Angénieux Optimo Ultra 12x FF/VV The long-range cinema zoom reference redefinedThe New Generation High End 12x Cine Zoom - successor model to industry reference OPTIMO 24-290 & 28-340, the Optimo Ultra 12x is the ideal long-range zoom for high-end productions: feature films, TV series, live stage, commercials, music videos. The lens features a totally new optical & mechanical design, offering even better optical performance, and improved mechanical stability and serviceability.Main FeaturesNew Optical Design Completely new optical design to enable Full Frame Coverage Well controlled optical performances at each focal length and focus distance by having a good balance between contrast and resolution –appealing cinematic look Superb image quality from open aperture, considered as “variable primes” Low distortion No ramping, minimal breathing, very fast for 12x zoom ratios Efficient use of aspherical elements to minimize color fringing Very short MOD 4’2″ in FF/VV New Mechanical Design Completely newly designed mechanics vs. 24-290 & 28-340 Improved mechanical stability, and serviceability. Weight reduction of moving components Reduce dust inhale by improving air flow and adding dust traps Precise and ergonomic focus ring with scale rotation of 321 degrees, the largest in the industry and over 70 focus marks. User changeable focus marking rings (focusing scales available in feet or metric) Mechanical components based on light-weight material with dedicated anti-abrasion coating Adapted to extreme shooting environments (passive athermalisation from -20°C to +40°C) PL mount lens. Compatible with LPL mount. Additional lens mounts to come Available accessories: carrying handle, front protective glass, Optimo extenders To use with ARRI FF4 & FF5 Follow-Focus, please use ARRI FF Gear 0.8 Module, 43 Tooth, 45mm K2.0020752 SpecificationsFF/VV Zoom ratio: 12x Focal Length: 36-435 Aperture: T4.2 Close Focus: 1.52m / 5ft Internal Focus: yes Image Circle Coverage: 46.3mm Weight (approx.): 12.75kg / 28.1lbs Length: 523mm / 20.6in Front Diameter: 162mm  

  Angénieux Optimo Ultra 12x Full Pack FF/VV, S35 & U35The long-range cinema zoom reference redefinedSuccessor model to industry reference OPTIMO 24-290 & 28-340, the Optimo Ultra 12x is the ideal long-range zoom for high-end productions: feature films, TV series, live stage, commercials, music videos. The lens features a totally new optical & mechanical design, offering even better optical performance, and improved mechanical stability and serviceability. Thanks to the IRO technology®, the lens can be configured in three different versions: S35 (Ø 31.1mm),  U35 (Ø 34.6mm) and  FF/VV (Ø 46.3mm) with dedicated sets of rear and rings. Main Features New Optical Design Completely new optical design to enable Full Frame Coverage Well controlled optical performances at each focal length and focus distance by having a good balance between contrast and resolution –appealing cinematic look Superb image quality from open aperture, considered as “variable primes” Low distortion No ramping, minimal breathing, very fast for 12x zoom ratios Efficient use of aspherical elements to minimize color fringing Very short MOD 1.22m/4’ in S35 – 1.24m/4’1’’ in Ultra S35 – 4’2″ in FF/VV New Mechanical Design Completely newly designed mechanics vs. 24-290 & 28-340 Improved mechanical stability, and serviceability. Weight reduction of moving components Reduce dust inhale by improving air flow and adding dust traps Precise and ergonomic focus ring with scale rotation of 321 degrees, the largest in the industry and over 70 focus marks. User changeable focus marking rings (focusing scales available in feet or metric) Mechanical components based on light-weight material with dedicated anti-abrasion coating Adapted to extreme shooting environments (passive athermalisation from -20°C to +40°C) PL mount lens. Compatible with LPL mount. Additional lens mounts to come Available accessories: carrying handle, front protective glass, Optimo extenders To use with ARRI FF4 & FF5 Follow-Focus, please use ARRI FF Gear 0.8 Module, 43 Tooth, 45mm K2.0020752 SpecificationsFF/VV Zoom ratio: 12x Focal Length: 36-435 Aperture: T4.2 Close Focus: 1.52m / 5ft Internal Focus: yes Image Circle Coverage: 46.3mm Weight (approx.): 12.75kg / 28.1lbs Length: 523mm / 20.6in Front Diameter: 162mm S35 Zoom ratio: 12x Focal Length: 24-290 Aperture: T2.8 Close Focus: 1.22m / 4ft Internal Focus: Yes Image Circle Coverage: 31.1mm Weight (approx.): 12.6 kg / 27.7lbs Length: 472mm / 18.6in Front Diameter: 162mm U35 Zoom ratio: 12x Focal Length: 26-320 Aperture: T3.1 Close Focus: 1.24m / 4ft 1in Internal Focus: Yes Image Circle Coverage: 34.6mm Weight (approx.): 12.75kg / 28.1lbs Length: 481mm / 18.9in Front Diameter: 162mm    

  Angénieux Optimo Ultra Compact 21-56mm FF & U35 rear Open Gate (Full Pack) A new generation of wide-angle compact spherical zoom lens  The full pack, which is based on the exclusive IRO (Interchangeable Rear Optics) technology by Angénieux, includes a full-frame and a U35 rear that can be easily interchanged to work on full-frame cameras or to cover the open gate of the new ARRI ALEXA 35. This new generation of high-end lenses is fully designed for the FF/VV format and Open Gate. Lightweight and compact, they are among the lightest on the market. Designed for cinematographers who want to have the possibility to work in both formats or for rental companies who have both types of cameras, the Optimo Ultra Compact lenses are the perfect addition to the Optimo Ultra 12X and the Optimo Prime Series. They seduce by their ergonomics, their superb optical quality from T2.9 (in FF/VV) or T2.2 (in U35-Opengate), including the famous Angénieux look and their high-precision mechanics. Image quality is consistent from open to close aperture and at every focal length and focus distance. The iris is also capable of closing completely. The balance of contrast, color and resolution offer an appealing cinematic look. The Angénieux Full Frame solution is now complete with zooms and primes for all kinds of applications in one single and homogeneous ecosystem. NEW OPTICAL DESIGN Completely new optical design to enable Full Frame Coverage Superb image quality from T2.9 (in FF/VV) open aperture, T22 in U35 (Open Gate). Well controlled optical performances at each focal length and focus distance by having a good balance between contrast and resolution. Appealing cinematic look Perfect homogeneity of color, contrast and resolution. Low distortion No ramping, minimal breathing, very fast for 2.7x zoom ratios Close focus of 2ft / 0.6m enables extreme close-up shots Internal focus, internal zoom, constant lens volume   NEW MECHANICAL DESIGN Completely newly designed mechanics vs. Optimo 15-40 & 28-76 Compact (235mm) and very lightweight (2.6kg / 6lbs) Precise and rugged travelling of the zoom and focus groups using Angenieux classic rod mechanical guiding system Precise and ergonomic focus ring with scale rotation of 310°, user-optimized marking design User changeable focus marking rings (focusing scales available in feet or metric) Adapted to extreme shooting environments (passive athermalization from -20°C to +45°C) Available in PL mount. Front protective glass (as an accessory) Can be used with with ARRI FF4 & FF5 Follow-Focus, please use ARRI FF Gear 0.8 Module, 43 Tooth, 45mm K2.0020752   MULTIPLE IMAGE FORMAT DESIGN  IRO Technology Two versions : Optimo Ultra Compact FF/VV + U35 Only and Optimo Ultra Compact Full Pack (FF + U35) Cooke Metadata : External connector for metadata transfer to an external drive or a display unit    

  Angénieux Optimo Ultra Compact 37-102mm FF & U35 rear Open Gate (Full Pack) A new generation of wide-angle compact spherical zoom lens The full pack, which is based on the exclusive IRO (Interchangeable Rear Optics) technology by Angénieux, includes a full-frame and a U35 rear that can be easily interchanged to work on full-frame cameras or to cover the open gate of the new ARRI ALEXA 35.This new generation of high-end lenses is fully designed for the FF/VV format and Open Gate. Lightweight and compact, they are among the lightest on the market. Designed for cinematographers who want to have the possibility to work in both formats or for rental companies who have both types of cameras, the Optimo Ultra Compact lenses are the perfect addition to the Optimo Ultra 12X and the Optimo Prime Series. They seduce by their ergonomics, their superb optical quality from T2.9 (in FF/VV) or T2.2 (in U35-Opengate), including the famous Angénieux look and their high-precision mechanics.Image quality is consistent from open to close aperture and at every focal length and focus distance. The iris is also capable of closing completely. The balance of contrast, color and resolution offer an appealing cinematic look. The Angénieux Full Frame solution is now complete with zooms and primes for all kinds of applications in one single and homogeneous ecosystem. NEW OPTICAL DESIGN Completely new optical design to enable Full Frame Coverage Superb image quality from T2,9 (in FF/VV) open aperture Well controlled optical performances at each focal length and focus distance by having a good balance between contrast and resolution. Appealing cinematic look Perfect homogeneity of color, contrast and resolution. Low distortion No ramping, minimal breathing, very fast for 2.7x zoom ratios Close focus of 2ft / 0.6m enables extreme close-up shots Internal focus, internal zoom, constant lens volume NEW MECHANICAL DESIGN Completely newly designed mechanics vs. Optimo 15-40 & 28-76 Compact (235mm) and very lightweight (2,6kg / 6lbs) Precise and rugged travelling of the zoom and focus groups using Angenieux classic rod mechanical guiding system Precise and ergonomic focus ring with scale rotation of 310°, user-optimized marking design User changeable focus marking rings (focusing scales available in feet or metric) Adapted to extreme shooting environments (passive athermalization from -20°C to +45°C) Available in PL mount. Front protective glass (as an accessory) Can be used with with ARRI FF4 & FF5 Follow-Focus, please use ARRI FF Gear 0.8 Module, 43 Tooth, 45mm K2.0020752 MULTIPLE IMAGE FORMAT DESIGN  IRO Technology Two versions : Optimo Ultra Compact FF/VV + U35 Only and Optimo Ultra Compact Full Pack (FF + U35) Cooke Metadata : External connector for metadata transfer to an external drive or a display unit      

Second generation of Optimo lightweight lenses, the Optimo Ultra compact lenses replace the famous academy awarded Optimo 15-40 and 28-76 lenses which have been the faithful companions of Directors of Photography for more than 15 years. This new generation of high-end lenses is fully designed for the FF/VV format. Lightweight and compact, these lenses are among the lightest on the market. Thought for users, these lenses are the perfect addition to the Angénieux high-end Full Frame collection which already included the Optimo Ultra 12X and the Optimo Prime Series. They will seduce by their ergonomics, their Optimo optical quality including the Angénieux look and their high-precision mechanics. The major characteristics of the Optimo Ultra compact lenses which integrate high-tech optical and mechanical components are listed below.   SPECIFICATIONS Full-Frame version only Focal Length (mm): 37-102 T-Stop: 2,9 Close Focus: 600mm/2ft Internal Focus: Yes Image Circle Coverage: 46,3mm Front Diameter: 114mm Iris full closure: Yes Metadata: Yes Horizontal angular field of view: 57.3° / 22,7° Object dimensions at MOD (mm): 449 x 237 / 159 x 84 Weight: 206 Kg /5,7 lbs Length: 235mm / 9.25in   Available Q1 2022 - Pre-order now!   NEW OPTICAL DESIGN Completely new optical design to enable Full Frame Coverage Superb image quality from T2,9 (in FF/VV) open aperture Perfect homogeneity of color, contrast and resolution. Low distortion No ramping, minimal breathing, very fast for 2.7x zoom ratios Close focus of 2ft / 0.6m enables extreme close-up shots Internal focus, internal zoom, constant lens volume NEW MECHANICAL DESIGN Completely newly designed mechanics vs. Optimo 15-40 & 28-76 Compact (235mm) and very lightweight (2,6kg / 6lbs) Precise and rugged travelling of the zoom and focus groups using Angenieux classic rod mechanical guiding system Precise and ergonomic focus ring with scale rotation of 310°, user-optimized marking design User changeable focus marking rings (focusing scales available in feet or metric) Adapted to extreme shooting environments (passive athermalization from -20°C to +45°C) Available in PL mount. Front protective glass (as an accessory) Can be used with with ARRI FF4 & FF5 Follow-Focus, please use ARRI FF Gear 0.8 Module, 43 Tooth, 45mm K2.0020752 MULTIPLE IMAGE FORMAT DESIGN IRO ready Optimo Ultra Compact FF/VV Only for the time being /i Cooke Metadata : External connector for metadata transfer to an external drive or a display unit  

Second generation of Optimo lightweight lenses, the Optimo Ultra compact lenses replace the famous academy awarded Optimo 15-40 and 28-76 lenses which have been the faithful companions of Directors of Photography for more than 15 years. This new generation of high-end lenses is fully designed for the FF/VV format. Lightweight and compact, these lenses are among the lightest on the market. Thought for users, these lenses are the perfect addition to the Angénieux high-end Full Frame collection which already included the Optimo Ultra 12X and the Optimo Prime Series. They will seduce by their ergonomics, their Optimo optical quality including the Angénieux look and their high-precision mechanics. The major characteristics of the Optimo Ultra compact lenses which integrate high-tech optical and mechanical components are listed below.   SPECIFICATIONS - Preliminary Full-Frame version only Focal Length (mm): 21-56 T-Stop: 2,9 Close Focus: 600mm/2ft Internal Focus: Yes Image Circle Coverage: 46,3mm Front Diameter: 114mm Iris full closure: Yes Metadata: Yes Horizontal angular field of view: TBC Object dimensions at MOD (mm): TBC Weight: TBC Length: TBC   NEW OPTICAL DESIGN Completely new optical design to enable Full Frame Coverage Superb image quality from T2,9 (in FF/VV) open aperture Perfect homogeneity of color, contrast and resolution. Low distortion No ramping, minimal breathing, very fast for 2.7x zoom ratios Close focus of 2ft / 0.6m enables extreme close-up shots Internal focus, internal zoom, constant lens volume NEW MECHANICAL DESIGN Completely newly designed mechanics vs. Optimo 15-40 & 28-76 Compact (235mm) and very lightweight (2,6kg / 6lbs) Precise and rugged travelling of the zoom and focus groups using Angenieux classic rod mechanical guiding system Precise and ergonomic focus ring with scale rotation of 310°, user-optimized marking design User changeable focus marking rings (focusing scales available in feet or metric) Adapted to extreme shooting environments (passive athermalization from -20°C to +45°C) Available in PL mount. Front protective glass (as an accessory) Can be used with with ARRI FF4 & FF5 Follow-Focus, please use ARRI FF Gear 0.8 Module, 43 Tooth, 45mm K2.0020752 MULTIPLE IMAGE FORMAT DESIGN IRO ready Optimo Ultra Compact FF/VV Only for the time being /i Cooke Metadata : External connector for metadata transfer to an external drive or a display unit  

The Angénieux Type EZ-1 Pack for S35mm/FF/VistaVision cameras is a standard zoom lens with a zoom factor of 3x. Its focal range and aperture are set to 30-90mm F1.9/T2. By exchanging the rear lens group, the lens becomes a 45-135mm F2.8/T3 for FF/VistaVision format covering an image circle up to 46mm diagonal. The EZ-Zooms were created to fill the wide gap between basic still photography zooms, and the highly acclaimed Optimo, Optimo Style family of lenses used in the motion pictures industry, the Angénieux Type EZ series features two new light weight zooms. Thanks to an innovative lens modular design (Interchangeable Rear Optics IRO technology), both lenses allow the rear lens group to be exchanged between S35mm (up to 30mm image diagonal), and FF/VistaVision format (up to 46mm image diagonal). FEATURES Focal Length:          30-90 mm (S35 Format) / 45-135 mm (FF/VistaVision Fromat) Zoom Ratio:            3x Aperture:                 f/1.9 - T2 (S35 Format9 / f/2.8 - T3 (FF/VistaVision Format) Format:                    S35mm and FF/VistaVision Weight (approx.):   2,15 kg Front diameter:      114 mm For the first time, ENG-Style productions will get the flexibility necessary for run-and-gun shooting, combined with an exellence of image quality at an affordable price. The Detachable ENG-Style zoom grip available from MOVCAM is a perfect match for the EZ's. Users can also easily change between PL, Canon EF and Sony E mounts.

The Angénieux Type EZ-2 Pack for S35mm/FF/VistaVision cameras is a widezoom lens with a zoom factor of 2.7x. Its focal range and aperture are set to 15-40mm F1.9/T2. By exchanging the rear lens group, the lens becomes a 22-60mm F2.8/T3 for FF/VistaVision format covering an image circle up to 46mm diagonal. The EZ-Zooms were created to fill the wide gap between basic still photography zooms, and the highly acclaimed Optimo, Optimo Style family of lenses used in the motion pictures industry, the Angénieux Type EZ series features two new light weight zooms. Thanks to an innovative lens modular design (Interchangeable Rear Optics IRO technology), both lenses allow the rear lens group to be exchanged between S35mm (up to 30mm image diagonal), and FF/VistaVision format (up to 46mm image diagonal). FEATURES Focal Length:          15-40 mm (S35 Format) / 22-60 mm (FF/VistaVision Fromat) Zoom Ratio:            2.7x Aperture:                 f/1.9 - T2 (S35 Format9 / f/2.8 - T3 (FF/VistaVision Format) Format:                    S35mm and FF/VistaVision Weight (approx.):   2,12 kg Front diameter:      114 mm For the first time, ENG-Style productions will get the flexibility necessary for run-and-gun shooting, combined with an exellence of image quality at an affordable price. The Detachable ENG-Style zoom grip available from MOVCAM is a perfect match for the EZ's. Users can also easily change between PL, Canon EF and Sony E mounts.  

The EZ-3 lens is the new Tele-lens addition to the versatile, future proof Angénieux EZ series. Based on the same philosophy as EZ-1 and EZ-2, the EZ-3 is a compact and affordable cinestyle zoom lens. It also includes improvements such as a quick IRO Technology ® mechanism and dual focus scales (feet-meters). The new Tele zoom 45 - 165 mm T2.3/T3 S35 and 68 - 250 mm T3.5/T4.5 FF works with multiple camera formats, thanks to its easy interchangeable mount system (PL, RF, EF, E).   FEATURES Compact and affordable cinestyle tele zoom  Based on the same philosophy as EZ-1 & EZ-2  New quick IRO Technology® mechanismS35 & FF user configurable Compact & lightweight: 2,6 Kg / 4,40 lb & 265mm / 10,4" Fully compatible with EZ-1 & EZ-2 accessores Long tele reach- S35 45 - 165mm T2.3/T3 I Constant T-Stop 45 - 135 mm T2.3Constant T-stop across the entire zoom range when iris is set to T3 or slower T-stop- FF 68 - 250mm T3.5/T4.5 I Constant T-Stop 68 - 200mm T3.5Constant T-stop across the entire zoom range when iris is set to T4.5 or slower T-stop Dula feet-meter scale focus ringEasy feet-meter conversion with standard screwdriver and no collimator   TECH SPECS Focal Length:          45-165mm (S35 Format) | 68-250mm (FF/VistaVision Fromat) Zoom Ratio:            3.7x Aperture:                 T2.3/T3 (S35 Format) |  T3.5/T4 (FF Format) MOD:                      4ft / 1.2m Format:                    S35mm and FF/VistaVision Weight (approx.):   2,60 kg Front diameter:      114 mm Image Size             24 x 13.6mm (S35) | 37.7 x 24.9mm (FF)   USEFULL ACCESSORIES RF Mount (#66069850AA) EF Mount (#320811) E Mount (#320810) EZ Transport Case (#320986) EZ Hood (#322051) Front protective glass (#66067166AA)  

  CANON CN8x15 IAS S E1/P1 CINE-SERVO ZOOMA wide-angle Cine-Servo lens offering a stunning 4K performance with an 8x zoom plus built-in 1.5x Extender. Make the whole world cinematicWith outstanding optical performance for HDR, 4K and 8K productions, the CN8x15 IAS S E1/P1 supports Cooke /i Technology™, ZEISS eXtended Data™ and EF mount communication. Engage the 1.5x Extender for reach up to 180mm and full coverage for full frame sensor cameras. A Cine-Servo lens offering great connectivity for any situation The CN8x15 IAS S E1/P1 shoots wide and captures striking video. CINEMATIC PRODUCTIONS | Incredible quality and colourCN8x15 IAS S E1/P1 is built to the highest standards demanded by filmmakers TV PRODUCTION | Integrate with Virtual SystemsAdd the CN8x15 IAS S E1/P1 to your next multi-camera production LIVE EVENTS | Creativity at its coreWith a wide zoom and a 1.5x Extender, the CN8x15 IAS S E1/P1 gives you more range BROADCAST | Comfort and versatilityA removable servo allows you to operate the lens to your preferred method Exceptional quality, exceptional clarityCapture your subject in exquisite edge-to-edge detail with Super35mm or Full Frame Cameras1 while an 11-blade iris produces beautiful specular highlights with cinematic depth-of-field.Wide-angle with extra reachThe CN8x15 IAS S E1/P1 is Canon’s widest Cine-Servo lens, ideal for live events and creative productions. And with a built-in 1.5x Extender, it gives Super35mm sensor cameras greater reach as well as providing full frame sensor cameras with edge-to-edge coverage for large format productions.Advanced communication and efficiencyThe EF mount offers advanced lens communication for precise metadata recording. The lens also supports Cooke /i Technology™ and ZEISS eXtended Data™ communication via PL mount.Incorporate into Virtual SystemsA 20-pin connector links to the 16-bit encoder for positional information and supports Cooke /i Technology™ as well as ZEISS eXtended Data™, which can be used for XR and Virtual solutions. Unified Canon colourMatch lenses across Canon’s entire video lens catalogue and deliver organic, warm, pleasing skin tones with accurate and consistent colour.Lens mount versatilityAvailable in both EF and PL mount; authorised Canon service centres can change the mount to accommodate different systems and workflows for greater flexibility.Robust, reliable – and built to performRemove the drive unit to operate the CN8x15 IAS S E1/P1 like a traditional cine lens. With a front diameter of 114mm use industry-standard accessories such as matte boxes and follow focus units. The focus ring sports 0.8 and 0.5 pitch gears with improved markings and engravings.Enhanced Servo Drive UnitThree 20-pin connectors integrate with Canon’s ZSD-300D and FPD-400D zoom and virtual systems and an electronic display offers precise adjustment and control. Remove the Servo drive for Cinema style operation supporting third-party Cinema accessories. ___________________________ Specifications___________________________ 4K, 8K, HDR: Supports High resolution capture and High dynamic range workflows Super 35mm and Full Frame: Shoot on different formats with impressive edge-to-edge detail EF/PL Mount2: Industry-wide compatibility 11 iris blades: Truly cinematic highlights and depth-of-field control 15-120mm focal length (22.5-180mm with Extender): Increased reach and format flexibility Enhanced Servo drive unit: Includes rocker switch, start/stop record, one-shot AF button and adjustable grip angle. Focus, Zoom, and Iris dials: Clear to see markings making adjustments easy in challenging conditions   Specifications in detail Zoom Ratio: 8x Focal Length: 15 – 120 mm / 22.5 – 180 mm Number of Iris Blades: 11 Minimum Shooting Distance: 0.85 m / 2.8’ Front Diameter (mm): Φ 114 mm Outer Dimensions (W x D x H): 186.7 x 131.7 x 294.9 mm (EF Mount) / 186.7 x 131.7 x 286.9 mm (PL Mount) Weight (g): 3.40kg Maximum Diameter Ratio (T-Number) T2.95 @ 15 – 90mm T3.95 @ 120 mm T4.4 @ 22.5 – 135 mm T5.9 @ 180 mm1 Angle View Aspect Ratio 1.9:1 FULL FRAME (38.1 x 20.1 mm) 80.5° x 48.1° @ 22.5 mm 12.1° x 6.4° @ 180 mm Aspect Ratio 1.5:1 FULL FRAME (36 x 24 mm) 77.3° x 56.1° @ 22.5 mm 11.4° x 7.6° @ 180 mm Aspect Ratio 1.78:1 SUPER 35 (24.6 x 13.8 mm) 78.7° x 49.4° @ 15 mm 11.7° x 6.6° @ 120 mm 57.3° x 34.1° @ 22.5 mm 7.8° x 4.4° @ 180 mm Aspect Ratio 1.9:1 SUPER 35 (26.2 x 13.8 mm) 82.3° x 49.4° @ 15 mm 12.5° x 6.6° @ 120 mm 60.4° x 34.1° @ 22.5 mm 8.3° x 4.4° @ 180 mm Shooting Range at Closest Approach 1.9:1 FULL FRAME (38.1 x 20.1 mm) 96.0 x 50.6 cm @ 22.5 mm 11.6 x 6.1 cm @ 180 mm 1.5:1 FULL FRAME (36 × 24 mm) 90.7 x 60.5 cm @ 22.5 mm 11.0 x 7.3 cm @ 180 mm 1.78:1 SUPER 35 (24.6 × 13.8 mm) 93.0 x 52.1 cm @ 15 mm 11.3 x 6.3 cm @ 120 mm 62.0 x 34.7 cm @ 22.5mm 7.5 x 4.2 cm @ 180 mm 1.9:1 SUPER 35 (26.2 × 13.8 mm) 99.0 x 52.1 cm @ 25 mm 12.0 x 6.3 cm @ 120 mm 66.0 x 34.7 cm @ 22.5 mm 8.0 x 4.2 cm @ 180 mm  

The Flex Zoom series of lenses from Canon has been designed for outstanding optical performance rendering beautiful and natural images. The breathtaking image quality is ideal for 4K productions. Available in EF and PL mount options and designed for use on large-format cameras, these premium high-end full-frame zoom lenses offer a constant maximum T-stop value of 2.4 across the entire zoom range. Advanced Lens Metadata Support includes Cooke /i Technology™ protocol on PL mount models.8K Optical Performance with Canon Cinema EOS Color ScienceThe lenses produce superb color rendition and detail, with sharp images from the center to the outer edges, rated for 8K HDR capture. An 11-blade aperture creates soft, beautiful light rays and stunning depth-of-field falloff, while an internal focusing system delivers minimized focus breathing and excellent parfocal performance. The lenses render the beautiful and warm color tones synonymous with Canon's cinema lens family.Canon's advanced optical technology and lens coatings have combined to achieve 8K optical performance through the zoom range. Various types of aberrations have been corrected to achieve beautiful imagery from the center of the image out to all edges. All of Canon's cinema lenses have been designed with a consistent warm color balance that expresses skin tones beautifully, making them ideal for capturing subject textures. Color reproduction is also consistent when lenses are interchanged, which can help reduce post-production work. HDR video offers an expanded tonal range that represents the visual expression close to its natural image. Our 8K-compatible chromatic aberration correction reduces color bleeding, and the light-shielding design and optimized coatings reduce ghosting and flaring. The inner focus system reduces focus breathing, giving greater stability to framing a shot. The 11-blade iris gives the lenses a natural bokeh effect that is almost circular from maximum to the minimum aperture. The odd number of blades diffuse the glow of high luminance subjects for softer imaging.Constant T2.4 throughout the zoom rangeThe CN-E20-50MM T2.4 L F / FP and CN-E45-135MM T2.4 L F / FP are Canon's first full-frame cinema zoom lenses, offering a constant maximum T-stop value of T2.4 across the zoom range. Large aperture lenses allow for more light to reach the sensor, and the light transmission remains constant throughout the zoom range. With consistent light throughout the zoom range offered by both lenses, these two are a great pair for high-quality results no matter the production.Designed for Full Frame CamerasThe CN-E20-50MM T2.4 L F / FP and CN-E45-135MM T2.4 L F / FP are designed for Full-Frame, Large-Format cameras, enabling impressive images using bokeh with a shallow depth of field.Advanced Lens Metadata SupportThe Flex Zoom series lenses are compliant with a wide range of communication standards thanks to the versatile lens-to-camera communication function including Cooke /i Technology™ (PL mount) and EF mount. This will enable you to display or record lens metadata as well as utilize camera functions such as aberration correction, peripheral illumination correction and focus guide function with compatible cameras.Available in EF Mount or Cooke/i Technology™ PL Mount OptionsThe CN-E20-50MM T2.4 L F / FP and CN-E45-135MM T2.4 L F / FP are Canon's first full-frame cinema zoom lenses, offering a constant maximum T-stop value of T2.4 across the zoom range. Large aperture lenses allow for more light to reach the sensor, and the light transmission remains constant throughout the zoom range. With consistent light throughout the zoom range offered by both lenses, these two are a great pair for high-quality results no matter the production.Cinema Style OperabilityBoth the CN-E20-50MM T2.4 L F / FP and CN-E45-135MM T2.4 L F / FP lenses share the same design with consistent front diameter, gear positions and gear rotation angles. Weighing under 8 pounds and measuring under 10 inches long, the lenses also feature focus, zoom, and iris rings with industry standard gears and 0.8mm pitch to suit many third party follow focus accessories. The lenses feature luminous (glow in the dark) metric and imperial markings for easy operation in low light. Built for longevity, the premium design and outstanding optics and components, offer quick and precise operation, with durability ideal for professional video productions.   Specifications Flexible Mount Option EF / PL Focal Length: 20-50mm (Zoom Ratio 2.5x) T-Stop: 2.4 Number of Iris Blades: 11 Focus Rotation Angle: 300° Minimum Shooting Distance: 60cm Front Diameter 114mm Länge: 233.3mm (EF: 241.3mm) Weight approx. 3.3kg EOS Lens cCommunication & Cooke/i Technology supported  

The Flex Zoom series of lenses from Canon has been designed for outstanding optical performance rendering beautiful and natural images. The breathtaking image quality is ideal for 4K productions. Available in EF and PL mount options and designed for use on large-format cameras, these premium high-end full-frame zoom lenses offer a constant maximum T-stop value of 2.4 across the entire zoom range. Advanced Lens Metadata Support includes Cooke /i Technology™ protocol on PL mount models.8K Optical Performance with Canon Cinema EOS Color ScienceThe lenses produce superb color rendition and detail, with sharp images from the center to the outer edges, rated for 8K HDR capture. An 11-blade aperture creates soft, beautiful light rays and stunning depth-of-field falloff, while an internal focusing system delivers minimized focus breathing and excellent parfocal performance. The lenses render the beautiful and warm color tones synonymous with Canon's cinema lens family.Canon's advanced optical technology and lens coatings have combined to achieve 8K optical performance through the zoom range. Various types of aberrations have been corrected to achieve beautiful imagery from the center of the image out to all edges. All of Canon's cinema lenses have been designed with a consistent warm color balance that expresses skin tones beautifully, making them ideal for capturing subject textures. Color reproduction is also consistent when lenses are interchanged, which can help reduce post-production work. HDR video offers an expanded tonal range that represents the visual expression close to its natural image. Our 8K-compatible chromatic aberration correction reduces color bleeding, and the light-shielding design and optimized coatings reduce ghosting and flaring. The inner focus system reduces focus breathing, giving greater stability to framing a shot. The 11-blade iris gives the lenses a natural bokeh effect that is almost circular from maximum to the minimum aperture. The odd number of blades diffuse the glow of high luminance subjects for softer imaging.Constant T2.4 throughout the zoom rangeThe CN-E20-50MM T2.4 L F / FP and CN-E45-135MM T2.4 L F / FP are Canon's first full-frame cinema zoom lenses, offering a constant maximum T-stop value of T2.4 across the zoom range. Large aperture lenses allow for more light to reach the sensor, and the light transmission remains constant throughout the zoom range. With consistent light throughout the zoom range offered by both lenses, these two are a great pair for high-quality results no matter the production.Designed for Full Frame CamerasThe CN-E20-50MM T2.4 L F / FP and CN-E45-135MM T2.4 L F / FP are designed for Full-Frame, Large-Format cameras, enabling impressive images using bokeh with a shallow depth of field.Advanced Lens Metadata SupportThe Flex Zoom series lenses are compliant with a wide range of communication standards thanks to the versatile lens-to-camera communication function including Cooke /i Technology™ (PL mount) and EF mount. This will enable you to display or record lens metadata as well as utilize camera functions such as aberration correction, peripheral illumination correction and focus guide function with compatible cameras.Available in EF Mount or Cooke/i Technology™ PL Mount OptionsThe CN-E20-50MM T2.4 L F / FP and CN-E45-135MM T2.4 L F / FP are Canon's first full-frame cinema zoom lenses, offering a constant maximum T-stop value of T2.4 across the zoom range. Large aperture lenses allow for more light to reach the sensor, and the light transmission remains constant throughout the zoom range. With consistent light throughout the zoom range offered by both lenses, these two are a great pair for high-quality results no matter the production.Cinema Style OperabilityBoth the CN-E20-50MM T2.4 L F / FP and CN-E45-135MM T2.4 L F / FP lenses share the same design with consistent front diameter, gear positions and gear rotation angles. Weighing under 8 pounds and measuring under 10 inches long, the lenses also feature focus, zoom, and iris rings with industry standard gears and 0.8mm pitch to suit many third party follow focus accessories. The lenses feature luminous (glow in the dark) metric and imperial markings for easy operation in low light. Built for longevity, the premium design and outstanding optics and components, offer quick and precise operation, with durability ideal for professional video productions.   Specifications Flexible Mount Option EF / PL Focal Length: 45-135mm (Zoom Ratio 3.0x) T-Stop: 2.4 Number of Iris Blades: 11 Focus Rotation Angle: 300° Minimum Shooting Distance: 100cm Front Diameter 114mm Länge: 238.4mm (EF: 246.4mm) Weight approx. 3.4kg EOS Lens cCommunication & Cooke/i Technology supported  

  FUJIFILM announces the introduction of the FUJINON Duvo™ HZK24-300mm Portable PL Mount Zoom Lens (“Duvo 24-300mm”), a dual format lens supporting two types of large-image sensors, specializing in shallow depth-of-field and beautiful bokeh. Fujifilm currently expects Duvo 24-300mm to be released in spring, 2024.Complementing Fujifilm’s Duvo™ HZK25-1000mm F2.8-F5.0 PL Mount Cinema Box Lens (“Duvo 25-1000mm”) — Fujifilm’s first Duvo Series lens — Duvo Portable 24-300mm delivers 12.5x zoom, covering 24-300mm, a focal range that is frequently used on set. The use of the built-in expander shifts the focal length by 1.5 times to 36mm-450mm, allowing users to capture far-away subjects in desirable fields –of-view. At 10.6 inches long (270.5mm) and 6.5 pounds (2.95kg), Duvo 24-300mm is compact and lightweight, making it easily portable for all types of live production; it can be operated in the same style as a broadcast lens using zoom and focus demands, is able to be used with a variety of accessories specifically designed for portable FUJINON lenses, and can be utilized for shoulder-mounted operation, as well as with a Steadicam or for high-angle shooting using a crane.Offering as long a focal length in as small and lightweight a package as possible, Duvo 24-300mm gives handheld positions in live production the opportunity to take advantage of that classic FUJINON cinema look that’s been developed over Fujifilm’s almost 90 year heritage, from making film to making cinema lenses, bringing that unique color space, latitude, and shallow depth –of-field to the show. The most dramatic, shallow depth-of-field shots in live shows often come from those intimate handheld positions, providing viewers with an immersive cinematic experience; Fujifilm's expanded range of our portable and long Duvo lenses provides directors with that highly desired cinema look from nearly any position.In today’s broadcast environments, cameras equipped with large-image sensors are increasingly used amidst the growing needs for immersive cinematic expressions involving the use of shallow depth-of-field, bokeh and high dynamic range. While cinema lenses are commonly used for those applications, they are optimized for shooting scripted production, and therefore have a smaller zoom magnification ratio than that of broadcast lenses. They also often require a specialist in focus operations, which is uncommon in the broadcast industry. The introduction of this compact, lightweight portable lens to the Duvo Series lens lineup will enable high mobility and portability in realizing cinematic coverage of live sporting events, music concerts, documentaries, and wildlife cinematography.  Key features of Duvo 24-300mmSupports cameras with Super 35mm sensors and sensors equivalent to full frame-The lens natively works with the Super 35mm sensor and supports a sensor equivalent to full frame by engaging the built-in expander to expand the image circle by 1.5 times.-When mounted on a camera equipped with a sensor equivalent to full frame, the lens delivers its maximum optical performance while maintaining the same angle of view as when used on a camera with a Super 35mm sensor.Creates cinema-quality imagery with beautiful bokeh-With Duvo 24-300mm's use of large-diameter aspherical elements and Super-ED (extra-low dispersion) lenses, polished to advanced precision, various forms of aberration are controlled thoroughly to achieve superb optical performance. Ghosting, lens flair and color bleeding are also suppressed to deliver natural, controllable, cinematic footage.-The lens has a maximum aperture of T2.9 at the wide-angle end despite being a high magnification lens that supports a large sensor. This enables filming in low-light conditions, such as indoor concerts and evening sporting events.-With Duvo 24-300mm, out-of-focus areas naturally fall out-of-focus from the focal plane into the background. This produces the highly sought after cinematic look with beautiful textures and bokeh, allowing the storyteller to naturally draw the attention of the viewer to the in-focus subject.Access to a wide variety of accessories -Duvo 24-300mm supports multi-camera operations to facilitate efficient production.-The lens can be connected to a third-party wireless lens controller, a setup commonly used for movie and TV commercial production, to remotely control focus, aperture and zoom. This also supports focusing by a dedicated focus operator. -The lens focus ring has a gear pitch6 of 0.8M, which allows the use of all standard, third-party accessories for movie production.Features function to support comfortable shooting and editing-Duvo 24-300mm features Breathing Compensation Technology (BCT), which automatically corrects focus breathing (fluctuations in the angle of view) to produce natural footage while maintaining the subject being filmed in the established field-of-view during changes in focus.-The lens also features Remote Back Focus (RBF), which enables the control of the flange focal distance7 from either the control panel of the camera or the robotic system that supports the RBF feature. It allows for precise adjustment with a large, high-resolution monitor and controlled lighting in a studio control room or in an OB van/production truck as opposed to via the onboard viewfinder.-Duvo 24-300mm is compatible with the “ZEISS eXtended Data” system developed by ZEISS based on the open /i® Technology standard. It enables the recording of lens metadata (focus, zoom, and iris position), as well as of lens distortion and shading corrections.Expected AvailabilityDuvo 24-300mm is currently expected to be available in the U.S. market in the spring of 2024 but will be previewed at IBC 2023 in Amsterdam, Netherlands from September 15 to 18, 2023 along with Fujifilm’s third Duvo Series lens, a wide portable zoom lens covering a focal length of 14-100mm.

HK3.1x14.5  14.5-45mm T2.0 covers unlimited focal lengths in a range where primes previously were the rule. This lens works like a high-end Prime when dealing with distortion, chromatic aberration, and all the tough challenges of wide angle lens design. MTF and resolution is stellar from the center to the corners, without shading or fall-off. This is the most expensive, yet most compact of the four Premiers. FEATURES Outstanding 4K+ ultra optical performance Fast T-Stop Super 35mm format coverage* 280 degree focus barrel rotation Color Matching Minimal breathing  

HK4.7x18  18-85mm T2.0 zoom is an all-purpose zoom encompassing the most used focal length range for the majority of dramatic studio and location scenes. Fujinon HK Premier Zooms are designed for the highest performance cameras. They exhibit minimal breathing when focusing. Image quality is consistent and repeatable. Coatings and elements of all lenses are consistently color matched. The 280 degree focus barrel rotation ensures an expanded focus scale, with accurate and consistent marks. FEATURES Outstanding 4K+ ultra optical performance Fast T-Stop Super 35mm format coverage* 280 degree focus barrel rotation Color Matching Minimal breathing    

HK5.3x75  75-400mm T2.8-3.8 Zoom when they need to cover a wide range from medium focal length to long telephoto. This is an important lens for sports, cars, action, wildlife, commercials, exteriors, compression shots, slowmotion, and other situations where you want a long lens, with a fast aperture, in a small and light body. It eliminates lots of scrambling to change lenses at magic hour. FEATURES Outstanding 4K+ ultra optical performance 400mm Super Telephoto Super 35mm format coverage* 280 degree focus barrel rotation Color Matching Minimal breathing  

HK7.5x24  24-180mm T2.6 is the high-quality general purpose member of the family of four 4K+ PL Cine zoom lenses. Identified by their gold band, Fujinon Premier PL 4K+ lenses consistently match each other superbly for focus, iris, zoom, color, contrast, and performance. FEATURES Outstanding 4K+ ultra optical performance Fast T-Stop Super 35mm format coverage* 280 degree focus barrel rotation Color Matching Minimal breathing  

The HZK25-1000mm is a box-type broadcast zoom lens in the dual format, supporting two types of large image sensors. It can be mounted on cameras equipped with the Super 35mm sensor or the even larger sensor equivalent to 35mm full frame*2. The lens achieves optical performance which exceeds 4K. It also facilitates the use of cinema cameras which is becoming increasingly common in the broadcast industry, offering cinematic visual expressions such as shallow depth-of-field for beautiful bokeh in live coverage of sporting events and music concerts. Today, in the broadcast industry, cinema cameras equipped with a sensor larger than the industry’s mainstream sensor*3 are increasingly used in live coverage of sporting events and music concerts, amidst the growing needs for immersive cinematic expressions involving the use of bokeh and high dynamic range. However, cinema camera lenses are optimized for shooting movies and TV commercials, and therefore have a smaller zoom magnification ratio than that of broadcast lenses. They also require a specialist in focus operations, which is uncommon in the broadcast industry. For these reasons, there has been a demand for a high-magnification zoom that supports a large sensor and can be operated in the same way as box-type broadcast lenses. The new HZK25-1000mm is a broadcast zoom lens that uses optical technology, nurtured over many years, to deliver the world’s highest 40x zoom and the world’s longest focal length of 1000mm. It is designed in the dual format, supporting two types of large sensors. The lens normally works with the Super 35mm sensor, and also supports a sensor equivalent to 35mm full frame by way of activating the built-in expander*4 to expand the image circle by 1.5 times. It offers the added benefit of maintaining the same angle of view in both sensors. On the wide-angle side, the lens provides F2.8 aperture, enabling cinematic visual expressions with shallow depth-of-field and resulting beautiful bokeh. The use of large-diameter aspherical lens and fluorite lens*5 controls various forms of aberration thoroughly to achieve optical performance which exceeds 4K. The lens maintains the operation of broadcast lenses involving zoom demand and focus demand even when mounted on a cinema camera. It can also be used with a variety of existing accessories*6. Furthermore, the lens features an image-stabilization mechanism based on Fujifilm’s unique “ceramic ball roller” system to accurately compensate for on-set vibrations and wind-induced movements for operation stability. Following many years of developing and supplying broadcast lenses that address broadcast camera operators’ refined needs, Fujifilm became the first in the world to release a 4K-compatible broadcast lens in 2015. The company has since established a lineup of 8K-compatible broadcast lenses to lead the industry in raising video image quality. In the cinema industry, Fujifilm began building its lineup of cinema camera lenses in 2009 with the launch of the HK Series. Of five lens series currently on offer, the Premista Series of cinema camera zoom lenses compatible with large-format sensors*7 is embraced by frontline producers of movies and TV commercials due to its superior image resolution and advanced operability. Fujifilm will continue to develop and supply high-performance lenses and accessories that facilitate their easy operations, thereby catering to the diversifying needs of frontline video professionals. *1 Among box-type broadcast zoom lenses compatible with a sensor larger than the Super 35mm, as of October 19, 2022 according to Fujifilm data. *2 Capable of covering an image circle measuring 28.5mm across the entire zoom range when combined with a camera equipped with a Super 35mm sensor, and covering an image circle measuring 41.3mm across the entire zoom range when combined with a camera equipped with a sensor equivalent to 35mm full frame; Image circle refers to a circular area where lights that have passed through the lens form an image. *3 2/3 inch sensor. *4 The expander can expand the image circle and extend the focal length to the telephoto side. *5 Lens element made of fluorite, which has a characteristically small wavelength dispersion in light refractive indices; It enables optical design with minimal chromatic aberration. *6 Limited to accessories specifically designed for box-type FUJINON broadcast lenses. *7 Image sensor that is larger than the mainstream formats of cinema cameras: super 35mm sensor and 35mm full frame sensor.   Main features (1) World’s highest 40x zoom and world’s longest focal length of 1000mm The broadcast lens is developed with optical technology nurtured over many years. It delivers the world’s highest 40x zoom covering from 25mm in wide angle to the world’s longest 1000m in ultra-telephoto. The use of the built-in expander shifts the focal length by 1.5 times to 37.5mm-1500mm, allowing users to capture a far-away subject in the size as intended.   (2) Supporting the Super 35mm sensor and a sensor equivalent to 35mm full frame The dual format lens is compatible with two large sensors that are mainstream among cinema cameras. The lens normally works with the Super 35mm sensor, and also supports a sensor equivalent to 35mm full frame by activating the built-in expander to expand the image circle by 1.5 times. When mounted on a camera equipped with a sensor equivalent to 35mm full frame, the lens delivers its maximum optical performance while maintaining the same angle of view as that of the Super 35mm sensor. (3) Cinematic visual expressions with beautiful bokeh With the use of large-diameter aspherical elements and fluorite elements, polished precisely, various forms of aberration are controlled thoroughly to achieve optical performance which exceeds 4K. Ghosting, lens flair and color bleeding are also suppressed to deliver natural yet high-definition footage. The lens has the maximum aperture of F2.8 on the wide-angle end despite being a high magnification lens that supports a large sensor. This enables filming in low-light conditions, such as an indoor concert. The optical design application “FOCUS,” developed by Fujifilm, has been used to simulate how the background is rendered out of focus. Out-of-focus areas were separated into several layers to examine bokeh textures to achieve bokeh that naturally goes out-of-focus from the focal plane into the background. This produces the cinematic expression which makes the subject stand out. (4) Latest image-stabilization mechanism The lens is equipped with an image stabilization mechanism based on Fujifilm’s unique “ceramic ball roller system”. It not only provides advanced image stabilization against on-set vibrations and wind-induced movements, but also controls swing-back to facilitate stable filming. (5) Operations involving zoom demand and focus demand The lens can be used in the same style as broadcast lenses involving zoom demand and focus demand while being mounted on a cinema camera. It can also be used with existing accessories designed for box-type broadcast FUJINON lenses. It also supports multi-camera operations, filming with multiple cameras at the same time to support efficient live production.   Specs Zoom Range: 25-1000 mm in Super35 with internal extender: 37-1500 mm in Super35 with internal expander: 37.5-1500 in Full Frame Note, the internal expander and extender in this lens are the same device. Expanders and extenders increase the focal length by their designated ratio (e.g. 15x). Expanders generally pay greater attention to maintaining optical quality towards the edges, which is important in Full Frame. Extenders basically “worry” about the center Super35 area.   Maximum Aperture in Super35: F2.8 at 25mm F3.9 at 700 mm F5.0 at 1000 mm Maximum Aperture in Full Frame with internal 1.5x expander: F4.2 at 37.5 mm F5.3 at 1050 mm F7.5 at 1500 mm Image Diagonal in Super35:  Ø 28.55 mm Image Diagonal in Full Frame:  Ø 41.3 mm Close Focus (M.O.D.):   3.5m / 11’5″ Length:   669mm / 26.3″ Weight:   28 kg / 61.7 lb Front Screw in filter: 241 mm (M241 x 1) Front diameter with Protective Screw-in Front Clear Filter: 245 mm ALAC – Automatic Chromatic Aberration Correction ARIA – Automatic Restoration of Illumination Attenuation corrects for aperture ramping. Remote Back-Focus        

“FUJINON MK18-55mm T2.9” achieves high optical performance and low distortion with T2.9 speed across the entire zoom range. With MK50-135mm, it covers standard 18 to 135mm focal length for cinema production. Super 35mm / APS-C sensor compatibility and E-mount dedicated design have led to an ultra-compact & “less than 1kg” lightweight body, and excellent cost performance. It suppresses “focus shift and optical axis shift while zooming” and “Lens breathing”. Also, it features three fully manual lens rings for focus, zoom, and iris with 0.8M gear pitch and a 200° focus rotation angle for sophisticated operability.FEATURES Outstanding optical performance and low distortion with T2.9 speed across the entire zoom range Covering the standard 18 to 135mm focal length for cinema production with MK18-55mm and MK50-135mm Ultra-compact & “less than 1kg” lightweight design thanks to Super 35mm/APS-C sensor compatibility with dedicated E-mount design Fully manual lens rings for focus, zoom, and iris with 0.8M gear pitch 200° focus rotation angle for accurate focusing Seamless iris to avoid vibrations and noise that you get with clicking mechanism Resolves issues of interchangeable lenses for still digital cameras such as “focus shift and optical axis shift while zooming” and “lens breathing” 85mm front diameter, 82mm filter diameter, and position of 0.8M are standardized between the two models Features macro function Features flange focal length adjustment function  

“FUJINON MK50-135mm T2.9” achieves high optical performance and low distortion with T2.9 speed across the entire zoom range. With MK18-55mm, it covers standard 18 to 135mm focal length for cinema production. Super 35mm/APS-C sensor compatibility and E-mount dedicated design have led to an ultra-compact & “less than 1kg” lightweight body, and excellent cost performance. It suppresses “focus shift and optical axis shift while zooming” and “Lens breathing”. Also, it features three fully manual lens rings for focus, zoom, and iris with 0.8M gear pitch and a 200° focus rotation angle for sophisticated operability.FEATURESOutstanding optical performance and low distortion with T2.9 speed across the entire zoom rangeCovering the standard 18 to 135mm focal length for cinema production with MK18-55mm and MK50-135mmUltra-compact & “less than 1kg” lightweight design thanks to Super 35mm/APS-C sensor compatibility with dedicated E-mount designFully manual lens rings for focus, zoom, and iris with 0.8M gear pitch200° focus rotation angle for accurate focusingSeamless iris to avoid vibrations and noise that you get with clicking mechanismResolves issues of interchangeable lenses for still digital cameras such as “focus shift and optical axis shift while zooming” and “lens breathing”85mm front diameter, 82mm filter diameter, and position of 0.8M are standardized between the two modelsFeatures macro functionFeatures flange focal length adjustment function  

  The short, lightweight wide-angle Premista 19-45mm T2.9 expands the Premista family of zooms to three lenses. Joining the 28-100mm T2.9 and the 80-250mm T2.9-3.5, the Premista 19-45mm produces images with natural and beautiful bokeh, outstanding high resolution, accurate color rendition, and controllable flare with minimal ghosting for capturing high dynamic range. The lens shows very little distortion throughout the entire zoom range, lightening the burden of correcting footage after shooting, and allowing high quality cinematic images to be created more efficiently.   Compact and robust designThe Premista 19-45mm is designed for professional use under the most difficult conditions. The mechanical structure of the lens was optimized on the computer. The production of the components themselves takes place with the highest precision in order to exclude quality variations. With an overall length of 230 millimeters, the Premista 19-45mm is 25 millimeters shorter and, with a weight of 3.3 kg, 500 grams lighter than the other FUJINON Premista lenses.     SPECIFICATIONS   Focal length: 19-45mm Aperture: T2.9 - 22 Lens Mount: ARRI PL mount Compatible Image Size (diagonal): 46.3mm Covers up to large-format sensors Iris Blades: 13 Gear MOD & Pitch for Focus + Iris + Zoom: 0.8 MOD / 32 Pitch Front Diameter: 114mm Focus Scales: Metric, Imperial Focus Rotation: 280° Iris Rotation: 48° Zoom Rotation: 120° Electric Communication: Yes Connectivity: 1x 4-pin LEMO Data Compatible with both ZEISS eXtended Data and Cooke /i Technology lens data Lens Support: Lens Support Foot Length (approx.): 230mm / 9.06" Weight (approx.): 3.3kg / 7.28 lbs.        

The Premista 28-100mmT2.9 is a standard zoom lens covering a 28-100mm focal length. It achieves stunning optical quality from the center to the corners and suppress unwanted flare and ghosts. The lens design combines both a lightweight of 3.8kg and compact size as well as the durability. The focus ring features a 280 degrees rotation angle with smooth torque. FEATURES Stunning optical quality and low distortion from the center to the corner. It allows the capture of both the feeling and texture of the subjects. Delivers clean and sharp imagery with minimum color aberrations regardless of zoom position or distance from subjects. Unwanted flare and ghosts are well suppressed and it performs well with the high dynamic range of a large format sensor. The color is natural and matched with Fujifilm’s current cine lens lineup to simplify color grading. The lens barrel combines high durability even in harsh conditions for professional use and a lightweight body. Covering 28mm to 100mm and achieving T2.9 across the entire focal length. Pleasant bokeh effect with 13 iris blades. The focus ring features a rotation of a full 280 degrees to facilitate precise focusing. Features a Flange Focal Distance adjustment function with a hex set screw. Compatible with the “ZEISS eXtended Data” system.* *Available via firmware update   SPECIFICATIONS Model name: Premista28-100mmT2.9 Focal length: 28-100mm Aperture: T2.9 Lens Mount: PL mount Compatible Image Size (diagonal): 46.3mm Close Focus: 0.8m / 2ft 7in Angular Field of View (H x V) 40.96mm x 21.60mm*1: 28mm: 72.4° x 42.2°; 100mm: 23.1° x 12.3° Angular Field of View (H x V) 36mm x 24mm *2: 28mm: 65.5° x 46.4°; 100mm: 20.4° x 13.7° Angular Field of View (H x V) 27.45mm x 15.44mm *3: 28mm: 52.2° x 30.8°; 100mm: 15.6° x 8.8° Angle of Focus Rotation: 280° Angle of Zoom Rotation: 120° Angle of Iris Rotation: 48° Iris Blades: 13 Front Diameter: 114mm Length (approx.): 255mm / 10in Weight (approx.): 3.8kg / 8.4lbs.    

Premista is a series of zoom cinema lenses that support large format sensors and delivers outstanding resolution, beautiful bokeh and rich gradation with high dynamic range. These zoom cinema lens, support large format sensors, and cater to a variety of filming situations with advanced operability without having to change lenses. The Series combines large-diameter aspherical lens elements, processed to ultimate precision, with the newly-developed focusing / zooming system to achieve low distortion and color aberration. The lenses have the ability to achieve an astonishing level of edge-to-edge resolution, regardless of the distance from the subject or zoom position, delivering footage of impressive sharpness and clarity. This is the first FUJINON cinema lens series to adopt a 13-blade iris design to form a near-perfect circle. When combined with large format sensors' characteristically shallow depth-of-field, the lenses create a natural and beautiful bokeh. Fujifilm's unique optical design effectively mitigates ghosts and flares to produce video of rich gradation with high dynamic range. The Premista lenses produce video in natural color tones, popular with the HK / ZK / XK / MK Series of cinema lenses. Consistency in color design with the current lineup of lenses simplifies color grading, required when using multiple lenses.   Advanced robustness in a compact and lightweight design Mechanical design built with Fujifilm's simulation technology, nurtured over many years, is coupled with production technology that can assemble parts processed in the order of microns at high precision, to produce a compact and lightweight body with advanced robustness, withstanding harsh filming conditions in professional video production.   Excellent operability The focus ring can be rotated as much as 280 degrees, and gives a sensation of smooth torque when rotated to enable precise focusing. The gear pitch for the operation rings for focusing, zooming and iris is 0.8M (module), the same as existing FUJINON cinema lenses. The lenses can also be used with standard peripheral accessories, essential for video production, such as Follow Focus for accurate and smooth focusing and remote lens control system for remotely operating rings.  Fluorescent paint is applied to index marks on the focus, zoom and iris rings so that these settings can be clearly checked even at night or in a dark room. The focus index can be also displayed in feet or meters. The lenses feature a Flange Focal Distance adjustment function, allowing users to adjust the flange focal distance by simply rotating a ring on the lens barrel to correct a shift in the flange focal distance caused by rapid temperature changes at a shooting site. This function achieves optimum camera and lens matching, thereby bringing out the lenses' full optical performance.   SPECIFICATIONS Model name: Premista80-250mmT2.9-3.5 Focal length: 80-250mm Aperture: T2.9-3.5 Lens Mount: PL mount Compatible Image Size (diagonal): 46.3mm Close Focus: 1.5m / 4ft 11in Angular Field of View (H x V) 40.96mm x 21.60mm*1: 80mm: 28.7° x 15.4°; 250mm: 9.4° x 4.9° Angular Field of View (H x V) 36mm x 24mm *2: 80mm: 25.4° x 17.1°; 250mm: 8.2° x 5.5° Angular Field of View (H x V) 27.45mm x 15.44mm *3: 80mm: 6.3° x 11.0°; 250mm: 6.3° x 3.5° Angle of Focus Rotation: 280° Angle of Zoom Rotation: 120° Angle of Iris Rotation: 48° Iris Blades: 13 Front Diameter: 114mm Length (approx.): 255mm / 10in Weight (approx.): 3.8kg / 8.4lbs      

XK6x20 is a zoom lens for cinema camera that offers high optical performance compatible with 4K cameras and covers a wide range of focal length from 20mm to 120mm. It also realizes T3.5 brightness in the entire zoom range. There is no T drop and it offers comfortable operation. Various scenes can be shot with this single lens.“XK6x20” is equipped with detachable drive unit for electric zooming and focusing which is popular function with existing products. It also features 0.8mm gear pitch for compatibility with standard accessories.FEATURES     Outstanding 4K optical performance and compact design     Wide focal length from 20mm to 120mm     T3.5 brightness in the entire zoom range     0.8mm gear pitch     Moderate focus torque with 200-degree rotation angle to aid accurate focusing     Focus indicator can be displayed in feet or meters