL adapter, and Lens Data System LDS-2. The combined feature sets and form factors of ARRI's two large-format cameras encompass al on-set requirements.FEATURES Immersive large-format look Lower noise with higher usable sensitivity Highes dynamic range of any production camera ARRI color science for natural skin tones, easy color correction and clean VFX Perfect for High Dynymic Range (HDR) and Wide Color Gamut (WCG) displays Robust and reliable Easy to operate and use on set Fast and efficient workflows Internal recording to new Codex Compact Drive Uncompressed and unencrypted MXF/ARRIRAW Fast and efficient MXF/Apple ProRes New Codex Compact Drive 1TB is small, tough and cost-efficient Affordable Compact Drive Reader works without license or extra software Compact Drive Adapter is compatible with SXR Capture Drive Docks New MVF-2 high-contrast HD viewfinder HD OLED display, color science and ARRICAM eyepiece like ALEXA LF EVF-2 Optimal judgement of focus, dynamic range and color Stable color balance through temperature-controlled display Large 4" flip-out monitor shows image or camera menu Three operation medes: single operator, crew or remote New flexible and reliiable CoaXPress VF cable, up to 10 m/33 ft The ALEXA Mini LF uses the same sensor as the ALEXA LF. This is the ALEV 3 A2X sensor, which has the same photosite size and type as the Super 35 ARRI digital cameras. It has 4448 x 3096 photosites (yes, it is therefore a 4.5K sensor) and measures 36.70 x 25.54 mm. The ALEXA Mini LF (left) has the same dimensions and the same mounting points as the ALEXA Mini (right), except for the media bay on the camera left side. Our current prototypes weigh in at 2.6 Kg/5.7 lbs for the camera body with LPL lens mount and 800 g/1.7 lbs for the MVF-2 viewfinder.Arri-Alexa-LF-two-sidesAdditional new features Three internal, motorized large-format FSND filters: ND 0.6, 1.2 and 1.8 New dedicated, regulated 12 V and 24 V accessory power outputs New SYNC IN and improved AUDIO connectors Two built-in microphones Six user buttons on camera's left side One LOCK button each for camera and viewfinder Additional external WiFi antenna Easier access to media, VF and TC connectors Great system compatibility Same sensor and recording formats as ALEXA LF Compatible with LPL and PL mount lenses, Super 35 and full frame Supports all anamorphic de-squeeze ratios Compatible with almost all ALEXA Mini accessories Compatible with ARRIand cmotion wireless remote systems Works with 12 V and 24 V on-board batteries (~65 W power draw) 

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Canon EOS C300 Mark III
The next generation EOS C300 Mark III incorporates Canon’s newly developed 4K Super 35mm DGO sensor, with 4K 120p Slow motion, High Dynamic Range and Dual Pixel CMOS AF into the same body as the EOS C500 Mark II. New 4K Super 35mm CMOS Dual Gain Output (DGO) Sensor A new developed 4K Super 35mm DGO sensor delivers high resolution image with 16 stops of dynamic range and ISO up to 102,400.The DGO (Dual Gain Output) Sensor is a newly-developed imaging system that generates high dynamic range and maintains low-noise levels by reading out each pixel with different gains. It combines images using pixels shot with a saturation-prioritizing amplifier for bright areas, and a lower-noise noise-prioritizing amplifier for darker areas. DIG!C DV7 Image Processor The EOS C300 Mark III features Canon’s DIG!C DV7 image processor that takes the extensive RAW information captured from the imaging sensor and processes it for output. DiG!C is also the engine behind features such as high frame rate recording, Dual Gain Output (DGO) Sensor, Dual Pixel Autofocus, Cinema Raw Light Recording, HDR (PQ) output, Electronic Image Stabilization, and proxy recording. Multiple Recording Formats Dual card slots enable simultaneous internal recording of 4K Cinema RAW light files (10/12-bit) or 4K XF-AVC files (4:2:2, 10-bit) onto CFexpress cards. A Proxy can also be recorded onto SD card.Cinema RAW Light: 4K up to  1Gbps or 2.1Gbps at 120fpsXF-AVC: 4K 4:2:2 10-bit up to 810Mbps or 2Gbps at 120fps LM-V2 4.2" LCD Touchscreen Monitor The LM-V2 4.3” LCD Monitor is an easy to view touch panel with approx. 2.76 million dots. The monitor easily attaches to the EOS C300 Mark III using included accessories and can be adjusted to different viewing positions. The LCD monitor is capable of displaying both image framing and visual confirmation of camera settings.  4-Channel Audio Recording Canon EOS C300 Mark III supports up to 4-channel audio recording. Audio input from the camera’s internal microphone, mini mic port, and XLR ports can be assigned to the 4 different audio channels. With Expansion Unit EU-V2, a total of 4 XLR ports are supported. Dual Pixel CMOS AF Technology For DAF, each pixel in the camera´s CMOS sensor is configured with two photodiodes. Two independent image signals can then be detected at each photosite and compared using phase-difference to provide autofocus with compatible lenses. DAF can survey the scene and recognizes not only whether the subject is in focus or not, but in which direction (near or far), and by how much. Interchangable Lens Mounts Canons EOS C300 Mark III ships with EF-Mount which can be easily user swapped (by removing four M3 hex screws) to an optical Lockin EF (EF-C) or PL-mount.   Technical Specifications: 4K Super35 DGO Sensor and DIGIC DV7 image processor 4K recording 12fps - 120fps in Cinema RAW Light and XF-AVC 2K (crop) mode recording 12fps - 180fps in XF-AVC Sensor-Modi: Super 35mm (Crop) / Super 16mm (crop) Pixel: cca. 9,6 Megapixel / 4206x2280 Effective Sensor area: Super 35mm* 4096x2160 or 2049x1080 selected resolution: 26.2x13.8mm (29.6mm diagonal)* 3840x2160 or 1920x1080 selected resolution: 24.6x13.8 (28.2mm diagonal) Dual Gain Output (16+ stops of dynamic range) Internal 4K Cinema RAW light recording 4K 4:2:2 10-bit and up to 810Mbps internal recording Dual CFexpress slots Supports both Canon Log 2 and Canon Log 3 Gamma. Dual Pixel Autofocus with touch screen control High Dynamic Range support (SMPTE ST 2084 and ITU-R BT.2100) Upload and apply custom LUTs Supports 4K resolution up to 60p output via single 12G-SDI cable ND Filters 2/4/6 and extended 8/10 stops 1.3x and 2.0x Anamorphic Desqueeze Same built-in five-axis electronic Image Stabilization as EOS C500 MK II Approx. Camerabody weight: 1.750g In the Box: C300 Mark III Body LCD Monitor LM-V2 LCD Attachment Unit LA-V2 Unit Cable UN-5 Camera Grip GR-V1 Handle Unit Mic Holder Unit Battery Pack BP-A60 Battery Charger CG-A20 Compact Power Adapter CA-CP200B AC Power Cable Shoulder Strap SS-1200 Extension System Attachment Bracket Thumb Rest Body Cap Allen wrenched bolts  

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Canon EOS C300 MkII Touch Focus Kit
The Canon EOS C300 Mk II Touch Focus Kit consists of a C300 Mk II digital cinema camera with EF Mount, LM-V1 4" Touchscreen LCD Monitor (identical to that shipping with the C200), and MA400 XLR Accessory, which is a separate XLR unit. Using these two accessories instead of the traditional "clamshell" Monitor/XLR unit (not included) enables a more flexible, streamlined configuration. If the user does not require XLR functionality, the C300 Mark II can be used with the LCD only for an incredibly compact camera build (ideal for use with Gimbal Stabilizers). The original top handle is still included and compatible with the new configuration options.CameraThe Canon EOS C300 Mark II Digital Cinema Camera with EF lens mount features a dynamic range of 15 stops, CFast recording technology, 4K/2K/Full HD internal and external recording with 4K RAW output, plus a new 10-bit Canon Log 2 Gamma. Canon also improved the Dual Pixel CMOS Autofocus along with an innovative focus assist engineering. This camera was remodeled with user input to enhance the user experience of studio motion picture applications, broadcast, indie productions, sports, and many more.SensorThe redesigned camera boasts an 8.85 Megapixel Canon Super 35mm 16:9 CMOS image sensor. It supports up to 4K DCI recording with a maximum resolution of 4096x2160 pixels. Data from the 4K sensor, working with its dual Canon DIGIC DV5 image processors, delivers Over-Sampling HD Processing for reduced-moiré 2K (DCI)/Full 1080-60p HD recording and Dual-Pixel CMOS Autofocus.The dual DIGIC DV5 image processors also help to reduce visual noise and enable high-sensitivity shooting at a maximum speed of ISO 102,400 (+54dB) for sharp, clear image capture using only ambient lighting. The EOS C300 Mark II camera also incorporates a trio of XF-AVC H.264 codecs to enable in-camera 4K (DCI) recording to dual CFast card slots and 2K/Full HD recording to an SD card slot. For external recording and monitoring, twin 3G-SDI outputs capable of 4K RAW output are included on the rear of the camera body. You can choose among multiple recording modes, resolutions, and frame rates to meet your individual production needs.Each pixel in this CMOS imaging sensor also maintains a wide pixel pitch to maximize the amount of light which falls on each photo site. This enhances the sensitivity while also minimizing noise. It also supports ISO speeds of up to 102,400 for low-light imaging. This sensor reduces data-readout time to about half of what it was in the original EOS C300 Camera, which results in a significant reduction in rolling-shutter artifacts.AutofocusThe Autofocus now includes an expanded focusing area and Face Detection when used in combination with Canon EF lenses. Each pixel in the camera's CMOS sensor is configured with two photodiodes. Two independent image signals can be detected at each photosite. By implementing phase-difference AF, smooth focusing is accomplished using Canon EF lenses with much higher speed and accuracy than was possible with previous technologies.Canon expanded the DAF focusing area to approximately 80% (vertically) x 80% (horizontally). You can move the focus area using the convenient 4-direction key to provide you with a more manual control over Autofocus operation. This only functions when the Guide Area is within the Dual Pixel CMOS AF Range.Face Detection AF on Canon EF lenses will recognize a face, focus on it, then follow that face when it moves.One innovative feature of the enhanced AF allows you to confirm if you are focused in front of or behind the subject through visual observation. In this manner, quick and accurate manual focus can be achieved.LensesThe C300 Mark II is compatible with the full range of 100 Canon EF and EF-S photographic lenses, including specialty tilt-shift and fisheye models, plus Canon CN-E Cinema prime and zoom lenses, including the ENG-style Canon CINE-SERVO zooms. New Dual-Pixel CMOS AF capabilities of the EOS C300 Mark II are enabled by the AF motors in Canon EF lenses. The improved EF lens communication capabilities of the EOS C300 Mark II camera allow for the display of CN-E Cinema lens T-values, lens metadata acquisition, and chromatic aberration correction on the camera’s LCD Monitor/EVF/Output display.ImprovementsThe Canon EOS C300 Mark II Digital Cinema Camera facilitates operation and creative freedoms, such as full manual control, an Ultra-High Resolution 1.77 Megapixel color OLED EVF with adjustable 60° tilting angle, a built in internal mono reference microphone, a removable hand grip, and an improved camera handle extension with additional attachment points. The modular design of the EOS C300 Mark II camera accommodates many third-party accessories.A new log gamma designated as Canon Log Gamma 2 was designed explicitly for the camera's 10-bit recording capabilities. The files produced using Log format are ideal for color correction and grading in post-production. Canon did this to produce a high level of creative freedom while minimizing degradation of image quality. When using Canon Log 2, the Cinema EOS C300 Mark II can provide a dynamic range up to 1600%.Be sure to check out the images where a chart on Slow and Fast Motion recording has been provided for your reference.RecordingThe Canon EOS C300 Mark II employs CFast (CompactFast) 2.0 cards for in-camera 4K video recording. The camera features two CFast card slots. Each slot is protected by a convenient hinged cover. The camera also includes an SD card slot for HD and Proxy recording. The camera can simultaneously record 4K on two CFast (2.0) cards along with 2K proxy images on its SD card for off-line editing. Canon provided a chart to show the memory cards verified for the EOS C300 Mark II.ErgonomicsThis camera builds on the efficient ergonomic design of the original, while adding new advantages. Redesigned to maximize shooting comfort and the usability improvements asked for by users, the EOS C300 Mark II Digital Cinema Camera's modular design allows different components to be added or removed as needed to meet both the demands of a particular shooting environment and the comfort of the camera operator. In addition to the core body, the EOS C300 Mark II Digital Cinema Camera comes with a removable hand grip, and improved low-angle camera handle extension with additional attachment points. Connectivity & ControlThe C300 MK II arrives equipped with (2) 3G-SDI, a gunlock input, a timecode input/output, and an HDMI output. It also includes a remote terminal, a standard headphone jack, and both an audio and a video terminal to connect exclusively to a monitor.The camera supports the Canon RC-V100 remote controller (sold separately) to enable adjustments to camera controls and image quality from a distance. It supports a variety of third-party LANC accessories.You do not need a remote to achieve remove control though. Use a standard web browser on a WiFi capable device (your smart phone, laptop, tablet, etc.) to take dynamic control of your camera functionality. Canon added focus control functions. You can adjust the focus area by touch. The EOS C300 Mark II camera offers full manual control of functions such as iris, shutter speed, gain, zoom, focus, and audio. The user also has access to Custom Picture Settings, Custom Functions, and Custom Display Options.The Canon LM-V1 LCD Monitor is a fully adjustable and detachable 4" display for the Canon C200 & C300 Mk II digital cinema cameras. This 1.23 million dot, touch capacitive monitor features Canon's exclusive AF technologies for easy monitoring and one-finger "tap-focusing" during shooting.The Canon MA-400 Microphone Adapter allows you to mount a microphone on your Canon EOS C300 MK II Camera or Canon XC15 4K Professional Camcorder. The Mic Adapter fits on your camera accessory shoe so you can hold an optional on-board microphone. The Mic Adapter is powered by the camera or camcorder's power supply and does not require additional power or batteries to operate.The Microphone Adapter provides the ability to use the INPUT Terminals to record audio from your compatible microphone (19-20 mm diameter) or analog line in sources with an XLR connector.Attach the MA-400 to your camera or camcorder by sliding the attachment base into your camera or camcorder's accessory shoe, then tightening the lock screw to secure in place. Connect the AUDIO terminal to the camcorder or camera AUDIO terminal with the appropriate cable. A cable clamp can be helpful to keep this cable from snagging as you move the camera during recording.Your condenser microphone with its own power supply and a 3.5mm stereo mini jack/plug can be used in the Microphone Adapter. To attach your microphone to the MA-400 Microphone Adapter, begin by loosening the microphone lock screw on the top of the Adapter. Open the microphone holder to insert your microphone, then tighten the lock screw. The microphone cable feeds through the cable clamp under your microphone holder. Place the mic cable into either an INPUT Terminal or a MIC Terminal (Input 1 and Input 2) on this Mic Adapter.Includes: C300 MkII Body / without Standard-display Touch LCD LM-V1 / the same unit included in C200 MA-400 XLR-accessory Mount Arm Small HD  

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Canon EOS C400
Convincing performance for cinema, live broadcasting and virtual roductionAdapting to the evolving needs of the market and designed with versatility in mind, the EOS C400 offers an all-in-one solution tailored to support a vast range of different productions, from indie cinema and documentary, live and virtual broadcasts to the electronic news gathering field. The EOS C400 is the first high-end RF mount cinema EOS camera, ushering in a groundbreaking new era for Canon products particularly within the EOS R System. Compact yet mighty, the innovative design packs advanced features and specifications typically found in larger cameras into a more nimble box shaped design, prioritising ease of use and operability without compromising on capability. Moreover, specific in-camera connectivity such as genlock, return input and 12-pin lens terminal all support live multi-camera productions. BSI sensor and triple ISO The EOS C400 is equipped with a cutting-edge 6K full frame backside-illuminated, stacked CMOS sensor (BSI), boasting 16 stops of dynamic range. The technology enhances light capture efficiency and facilitates faster readouts, ensuring superior image quality. Setting a new standard, the camera introduces the Canon triple base ISO technology, crafted for optimal performance in low light environments and delivering the cleanest optical results. With base ISO levels of 800, 3,200 and 12,800 when shooting in Canon Log 2 or 3, users have greater flexibility when it comes to shooting in challenging lighting conditions. To make the shooting process that much easier, an automatic switching mode detects ambient lighting and adjusts the base ISO level accordingly, enhancing the overall user experience. RF mount Supporting Canon RF mount technology, the EOS C400 seamlessly integrates with a wide array of RF prime, zoom, hybrid, cinema and VR lenses. For added flexibility without the need for third party accessories, the camera also supports the option to use a variety of Canon’s EF-EOS R mount adapters as well as the new PL-RF mount adaptor. Additionally, the camera has enhanced metadata capabilities and connectivity options facilitating real time frame-by-frame data capture enhancing both VFX and Virtual Production workflows. Dual Pixel CMOS AF II Canon is now introducing its Dual Pixel CMOS AF II to its cinema EOS system, providing filmmakers with improved autofocus features. With comprehensive 100% coverage across the sensor plane, the Dual Pixel CMOS AF II delivers swift and precise performance, upgrading filmmaking clarity and reliability whilst providing piece-of-mind that you are nailing the shot every time. This latest system also unlocks additional benefits such as face/ eye/ body tracking and animal detection and tracking, especially useful when working solo in a fast-paced environment. Recording formats With more options when it comes to internal recording formats, users can now tailor the format to suit their specific needs. Options include Canon’s scalable 12-bit Cinema RAW Light LT/ ST/ HQ, reliable 4:2:2 10-bit XF-AVC and all-new MP4 based XF-AVC S and XF-HEVC S formats, accommodating several types of professional requirements. All of which accommodate detailed filmmaking workflows with professional filename and metadata support. Compact design Users familiar with the EOS C500 Mark II will appreciate the EOS C400’s recognisable design, now upgraded with an even more compact form while still offering an extensive array of connectivity. This enables operators to access the full suite of features typically associated with larger scale production cameras without the burden of size, weight or attaching additional modules. The new compact design and enhanced accessories such as a versatile LCD bracket, advanced top handle and improved hand grip offer compatibility with a range of shooting styles whether handheld, on a gimbal, drone or shoulder-mounted. Introducing the latest Cine Servo lens The all new CN7x17 KAS T available with either RF or PL mount sits within the Canon Cine Servo lens range, an evolution to the previous CN7x lens but with improved updates designed to bolster operational performance and extend compatibility with virtual and VFX workflows. With an expansive 7x optical zoom and 17-120mm focal length, the lens appeals to live sports and news, documentary, film, remote and virtual productions. 11 iris blades produce softly diffused highlights and silky out of focus backgrounds. Among its standout features are improved connectivity between the lens and camera, streamlining processes such as real-time lens distortion correction, frame by frame lens metadata and virtual production workflows with an Unreal Engine plug-in tailored for the EOS C400. The PL mount variant of the lens supports both Cooke /i TechnologyTM and ZEISS eXtended DataTM for lens metadata and distortion/ shading correction1. Features Canon Full-frame Back-illuminated Stacked CMOS sensor provides high sensitivity and low noise image 6K (6000 x 3164) / 60P 12-bit Cinema RAW Light format at maximum 2.1Gbps recording bit rate 4K (4096 x 2160) / 120P YCC422 10-bit XF-AVC Intra format at maximum 1.2Gbps recording bit rate 2K (2048 x 1080) / 180P YCC422 10-bit XF-AVC Intra format at maximum 300Mbps recording bit rate Support new file format XF-HEVC S and XF-AVC S / Long GOP which use computer -friendly format for easy editing Support 6K oversampling and debayering for high quality 4K video with less moiré[1] Canon Log 2 & 3 Gamma selection to realize a wide dynamic range up to 16stops Supports HDR (HLG and PQ) recordingSupports three switchable base ISO for the best dynamic range and S/N ratio depends on the scene Support new 3D LUT that converts to CMT DCI / CMT HLG / CMT PQ is provided for the gamma recorded by the camera Offers Tally and Return video for multi-camera live production Built-in Dual Pixel CMOS AF II with animal and body (people) detection for quick and accurate continuous AF function Built-in 5-axis electronic IS system, provide more powerful image stabilization effect when paired with a compatible RF lens supported optical IS 3.5" 2,760,000-dot high resolution LCD touch panel, able to choose focus point with a touch CFexpress (Type B) and SD card (UHS-II) slot for 6K RAW (CFexpress) / 2K proxy (SD card) simultaneous recording Built-in 2-stop, 4-stop, 6-stop, 8-stop and 10-stop ND filters Supports 24-bit / 48kHz 2-channel audio input New optional PL mount adaptor PL-RF for attaching PL lens Built-in Wi-Fi & Ethernet supports IP streaming for online video streaming in real time12G-SDI output terminal, able to view 4K video on 4K display with just one SDI cable Provides Cinema RAW Development software for RAW data preview and output Provides XF Utility software for XF-AVC video capture and playback Support EOS VR System, enables VR recording with a single sensor, providing a simple VR workflow without the need for post-shoot stitching What’s in the box EOS C400 Body Handle Unit Camera Grip (incl. grip attachment ring) LCD Monitor & Attachment Unit MC-5U Monitor Cable Microphone Holder & Screws Body Cap Tape Measure Hook Hex Wrench BP-A60N Battery CG-A20 Battery Charger CA-CP300B Power Adapter User Manual

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Canon EOS C500 Mark II
Canon Cinema EOS C500 Mark II EF 5.9K Full Frame Digital Cinematography Camcorder with EF Lens Mount, 512GB CF Express Card & Card Reader.New generation Cinema EOS System with 5.9K Full Frame sensor in a compact body, delivers breathtaking image quality with Canon colour science. Newly developed technologies ensure great flexibility and reliability for all cinematographers.Breathtaking Full Frame image quality Canon’s own developed 5.9K full frame CMOS sensor delivers an immersive cinematic look combined with natural, smooth skin-tones and faithful colour reproduction with Canon colour science. The sensor also provides 15+ stop latitude with a wide colour space, perfect for High Dynamic Range productions.High quality and efficient recording formatsThe EOS C500 MARK II features a newly developed DIGIC DV 7 image processor which enables Cinema RAW Light recording internally at 5.9K, as well as supporting recording of Canon’s XF-AVC format in 4K 4:2:2 10-bit. FEATURES 5.9K Full Frame CMOS sensor Immersive Full Frame look with faithful colour reproduction Internal 5.9K Cinema RAW Light recording Efficient RAW file onto CFexpress 4K 4:2:2 10-bit Up to 810Mbps internal recording Dual CFexpress slots Simultaneous or relay recording High Dynamic Range support SMPTE ST 2084 and ITU-R BT.2100 (HLG) Pioneering Autofocus Technology Accurate and reliable, with touch screen control DIGIC DV7 Image Processor - to power the advanced features of the camera 12G-SDI terminal - Deliver 4K signal via single cable SUMMARYResolution: 1920 x 1080, 2048 x 1080, 2048 x 2160, 4096 x 2160, 5952 x 3140Video Resolution: 5.9KRecording Media: CFexpress, SD cardHDMI Output: YesSDI Output: YesLens Mount: Canon EFMaximum Video Resolution (recorded): 5952 x 3140Sensor Resolution (Mega Pixels): 18.69 MPSensor Size: Full FrameSensor Type: CMOSType: CineWeight: 0-2kgXLR Audio Input: Yes  

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Canon EOS C70
The EOS C70 is a new generation RF Mount Cinema EOS System camera featuring Canon´s 4K Super 35mm DGO sensor. With 4K 120P Slow Motion, High Dynamic Range and Dual Pixel CMOS AF ina compact body, it takes the RF System into a brand-new era. The EOS C70 is the first Cinema EOS System camera to employ the RF mount, which makes possible a compact and lightweight1 body that can be equipped with any of the RF lenses from Canon’s EOS R System. When equipped with the Mount Adapter EF-EOS R 0.71x (released in November 2020, sold separately), the camera can also support the rich lineup of lenses from the EF lens series2, opening up a myriad possibilities for creative cinematography and visual expression. Featuring a 4K Super 35mm CMOS DGO (Dual Gain Output) sensor, the EOS C70 can capture high-image-quality 4K video in 4:2:2 (10-bit) color that delivers rich gradation without losing focus, even in environments with significantly different levels of brightness. What’s more, the camera is equipped with the DIGIC DV7 image-processing platform capable of high-speed processing, enabling users to record high-framerate 4K/120P video to UHS-II standard SD cards. The EOS C70 is equipped with two SD card slots and supports a wide variety of dual-card recording modes such as simultaneous proxy recording to save backups, relay recording and 4K/2K recording. In addition, the camera enables smooth workflows thanks to features including a subject recognition algorithm that utilizes deep learning to detect and smoothly track subjects when using Dual Pixel AF, and a “Direct Touch Control” function that allows users to change recording settings quickly and directly from the camera’s touchscreen panel. 1 The EOS C70 measures approximately 160.0 mm (W) x 130.2 mm (H) x 115.9 mm (D) and weighs approximately 1,170 g. 2 Includes CN-E (EF cinema) lenses. Excludes EF-M lenses and EF-S lenses   Technical Specifications: Sensor: 4K Super35 DGO; DIGIC DV7 Image Processor Sensor Modi: Super 35mm/ Super 16mm (crop) Pixel: cca. 9,6 Megapixel / 4206x2280 Effective Sensor Screen Size: Super 35mm* 4096x2160 or 2049x1080 selected resolution: 26.2x13.8mm (29.6mm diagonal)* 3840x2160 or 1920x1080 selected resolution: 24.6x13.8 (28.2mm diagonal) Effective Pixels:* 4096x2160 approx. 8.85 megapixels when 4096 x 2160 or 2048 x 1080 is selected as resolution* 3820x2160 approx. 8.29 megapixels when 3840 x 2160 or 1920 x 1080 is selected as resolution Dynamic Range: * Canon Log 2: 1600% & 16+ stops* Canon Log 3: 1600% / 14 stops* Wide DR: 800% (at ISO 400) Internal recording Media: SD card for Cinema RAW Light LT, XF-AVC or MP4 recording, Dual Slot rec Rec Formats:* Cinema RAW Light (CRM)*: 12-bit RAW* XF-AVC (MXF) ALL-I or Long GOP, 4:2:2 10-bit* MP4 H.265/HEVC, 4:2:2 10-bit* MO4 H.264, 4:2:0 8-bit Frame Rates: * 59.94Hz mode (59,94 / 59,94i / 29,97p / 23.98p)* 50.00Hz mode (50p, 50i, 25p)* 24.00Hz mode (24p) HDMI Type A Connector 24V DC input Dimensions (Main Body Only): 16x 13x 11,6 cm Weight (Body Only): 1190g Operating Temperature Range:* approx. 0°C to 40°C (85% relative humidity)* approx. -5°C to 45°C (60% relative himidity) In the Box: C70 Body Handle Unit Mic Holder Unit Mic Holder Adapter Battery Pack BP-A30 Battery Charger CG-A20 Compact Power Adapter CA-CP200L Shoulder Strap Body Cap Measure Hook  

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Canon EOS Cinema C200
The EOS C200 Digital Cinema Camera is a "ready-to-go" production camera that comes with a built-in electronic viewfinder and an array of accessories including a 4-inch touch screen LCD monitor, a versatile handle and ergonomic handgrip. The camera can record internal 4K RAW to a CFast™ 2.0 card in Canons new Cinema RAW Light format without compromising detail, as well as 4K UHD and Full HD in MP4 format to SD cards. The 8.85 Megapixel Super 35mm CMOS sensor, 13 stops of dynamic range, Dual Pixel CMOS AF, full compatibility with Canon EF-mount lenses, and HDR capability help make the EOS C200 ideal for film, documentary and television production, corporate and event videography, and newsgathering. The camera's multitude of features helps deliver outstanding image quality, performance and versatility. EOS C200 Kit Contents EOS C200 Camera Body LCD Touch Panel Monitor (LM-V1) LCD Attachment Unit (LA-V1) Handle Unit (HDU-2) Camera Grip (GR-V1) Shoulder Strap (SS-1200) AC Adapter (CA-A10) Battery Pack (BP-A30) Battery Charger (CG-A20) Compact Power Adapter (CA-CP200B) 50cm Unit Cables (UN-5) Eyecup Mic Holder Unit Tape Measure Hook x1 Thumb Rest Body Cap

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Canon EOS Cinema C300 Mark II
The EOS C300 Mark II Digital Cinema Camera delivers improved image-expression capabilities and operability advances not only including a fast dual pixel auto-focus system but also in-camera 4K recording to two CFast card slots and 2K/Full HD recording to an SD card slot, up to 15 stops of dynamic range, 10-bit Canon Log Gamma 2 recording, and MXF support for a diverse array of workflow environments.  

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Canon EOS Cinema C700 FF PL
Canon’s EOS C700 FF top-end digital cinema camera features a full frame CMOS sensor designed to meet an extensive range of production needs. The camera’s full frame sensor provides higher resolution and produce footage with shallower depth of field than Canon cameras with Super 35 sized sensors, giving filmmakers a variety of creative options.  

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Canon EVF-V70 Elektronischer OLED-Sucher
FEATURESThe EVF-V70 OLED Viewfinder is an electronic viewfinder for the Canon C700 that features a 1920 x 1080 resolution, making it suitable for critical 4K applications. The EVF puts its controls at your fingertips, offering four assignable buttons plus a menu navigation joystick and menu selector that are both readily accessible. It features false color and zebra to assist in exposure, and there is a magnification mode for critical focus.SUMMARY     Four assignable buttons     Magnification, false color, and zebra patterns     Joystick and menu select dial/button     Self-illuminating buttons  

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Canon Expansion Unit EU-V3
  Canon Expansion Unit EU-V3New expansion unit for C300 Mark III / C500 Mark II that helps for easier integration into live productions and studios.Features 4-pin XLR DC power input for constant power-no need for batteries Return video switching possible via assignable button or lens zoom controller such as the Canon ZSD-300D Tally signal Input via Ethernet interface/XC protocol RS-422 control interface (“Remote B” port RJ-45 Ethernet jack 12V output via 4-pin Hirose interface 12-pin interface for lens power A preference for shallow depth of field and smooth background blur has led the way to an increasing use of large-sensor cameras in live production. The Expansion Unit EU-V3 expands the input/output terminals of the EOS C500 Mark II and C300 Mark III to enable multi-camera live production using Cinema EOS. The expansion unit increases the operational capability of these two cameras supporting specialised functions for live broadcasting include a “tally” function that indicates which camera the live video is being captured with, and a “return” function that notifies operators which camera is currently broadcasting live. In addition, the unit supports a “focus position guide” function that enables operators to register a desired focus position and also display the current focus position on-screen. This makes possible quick focusing during live productions without missing a single moment.Return Input Support Return signal input that is indispensable for live camera operation. Switching of signals is possible via lens demand or from the assignable button.The return output destination can be selected from the VIDEO, EVF-V50,  MON./HDMI and SDI OUT terminal.   Return Input Video FormatSupport Tally input via Ethernet using XC Protocol When EU-V3/Camera body receive Tally: Tally lights of camera body display OSD Tally display Send Tally signal via Hirose 4-pin Enable to select Tally display details on Menu.Specifications DC-IN: Compatible with 4 pin XLR 12 V power supply/compatible with V-mounted battery Return/Genlock connector: 3G/HD-SDI On-AIR Video Confirmation and Genlock Ether terminal: Ether terminal equivalent to EU-V1/V2 Remote B (RS422) Remote B connector equivalent to EU-V1/V2 12 V output terminal: Power supply to the on-camera monitor/GPIO (REC/tally out) support Lens 12 pin connector: Power supply to the lens and various lens control communications Assign button: Assign 1/2/3 and MENU/Cross/CANCEL/FUNC Item Dimensions: 5.6” (W) x 7.4” (H) x 4.0” (D) Weight: Approx. 1.5 lbs.   In The Box Canon EU-V3 Expansion Unit Terminal Cap Hex Socket Head Bolt (M4)  

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Canon Remote Operation Unit OU-700
FEATURESThe OU-700 Remote Operation Unit for C700 from Canon provides a control surface for accessing camera settings as well as triggering record start/stop. The unit can be mounted directly to the right side of the camera or used remotely by employing a separately available extension cable. It is ideal for scenarios where several crew members need access to the camera.

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Sony BRC-AM7 PTZ-Camera
BRC-AM7 is an advanced PTZ Auto Framing camera with built-in AI analytics delivering flagship image quality. Offering high interoperability with other production systems. The BRC-AM7 stands as one of the smallest and lightest integrated lens PTZ cameras, measuring a compact 168.7mm wide, 225.2mm tall, and 192.3mm deep, with a weight of just 3.7kg. Its compactness offers enhanced installation flexibility, broader accessibility, and diverse vantage points. Seamlessly integrating with Sony's professional camera ecosystem, it ensures compatibility and seamless color matching. Incorporating AI-based auto-tracking and Auto Framing technology, it streamlines content creation, enhancing production efficiency and maintaining high production values.Key Highlights: Dramatically improved imaging performance Images captured over a 20x optical zoom range that covers everything from wide angles to close-ups are delivered as high-quality 4K 60p output. In addition, interoperability with existing systems has been improved by incorporating ITU709/709tone, S-Cinetone™, and S-Log3 support. Built-in AI PTZ Auto Framing Advanced AI analytics allow subjects to be accurately tracked with smooth, natural-looking framing, making it easier than ever to produce high quality content with less camera operators. Direct pan and tilt drive using newly developed brushless DC motor results in exceptionally smooth camera operation. This advanced drive system is also remarkably quiet and is ideally suited to situations where silence is a requirement. Seamless integration with Sony’s system cameras The BRC-AM7 is the smallest and lightest camera of its type in the world*, making it easy to install just about anywhere. It is unobtrusive for the same reason, even in multi-camera setups. Additionally, the BRC-AM7 offers broad connectivity and system compatibility with for example S700PTP and free-d protocols.New 24-480 mm* integrated lens design covers wide to telephotoThis newly developed built-in lens features a 20x optical zoom range. In addition, Sony’s advanced Clear Image Zoom offers 30x zoom (720 mm) in 4K and 40x zoom (940 mm) in Full HD. This offers extraordinary range that can easily capture a subject in various situations.* 35mm full-frame equivalent.Built-in Variable ND filter for automatic exposure adjustmentSony’s original built-in electronic variable ND (neutral density) filter allows seamless variation from 1/4 to 1/128 ND, with an auto exposure mode automatically maintaining optimum exposure through lighting variations. Ideal exposure can be maintained when stage lighting changes, for example, without having to adjust iris, shutter, or gain. Also, optimum exposure can be achieved without affecting depth of field in the widest possible range of lighting situations.Quick colour matching with other Sony's camerasColor matching with Sony’s system cameras is simple with ITU709 and 709tone, as well as S-Cinetone and S-Log3 for Cinema Line cameras for seamless multi-camera operation.Built-in AI PTZ Auto Framing - Highly accurate recognition technologyAI analytics uses detailed human pose, head, face, clothing, and other data to recognise human subjects with high precision. This can be used to automatically control pan, tilt, and zoom to follow an athlete at a sports event, for example. PTZ Auto Framing is smooth and natural-looking, making it possible to work with a smaller camera crew.High-performance AF and PTZ Auto Framing combined for outstanding subject trackingThe latest Exmor™ RS image sensor and BIONZ XR image processing engine work in unison to achieve outstanding subject detection precision and speed for significantly improved tracking performance. The image sensor has focal plane phase-detection AF in the imaging area, easily focusing on fast-moving subjects with extraordinary speed and precision over a wide area. PTZ Auto Framing works with this newly adopted AF system to dramatically improve overall AF tracking performance. A performer who is actively moving around on stage can be reliably followed while precise focus is maintained, for example. With this capability, a multi-camera system can be set up to follow individual performers without requiring a correspondingly large camera crew.Versatile camera work and quiet operationA direct drive system using newly developed motors allows smooth, detailed control of camera pan and tilt for high-quality visual presentation. These advanced motors work with precision optical encoders to allow pan and tilt speeds ranging from a very slow 0.004 degrees per second to a snappy 180 degrees per second. This broad speed range makes it possible to be used in a various applications.Seamless integration with Sony’s system cameras - Interoperability with existing systemsThe BRC-AM7 supports not only ITU709, 709tone, S-Cinetone and S-Log3 for seamless color matching, but also has great control capability by S700PTP protocol. This allows remote control of Sony’s cameras via Ethernet, so detailed remote control is available from Sony’s RCP series remote control panels or MSU series master setup units. This makes it possible to combine the BRC-AM7 with Sony’s BRC series cameras and/or system cameras to create highly integrated systems with advanced remote-control capability*. *An MSU unit is required for multi-camera systems.Installation freedom and flexibilityThe BRC-AM7 is the smallest, lightest camera of its kind in the world.* It fits easily in limited spaces where installation of other PTZ cameras might be difficult or impossible. This product is less likely to be noticed if it appears in a shot in a multi-camera installation. The BRC-AM7 also has a standard 1/4-20 UNC screw socket for tripod mounting and the same 3/8-16 UNC screw socket as other system cameras for accessory attachment. *Equipped with a 1.0-type image sensor and compatible with 4K 60p as an integrated lens PTZ remote camera. As of April 2024 press announcement. Sony survey.Broad connectivityIn addition to 12G SDI primary output, 3G SDI is provided for monitoring. The BRC-AM7 offers a variety of video output options such as optical-fiber 12G SDI available via an SFP slot, and HDMI. Audio input can be connected via a pair of 3-pin XLR type connectors or a 3.5 mm stereo jack, providing plug-in compatibility.Power can be supplied via a standard 4-pin XLR connector, or a PoE++* network connection without the need for additional wiring in environments where a power infrastructure is not available.Expanding creative possibilitiesfree-d compliant camera tracking information output (pan, tilt, zoom, focus, iris) allows the camera’s position in 3DCG space to be output so that its motion can be replicated in virtual VR/AR systems. This makes high-level virtual production available for news programmes, events, and much more. SRT/RTMP/RTMPS/RTSP, NDI|HX, and optical fiber communication are supported, allowing 4K 60p output and remote control via an IP network Specifications

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Sony Burano
  Sony Burano - A New Era in Cinematography Versatile, lightweight, and compact full-frame 8K cinema camera with 16 stops of latitude, image stabilization for PL and E-mount lenses. Easily configurable for solo and team production. BURANO is a new concept in cinema cameras. It takes VENICE’s superior image quality and usability but re-imagines it for solo and small team productions. 33% lighter than VENICE 2, more power efficient and supporting CFexpress media – it’s not just our smallest full-frame CineAlta camera, in many ways it’s our most technically advanced. Expect uncompromising image quality wherever you are, whatever the size of your crew.Smaller, Lighter, Stronger At 6.39 lb including the PL adapter, BURANO is approximately 33% lighter than Sony’s top-of-the-line VENICE 2 digital cinema camera – a significant advantage when shooting hand-held or shoulder mounted, as well as when using with gimbal, drone, cranes and jibs.All the button and key layouts have been carefully considered to suit the new compact size and solo or team operation. The main cinematography controls are on the Operator Switch Side and can be illuminated for use in dark environments. The camera has tally lights in three positions, so operators can check status from four different directions. There’s also an optional audio beep for recording start and stop.Despite its compact size, BURANO is engineered to Sony’s highest standards of reliability with a housing constructed of sturdy magnesium alloy and aluminum for shooting in the harshest environments. Recording for hours on end is no problem with a highly efficient cooling system, which is completely isolated from the image sensor and other dust sensitive components.Smarter Shooting BURANO makes shooting the highest quality 8K simpler than you can imagine. The world’s first PL mount compatible camera with a built-in stabilization system*. A ground-breaking combination of our unique electronic variable ND filter system with in-body image stabilization (IBIS) in a full-frame PL and E-mount cinema camera. For the first time in a full-frame CineAlta camera, Fast Hybrid and Subject Recognition AF with AI makes it easier to get the shots you want under the most demanding scenarios. With BURANO, you don’t need a studio or big crew to excel.* As of September 2023, based on Sony research for cinema cameras with standard equipped PL mount   Shoot The Way You WantBURANO adapts to be the camera you want to be whatever the shoot. A multi-purpose touchscreen LCD monitor, with a flexible mounting system and versatile, robust handle, allow you to easily configure BURANO for different shooting styles. A lightweight, compact chassis and ergonomic balance make it easy to switch between shoulder-mount, handheld, gimbal or drone operation. BURANO can be configured for large and small projects, solo or with an entire crew. It’s all your choice.Full-Frame 8.6K SensorBURANO has a large 3.6 x 2.4 cm full-frame image sensor that delivers high-quality images and superb rendition with wide latitude and a rich color gamut. It achieves the beautiful bokeh and dynamic wide-angle shooting that only a full-frame sensor can provide. 8K image quality with a maximum resolution of 8632 x 4856 and, through oversampling, it can output phenomenal looking 4K content.Multiple Image Scan Modes BURANO supports 16:9 and 17:9 readouts in full-frame (8.6K) and Super 3.5 cm (5.8K). Image scan modes include full-frame and Super35 as well as finely optimized down sampled and high-speed modes such as 6K 60p (FF crop), 5.8K 60p (S35), and 4K 120p (S35 crop*) catering to a wide range of production requirements. * Only 17:9 in Super 35 Cropped (S35c) mode16 Stop LatitudeWith a wide latitude of 16 stops*, BURANO captures beautiful, low-noise images under almost any lighting conditions. The camera’s wide dynamic range captures everything from highlights to shadows expertly with superb color rendition, giving operators maximum flexibility in color grading. * S-Log3 shooting. Sony measurements.Wide Color GamutBURANO features Sony’s signature S-Gamut/S-Gamut.Cine wide color space that, as with the VENICE 2, covers a gamut exceeding BT.2020 and DCI-P3. S-Log3 and X-OCN also dramatically enhances creative flexibility in post-production. As BURANO offers the same color accuracy as VENICE 2, it’s easy to use both cameras together for a seamless and efficient post-production workflow.   Internal 16-bit X-OCN LT and XAVC H recordingDespite its compact dimensions, BURANO offers internal recording of X-OCN LT* as well as our new XAVC H and proven industry standard XAVC-I format. X-OCN is Sony’s compressed RAW format that records everything that the 8.6K sensor can capture in a broad latitude 16-bit scene linear file full of rich tonal gradation. X-OCN LT’s high efficiency reduces storage requirements and accelerates file transfer times for 8K content for a post-production workflow that’s comparable to a 4K project.BURANO also features 10-bit S-Log3 with XAVC H-I HQ recording at 1200 Mbps and XAVC H-I SQ recording at 800 Mbps for 8K30p image quality. This enables even greater data savings and faster post-production workflow.* Not compatible with X-OCN XT and X-OCN ST recording formatsNew in-camera Looks for Ready-to-Use Footage BURANO has four new looks – Warm, Cool, Vintage and Teal and Orange – to choose between alongside the established s709 and 709 (800) looks in Cine EI mode. Creatively tuned to suit typical shooting scenarios, they give the operator a choice of distinctive, engaging looks at the touch of a button. Moreover, LUT data from a shoot can be embedded in those clips’ metadata for an efficient color workflow. s709: Kodak 2383-like natural tones and colors s709(800): Standard 709 tone curve for accurate color reproduction Anamorphic Lens De-Squeeze functionBURANO comes with an anamorphic de-squeeze function as standard. The monitoring menu gives a choice from 1.3x/2.0x, based on the anamorphic lens’ magnification. The result can be seen on the LCD monitor display, and on external monitors at FHD resolution. The camera monitor output supports SDI or HDMI for X-OCN shooting, and HDMI for non-X-OCN content.In-Body Stabilization with PL mount lenses BURANO is the world’s first cinema camera that supports in-body optical image stabilization (IBIS) for almost any attached lens, including for the first time PL. The new, compact image stabilization system was originally developed for the Alpha series of mirrorless cameras. Featuring a gyroscopic sensor and control algorithm, it compensates for camera shake even for handheld shooting while walking. The stabilization is so effective that it removes the need for any extra equipment for many applications.Stabilization is even greater with E-mount lenses, allowing more difficult shots to be captured without blurring. Camera shake data can be passed to post production for precise alignment with CGI and in volume stages.Electronic Variable ND Filter Sony’s unique electronic Variable ND Filter has been redesigned to be both smaller and compatible with the built-in image stabilization mechanism. It can smoothly and continuously change its density from 0.6 (1/4) to 2.1 (1/128). With physical ND filters no longer needed, operators can adjust the electronic filter density by simply rotating the ND dial. Operators can maintain a constant depth of field by adjusting the electronic ND filter and the iris control together. Continuous or stepped changes can be selected with the ND STEP/VARIABLE switch, depending on the application. The [Auto ND] function automatically adjusts the filter density to give correct exposure, effectively allowing the use of the ND filter as an alternative Auto IRIS.Catch the action with Fast Hybrid AF*Effortlessly track fast moving subjects with pin-sharp focus, even when using wide lens aperture settings to maintain a shallow depth of field with BURANO’s full-frame sensor. Originally developed by Sony’s Alpha camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognizes and locks on to human faces.The dedicated 627-point phase detection AF sensor covers approximately 88.7% of the whole image area, allowing consistently accurate, responsive AF tracking, even with shallow depth-of-field.AI Subject Recognition AF with touch*Our onboard AI processing unit recognizes not only eye position but also accurately senses human torso and head positions. Subject Recognition AF automatically draws a frame around people’s faces when they are detected. Human pose estimation technology recognizes body and head position, so you can even track a subject facing away from the camera or wearing a mask.Touch a person to focus on, and the camera will track that person precisely. Even in challenging situations like a bowed head or when hair is covering a face, the camera accurately captures the eyes, so that operators can focus accurately even in the most difficult circumstances.* Over 70 E-mount lenses can use BURANO’s advanced Hybrid AF and AI Subject Recognition AF featuresDual CFexpress Type B Slots Sony’s new CFexpress card VPG400 allows for reliable capture at exceptional high data rates, including X-OCN LT recording in full 8K.BURANO’s dual media slots allow relay and simultaneous recording*, while versatile CFexpress Type B media are convenient for backing up and transferring data in the field. An additional SD card slot is for storing Proxy and camera setting information.* XAVC-only   Specifications     Pre-Order-Now @ Band Pro Munich info@bandpro.de    

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Sony Burano Cine Kit with 3x Sony CFexpress Memory Card 960GB
The versatile and compact Sony BURANO Cine Kit offers high-quality imaging with its Full-Frame 8.6K sensor, delivering stunning visuals and wide latitude. Its large sensor ensures beautiful bokeh and dynamic wide-angle shots, while its maximum resolution of 8632 x 4856 produces exceptional 4K content through oversampling. Supporting various image scan modes, including full-frame and Super35, as well as optimized downsampled and high-speed modes like 6K 60p (FF crop), it caters to diverse production needs, whether solo or team-based. A pioneer in cinema camera design, the BURANO builds upon VENICE's excellence in image quality and usability, tailored for solo and small team productions. It's 33% lighter than VENICE 2, more power-efficient, and compatible with CFexpress media, making it both the smallest full-frame CineAlta camera and the most advanced. With superior image quality regardless of crew size or location, it sets a new standard in cinematography. Simplifying 8K shooting, the BURANO is the first PL mount-compatible camera with built-in stabilization, combining electronic variable ND filter system with in-body image stabilization (IBIS) for smooth footage. It boasts Fast Hybrid and Subject Recognition AF with AI for effortless shooting in demanding conditions, adapting to various shooting styles from handheld to drone operation.In addition, the Sony 1TB CFexpress Type B Card offers blazing read and write speeds of up to 1850 MB/s and 1750 MB/s respectively, enhancing workflows and productivity for professionals and enthusiasts alike. VPG400 certification ensures stable high bitrate or framerate video capture at 4K resolution and beyond, while its durability makes it perfect for challenging environments such as sports events, location shoots, and outdoor expeditions. Key Features Sony BuranoFull-frame 8K cinema capability with 8.6K sensor Large 36x24mm sensor for wide latitude and rich color gamutMaximum resolution of 8632 x 4856 for phenomenal 4K oversampled content Multiple image scan modes: full-frame, Super35, down sampled, and high-speed (e.g., 6K 60p) Versatile and lightweight design, easily configurable for solo or team production Incorporates VENICE's superior image quality and usability, optimized for solo/small team productions 33% lighter than VENICE 2, power-efficient, and supports CFexpress media World's first PL mount compatible camera with built-in stabilization system Features electronic variable ND filter system and in-body image stabilization (IBIS) Fast Hybrid and Subject Recognition AF with AI, adaptable to various shooting styles.Sony CFexpress Memory Card 960GB The Sony 960GB CEB-G Series CFexpress Type B Memory Card offers blazing read speeds of up to 1850 MB/s and write speeds of up to 1750 MB/s, ideal for professionals needing rapid data transfer. VPG400 certification ensures stable high bitrate video capture, while its durability withstands extreme conditions, offering peace of mind for outdoor shoots. The card's toughness exceeds industry standards, withstanding falls up to 5 meters and harsh environments. Additionally, Sony's Media Scan Utility monitors card health, and rescue software aids in file recovery. Compatible with Sony CFexpress Type B and XQD G series, the MRW-G1 card reader enables quick data transfer for efficient workflows. Key Features CFexpress Memory Card 960GB Ultra-fast read speeds of up to 1850 MB/s High write speeds of up to 1750 MB/s VPG400 certification for stable high bitrate video capture Exceptional durability for extended professional use Superior strength exceeding industry standards Withstands falls up to 5 meters Resilient in extreme environmental conditions Sony Media Scan Utility monitors card health Downloadable rescue software for file recovery Compatibility with Sony CFexpress Type B and XQD G series; works with MRW-G1 card reader for efficient data transfer

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Sony Burano Docu Kit with Sony GP-VR100 grip and 3x Sony CFexpress Memory Card 960GB
The versatile and compact Sony BURANO Docu Kit offers high-quality imaging with its Full-Frame 8.6K sensor, delivering stunning visuals and wide latitude. Its large sensor ensures beautiful bokeh and dynamic wide-angle shots, while its maximum resolution of 8632 x 4856 produces exceptional 4K content through oversampling. Supporting various image scan modes, including full-frame and Super35, as well as optimized downsampled and high-speed modes like 6K 60p (FF crop), it caters to diverse production needs, whether solo or team-based. A pioneer in cinema camera design, the BURANO builds upon VENICE's excellence in image quality and usability, tailored for solo and small team productions. It's 33% lighter than VENICE 2, more power-efficient, and compatible with CFexpress media, making it both the smallest full-frame CineAlta camera and the most advanced. With superior image quality regardless of crew size or location, it sets a new standard in cinematography. Simplifying 8K shooting, the BURANO is the first PL mount-compatible camera with built-in stabilization, combining electronic variable ND filter system with in-body image stabilization (IBIS) for smooth footage. It boasts Fast Hybrid and Subject Recognition AF with AI for effortless shooting in demanding conditions, adapting to various shooting styles from handheld to drone operation.In addition, the Sony 1TB CFexpress Type B Card offers blazing read and write speeds of up to 1850 MB/s and 1750 MB/s respectively, enhancing workflows and productivity for professionals and enthusiasts alike. VPG400 certification ensures stable high bitrate or framerate video capture at 4K resolution and beyond, while its durability makes it perfect for challenging environments such as sports events, location shoots, and outdoor expeditions. Key Features Sony BuranoFull-frame 8K cinema capability with 8.6K sensor Large 36x24mm sensor for wide latitude and rich color gamutMaximum resolution of 8632 x 4856 for phenomenal 4K oversampled content Multiple image scan modes: full-frame, Super35, down sampled, and high-speed (e.g., 6K 60p) Versatile and lightweight design, easily configurable for solo or team production Incorporates VENICE's superior image quality and usability, optimized for solo/small team productions 33% lighter than VENICE 2, power-efficient, and supports CFexpress media World's first PL mount compatible camera with built-in stabilization system Features electronic variable ND filter system and in-body image stabilization (IBIS) Fast Hybrid and Subject Recognition AF with AI, adaptable to various shooting styles.Sony GP-VR100 Grip Remote Control for Sony BuranoPopular with operators around the world, the adjustable arm with Grip Remote Control transformed shooting on the go and now with GP-VR100* we’ve made it even better. The arm’s length is easily adjustable at the turn of a knob, while another knob at the joint adjusts the angle. Once perfectly adjusted for shooting from your shoulder or waist, Sony’s Grip Remote Control puts all the important controls at your fingertips with Zoom, Start/Stop and a range of Assign controls, including a dial you can use to adjust Iris. So, you can operate the camera without taking your hand off the grip. The unit can control basic camera shooting operations (recording start/stop, zoom, etc.). You can operate functions assigned on the camera using the ASSIGN (assignable) button, assignable dial, and multi selector.Key Features GP-VR100 Grip Remote Control For Sony BURANO 8K Cinema Camera On/Off, Zoom & Focus Functions Extendable Extension Arm Coiled 3.5mm LANC Cable Mounts Using Sony-Standard Rosette Contoured Grip with Support StrapSony CFexpress Memory Card 960GB The Sony 960GB CEB-G Series CFexpress Type B Memory Card offers blazing read speeds of up to 1850 MB/s and write speeds of up to 1750 MB/s, ideal for professionals needing rapid data transfer. VPG400 certification ensures stable high bitrate video capture, while its durability withstands extreme conditions, offering peace of mind for outdoor shoots. The card's toughness exceeds industry standards, withstanding falls up to 5 meters and harsh environments. Additionally, Sony's Media Scan Utility monitors card health, and rescue software aids in file recovery. Compatible with Sony CFexpress Type B and XQD G series, the MRW-G1 card reader enables quick data transfer for efficient workflows. Key Features CFexpress Memory Card 960GB Ultra-fast read speeds of up to 1850 MB/s High write speeds of up to 1750 MB/s VPG400 certification for stable high bitrate video capture Exceptional durability for extended professional use Superior strength exceeding industry standards Withstands falls up to 5 meters Resilient in extreme environmental conditions Sony Media Scan Utility monitors card health Downloadable rescue software for file recovery Compatibility with Sony CFexpress Type B and XQD G series; works with MRW-G1 card reader for efficient data transfer

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Sony CBK-3620XS VENICE Extension System 2
  Sony CBK-3620XS Realto VENICE Extension System 2 The [CBK-3620XS] is increasing the flexibility compared with [CBK-3610XS] as customers are now able to use both sensors with even more distance between the sensor and the body. This will add the possible usage also on cranes which have been limited before. This model is able to support all features of VENICE 2 and will expand the creativity of DoPs. Shooting a scene handheld with an impossible sense of freedom comparable to a stills camera. Revolutionizing aerial photography with an array of three cameras inside a jet fighter’s cockpit. The original VENICE Extension was created out of a partnership with a director demanding impossible flexibility for a 3D shoot where there could be no compromise in image quality. The innovative cabled separation of the image sensor and camera body meant cinematographers no longer needed to compromise their vision. Its compact size allowed DoPs to fit truly cinematic lenses and achieve their preferred look in every scene. Key features Supports VENICE2 8K high quality images (Compatible with VENICE2-8K/VENICE2-6K/VENICE) 2 new cable lengths, 12m & 3m no repeater necessary (both cables are included in the CBK-3620XS) Tilt/Roll sensor built-in 3 more assign buttons (4 in total for VENICE2) Unique technology Second Generation EnhancementsIncorporating customer feedback and developed alongside VENICE 2, the VENICE Extension System 2 (CBK-3620XS) offers a wider bandwidth to support the VENICE 2 with an 8K sensor, over twice as much cable distance (up to 12 m) without a repeater box, additional control buttons and a built-in gyro sensor. It once again expands the realms of possibility for cinematography. The new Extension System is fully compatible with VENICE 2 using the 8K or 6K sensors, while also supporting the original VENICE camera with extended 12-m cable length. The Extension System also has an HD-SDI output and a 24-V output for powering accessories such as lens servo motors and monitoring. Multiple screw holes on all surfaces make it easy to accessorize and fit on to a wide variety of rigs while the main weight of the camera can be supported elsewhere. There’s no need for a smaller, lighter B-camera for extreme shooting scenarios. You can shoot everything with one modular camera system.   DetailsIdeal for shooting in tight spaces and with gimbalsThe Extension System camera head measures 158 × 147 × 126 mm (H × W × D)*, weighing around 2.2 kg* with a PL mount adapter and 1.7 kg* with E mount when used with the VENICE 2 8K sensor block. The separated sensor block with lens is so small and light it allows for an easy handheld mode, enabling you to locate it in tiny spaces, keeps stabilization systems lightweight, allows use of larger lenses while maintaining a smaller profile, facilitates faster operation for motion-control rigs, use of body mounts, and other situations that you wouldn’t expect possible for a full-frame cinema camera. The creative freedom without any image compromise is boundless.Extends up to 12 meters without a repeaterThe original VENICE Extension System could reach a maximum extension of 5.5 m between the camera head and body. The VENICE Extension System 2 more than doubles that with transmission distance up to 12 m. The original also needed a repeater to connect the middle of the cable between the head and body to reach 5.5 m. The CBK-3620XS extends to 12 m without a repeater. This enables greater freedom of movement and expands the range of shooting possibilities, particularly when used with a crane. The CBK-3620XS also offers both 3-m and 12-m cables. Simply choose the best one for your needs.Gyroscopic support with recording to metadataWhile shooting with the original Extension System did not accommodate use of a spirit level indicator (gyroscope sensor), the CBK-3620XS is equipped with a sensor on the camera head side that detects horizontal and vertical tilt. This allows use of a spirit level indicator and spirit level gauge graphical indicator on the camera's main monitor, even when shooting with the CBK-3620XS. Camera head tilt information can be checked when shooting at different head and tilt angles – ideal for VFX applications. Naturally, the horizontal and vertical tilt are also recorded in the metadata and output through the camera’s SDI.4 assignable (ASSIGN) buttons on camera head for easy operationThe camera head has four ASSIGN buttons that can be set to functions such as change ND filter settings, REC Start/Stop and more for easier operation with VENICE 2. Choose a custom set-up that suits your preference for any scene. Please note the original VENICE is limited to one button operation with CBK-3620XS.Compatible with VENICE* and VENICE 2**The CBK-3620XS was developed alongside VENICE 2 to support both 8K and 6K sensors. It is also compatible with the original VENICE using the latest firmware, however, due that camera’s existing functionality, some CBK-3620XS features may not be available. VENICE does not support spirit level display and recording to metadata, while only one assignable button is functional rather than four. However, VENICE fully benefits from greater cabling length.* VENICE requires the latest firmware.** VENICE 2 requires the latest firmware. Specifications Power consumptionApprox. 3.0 W (with 3-m extension)Approx. 3.0 W (with 12-m extension)Operating Temperature0 °C to 40 °C (32 °F to 104 °F)Storage Temperature–20 °C to +60 °C (–4 °F to +140 °F)MassImager Block Adapter 3 m: 1.8 kg (3 lb 16 oz)Imager Block Adapter 12 m: 3.2 kg (7 lb 1 oz)Camera Body Adapter: 0.4 kg (14 oz)CBK-3620XSApprox. 5.4 kg (11 lb 15 oz)(excluding supplied accessories)Input/Output Connectors24 V IN connector (Fischer 3-pin) (1)24 V OUT connector (Fischer 3-pin) (1)MONITOR IN connector (BNC type) (1)MONITOR OUT connector (BNC type) (1)  

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Sony FX3 Full-Frame Camera
Sony FX3 Full-Frame Camera for Cinematic Look and Enhanced Operability for CreatorsFX3 Product Highlights     Compact and lightweight body design with high operability for hand-held shooting, gimbal and drone-mounted work     Multiple 1/4-20 UNC threaded mounting points to easily attach compatible accessories     Detachable XLR handle unit with two XLR/TRS audio inputs and one 3.5mm stereo jack     S-Cinetone™ look – inspired by the color science of the digital cinema camera VENICE – which is also used in FX9 and FX6 Cinema Line cameras     Built-in cooling fan enables effective heat dissipation to support uninterrupted 4K 60p recordingi     Records up to 4K 120pii     10.2 megapixeliii full-frame back-illuminated CMOS Exmor R™ sensor and BIONZ XR™ image processing engine     Ultra-high sensitivity with ISO expandable to 409,600 for very low light conditions and 15+ stops of dynamic rangeiv     Fast Hybrid AF (Autofocus), Touch Tracking (real-time tracking) and Real-time Eye AF, also used in other Alpha™ cameras     5-axis in-body image stabilization with "Active Mode"v supports handheld movie shooting The Sony FX3 delivers a cinematic look and professional operability and reliability in a camera that is accessible to early-career creators, as well as suitable to be used alongside Sony's VENICE, FX9 and FX6 cameras. The new model provides outstanding image quality and usability for small scale and one-person shooting. The FX3 boasts industry-leading autofocus capabilities, 5-axis in-body image stabilization with Active modev, handheld shooting design and advanced heat dissipation for extended recording times. All this is combined in a compact, lightweight body that provides the performance and mobility to meet the growing demands of today's content creators.Cinematic LookThe FX3 boasts Sony's industry-leading image sensor technology to achieve high processing speeds and outstanding image quality. The full-frame, back-illuminated Exmor R CMOS sensor (approximately 10.2 effective megapixel count for video recording and approximately 12.1 effective megapixels count for stills) and the BIONZ XR image processing engine team up to ensure high sensitivity with low noise. The standard ISO range is 80 to 102,400 (expandable to 409,600when shooting video), and dynamic range is an impressively wide 15+ stopsiv.In response to a growing need for more expressive depth, the FX3, along with FX9 and FX6 Cinema Line cameras, allows users to create a cinematic look without post-production using the S-Cinetone color matrix. Inspired by the color science used in Sony's flagship VENICE camera, S-Cinetone delivers natural mid-tones, plus soft colors and smooth highlights that are essential to create a cinematic look.Creators can record in 4K at up to 120 frames per secondii. Extraordinarily smooth slow-motion imageryvi (up to 5x) at QFHD (3840 x 2160) resolution with autofocus provides new expressive capability.Designed for Comfortable Solo-ShootingSony's most compact and lightweight Cinema Line camera is ideal for handheld shooting, gimbal and drone-mounted work. It weighs just 1.58 lbs. (715 g), including the battery and memory cards, and the body is only 5.11 in x 3.33 in x 3.06 in (77.8 mm x 129.7 mm x 84.5 mm). The camera grip has been carefully designed to provide optimum flexibility, stability and comfort for long shoots.Designed for mobility and efficiency, the FX3's body features five 1/4-20 UNC threaded mounting points to easily attach compatible accessories while remaining light enough for handheld shooting and making it easy to set up and carry. The supplied XLR handle securely attaches to the body via the Multi Interface Shoe without any special tools and provides three additional threaded mounting points for accessories. Optional accessories such as external monitors, recorders, wireless microphones, or other add-ons can be securely attached.To enable 4-channel 24-bit audio recording, the supplied XLR handle includes two balanced XLR/TRS audio inputs and an additional 3.5mm stereo 2-channel jack. With an optional XLR or TRS microphone connected, the XLR adaptor on the handle takes care of the A/D (Analogue to Digital) conversion and DSP (Digital Signal Processing), and transfers the digital audio data directly to the camera for outstanding audio quality.  Because the XLR adaptor is integrated into the handle and does not require any additional cables or batteries, it offers easy set up. If the handle is not being used, the FX3 includes a 3.5mm stereo mic input on the camera body.The FX3 provides Fast Hybrid autofocus (AF) by using the 627 pointsvii focal plane phase-detection system during movie recording. The camera is further enhanced with Touch Tracking (Real-Time tracking) where simply touching the desired subject on the monitor screen initiates auto focus and tracking on that subject. Precise and smooth focus is maintained with Real-time Eye AF – technology that pinpoints the eye even when subjects are looking down or up at steep angles. Additionally, other AF features have been included and refined in response to feedback from professional users, including AF Transition Speed, AF Subject Shift Sensitivity, intuitive control and AF support when focusing manually. These AF features have been implemented in the FX3 to ensure stable, flexible and precise focusing in any situation and are easy to operate for solo shoots.The FX3 features 5-axis optical in-body image stabilization – highly effective for handheld shooting. A high precision stabilization unit and gyro sensors have made it possible to provide an Active Modev that is dedicated to movie shooting in each format, including 4K. In-body image stabilization means that effective stabilization can be achieved with a wide range of E-mount lenses, including those that do not include stabilization on their own. Alternately, the FX3 records image stabilization metadata that can be adjusted during post-production using Catalyst Browse/Prepare.Expandability and Operability for Content CreatorsOperabilityFX3 was designed to optimize professional operability. The controls frequently used in movie shooting such as ISO, iris, and white balance adjustment are located on the grip and on the top of the body for easy access. In addition, 140 functions assignable to 15 custom keys allow for ultimate efficiency.The zoom lever located on the top of the grip not only controls compatible powered zoom lenses, but also allows Clear Image Zoom to be used with unpowered zoom and prime lenses – reducing the number of lenses required for many projects. This lever also enables smooth zooming that is difficult for manual zoom-ring control.Recording lamps (tally) are provided on the top, front and back of the camera, so that the operator and talent can easily confirm recording.  A side-opening vari-angle touch-panel LCD monitor allows for easy operation and is suitable for gimbal-mounted shots, complicated angles, handheld operation and more. Flexible Exposure Mode allows the FX3 to have a similar Auto/Manual switch operation as other FX series cameras for iris, shutter speed and ISO, which can be set independently.ReliabilityCreators need more than just refined features and performance; they also need reliability and durability. The FX3 combines a fan for active cooling with effective heat dissipation resulting in uninterrupted 4K 60p recording without thermal shutdowni. The newly developed fan provides high-efficiency cooling by drawing air into the camera via the bottom panel and exhausts via the side.The new camera also features a dust and moisture resistant designix and durable magnesium alloy chassis. Moreover, USB PD (Power Delivery) supports fast chargingx for uninterrupted recording.ExpandabilityThe FX3 is compatible with several recording functions including S-Log3 gamma and S-Gamut3.cine, which record in a high dynamic range and wide color gamut. It also supports internal recording in XAVC S™ (MPEG-4 AVC/H.264 Long GOP) and XAVC S-I (MPEG-4 AVC/H.264 Intra) formats in 4K (QFHD) and FHD, and XAVC HS™ (MPEG-H HEVC/H.265, 4K only) format. 4K 60p video in 10-bit 4:2:2 or 16-bit RAW formatxi can be output to an external device via the FX3 full-size HDMI Type-A jack.The FX3 also offers two fast, future-oriented media slots that contribute to unprecedented shooting freedom by being compatible with either CFexpress Type A or SDXC cards. The same data can be simultaneously recorded to both cards for backup and a "relay" mode will automatically switch to the second media card when the first media card becomes full during recording.The new camera has been developed with advanced connectivity features to better assist professional creators with high-speed wireless LAN functionality (2.4 GHz or 5 GHz bandxii) and wired LAN connection via a compatible USB-to-Ethernet adaptor. The FX3 supports video and still file transfers to a specified remote FTP server.  This FX3 also allows for remote shooting from a PC using the Imaging Edge Desktop™ application's "Remote" function via Wi-Fi, or Superspeed USB 5Gbps connection over USB Type-C® terminal.FEATURESImage sensor with blazingly fast readout speedThe back-illuminated full-frame Exmor R™ CMOS sensor boasts a blazingly fast data readout speed along with high sensitivity and wide dynamic range. An advanced colour filter array boosts colour reproduction accuracy, while focal plane phase-detection AF enables solid autofocus stability and excellent precision, all of which contribute to outstanding image quality.High performance image-processing engine The BIONZ XR™ image-processing engine is designed for high speed, minimising latency while providing impressive real-time processing capabilities. The engine performs real-time processing of AF, image recognition and image quality adjustments, while also handling data transfer, user interface and other camera operations. High sensitivity, wide dynamic range The full-frame sensor enables high sensitivity with low noise throughout the camera's range by optimising the sensor’s output. Capture clear motion even in low light conditions with an impressive ISO expanded range up to 409600. It has an extended dynamic range of 15+ stops, without blown highlights. Together, the camera's high sensitivity and wide dynamic range expand your flexibility in post-production. Acclaimed cinematic colour with S-Cinetone™The inclusion of Sony’s acclaimed S-Cinetone look, inherited from the development of the FX9, allows cinematic colour to be achieved directly in-camera. S-Cinetone is optimised for natural skin tones and mid-range colours, with gentle highlight roll-off, for impressive subject depiction even without post production grading.All-Intra internal recordingIn addition to Long-GOP inter-frame compression, internal intra-frame (All-Intra) recording is supported. XAVC S-I recording compresses each frame independently at a high bitrate, up to 600Mbps, so is ideal for capturing complex motion, and allowing maximum flexibility and playback performance during post-production. 4K High Frame Rate 120fps recordingYou can record full-frame 4K (QFHD) at up to 120fps with autofocus thanks to the high-speed readout capabilities of the image sensor and the powerful BIONZ XR processor. Even at high frame rates, 4K (QFHD) images are captured using full-pixel readout without binning, for clear post-produced slow motion (up to 5x slower than real time). The high-precision AF even allows beautiful full-frame bokeh to be achieved during slow motion shooting.16-bit RAW data outputFacilitating improved image quality and more flexible and efficient editing in post production, the FX3 supports 16-bit RAW data output to an external recorder via the HDMI Type-A terminal. RAW video output is from a full-frame image sensor with 4264 x 2408 [16:9] resolution, to suit 4K (QFHD) or DCI-4Kworkflows, with a choice of frame rates (59.94p/50p/29.97p/25p/23.98p).HEVC codec with high compression efficiencyXAVC HS format recording, using the MPEG-H HEVC/H.265 codec, roughly doubles the compression efficiency. Compared to a normal 4K XAVC S format, XAVC HS allows for detailed 10-bit video with 4:2:2 colour sampling at comparable or lower data rates, delivering even better image quality as well as manageable file sizes. Proxy recording for more efficient editing workflow Low bit-rate HD proxy files can be recorded simultaneously with higher bit-rate formats such as XAVC S-I 4K, and these smaller proxy files can then be used for editing and previewing prior to final production delivery. This reduces computer load and allows faster and more efficient workflows. Proxy files can be captured in either 10-bit XAVC HS (1920 x 1080) or 8-bit XAVC S (1280 x 720). Expand your vision with Creative LookLooks emulate pro monitoring and post-production tools inside the camera. The Creative Look presets are available in-camera, and each of these can be used as is, or further customised using individual parameter settings such as hue, colour depth, brightness, contrast, and sharpness. Fine adjustment of preset looks can be made according to the user's preference, and you can also register your favourite settings as a custom look.Flexible exposure modeFlexible Exposure Mode allows the Auto and Manual modes for iris, shutter speed and ISO to be set independently. The lock function, activated by a short press on the respective custom buttons, locks the related controls to prevent changes if the dial or wheel is accidentally moved. The frequently used iris and ISO can be controlled by the easily accessible front and rear dials as well as by the dial on the top panel.Fast Hybrid AF for dependable focus during movie shooting Fast Hybrid AF combines focal plane phase-detection AF with contrast-detection AF. This results in highly precise, smooth tracking of fast-moving subjects even over a wide range with a shallow depth of field. AF Transition Speed and AF Subject Shift Sensitivity parameters allow more flexible focus control, as demanded by professional users.Fast, easy touch focus controlTouch focus control allows you to precisely specify the point of focus simply by touching the LCD monitor. It's fast, easy, and intuitive to perform rack focusing through touch operation—ensuring you have full creative control of the FX3's powerful AF technology. Cage-free accessory mounting Five 1/4-20 UNC mounting screw holes allow stable attachment of accessories directly to the camera body, without the need for a cage. Three additional mounting holes are also available on the included XLR handle. The result is a system optimised for incredible mobility and hand-held shooting as well as quick setup for fast-moving productions.REC lamps and highlighting during video recording There is one tally light on the front and one on the back, and an LED-illuminated REC button on top that works with the tally lights. In addition, by displaying a red frame on the monitor screen during video recording, even if the screen is difficult to see with a rig or gimbal attached, you can immediately confirm recording status. Light operation can be set on or off for specific applications.Flexible camera positioning with vari-angle monitorThe FX3 is equipped with a horizontally opening vari-angle LCD monitor that is rotatable for precise framing or interesting angles, regardless of whether you are shooting movies hand-held or gimbal mounted. The screen can even be rotated for direct viewing by the subject or when shooting dramatic low angle shots. The 3.0-type, approximately 1.44 million-dot large touch panel LCD has high visibility and clarity. Power for professional lengthFor extended shooting sessions, the FX3 is compatible with large-capacity NP-FZ100 batteries. USB-PD (Power Delivery) support also enables fast chargingor continuous shooting when connected to a compatible USB Type C® power supply or portable powerbank battery. Reliable durability and weather resistance in tough situationsIn response to feedback from working professionals, sealing has been applied to all body seams and around the battery and media compartments, terminal covers and chassis joints. All routes for dust and moisture entry have been examined to ensure reliable operation in challenging environments.   SPECIFICATIONS        

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Sony FX6 Full Frame 4K up to 120p
FEATURES 4K 10.2 megapixel full-frame back-illumination CMOS Exmor R TM sensor 15+ stop dynamic range ISO expandable to 409,600 for low light conditions S-Cinematone highly regarded look profile also used in FX9 and inspired by VENICE colorimetry Compact and approx. 0.89kg (body only) lightweight body suitable for grab-and-shoot-styling 627 points phase-detection AF, Real-time Eye AF 4K (QFHD) high-frame-rate 120fps recording XAVC-I 4:2:2 10-bit class 300 internal recording, DCI 4K/QFHD 16bit RAW output with 12G-SDI BIONZ XR TM image processing engine optimized for mobile movie shooting style S-Log3/S-Gamut3, S-Gamut3.Cine for post production flexibility Built-in electroic Variable ND Filter controlled from 1/4ND to 1/128ND linearly, or set to auto Magnesium body and frame for high durability with light weight   TECH SPECSCamera: Lens Mount: E-Mount Imaging Sensor: 4K Full-Frame / Exmor R FF4K Full-Frame: DCI 4K 60p Super35mm: FHD 60p Number of pixels (total): Approx: 12.9 Megapixels Number of pixels (effective): Approx. 10.2 Megapixels Built-in Optical Filters: Clear, linear variable ND (1/4 ND to 1/128 ND) Base ISO: 800-12800 ISO: 320 - 409600 Shutter Speed: 64F to 1/8000 sec Slow and Quick Motion Function: XAVC-I 4096x2160: 1 to 60 frames (59.94/50/29.97/25/23.98)XAVC-I/L 3840x1080: 1 to 60, 100, 120 frames (59.94/50/29.97/25/23.98)XAVC-I/L 1920x1080: 1 to 60, 100, 120, 150, 180, 200, 240 frames (59.94/50/29.97/25/23.98) Codec @Max bit rate: XAVC-I 422 10bit RAW: 16-bit RAW output White Balance: Preset, Memory A, Memory B (2000K-15000K)/ATW Gain: -3 to 30dB (every 1dB), AGC Gamma Curve: SRD Mode: S-Cinetone, Standard, Still, ITU709; HDR mode: HLG_Live, HLG_Neutral Latitude: 15+ stop LCD: 8.8cm (3.5 type) approx. 2.76M dots Fast Hybrid AF In/Output SDI Output: BNC: 12G/6G/3G-SDI (Leven A/B) Audio Input: 2x XLR-type 3-pin (female), line/mic/mic +48V selectableMic referance -30 to -80 dBu General Recording Format (Video): (I= Intra; L= Long)XAVC-I DCI4K 59.94/50/29.97/25/24/23.98pXAVC-I QFHD 59.94/50/29.97/25/23.98pXAVC-I HD 59.94/50/29.97/25/23.98pXAVC-L QFHD 29.97/25/23.98/59.94/50pXAVC-L HD 23.97/25/29.97/50.59.94p Recording Format (Audio): LPCM 24bits, 48kHz, 4 channels Recording Frame Rate: (I= Intra; L= Long)XAVC-I DCI4K (4096x21609) 59.94/50/29.97/23.98/25/24pXAVC-I QF HD (3840x2160) 59.94/50/29.97/23.98/25pXAVC-I HD (1920x1080) 59.94/50/29.97/23.98/25pXAVC-L QFHD (3840x2160) 59.94/50/29.97/23.98/25pXAVC-L HD 50 (1920x1080) 59.94/50/29.97/23.98/25pXAVC-L HD 35 (1920x1080) 59.94/50/29.97/23.98/25p Recording Format (Proxy Video): XAVC Proxy: AVC/H.264 High Profile 4:2:0 Long GOP, VBR 1920x1080, 9Mbps Recording Format (Proxy Audio): XAVC Proxy: AAC-LC, 128 kbps, 2 channels Media Type: CFexpress Type A and 2x SD card Power Requirements: DC 19.5V Power Consumption: Approx. 18.0 W (while recording XAVC-I QF HD 59.94) Battery Operating Time: Approx. 105min with BP-U35 battery (while recording XAVC-I QF HD 59.94p)Approx. 215min with BP-U70 battery (while recording XAVC-I QF HD 59.94p) Dimensions (WxHxD): 114x 116x 153mm (body without protrusions) Weight: Approx. 890g (body only) and 2.59Kg (with Viewfinder, Grip Remote Control BP-U35 battery, SEL24105G Lens, Lens Hood, Handle, Mic holder) Wi-FI/NFC: Supported Format: IEEE 802.11 a/b/g/n/ac Frequency Band [[F_WI0007]]: 2.4 GHz bandwidth 5.2/5.3/5.6/5.8 GHz bandwidth Security: WEP/WPA-PSK / WPA2-PSK NFC: NFC Forum Type 3 Tag compliant Supplied Accessories: Handle LCD Monitor LCD Hood Grip remote control AC Adaptor Power Cord USB-C Cable Cold Shoe Kit Lens Mount Cap Handle Connector Cap

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Sony PVM-X1800 18.4" 4K/UHD HDR TRIMASTER Monitor
 4K HDR picture monitor color-matches with the BVM-HX310 master monitor, ideal for various 4K and HD productions The PVM-X1800 is an 18.4-inch 4K HDR high grade picture, 4K premium LCD (3840x2160) monitor, incorporating a Sony-specified premium LCD panel that offers 1000 cd/m2 luminance and colour matching with the BVM-HX310 4K HDR master monitor. This makes group monitoring easy for on-set, studio and OB van walls, and in 19” EIA racks for editing, audio mixing etc.   Input for 12G-SDI and Quad-Lin 3G-SDI to HD-SDI as well as HDMI The PVM-X1800 provides 12G-SDI inputs and can accept quad-link 3G-SDI and a single HD-SDI from traditional devices. The monitor also supports an HDMI connection for display of inputs with signal formats ranging from 640x480/60P PC up to 4096x2160/60P 4:2:2 YCBC.   TECHNICAL SPECS Size: 18.4" / 469.2 mm Panel: α-SI TFT Active Matrix LCD Resolution: 3840 x 2160 (UHD) Brightness: 1000 nits Viewing angle: 89°/89°/89°/89° Display colors: Approx. 1.07 billion Color Depth: 10-bit Color Gamut: ITU-R BT.2020*3, ITU-R BT.709, DCI-P3*3, S-GAMUT3*3, S-GAMUT3.Cine*3 Video Inputs: 2x 12G/6G/3G/HD-SDI, 2x 3G/HD-SDI, 1x HDMI (1.4) Video Outputs: 2x 12G/6G/3G/HD-SDI, 2x 3G/HD-SDI Power Inputs:1x  XLR-type 3pin (m), 22V-32V DC Data I/O: 1x RJ45 8pin (Parallel Remote), 1x Ethernet 10BASE-T/1000BASE-TX RJ45 (Serial Remote LAN) LUTs: 33 grid point or 17 grid point .cube files are supported, User 3D LUT, Audio: 1x 3.5mm 3-pin Stereo Headphone Jack Power Requirements: AC 100V - 240V, 21A - 0.8A / DC 22V - 32V, 8.2A - 5.1A Power Consumption: approx. 180W (max at AC) / approx. 165W (max at DC) / 0.3W in power off-mode Dimensions with handle and with stand (HxWxD): 44,4x 36,3x 16,9 cm Dimensions with handle and without stand (HxWxD): 44,4x 31,0x 14,9 cm Dimensions without handle and without stand (HxWxD): 32,6x 31,0x 14,9 cm Weight: 8.2 Kg *3 The PVM-X1800 does not cover selected colour space in full.   FEATURES 4K/UHD 18.4” 10-bit LCD monitor 1000Nits Brightness 12G-SDI Video input HDR-SDR conversion support  

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Sony PXW-FX9 Full Frame Camcorder
Full-frame creativityRealize beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh for a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable you to capture every nuance, from subtle shadow detail to specular highlights, with an immaculate color palette. Capturing the impossibleMake sure your story’s always clear with enhanced Fast Hybrid AF that tracks your subject with unprecedented speed, smoothness, and precision. Its impact is transformative for premium documentary, commercial, and event applications. Your ability to precisely capture your subject’s expression is further enhanced with Sony’s unique Eye AF.**Ver2.0 is required. 6K Full-Frame "Exmor R" sensor for stunning picture qualityThe camera’s full-frame 6K sensor provides superb recording in DCI 4K*, Ultra HD, and HD resolutions. Powerful image processing with debayering and oversampling ensures image quality beyond the limits of conventional Super 35-mm sensors. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35-mm sensor, the FX9’s 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field.  *DCI 4K (4096 x 2160 at 17:9 recording)  requires Ver.2.0 or higher firmware. Dual Base ISO for stunning images in any lightThe FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary High Base sensitivity of ISO 4000 excels in low-light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal when using slow lenses. Combining Dual Base ISO with the camera’s electronic variable ND Filter provides superb creative control in almost any shooting environment, with truly next-generation responsiveness to changing conditions.  *ISO 800 and ISO 4000 are used in S-Log3, Cine EI mode. Selectable Frame Rates in Both Full-Frame & Super 35 Choose your desired frame rate from 1fps up to 180fps* for impressive quick- and slow-motion footage. FX9 creates an immersive image with a wide-angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow motion. Engage your audience with this new creative look. FX9 also offers a Quality priority setting** that maximizes full HD image quality using full-frame 6K scan mode or Super 35 4K scan mode with advanced oversampling technology.  Super 35 2K imager scan mode prioritizes frame rates, so image quality may be reduced depending on the shooting environment. In this instance, the settings below are recommended. Cine EI mode: Set EI gain lower and exposure level higher instead Custom/SDR mode: Choose the gamma category setting of Original (S-Cinetone) or STD (STD1 to 6)  · *Up to 120fps with Ver1.0. Full-HD 180fps requires Ver.2.0 or higher firmware. · **In full-frame scanning mode: selectable at 1–30fps/in super 35 scanning mode: selectable at 1–60fps. Quality priority setting is recommended if desired frame rate is available.   FEATURES: 6K Full-Frame Exmor R CMOS Sensor 15 Stops of Dynamic Range, Dynamic HDR DCI 4K and UHD 4K up to 59.94p HD Recording up to 150/180 fps Sony E-Mount 10-Bit 4:2:2 XAVC-I up to 600 Mb/s Auto-HD, AF, 7-Stop ND Filter, 3D LUTs Dual Base ISO up to 102,400, HLG Mode Dual XQD Card Slots, 2K Imager Scan Mode 12G/6G/3G-SDI & HDMI Output up to 4K  TECH SPECS Mount: E-Mount Image Sensor: 6K Full-Frame Full-Frame: DCI 4K 60p (V2.0) Super35mm: DCI 4K 60p (V2.0) Latitude: 15+ stops Base ISO: Dual Base ISO (800/4000) ISO: 320 - 102400 (V2.0) Variable ND: 1/4 - 1/128 Gamma Curve: S-Cinetone, S-log3, HLG HFR: FHD 180p (V2.0) Codec @Max bit rate: XAVC-I 422 10bit RAW: 16-bit RAW output (V2.0) Fast Hybrid AF TC, Genlock Recording Format: Mpeg HD322 Proxy Recording: Yes Weight: Approx. 2.0 (Body only) Software Features and Improvements:  Full-frame 4K 60p/50p recording with oversampling (image sensor scan size is around 5K) FHD 180fps shooting DCI 4K recording 16 bit RAW output (with XDCA-FX9) Support DWX digital wireless audio receiver (with XDCA-FX9) Eye-AF capability Support 6G-SDI Adds User 3D Look-Up-Table function Adds HDR shooting function with Hybrid Log Gamma Supports touch-screen operation (regarding some status screens and some settings) Increased upper limit of Gain setting Supports XLR-K3M with digital I/F Image quality improvement at S35 2K mode    Be up to date with the Software & Firmware!  

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Sony PXW-Z280 Bundle incl. 2 SxS-1 Cards
World-leading handheld 4K HDR performanceAn all-new 4K 3CMOS 1/2-type sensor with a deep depth of field and class-leading performance provides the pinnacle of 4K HDR performance in your hand. Face Detection AF keeps your subject in focus, while HLG and S-Log3 provide stunning HDR to suit any workflow.The complete package for professionalsUnpack and shoot from day one. Advanced XAVC-Intra and XAVC-Long for 4K QFHD and HD, plus MPEG HD422, MPEG HD and DVCAM to support any workflow. Familiar Sony control layout and operation minimize training requirements.World's first 1/2-type 3CMOS Sensor for broadcast 4KThe Z280’s all-new Exmor R™ imager is custom-designed for broadcast 4K acquisition. Its three 1/2-type Exmor R™ CMOS deliver a deep depth of field with superb image quality. Red, blue and green light are independently captured by separate image sensors, contributing to high resolution, high sensitivity of F12 (59.94p) and wide dynamic range. An advanced LSI (featuring intelligent noise reduction and enhanced detail reproduction) delivers remarkably lifelike 4K 4:2:2 10-bit images. Even if you’re delivering in HD, your recordings will capture detail and image texture that HD sensors simply cannot see.17x professional HD zoom lens with three independent rings with end-stop and large focal lengthThe PXW-Z280 is equipped with a 17x professional zoom lens able to zoom from 30.3 mm to 515 mm (35 mm equivalent). The 1/2-inch type lens has three independent control rings with end-stop, which allows manual control of focus, zoom, and iris, making for better and faster adjustment.The image can be enlarged in HD mode up to 34x zoom equivalent while maintaining Full HD resolution, thanks to digital extender.Spectacular HDR performanceDemand for HDR content is increasing and Z280 offers you a choice of two powerful workflows.S-Log3 is the proven choice for premium applications where you wish to capture as much data as possible for the ultimate flexibility in gradingInstant HDR Workflow is all about speed. Shoot, edit and view content in Hybrid Log-Gamma (HLG) to deliver content quickly without compromising on imaging expression and quality of contentAmazingly fast precision auto focusThe PXW-Z280 features newly developed Face detection AF. You can choose between Face Priority AF and Face Only AF. Simply keep the person in frame and, however you move to obtain a better angle, you can be confident the PXW-Z280 will keep your subject in pin-sharp focus.Built-in electronic Variable ND FiltersSony’s ground-breaking integration of electronic variable ND Filters into the body of a camcorder enables fast, agile shooting. Moving from shadowy interiors to bright sun-lit exteriors is no problem with PXW-Z280. Unlike conventional optical ND filters, the electronic ND filter on the PXW-Z280 can be controlled from 1/4ND to 1/128ND linearly while ND Filters can be set to fully auto. You can even manually adjust Depth of Field using the iris lens ring, while relying on the PXW-Z280 to maintain constant exposure without changing gain nor shutter speed.12G-SDI accelerated workflowRevolutionize your workflow with 12 Gbps content transfer—four times the bandwidth of 3G-SDI over a single cable and ideal for working with highest quality 4K content or speeding through HD content. Sony is the first broadcast manufacturer to build 12G-SDI into a compact handheld camcorder. Once you’ve tried it, you won’t want to use anything else.Accurate OLED viewfinderAn expansive 0.5-inch high quality OLED viewfinder is perfectly offset for right-eye or left-eye viewing. OLED’s superb accuracy, high contrast, and high resolution (2.36M dot) enables precise manual focus and eliminates any color-breaking phenomenon.Dual Multi-Interface (MI) ShoeMI Shoe provides power, signal connections, and coordinated on/off switching to compatible Sony accessories. For example, you can connect and control Sony wireless microphone systems such as the UWP-D11 or UWP-D12 or attach the HVL-LBPC light *Connectors at front and back of camcorder maximize operational flexibility.*Accessories sold separately. HVL-LBPC light does not draw power from PXW-Z280.Dual XLR and 4 Channel AudioThe PXW-Z280 offers superior professional audio capabilities with independent volume dials, enabling precision control of external audio inputs, including an MI-shoe attached microphone.Dual SxS media slotsThe camcorder is equipped with two SxS memory card slots, which can record in Simul, Relay, or Back up mode. Simul mode permits simultaneous recording to two memory cards, including simultaneous recordings of MPEG HD exFAT and UDF recordings, ideal for archival purposes. Relay mode automatically switches recording from the first to the second memory card when the first is full to extend recording times. In Back up mode, users can set up the two Start/Stop buttons on the PXW-Z280, one on the grip and one on the camcorder body, to independently start and stop recording on different memory cards while recording in Simul mode.**Simul and back-up recording are limited to HD operationNetworked for high mobilityThe PXW-Z280 comes with 5 GHz* and 2.4 GHz Wi-Fi as standard—simply turn on and log onto your preferred network to enable a host of advanced wireless production features: Dual Link Cellular—use two cellular networks in combination to provide an even more reliable network connection. The PXW-Z280 is compatible with standard USB cellular dongles from most networks. (Please check for the most appropriate service provider for your region. Standard network fees will apply.) High-quality Sony QoS Streaming to Network RX station (sold separately) and XDCAM air allows images to be streamed live from the camcorder for viewing at a remote location. FTP Transfer allows content files recorded with MPEG HD 422/420 proxy feature and other content files shot in XAVC (QFHD/FHD) to be sent over the internet for remote storage on an FTP server even while shooting. In case of signal interruption, the system will automatically resume as soon as connection is restored Trimming function is available for both proxy and PGM without need for a PC. Any clip can have its start and endpoints selected to eliminate time wasted transferring unnecessary content XDCAM air can upload proxy footage to the cloud from multiple camera operators in the field, so editing can start immediately. Uploaded content can be accessed securely from any location. News teams can even start logging clips while shooting’s still going on, saving even more valuable time when a story’s breaking. Wi-Fi/NFC (Near Field Communication) with Content Browser Mobile™** allows the PXW-Z280 to be remotely controlled from a smartphone or tablet computer (iOS 9.0–10.3 or Android 4.4 through 7.1) via a Wi-Fi connection. One-touch authentication is also possible with smartphones that offer NFC connectivity Wired LAN port allows you to connect the PXW-Z280 to the Internet with a standard Ethernet cable, allowing files to be streamed or transferred by FTP *5 GHz support dependent on country/regional regulation. Only PXW-Z280V supports 5 GHz. **The Content Browser Mobile™ application can be downloaded from the Google Play Store or App Store. Wi-Fi operation cannot be guaranteed with all smartphones and tablet computers.High-quality XAVC Intra and XAVC Long GOP recordingsXAVC technology is based on the H.264 standard, which provides an exceptionally robust and efficient compression technology. XAVC Intra (frame) compression means that every frame is encoded independent of the other frames – providing a better quality picture, without compromises. XAVC Long GOP applies compression across multiple frames – reducing file sizes, which can make for fast ingest and editing as well as providing budget savings on recording media. The XAVC codec adopts 10-bit sampling for high-definition recording with rich tonal expression.Broadcast-standard MPEG HD422 and MPEG HDHigh-quality MPEG HD422 50 Mbps is fully compliant with the latest EBU recommendations for long-form broadcast production and is widely accepted in broadcasting stations and production houses. This recording capability makes PXW-Z280 ideal for a wide range of different applications, including newsgathering and documentary production.DVCAM at 25 Mbps in MXF file formatMany broadcasters and production houses still utilize the proven DVCAM format and PXW-Z280 provides support at the flick of a switch.   SxS-1 Memory Card: Rugged, proven technology to support all the recording features of the XDCAM EX camera lineup 32GB, 64GB, and 128GB capacityRead speed up to 440MB/sSupports EB Streaming between card and Sony camcorders enabling constant 2 way communication and insuring stable recording while avoiding speed degradation.Enhanced media management with Memory Media Utility:Memory Media Utility dedicated PC software for Sony memory media products (available from download) provides enhanced media management. Specifications Interface: ExpressCard/34, PCI Express Gen2 Read speed: 3.5Gbps (=440MB/s)* Write Speed: 1.6Gbps (=200MB/s)* : SBS-64G1C, SBS-128G1C 110MB/s* : SBS-32G1C Capacity: 32GB**: SBS-32G1C 64GB**: SBS-64G1C 128GB**: SBS-128G1C Model Name: SBS-32G1C, SBS-64G1C, SBS-128G1C Operating Temperature: -25℃-65℃ Storage Temperature: -40℃-85℃ Weight: Approx.27g Dimension (W x H x D): Approx.34 x 5 x 75 mm (excluding the projecting parts)  

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Sony VENICE 2 with 6K image sensor
In 2017, Sony introduced a next-generation motion picture camera system, focused on large format production: the VENICE. Working with extensive and detailed input from the film industry, we designed VENICE to give cinematographers more creative freedom. A 6K image sensor offered incredible detail and colors. Dual-base ISO drove remarkable low-light performance. An 8-step internal ND filter mechanism saved precious time on set.Now, VENICE 2 builds on this success, with new capabilities in a familiar, compact body. Remarkable ImagesVENICE 2 offer a choice between 8K (MPC-3628) and 6K (MPC-3626) sensors, both of wich boast incredibly wide latitude and gamut. Use greater freedom of expression in grading than ever before, with either 16 or 15+ stops of latitude and exquisite color rendition.   Sensor interchangeable between other models   36x24mm Full-Frame Sensor for Cinema VENICE 2 features one of two 36x24mm full-frame image sensors, designed specifically for the demands and performance of high-end cinematography. Each offers remarkable sensitivity, latitude and color rendition, and because the sensor blocks are interchangeable, users can easily switch between sensors—without any extra firmware—and can even use the sensor from their original VENICE. The new 8K sensor can capture images up to a maximum resolution of 8640 x 5760, while the established 6K sensor offers up to 6048 x 4032. Both offer powerful oversampling for incredible 4K images.     Super35 full height 2.0x squeeze AnamorphicFor anamorphic shooting and production, Super35 full height 2x squeeze anamorphic is supported. Dual Base ISOVENICE 2 features dual base ISO, meaning that the 8K sensor offers Base ISO3200 in addition to Base ISO800, while the 6K sensor has Base ISO500 and Base ISO2500. 8K sensor excels in low-light, High Dynamic Range capture, with an exposure latitude from 6 stops over to 10 stops under 18% Middle Gray, for a total of 16 stops.6K sensor offers an exposure latitude from 6 stops over to 9 stops under 18% Middle Gray, for a total of 15+ stops. High Frame Rate VENICE 2 can shoot at speed of up to 120fps at 4K and 90fps at 6K, when using the 6K sensor. In combination with an anamorphic license, it also allows shooting at speed of up to 75fps at 4K 4:3 and 72fps at 4K 6:5. With the 8K sensor, VENICE 2 can achieve up to 60fps at 8.2K and 90fps at 5.8K.   Supporting all major of motion picture lenses in the market Full-Frame Anamorphic lens Full-Frame Spherical lens S35mm Spherical lens E-Mount lens Image Mode details for 6K image sensor in V1.0          SPECIFICATIONS for VENICE 2 with 6K image Sensor #MPC-3626 Image Device: 35mm full size, single-chip CMOS image sensor Imaging Device Pixel Count: 24.8M (Total) Image sensor interchangeable Built-in ND Filters: Clear, 0.3 (1/2), 0.6 (1/4), 0.9 (1/8), 1.2 (1/16), 1.5 (1/32), 1.8 (1/64), 2.1 (1/128), 2.4 (1/256) ISO Sensitivity: ISO500, ISO2500 (Dual Base ISO) Lens Mount: PL Mount and E-Mount Latitude: 15+ stops Compact and X-OCN internal Recording 4K ProRes internal Rec VENICE 2 can apply 4K or HD LUTS to it´s monitor output. Dimensions (WxHxD): 15,2x 15,8x 2,5cm Weight: approx. 4,2Kg Almost same I/O and screw holes for accessories An evolved product design based on VENICE More information about the Sony VENICE can be found at www.sonycine.com  Click here to download the Special Report from FD Times.

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Sony VENICE 2 with 8K image sensor
In 2017, Sony introduced a next-generation motion picture camera system, focused on large format production: the VENICE. Working with extensive and detailed input from the film industry, we designed VENICE to give cinematographers more creative freedom. A 6K image sensor offered incredible detail and colors. Dual-base ISO drove remarkable low-light performance. An 8-step internal ND filter mechanism saved precious time on set.Now, VENICE 2 builds on this success, with new capabilities in a familiar, compact body. Remarkable ImagesVENICE 2 offer a choice between 8K (MPC-3628) and 6K (MPC-3626) sensors, both of wich boast incredibly wide latitude and gamut. Use greater freedom of expression in grading than ever before, with either 16 or 15+ stops of latitude and exquisite color rendition.   Sensor interchangeable between other models   36x24mm Full-Frame Sensor for Cinema VENICE 2 features one of two 36x24mm full-frame image sensors, designed specifically for the demands and performance of high-end cinematography. Each offers remarkable sensitivity, latitude and color rendition, and because the sensor blocks are interchangeable, users can easily switch between sensors—without any extra firmware—and can even use the sensor from their original VENICE. The new 8K sensor can capture images up to a maximum resolution of 8640 x 5760, while the established 6K sensor offers up to 6048 x 4032. Both offer powerful oversampling for incredible 4K images Super35 full height 2.0x squeeze AnamorphicFor anamorphic shooting and production, Super35 full height 2x squeeze anamorphic is supported. Dual Base ISOVENICE 2 features dual base ISO, meaning that the 8K sensor offers Base ISO3200 in addition to Base ISO800, while the 6K sensor has Base ISO500 and Base ISO2500. 8K sensor excels in low-light, High Dynamic Range capture, with an exposure latitude from 6 stops over to 10 stops under 18% Middle Gray, for a total of 16 stops.6K sensor offers an exposure latitude from 6 stops over to 9 stops under 18% Middle Gray, for a total of 15+ stops. High Frame Rate VENICE 2 can shoot at speed of up to 120fps at 4K and 90fps at 6K, when using the 6K sensor. In combination with an anamorphic license, it also allows shooting at speed of up to 75fps at 4K 4:3 and 72fps at 4K 6:5. With the 8K sensor, VENICE 2 can achieve up to 60fps at 8.2K and 90fps at 5.8K.   Supporting all major of motion picture lenses in the market Full-Frame Anamorphic lens Full-Frame Spherical lens S35mm Spherical lens E-Mount lens Image Mode details for 6K image sensor in V1.0       SPECIFICATIONS for VENICE 2 with 8K image Sensor #MPC-3628 Image Device: 35mm full size, single-chip CMOS image sensor Imaging Device Pixel Count: 50.0M (Total) Image sensor interchangeable Built-in ND Filters: Clear, 0.3 (1/2), 0.6 (1/4), 0.9 (1/8), 1.2 (1/16), 1.5 (1/32), 1.8 (1/64), 2.1 (1/128), 2.4 (1/256) ISO Sensitivity: ISO800, ISO3200 (Dual Base ISO) Lens Mount: PL Mount and E-Mount Latitude: 16 stops Compact and X-OCN internal Recording 4K ProRes internal Rec VENICE 2 can apply 4K or HD LUTS to it´s monitor output. Dimensions (WxHxD): 15,2x 15,8x 2,5cm Weight: approx. 4,3Kg Almost same I/O and screw holes for accessories An evolved product design based on VENICE More information about the Sony VENICE can be found at www.sonycine.com  Click here to download the Special Report from FD Times.

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