Angénieux Optimo Ultra 12x FF/VV The long-range cinema zoom reference redefinedThe New Generation High End 12x Cine Zoom - successor model to industry reference OPTIMO 24-290 & 28-340, the Optimo Ultra 12x is the ideal long-range zoom for high-end productions: feature films, TV series, live stage, commercials, music videos. The lens features a totally new optical & mechanical design, offering even better optical performance, and improved mechanical stability and serviceability.Main FeaturesNew Optical Design Completely new optical design to enable Full Frame Coverage Well controlled optical performances at each focal length and focus distance by having a good balance between contrast and resolution –appealing cinematic look Superb image quality from open aperture, considered as “variable primes” Low distortion No ramping, minimal breathing, very fast for 12x zoom ratios Efficient use of aspherical elements to minimize color fringing Very short MOD 4’2″ in FF/VV New Mechanical Design Completely newly designed mechanics vs. 24-290 & 28-340 Improved mechanical stability, and serviceability. Weight reduction of moving components Reduce dust inhale by improving air flow and adding dust traps Precise and ergonomic focus ring with scale rotation of 321 degrees, the largest in the industry and over 70 focus marks. User changeable focus marking rings (focusing scales available in feet or metric) Mechanical components based on light-weight material with dedicated anti-abrasion coating Adapted to extreme shooting environments (passive athermalisation from -20°C to +40°C) PL mount lens. Compatible with LPL mount. Additional lens mounts to come Available accessories: carrying handle, front protective glass, Optimo extenders To use with ARRI FF4 & FF5 Follow-Focus, please use ARRI FF Gear 0.8 Module, 43 Tooth, 45mm K2.0020752 SpecificationsFF/VV Zoom ratio: 12x Focal Length: 36-435 Aperture: T4.2 Close Focus: 1.52m / 5ft Internal Focus: yes Image Circle Coverage: 46.3mm Weight (approx.): 12.75kg / 28.1lbs Length: 523mm / 20.6in Front Diameter: 162mm  

  Angénieux Optimo Ultra 12x Full Pack FF/VV, S35 & U35The long-range cinema zoom reference redefinedSuccessor model to industry reference OPTIMO 24-290 & 28-340, the Optimo Ultra 12x is the ideal long-range zoom for high-end productions: feature films, TV series, live stage, commercials, music videos. The lens features a totally new optical & mechanical design, offering even better optical performance, and improved mechanical stability and serviceability. Thanks to the IRO technology®, the lens can be configured in three different versions: S35 (Ø 31.1mm),  U35 (Ø 34.6mm) and  FF/VV (Ø 46.3mm) with dedicated sets of rear and rings. Main Features New Optical Design Completely new optical design to enable Full Frame Coverage Well controlled optical performances at each focal length and focus distance by having a good balance between contrast and resolution –appealing cinematic look Superb image quality from open aperture, considered as “variable primes” Low distortion No ramping, minimal breathing, very fast for 12x zoom ratios Efficient use of aspherical elements to minimize color fringing Very short MOD 1.22m/4’ in S35 – 1.24m/4’1’’ in Ultra S35 – 4’2″ in FF/VV New Mechanical Design Completely newly designed mechanics vs. 24-290 & 28-340 Improved mechanical stability, and serviceability. Weight reduction of moving components Reduce dust inhale by improving air flow and adding dust traps Precise and ergonomic focus ring with scale rotation of 321 degrees, the largest in the industry and over 70 focus marks. User changeable focus marking rings (focusing scales available in feet or metric) Mechanical components based on light-weight material with dedicated anti-abrasion coating Adapted to extreme shooting environments (passive athermalisation from -20°C to +40°C) PL mount lens. Compatible with LPL mount. Additional lens mounts to come Available accessories: carrying handle, front protective glass, Optimo extenders To use with ARRI FF4 & FF5 Follow-Focus, please use ARRI FF Gear 0.8 Module, 43 Tooth, 45mm K2.0020752 SpecificationsFF/VV Zoom ratio: 12x Focal Length: 36-435 Aperture: T4.2 Close Focus: 1.52m / 5ft Internal Focus: yes Image Circle Coverage: 46.3mm Weight (approx.): 12.75kg / 28.1lbs Length: 523mm / 20.6in Front Diameter: 162mm S35 Zoom ratio: 12x Focal Length: 24-290 Aperture: T2.8 Close Focus: 1.22m / 4ft Internal Focus: Yes Image Circle Coverage: 31.1mm Weight (approx.): 12.6 kg / 27.7lbs Length: 472mm / 18.6in Front Diameter: 162mm U35 Zoom ratio: 12x Focal Length: 26-320 Aperture: T3.1 Close Focus: 1.24m / 4ft 1in Internal Focus: Yes Image Circle Coverage: 34.6mm Weight (approx.): 12.75kg / 28.1lbs Length: 481mm / 18.9in Front Diameter: 162mm    

  Angénieux Optimo Ultra Compact 21-56mm FF & U35 rear Open Gate (Full Pack) A new generation of wide-angle compact spherical zoom lens  The full pack, which is based on the exclusive IRO (Interchangeable Rear Optics) technology by Angénieux, includes a full-frame and a U35 rear that can be easily interchanged to work on full-frame cameras or to cover the open gate of the new ARRI ALEXA 35. This new generation of high-end lenses is fully designed for the FF/VV format and Open Gate. Lightweight and compact, they are among the lightest on the market. Designed for cinematographers who want to have the possibility to work in both formats or for rental companies who have both types of cameras, the Optimo Ultra Compact lenses are the perfect addition to the Optimo Ultra 12X and the Optimo Prime Series. They seduce by their ergonomics, their superb optical quality from T2.9 (in FF/VV) or T2.2 (in U35-Opengate), including the famous Angénieux look and their high-precision mechanics. Image quality is consistent from open to close aperture and at every focal length and focus distance. The iris is also capable of closing completely. The balance of contrast, color and resolution offer an appealing cinematic look. The Angénieux Full Frame solution is now complete with zooms and primes for all kinds of applications in one single and homogeneous ecosystem. NEW OPTICAL DESIGN Completely new optical design to enable Full Frame Coverage Superb image quality from T2.9 (in FF/VV) open aperture, T22 in U35 (Open Gate). Well controlled optical performances at each focal length and focus distance by having a good balance between contrast and resolution. Appealing cinematic look Perfect homogeneity of color, contrast and resolution. Low distortion No ramping, minimal breathing, very fast for 2.7x zoom ratios Close focus of 2ft / 0.6m enables extreme close-up shots Internal focus, internal zoom, constant lens volume   NEW MECHANICAL DESIGN Completely newly designed mechanics vs. Optimo 15-40 & 28-76 Compact (235mm) and very lightweight (2.6kg / 6lbs) Precise and rugged travelling of the zoom and focus groups using Angenieux classic rod mechanical guiding system Precise and ergonomic focus ring with scale rotation of 310°, user-optimized marking design User changeable focus marking rings (focusing scales available in feet or metric) Adapted to extreme shooting environments (passive athermalization from -20°C to +45°C) Available in PL mount. Front protective glass (as an accessory) Can be used with with ARRI FF4 & FF5 Follow-Focus, please use ARRI FF Gear 0.8 Module, 43 Tooth, 45mm K2.0020752   MULTIPLE IMAGE FORMAT DESIGN  IRO Technology Two versions : Optimo Ultra Compact FF/VV + U35 Only and Optimo Ultra Compact Full Pack (FF + U35) Cooke Metadata : External connector for metadata transfer to an external drive or a display unit    

  Angénieux Optimo Ultra Compact 37-102mm FF & U35 rear Open Gate (Full Pack) A new generation of wide-angle compact spherical zoom lens The full pack, which is based on the exclusive IRO (Interchangeable Rear Optics) technology by Angénieux, includes a full-frame and a U35 rear that can be easily interchanged to work on full-frame cameras or to cover the open gate of the new ARRI ALEXA 35.This new generation of high-end lenses is fully designed for the FF/VV format and Open Gate. Lightweight and compact, they are among the lightest on the market. Designed for cinematographers who want to have the possibility to work in both formats or for rental companies who have both types of cameras, the Optimo Ultra Compact lenses are the perfect addition to the Optimo Ultra 12X and the Optimo Prime Series. They seduce by their ergonomics, their superb optical quality from T2.9 (in FF/VV) or T2.2 (in U35-Opengate), including the famous Angénieux look and their high-precision mechanics.Image quality is consistent from open to close aperture and at every focal length and focus distance. The iris is also capable of closing completely. The balance of contrast, color and resolution offer an appealing cinematic look. The Angénieux Full Frame solution is now complete with zooms and primes for all kinds of applications in one single and homogeneous ecosystem. NEW OPTICAL DESIGN Completely new optical design to enable Full Frame Coverage Superb image quality from T2,9 (in FF/VV) open aperture Well controlled optical performances at each focal length and focus distance by having a good balance between contrast and resolution. Appealing cinematic look Perfect homogeneity of color, contrast and resolution. Low distortion No ramping, minimal breathing, very fast for 2.7x zoom ratios Close focus of 2ft / 0.6m enables extreme close-up shots Internal focus, internal zoom, constant lens volume NEW MECHANICAL DESIGN Completely newly designed mechanics vs. Optimo 15-40 & 28-76 Compact (235mm) and very lightweight (2,6kg / 6lbs) Precise and rugged travelling of the zoom and focus groups using Angenieux classic rod mechanical guiding system Precise and ergonomic focus ring with scale rotation of 310°, user-optimized marking design User changeable focus marking rings (focusing scales available in feet or metric) Adapted to extreme shooting environments (passive athermalization from -20°C to +45°C) Available in PL mount. Front protective glass (as an accessory) Can be used with with ARRI FF4 & FF5 Follow-Focus, please use ARRI FF Gear 0.8 Module, 43 Tooth, 45mm K2.0020752 MULTIPLE IMAGE FORMAT DESIGN  IRO Technology Two versions : Optimo Ultra Compact FF/VV + U35 Only and Optimo Ultra Compact Full Pack (FF + U35) Cooke Metadata : External connector for metadata transfer to an external drive or a display unit      

Second generation of Optimo lightweight lenses, the Optimo Ultra compact lenses replace the famous academy awarded Optimo 15-40 and 28-76 lenses which have been the faithful companions of Directors of Photography for more than 15 years. This new generation of high-end lenses is fully designed for the FF/VV format. Lightweight and compact, these lenses are among the lightest on the market. Thought for users, these lenses are the perfect addition to the Angénieux high-end Full Frame collection which already included the Optimo Ultra 12X and the Optimo Prime Series. They will seduce by their ergonomics, their Optimo optical quality including the Angénieux look and their high-precision mechanics. The major characteristics of the Optimo Ultra compact lenses which integrate high-tech optical and mechanical components are listed below.   SPECIFICATIONS Full-Frame version only Focal Length (mm): 37-102 T-Stop: 2,9 Close Focus: 600mm/2ft Internal Focus: Yes Image Circle Coverage: 46,3mm Front Diameter: 114mm Iris full closure: Yes Metadata: Yes Horizontal angular field of view: 57.3° / 22,7° Object dimensions at MOD (mm): 449 x 237 / 159 x 84 Weight: 206 Kg /5,7 lbs Length: 235mm / 9.25in   Available Q1 2022 - Pre-order now!   NEW OPTICAL DESIGN Completely new optical design to enable Full Frame Coverage Superb image quality from T2,9 (in FF/VV) open aperture Perfect homogeneity of color, contrast and resolution. Low distortion No ramping, minimal breathing, very fast for 2.7x zoom ratios Close focus of 2ft / 0.6m enables extreme close-up shots Internal focus, internal zoom, constant lens volume NEW MECHANICAL DESIGN Completely newly designed mechanics vs. Optimo 15-40 & 28-76 Compact (235mm) and very lightweight (2,6kg / 6lbs) Precise and rugged travelling of the zoom and focus groups using Angenieux classic rod mechanical guiding system Precise and ergonomic focus ring with scale rotation of 310°, user-optimized marking design User changeable focus marking rings (focusing scales available in feet or metric) Adapted to extreme shooting environments (passive athermalization from -20°C to +45°C) Available in PL mount. Front protective glass (as an accessory) Can be used with with ARRI FF4 & FF5 Follow-Focus, please use ARRI FF Gear 0.8 Module, 43 Tooth, 45mm K2.0020752 MULTIPLE IMAGE FORMAT DESIGN IRO ready Optimo Ultra Compact FF/VV Only for the time being /i Cooke Metadata : External connector for metadata transfer to an external drive or a display unit  

Second generation of Optimo lightweight lenses, the Optimo Ultra compact lenses replace the famous academy awarded Optimo 15-40 and 28-76 lenses which have been the faithful companions of Directors of Photography for more than 15 years. This new generation of high-end lenses is fully designed for the FF/VV format. Lightweight and compact, these lenses are among the lightest on the market. Thought for users, these lenses are the perfect addition to the Angénieux high-end Full Frame collection which already included the Optimo Ultra 12X and the Optimo Prime Series. They will seduce by their ergonomics, their Optimo optical quality including the Angénieux look and their high-precision mechanics. The major characteristics of the Optimo Ultra compact lenses which integrate high-tech optical and mechanical components are listed below.   SPECIFICATIONS - Preliminary Full-Frame version only Focal Length (mm): 21-56 T-Stop: 2,9 Close Focus: 600mm/2ft Internal Focus: Yes Image Circle Coverage: 46,3mm Front Diameter: 114mm Iris full closure: Yes Metadata: Yes Horizontal angular field of view: TBC Object dimensions at MOD (mm): TBC Weight: TBC Length: TBC   NEW OPTICAL DESIGN Completely new optical design to enable Full Frame Coverage Superb image quality from T2,9 (in FF/VV) open aperture Perfect homogeneity of color, contrast and resolution. Low distortion No ramping, minimal breathing, very fast for 2.7x zoom ratios Close focus of 2ft / 0.6m enables extreme close-up shots Internal focus, internal zoom, constant lens volume NEW MECHANICAL DESIGN Completely newly designed mechanics vs. Optimo 15-40 & 28-76 Compact (235mm) and very lightweight (2,6kg / 6lbs) Precise and rugged travelling of the zoom and focus groups using Angenieux classic rod mechanical guiding system Precise and ergonomic focus ring with scale rotation of 310°, user-optimized marking design User changeable focus marking rings (focusing scales available in feet or metric) Adapted to extreme shooting environments (passive athermalization from -20°C to +45°C) Available in PL mount. Front protective glass (as an accessory) Can be used with with ARRI FF4 & FF5 Follow-Focus, please use ARRI FF Gear 0.8 Module, 43 Tooth, 45mm K2.0020752 MULTIPLE IMAGE FORMAT DESIGN IRO ready Optimo Ultra Compact FF/VV Only for the time being /i Cooke Metadata : External connector for metadata transfer to an external drive or a display unit  

The Angénieux Type EZ-1 Pack for S35mm/FF/VistaVision cameras is a standard zoom lens with a zoom factor of 3x. Its focal range and aperture are set to 30-90mm F1.9/T2. By exchanging the rear lens group, the lens becomes a 45-135mm F2.8/T3 for FF/VistaVision format covering an image circle up to 46mm diagonal. The EZ-Zooms were created to fill the wide gap between basic still photography zooms, and the highly acclaimed Optimo, Optimo Style family of lenses used in the motion pictures industry, the Angénieux Type EZ series features two new light weight zooms. Thanks to an innovative lens modular design (Interchangeable Rear Optics IRO technology), both lenses allow the rear lens group to be exchanged between S35mm (up to 30mm image diagonal), and FF/VistaVision format (up to 46mm image diagonal). FEATURES Focal Length:          30-90 mm (S35 Format) / 45-135 mm (FF/VistaVision Fromat) Zoom Ratio:            3x Aperture:                 f/1.9 - T2 (S35 Format9 / f/2.8 - T3 (FF/VistaVision Format) Format:                    S35mm and FF/VistaVision Weight (approx.):   2,15 kg Front diameter:      114 mm For the first time, ENG-Style productions will get the flexibility necessary for run-and-gun shooting, combined with an exellence of image quality at an affordable price. The Detachable ENG-Style zoom grip available from MOVCAM is a perfect match for the EZ's. Users can also easily change between PL, Canon EF and Sony E mounts.

The Angénieux Type EZ-2 Pack for S35mm/FF/VistaVision cameras is a widezoom lens with a zoom factor of 2.7x. Its focal range and aperture are set to 15-40mm F1.9/T2. By exchanging the rear lens group, the lens becomes a 22-60mm F2.8/T3 for FF/VistaVision format covering an image circle up to 46mm diagonal. The EZ-Zooms were created to fill the wide gap between basic still photography zooms, and the highly acclaimed Optimo, Optimo Style family of lenses used in the motion pictures industry, the Angénieux Type EZ series features two new light weight zooms. Thanks to an innovative lens modular design (Interchangeable Rear Optics IRO technology), both lenses allow the rear lens group to be exchanged between S35mm (up to 30mm image diagonal), and FF/VistaVision format (up to 46mm image diagonal). FEATURES Focal Length:          15-40 mm (S35 Format) / 22-60 mm (FF/VistaVision Fromat) Zoom Ratio:            2.7x Aperture:                 f/1.9 - T2 (S35 Format9 / f/2.8 - T3 (FF/VistaVision Format) Format:                    S35mm and FF/VistaVision Weight (approx.):   2,12 kg Front diameter:      114 mm For the first time, ENG-Style productions will get the flexibility necessary for run-and-gun shooting, combined with an exellence of image quality at an affordable price. The Detachable ENG-Style zoom grip available from MOVCAM is a perfect match for the EZ's. Users can also easily change between PL, Canon EF and Sony E mounts.  

The Angénieux Type EZ-3 Pack is a remarkable addition to the renowned EZ series, designed to meet the demands of today’s filmmakers. This versatile telephoto zoom lens offers an impressive focal length range of 45-165mm (S35) and 68-250mm (FF/VistaVision) with aperture options of T2.3/T3 and T3.5/T4.5 respectively. Known for its compact and lightweight design, weighing only 2.6 kg (4.4 lb) and measuring 265mm (10.4 inches) in length, the EZ-3 combines portability with exceptional optical performance.What sets the EZ-3 apart is its innovative quick IRO Technology® mechanism, allowing for seamless adjustments and enhanced usability. Its user-configurable design supports both S35 and FF formats, making it a flexible choice for diverse shooting situations. With a constant T-stop throughout its zoom range, filmmakers can maintain exposure consistency, providing a more efficient shooting experience. Additionally, the dual focus scales (feet-meters) facilitate easier handling for international crews, further solidifying the EZ-3’s position as an essential tool for modern cinematography. FeaturesCompact and affordable cinestyle tele zoomBased on the same philosophy as EZ-1 & EZ-2New quick IRO Technology® mechanismS35 & FF user configurableCompact & lightweight: 2.6 Kg / 4.40 lb & 265mm / 10.4"Fully compatible with EZ-1 & EZ-2 accessoriesLong tele reachS35 45 - 165mm T2.3/T3 I Constant T-Stop 45 - 135 mm T2.3Constant T-stop across the entire zoom range when iris is set to T3 or slower T-stopFF 68 - 250mm T3.5/T4.5 I Constant T-Stop 68 - 200mm T3.5Constant T-stop across the entire zoom range when iris is set to T4.5 or slower T-stopDual feet-meter scale focus ringEasy feet-meter conversion with standard screwdriver and no collimatorTechnical SpecificationsFocal Length: 45-165mm (S35 Format) | 68-250mm (FF/VistaVision Format)Zoom Ratio: 3.7xAperture: T2.3/T3 (S35 Format) | T3.5/T4 (FF Format)MOD: 4ft / 1.2mFormat: S35mm and FF/VistaVisionWeight (approx.): 2.60 kgFront diameter: 114 mmImage Size: 24 x 13.6mm (S35) | 37.7 x 24.9mm (FF)Dimensions and WeightDimensions: 265mm (10.4 inches) in lengthWeight: 2.6 kg (4.4 lb)AccessoriesRF Mount (#66069850AA)EF Mount (#320811)E Mount (#320810)EZ Transport Case (#320986)EZ Hood (#322051)Front protective glass (#66067166AA)

The Canon CN7X17 KAS T Cine-Servo lens is a groundbreaking tool designed for professional cinematographers seeking both versatility and precision in their work. This 17-120mm lens features a fast T2.95 maximum aperture, ensuring excellent low-light performance and a shallow depth of field that allows filmmakers to create stunning visuals with a cinematic feel. The zoom range is perfect for a variety of shooting scenarios, from wide establishing shots to tight close-ups, making it an ideal choice for everything from documentaries to narrative films.Engineered with Canon's advanced optical technology, the CN7X17 KAS T delivers sharp, high-contrast images across the entire zoom range. Its par-focal design ensures that the focus remains consistent even while zooming, a critical feature for dynamic shooting environments. The lens is equipped with a 200-degree focus rotation and a 15-blade iris, allowing for smooth focus pulls and beautiful bokeh. With a robust build that withstands the rigors of professional production, this lens is designed for use on various camera systems, making it a versatile addition to any filmmaker’s toolkit.Adding to its versatility, the Canon CN7X17 KAS T features a compact form factor that makes it suitable for handheld shooting and gimbal work. The lens is also compatible with Canon's EF mount cameras, enhancing its usability across a wide range of cinema rigs. Whether you're shooting in a controlled studio environment or out in the field, this lens offers the reliability and performance that professional filmmakers demand, allowing them to focus on storytelling without worrying about their equipment.Features of Canon CN7X17 KAS T Cine-Servo Lens17-120mm focal length for versatile shooting optionsFast T2.95 maximum aperture for low-light capabilityPar-focal design maintains focus during zooming200-degree focus rotation for precise adjustments15-blade iris for smooth bokeh and pleasing highlightsCompact and lightweight for handheld and gimbal useCompatible with Canon EF mount camerasRobust build quality suitable for professional useTechnical SpecificationsFocal Length: 17-120 mmMaximum Aperture: T2.95Zoom Ratio: 7xFocus Rotation: 200 degreesIris Blades: 15Lens Mount: Canon EFWeight: Approx. 2.8 kgDimensions: Approx. 200 mm x 140 mmDimensions & WeightLength: Approx. 200 mmDiameter: 140 mmWeight: Approx. 2.8 kgIncluded in the PackageCanon CN7X17 KAS T Cine-Servo LensFront and rear lens capsUser manualProtective lens pouch

The Canon CN8x15 IAS S E1-P1 Cine-Servo Zoom lens is engineered for professional filmmakers who demand exceptional optical performance combined with advanced functionality. This 8x zoom lens features a focal length range of 15mm to 120mm, providing versatile framing options suitable for a variety of shooting scenarios, from wide landscapes to detailed close-ups. The lens is designed with a compact and lightweight form factor, making it ideal for handheld shooting as well as use on gimbals and drones.Equipped with Canon's advanced optical technology, the CN8x15 IAS S ensures superior image quality with minimal distortion and excellent color rendition. Its consistent T2.95 aperture throughout the zoom range allows for precise exposure control, even in dynamic lighting conditions. The lens also incorporates an electronic servo system that enables smooth and precise zoom adjustments, perfect for cinematic productions that require flawless transitions.Additionally, the CN8x15 IAS S is compatible with a range of cinema cameras and offers seamless integration with various filming equipment. Its robust construction ensures durability, while features like a 16-blade iris create beautiful bokeh, enhancing the visual appeal of your shots. Elevate your filmmaking experience with the Canon CN8x15 IAS S E1-P1, where cutting-edge technology meets creative flexibility.Features of Canon CN8x15 IAS S E1-P1Versatile 8x zoom range (15mm to 120mm) for various scenesConsistent T2.95 aperture for uniform exposure throughout zoomAdvanced optical design for exceptional image qualityElectronic servo zoom for smooth, precise controlCompact and lightweight for easy handlingCompatible with various cinema cameras and equipment16-blade iris for beautiful bokeh and depth of fieldRobust construction for durability in professional environmentsTechnical SpecificationsFocal Length: 15mm to 120mmMaximum Aperture: T2.95Zoom Ratio: 8xImage Format: Super 35mmFocus System: Internal focusWeight: Approximately 2.5 kg (5.5 lbs)Dimensions & WeightLength: 196 mm (7.7 inches)Diameter: 105 mm (4.1 inches)Included in the PackageCanon CN8x15 IAS S E1-P1 Cine-Servo Zoom lensFront and rear lens capsLens hoodUser manualWarranty card

The Flex Zoom series of lenses from Canon has been designed for outstanding optical performance rendering beautiful and natural images. The breathtaking image quality is ideal for 4K productions. Available in EF and PL mount options and designed for use on large-format cameras, these premium high-end full-frame zoom lenses offer a constant maximum T-stop value of 2.4 across the entire zoom range. Advanced Lens Metadata Support includes Cooke /i Technology™ protocol on PL mount models.8K Optical Performance with Canon Cinema EOS Color ScienceThe lenses produce superb color rendition and detail, with sharp images from the center to the outer edges, rated for 8K HDR capture. An 11-blade aperture creates soft, beautiful light rays and stunning depth-of-field falloff, while an internal focusing system delivers minimized focus breathing and excellent parfocal performance. The lenses render the beautiful and warm color tones synonymous with Canon's cinema lens family.Canon's advanced optical technology and lens coatings have combined to achieve 8K optical performance through the zoom range. Various types of aberrations have been corrected to achieve beautiful imagery from the center of the image out to all edges. All of Canon's cinema lenses have been designed with a consistent warm color balance that expresses skin tones beautifully, making them ideal for capturing subject textures. Color reproduction is also consistent when lenses are interchanged, which can help reduce post-production work. HDR video offers an expanded tonal range that represents the visual expression close to its natural image. Our 8K-compatible chromatic aberration correction reduces color bleeding, and the light-shielding design and optimized coatings reduce ghosting and flaring. The inner focus system reduces focus breathing, giving greater stability to framing a shot. The 11-blade iris gives the lenses a natural bokeh effect that is almost circular from maximum to the minimum aperture. The odd number of blades diffuse the glow of high luminance subjects for softer imaging.Constant T2.4 throughout the zoom rangeThe CN-E20-50MM T2.4 L F / FP and CN-E45-135MM T2.4 L F / FP are Canon's first full-frame cinema zoom lenses, offering a constant maximum T-stop value of T2.4 across the zoom range. Large aperture lenses allow for more light to reach the sensor, and the light transmission remains constant throughout the zoom range. With consistent light throughout the zoom range offered by both lenses, these two are a great pair for high-quality results no matter the production.Designed for Full Frame CamerasThe CN-E20-50MM T2.4 L F / FP and CN-E45-135MM T2.4 L F / FP are designed for Full-Frame, Large-Format cameras, enabling impressive images using bokeh with a shallow depth of field.Advanced Lens Metadata SupportThe Flex Zoom series lenses are compliant with a wide range of communication standards thanks to the versatile lens-to-camera communication function including Cooke /i Technology™ (PL mount) and EF mount. This will enable you to display or record lens metadata as well as utilize camera functions such as aberration correction, peripheral illumination correction and focus guide function with compatible cameras.Available in EF Mount or Cooke/i Technology™ PL Mount OptionsThe CN-E20-50MM T2.4 L F / FP and CN-E45-135MM T2.4 L F / FP are Canon's first full-frame cinema zoom lenses, offering a constant maximum T-stop value of T2.4 across the zoom range. Large aperture lenses allow for more light to reach the sensor, and the light transmission remains constant throughout the zoom range. With consistent light throughout the zoom range offered by both lenses, these two are a great pair for high-quality results no matter the production.Cinema Style OperabilityBoth the CN-E20-50MM T2.4 L F / FP and CN-E45-135MM T2.4 L F / FP lenses share the same design with consistent front diameter, gear positions and gear rotation angles. Weighing under 8 pounds and measuring under 10 inches long, the lenses also feature focus, zoom, and iris rings with industry standard gears and 0.8mm pitch to suit many third party follow focus accessories. The lenses feature luminous (glow in the dark) metric and imperial markings for easy operation in low light. Built for longevity, the premium design and outstanding optics and components, offer quick and precise operation, with durability ideal for professional video productions.   Specifications Flexible Mount Option EF / PL Focal Length: 20-50mm (Zoom Ratio 2.5x) T-Stop: 2.4 Number of Iris Blades: 11 Focus Rotation Angle: 300° Minimum Shooting Distance: 60cm Front Diameter 114mm Länge: 233.3mm (EF: 241.3mm) Weight approx. 3.3kg EOS Lens cCommunication & Cooke/i Technology supported  

The Flex Zoom series of lenses from Canon has been designed for outstanding optical performance rendering beautiful and natural images. The breathtaking image quality is ideal for 4K productions. Available in EF and PL mount options and designed for use on large-format cameras, these premium high-end full-frame zoom lenses offer a constant maximum T-stop value of 2.4 across the entire zoom range. Advanced Lens Metadata Support includes Cooke /i Technology™ protocol on PL mount models.8K Optical Performance with Canon Cinema EOS Color ScienceThe lenses produce superb color rendition and detail, with sharp images from the center to the outer edges, rated for 8K HDR capture. An 11-blade aperture creates soft, beautiful light rays and stunning depth-of-field falloff, while an internal focusing system delivers minimized focus breathing and excellent parfocal performance. The lenses render the beautiful and warm color tones synonymous with Canon's cinema lens family.Canon's advanced optical technology and lens coatings have combined to achieve 8K optical performance through the zoom range. Various types of aberrations have been corrected to achieve beautiful imagery from the center of the image out to all edges. All of Canon's cinema lenses have been designed with a consistent warm color balance that expresses skin tones beautifully, making them ideal for capturing subject textures. Color reproduction is also consistent when lenses are interchanged, which can help reduce post-production work. HDR video offers an expanded tonal range that represents the visual expression close to its natural image. Our 8K-compatible chromatic aberration correction reduces color bleeding, and the light-shielding design and optimized coatings reduce ghosting and flaring. The inner focus system reduces focus breathing, giving greater stability to framing a shot. The 11-blade iris gives the lenses a natural bokeh effect that is almost circular from maximum to the minimum aperture. The odd number of blades diffuse the glow of high luminance subjects for softer imaging.Constant T2.4 throughout the zoom rangeThe CN-E20-50MM T2.4 L F / FP and CN-E45-135MM T2.4 L F / FP are Canon's first full-frame cinema zoom lenses, offering a constant maximum T-stop value of T2.4 across the zoom range. Large aperture lenses allow for more light to reach the sensor, and the light transmission remains constant throughout the zoom range. With consistent light throughout the zoom range offered by both lenses, these two are a great pair for high-quality results no matter the production.Designed for Full Frame CamerasThe CN-E20-50MM T2.4 L F / FP and CN-E45-135MM T2.4 L F / FP are designed for Full-Frame, Large-Format cameras, enabling impressive images using bokeh with a shallow depth of field.Advanced Lens Metadata SupportThe Flex Zoom series lenses are compliant with a wide range of communication standards thanks to the versatile lens-to-camera communication function including Cooke /i Technology™ (PL mount) and EF mount. This will enable you to display or record lens metadata as well as utilize camera functions such as aberration correction, peripheral illumination correction and focus guide function with compatible cameras.Available in EF Mount or Cooke/i Technology™ PL Mount OptionsThe CN-E20-50MM T2.4 L F / FP and CN-E45-135MM T2.4 L F / FP are Canon's first full-frame cinema zoom lenses, offering a constant maximum T-stop value of T2.4 across the zoom range. Large aperture lenses allow for more light to reach the sensor, and the light transmission remains constant throughout the zoom range. With consistent light throughout the zoom range offered by both lenses, these two are a great pair for high-quality results no matter the production.Cinema Style OperabilityBoth the CN-E20-50MM T2.4 L F / FP and CN-E45-135MM T2.4 L F / FP lenses share the same design with consistent front diameter, gear positions and gear rotation angles. Weighing under 8 pounds and measuring under 10 inches long, the lenses also feature focus, zoom, and iris rings with industry standard gears and 0.8mm pitch to suit many third party follow focus accessories. The lenses feature luminous (glow in the dark) metric and imperial markings for easy operation in low light. Built for longevity, the premium design and outstanding optics and components, offer quick and precise operation, with durability ideal for professional video productions.   Specifications Flexible Mount Option EF / PL Focal Length: 45-135mm (Zoom Ratio 3.0x) T-Stop: 2.4 Number of Iris Blades: 11 Focus Rotation Angle: 300° Minimum Shooting Distance: 100cm Front Diameter 114mm Länge: 238.4mm (EF: 246.4mm) Weight approx. 3.4kg EOS Lens cCommunication & Cooke/i Technology supported  

The Canon RF 24-105mm F2.8 L IS USM lens offers an exceptional blend of versatility and high-quality optics, making it an ideal choice for professional photographers and videographers. With a constant f/2.8 aperture, this lens excels in a wide range of lighting conditions, allowing for stunning low-light performance and beautiful depth of field control. Its focal length range of 24-105mm makes it suitable for various photography styles, from sweeping landscapes to intimate portraits. Engineered with advanced optical technology, this lens incorporates aspherical and ultra-low dispersion elements to minimize distortions and ensure sharp, vibrant images. The built-in Image Stabilization helps eliminate camera shake, enabling you to capture crystal-clear images even in challenging environments. Additionally, its rugged, weather-sealed design ensures durability in various shooting conditions, making it a reliable companion for outdoor photography. Features Constant f/2.8 maximum aperture Versatile focal length range of 24-105mm Advanced optical design for superior image quality Built-in Image Stabilization for reduced blur Weather-sealed construction for durability Fast and precise Dual Nano USM autofocus Ideal for both still photography and videography Compatible with Canon RF mount cameras Technical Specifications Focal Length: 24-105mm Maximum Aperture: f/2.8 Lens Construction: 18 elements in 15 groups Image Stabilization: Yes (up to 5 stops) Filter Size: 77mm Focus Type: Autofocus Dimensions, Weight Weight: 700 grams Dimensions: 88.8 mm x 136 mm Included Items Canon RF 24-105mm F2.8 L IS USM lens Lens hood Front and rear lens caps User manual

A portable-type wide zoom lens, supporting two types of cinema large sensors Cinematic expression to the broadcast live production. Super long zoom coverage to the cinema world. The portable lens inherits FUJINON cinema lens' DNA. Fujifilm present the Duvo HZK14-10 mm, an advanced zoom lens designed to meet the high demands of professional broadcast and cinematic productions. Combining versatility with exceptional optical quality, this lens is engineered to deliver superior performance in a variety of shooting scenarios. Delivering 7.1x zoom covering 14-100mm, a focal range that is frequently used on set, achieves compact size and is lightweight at 266.9mm in length and 2.54kg in weight. This lens can be utilized with tripod, as well as shoulder-mounted operation, with a steadicam or for high-angle shooting using a crane. The shallow depth of field allows for cinematic image expression with beautiful bokeh effect, making it ideal for sporting events, live concerts, reality show, and other live broadcasts. Key Features: Versatile Focal Range: The Duvo HZK14-100mm offers a focal length range of 14-100mm, which can be extended to 21-150mm using the built-in 1.5x dual format expander. This extensive zoom range allows for a wide array of dynamic shots, from wide-angle perspectives to detailed close-ups. High Zoom Ratio: With a 7.1x zoom ratio, the lens provides a broad range of focal lengths, making it ideal for capturing diverse scenes and subjects without the need for multiple lenses. Exceptional Optical Performance: The lens features a T2.9 aperture at 14-75mm and T3.9 at 100mm, delivering bright, clear images with excellent low-light performance. Its advanced optical design minimizes distortions and aberrations, ensuring consistent image quality throughout the zoom range. Close Focus Capability: The Duvo HZK14-100mm has a minimum object distance (M.O.D.) of just 0.28 meters from the front lens, allowing for detailed close-up shots and enhanced versatility in various shooting environments. Robust and Lightweight Design: Measuring approximately 266.9mm in length and weighing 2.54kg, the lens is built for durability and reliability while remaining relatively lightweight for ease of use in field conditions. Wide Front Diameter: The 114mm front diameter accommodates a range of filters and accessories, enhancing the lens’s flexibility and adaptability for different shooting needs. Details: 7.1x zoom covering 14-100mm with compact and lightweight design Maximum aperture of T2.9 from the wide-end 14mm to 75mm Supporting cameras with Super 35mm sensor and sensors equivalent to full frame Cinematic visual expressions with beautiful bokeh Same drive unit as the portable-type broadcast zoom lens Connectable to a third party wireless lens controller Breathing Compensation Technology Remote Back Focus Cooke /i ZEISS eXtended Data system Technical Specifications: Model Name: HZK14-100mm Focal Length: 14-100mm (1x), 21-150mm (1.5x) Zoom Ratio: 7.1x Extender: 1.5x Dual format expander T-No: T2.9 (14-75mm) / T3.9 (100mm) Minimum Object Distance (M.O.D.): 0.28m Approximate Size: 266.9mm (Length) Weight: 2.54kg Front Diameter: 114mm Applications: The Fujifilm Duvo HZK14-100mm is ideal for a range of professional applications including live broadcast, high-end cinematic productions, and detailed wildlife filming. Its robust construction and high optical performance make it a valuable addition to any production setup. Conclusion: The Fujifilm Duvo HZK14-100mm lens stands out for its versatile focal range, high zoom ratio, and exceptional image quality. Designed for professional use, it offers the reliability and performance needed to meet the demanding requirements of broadcast and cinematic productions. Explore the full capabilities of the Duvo HZK14-100mm and elevate your creative projects with Fujifilm’s advanced optical technology.

The Fujinon Duvo™ HZK24-300mm is a versatile and high-performance cinema lens, designed specifically for filmmakers who need both wide and telephoto capabilities in one robust package. With an impressive zoom range of 24mm to 300mm, this lens covers everything from wide landscapes to detailed close-ups, making it ideal for a wide range of cinematic applications. Its constant aperture ensures consistent exposure throughout the zoom range, providing sharp and vibrant images in a variety of lighting conditions.Built with Fujinon’s renowned optical technology, the Duvo™ HZK24-300mm delivers superior image quality, with minimal distortion and chromatic aberration. It’s optimized for both Super 35 and full-frame sensors, making it compatible with various high-end cinema cameras. This lens is perfect for 4K and 8K productions, delivering ultra-high resolution and detail, making it future-proof for evolving content creation standards. Whether you’re shooting documentaries, commercials, or narrative films, this lens provides the flexibility, precision, and durability required for professional filmmaking.The robust build of the HZK24-300mm makes it suitable for both studio and on-location shoots. With advanced weather sealing, it can withstand challenging shooting environments, ensuring reliability even in extreme conditions. The lens features smooth manual control of focus, zoom, and iris, allowing for precise adjustments. It’s the go-to choice for cinematographers who need a high-quality, reliable zoom lens with exceptional optical performance.FeaturesWide 24-300mm zoom range for versatile shootingConstant aperture for consistent exposure throughout the zoom rangeAdvanced optical design for minimal distortion and superior image qualityOptimized for Super 35 and full-frame sensorsIdeal for 4K and 8K cinematic productionsWeather-sealed for use in challenging environmentsSmooth manual focus, zoom, and iris controlsSuitable for both studio and on-location shootsTechnical SpecificationsFocal length: 24-300mmAperture range: T2.9-T22Image circle: 46.3mmMinimum focusing distance: 1.5mLens mount: PL mountWeight: approx. 10kgFront diameter: 136mmSupported formats: Super 35, Full FrameDimensions and WeightWeight: approx. 10kgLength: 40cmFront diameter: 136mmIncluded in the PackageFujinon Duvo™ HZK24-300mm Zoom LensFront and rear lens capsHeavy-duty carrying caseLens support footPL mount cap

The Fujinon HK 3.1x14.5 T2.0 Cine Lens is engineered for filmmakers seeking superior optical performance combined with exceptional versatility. With a focal length range of 14.5mm to 45mm, this lens caters to a broad spectrum of shooting situations, from wide-angle landscapes to detailed close-ups. The fast T2.0 aperture enhances low-light shooting capabilities and provides stunning depth of field control, enabling creative visual storytelling that stands out.This cine lens incorporates advanced optical technologies that significantly reduce chromatic aberrations and distortion, delivering crisp and vibrant images with natural color fidelity. The multi-layer coatings further minimize flare and ghosting, ensuring high contrast and clarity in your shots. Designed with professional filmmakers in mind, the Fujinon HK 3.1x14.5 T2.0 lens is both lightweight and robust, making it an ideal companion for handheld shooting and dynamic filming environments.Ergonomically designed, this lens offers smooth zoom and focus rings for precise adjustments during critical moments of production. Whether you're working on narrative films, documentaries, or commercials, the Fujinon HK 3.1x14.5 T2.0 Cine Lens enhances your creative workflow and meets the demanding needs of modern cinematography.Features of Fujinon HK 3.1x14.5 T2.0 Cine Lens3.1x zoom ratio for flexibility in framingFocal length range: 14.5mm to 45mmFast T2.0 maximum aperture for low-light performanceAdvanced optical design minimizes distortion and aberrationMulti-layer coatings reduce flare and ghostingLightweight and durable construction for easy handlingSmooth, precise zoom and focus controlsCompatible with various cinema camera systemsTechnical SpecificationsFocal length: 14.5-45mmAperture range: T2.0Lens mount: PL mountImage circle: 43.2mmMinimum focus distance: 0.85mWeight: approximately 1.9kgFront diameter: 114mmSupported formats: Super 35Dimensions and WeightWeight: approximately 1.9kgLength: 20.5cmFront diameter: 114mmIncluded in the PackageFujinon HK 3.1x14.5 T2.0 Cine LensFront and rear lens capsLens support footPL mount capCarrying case

The Fujinon HK 4.7x18 T2.0 Cine Lens is a cutting-edge optical tool designed specifically for cinematographers who demand exceptional image quality and versatility in their work. This lens features a focal length range of 18mm to 85mm, making it perfect for a wide array of shooting scenarios, from intimate close-ups to expansive landscapes. With a fast maximum aperture of T2.0, the lens allows for impressive low-light performance and creates a shallow depth of field, providing filmmakers with the ability to isolate subjects beautifully and enhance their storytelling.Crafted with advanced optical technology, the Fujinon HK 4.7x18 lens minimizes distortion and aberrations, ensuring that images are sharp and clear across the entire frame. The lens employs multi-layer coatings that reduce lens flare and ghosting, resulting in high-contrast images with vibrant colors. Its robust construction is designed for the rigors of professional filming environments while remaining lightweight, making it easy to handle and perfect for long shooting sessions.The ergonomics of the Fujinon HK 4.7x18 T2.0 lens ensure smooth zoom and focus transitions, allowing for precise control during dynamic shots. Whether you are working on a feature film, commercial, or documentary, this lens is an invaluable asset that enhances your creative vision. Experience the blend of quality, reliability, and performance that the Fujinon HK 4.7x18 lens brings to your filmmaking toolkit.Features of Fujinon HK 4.7x18 T2.0 Cine Lens4.7x zoom ratio for versatile shootingFocal length range of 18mm to 85mmFast T2.0 maximum aperture for low-light capabilitiesAdvanced optical design to minimize distortionMulti-layer lens coatings to reduce flare and ghostingRobust yet lightweight construction for easy handlingSmooth and precise zoom and focus controlsCompatible with various cinema camerasTechnical SpecificationsFocal length: 18-85mmAperture range: T2.0Lens mount: PL mountImage circle: 43.2mmMinimum focus distance: 0.85mWeight: approx. 2.5kgFront diameter: 114mmSupported formats: Super 35Dimensions and WeightWeight: approx. 2.5kgLength: 20.5cmFront diameter: 114mmIncluded in the PackageFujinon HK 4.7x18 T2.0 Cine LensFront and rear lens capsLens support footPL mount capCarrying case

The Fujinon HK 5.3x75 T2.8 Cine Lens is a top-tier zoom lens designed for professional filmmakers who demand exceptional image quality and performance in their productions. Offering a focal range of 75-400mm, this lens is ideal for capturing everything from wide shots to detailed close-ups, all while maintaining sharpness and clarity. Its constant T2.8 aperture ensures consistent exposure throughout the zoom range, even in varying lighting conditions, allowing for smooth transitions between shots. The lens is perfect for high-end cinema productions, documentaries, and commercial shoots that require versatility without compromising image quality.Constructed with cutting-edge optical technology, the HK 5.3x75 delivers unparalleled resolution and contrast, making it compatible with the latest digital cinema cameras that shoot in 4K and beyond. The lens features advanced coatings that minimize flare and ghosting, ensuring vibrant color reproduction and excellent control over light, even in challenging shooting environments. Its robust design includes precise manual focus, zoom, and iris controls, giving filmmakers full control over their image composition and focus, whether shooting in studio or on location.Additionally, the Fujinon HK 5.3x75 is built for durability and long-term professional use. With its PL mount compatibility and rugged construction, the lens is engineered to withstand the rigors of demanding shoots. Its high-performance glass elements and mechanical precision ensure that it meets the needs of even the most exacting cinematographers. Whether used for narrative films, wildlife documentaries, or sports broadcasting, this cine lens is a powerhouse for any production requiring extended zoom range and reliable, professional performance.Features of Fujinon HK 5.3x75 T2.8 Cine Lens75-400mm focal range for extreme versatilityConstant T2.8 aperture across the entire zoom rangeHigh-resolution optical performance for 4K and beyondAdvanced coating to reduce flare and ghostingSmooth manual controls for focus, zoom, and irisDurable PL mount design for professional useOptimized for both studio and location shootingCompatible with a wide range of digital cinema camerasTechnical SpecificationsFocal length: 75-400mmAperture range: T2.8Lens mount: PL mountImage circle: 35mm formatMinimum focus distance: 3mWeight: approx. 7.3kgFront diameter: 136mmSupported formats: Super 35Dimensions and WeightWeight: approx. 7.3kgLength: 40.1cmFront diameter: 136mmIncluded in the PackageFujinon HK 5.3x75 T2.8 Cine LensFront and rear lens capsLens support footPL mount capCarrying case

The Fujinon HK 7.5x24 T2.6 Cine Lens is a high-performance zoom lens specifically engineered for the demanding needs of professional cinematographers. With a focal length range of 24mm to 180mm, this lens offers exceptional versatility for a wide range of shooting scenarios, from expansive landscapes to intimate close-ups. Its constant T2.6 aperture ensures that filmmakers can achieve brilliant low-light performance and maintain consistent exposure throughout the zoom range, making it an invaluable tool for dynamic shooting environments.Designed with advanced optical technology, the HK 7.5x24 lens minimizes common optical issues such as distortion and chromatic aberration, delivering sharp, high-contrast images with stunning color accuracy. The robust build quality of this lens ensures durability, allowing it to withstand the rigors of on-location shooting while remaining lightweight for easier handling. Cinematographers will appreciate the smooth focus and zoom controls, which enable precise adjustments for creative framing and storytelling.Moreover, the Fujinon HK 7.5x24 T2.6 is compatible with industry-standard follow focus systems, making it a seamless addition to any professional camera rig. Whether you are working on narrative films, commercials, or documentaries, this lens empowers filmmakers to explore their creative vision with exceptional optical performance and reliability.Features of Fujinon HK 7.5x24 T2.6 Cine LensConstant T2.6 maximum aperture for low-light capabilitiesFocal length range: 24-180mmLightweight design for easy handling during shootsAdvanced optical elements reduce distortion and chromatic aberrationSmooth focus and zoom mechanisms for precise controlCompatible with follow focus systems for professional setupsDurable construction for reliable performance in the fieldPL mount for use with various cinema camerasTechnical SpecificationsFocal length: 24-180mmAperture range: T2.6Lens mount: PL mountImage circle: 31.5mmMinimum focus distance: 0.5mWeight: approximately 1.8kgFront diameter: 105mmSupported formats: Super 35Dimensions and WeightWeight: approximately 1.8kgLength: 21.5cmFront diameter: 105mmIncluded in the PackageFujinon HK 7.5x24 T2.6 Cine LensFront and rear lens capsLens support footPL mount capCarrying case

The HZK25-1000mm is a box-type broadcast zoom lens in the dual format, supporting two types of large image sensors. It can be mounted on cameras equipped with the Super 35mm sensor or the even larger sensor equivalent to 35mm full frame*2. The lens achieves optical performance which exceeds 4K. It also facilitates the use of cinema cameras which is becoming increasingly common in the broadcast industry, offering cinematic visual expressions such as shallow depth-of-field for beautiful bokeh in live coverage of sporting events and music concerts. Today, in the broadcast industry, cinema cameras equipped with a sensor larger than the industry’s mainstream sensor*3 are increasingly used in live coverage of sporting events and music concerts, amidst the growing needs for immersive cinematic expressions involving the use of bokeh and high dynamic range. However, cinema camera lenses are optimized for shooting movies and TV commercials, and therefore have a smaller zoom magnification ratio than that of broadcast lenses. They also require a specialist in focus operations, which is uncommon in the broadcast industry. For these reasons, there has been a demand for a high-magnification zoom that supports a large sensor and can be operated in the same way as box-type broadcast lenses. The new HZK25-1000mm is a broadcast zoom lens that uses optical technology, nurtured over many years, to deliver the world’s highest 40x zoom and the world’s longest focal length of 1000mm. It is designed in the dual format, supporting two types of large sensors. The lens normally works with the Super 35mm sensor, and also supports a sensor equivalent to 35mm full frame by way of activating the built-in expander*4 to expand the image circle by 1.5 times. It offers the added benefit of maintaining the same angle of view in both sensors. On the wide-angle side, the lens provides F2.8 aperture, enabling cinematic visual expressions with shallow depth-of-field and resulting beautiful bokeh. The use of large-diameter aspherical lens and fluorite lens*5 controls various forms of aberration thoroughly to achieve optical performance which exceeds 4K. The lens maintains the operation of broadcast lenses involving zoom demand and focus demand even when mounted on a cinema camera. It can also be used with a variety of existing accessories*6. Furthermore, the lens features an image-stabilization mechanism based on Fujifilm’s unique “ceramic ball roller” system to accurately compensate for on-set vibrations and wind-induced movements for operation stability. Following many years of developing and supplying broadcast lenses that address broadcast camera operators’ refined needs, Fujifilm became the first in the world to release a 4K-compatible broadcast lens in 2015. The company has since established a lineup of 8K-compatible broadcast lenses to lead the industry in raising video image quality. In the cinema industry, Fujifilm began building its lineup of cinema camera lenses in 2009 with the launch of the HK Series. Of five lens series currently on offer, the Premista Series of cinema camera zoom lenses compatible with large-format sensors*7 is embraced by frontline producers of movies and TV commercials due to its superior image resolution and advanced operability. Fujifilm will continue to develop and supply high-performance lenses and accessories that facilitate their easy operations, thereby catering to the diversifying needs of frontline video professionals. *1 Among box-type broadcast zoom lenses compatible with a sensor larger than the Super 35mm, as of October 19, 2022 according to Fujifilm data. *2 Capable of covering an image circle measuring 28.5mm across the entire zoom range when combined with a camera equipped with a Super 35mm sensor, and covering an image circle measuring 41.3mm across the entire zoom range when combined with a camera equipped with a sensor equivalent to 35mm full frame; Image circle refers to a circular area where lights that have passed through the lens form an image. *3 2/3 inch sensor. *4 The expander can expand the image circle and extend the focal length to the telephoto side. *5 Lens element made of fluorite, which has a characteristically small wavelength dispersion in light refractive indices; It enables optical design with minimal chromatic aberration. *6 Limited to accessories specifically designed for box-type FUJINON broadcast lenses. *7 Image sensor that is larger than the mainstream formats of cinema cameras: super 35mm sensor and 35mm full frame sensor.   Main features (1) World’s highest 40x zoom and world’s longest focal length of 1000mm The broadcast lens is developed with optical technology nurtured over many years. It delivers the world’s highest 40x zoom covering from 25mm in wide angle to the world’s longest 1000m in ultra-telephoto. The use of the built-in expander shifts the focal length by 1.5 times to 37.5mm-1500mm, allowing users to capture a far-away subject in the size as intended.   (2) Supporting the Super 35mm sensor and a sensor equivalent to 35mm full frame The dual format lens is compatible with two large sensors that are mainstream among cinema cameras. The lens normally works with the Super 35mm sensor, and also supports a sensor equivalent to 35mm full frame by activating the built-in expander to expand the image circle by 1.5 times. When mounted on a camera equipped with a sensor equivalent to 35mm full frame, the lens delivers its maximum optical performance while maintaining the same angle of view as that of the Super 35mm sensor. (3) Cinematic visual expressions with beautiful bokeh With the use of large-diameter aspherical elements and fluorite elements, polished precisely, various forms of aberration are controlled thoroughly to achieve optical performance which exceeds 4K. Ghosting, lens flair and color bleeding are also suppressed to deliver natural yet high-definition footage. The lens has the maximum aperture of F2.8 on the wide-angle end despite being a high magnification lens that supports a large sensor. This enables filming in low-light conditions, such as an indoor concert. The optical design application “FOCUS,” developed by Fujifilm, has been used to simulate how the background is rendered out of focus. Out-of-focus areas were separated into several layers to examine bokeh textures to achieve bokeh that naturally goes out-of-focus from the focal plane into the background. This produces the cinematic expression which makes the subject stand out. (4) Latest image-stabilization mechanism The lens is equipped with an image stabilization mechanism based on Fujifilm’s unique “ceramic ball roller system”. It not only provides advanced image stabilization against on-set vibrations and wind-induced movements, but also controls swing-back to facilitate stable filming. (5) Operations involving zoom demand and focus demand The lens can be used in the same style as broadcast lenses involving zoom demand and focus demand while being mounted on a cinema camera. It can also be used with existing accessories designed for box-type broadcast FUJINON lenses. It also supports multi-camera operations, filming with multiple cameras at the same time to support efficient live production.   Specs Zoom Range: 25-1000 mm in Super35 with internal extender: 37-1500 mm in Super35 with internal expander: 37.5-1500 in Full Frame Note, the internal expander and extender in this lens are the same device. Expanders and extenders increase the focal length by their designated ratio (e.g. 15x). Expanders generally pay greater attention to maintaining optical quality towards the edges, which is important in Full Frame. Extenders basically “worry” about the center Super35 area.   Maximum Aperture in Super35: F2.8 at 25mm F3.9 at 700 mm F5.0 at 1000 mm Maximum Aperture in Full Frame with internal 1.5x expander: F4.2 at 37.5 mm F5.3 at 1050 mm F7.5 at 1500 mm Image Diagonal in Super35:  Ø 28.55 mm Image Diagonal in Full Frame:  Ø 41.3 mm Close Focus (M.O.D.):   3.5m / 11’5″ Length:   669mm / 26.3″ Weight:   28 kg / 61.7 lb Front Screw in filter: 241 mm (M241 x 1) Front diameter with Protective Screw-in Front Clear Filter: 245 mm ALAC – Automatic Chromatic Aberration Correction ARIA – Automatic Restoration of Illumination Attenuation corrects for aperture ramping. Remote Back-Focus        

The Fujinon MK 18-55mm T2.9 Cine Lens is a revolutionary addition to the world of filmmaking, combining superior optical quality with exceptional versatility. Designed specifically for professional cinematographers, this lens offers a focal length range of 18mm to 55mm, making it suitable for a variety of shooting scenarios, from wide-angle landscapes to intimate close-ups. With a constant T2.9 aperture, filmmakers can achieve stunning low-light performance and maintain consistent exposure across the zoom range, empowering creative expression.Crafted with advanced optical elements, the MK 18-55mm minimizes distortion and chromatic aberration, resulting in images that are sharp and true to life. The lens features a durable yet lightweight design, allowing for effortless handling and operation during extended shoots. The focus and zoom rings are designed for smooth, precise adjustments, enabling cinematographers to achieve their desired framing with ease. Whether you’re shooting narrative films, documentaries, or commercials, this lens provides the reliability and performance needed for high-quality production.Incorporating Fujinon’s renowned technology, the MK 18-55mm T2.9 also features a gear interface for follow focus systems, ensuring compatibility with professional camera setups. This lens is not only a powerful tool for capturing stunning visuals but also an essential companion for filmmakers looking to elevate their storytelling through exceptional cinematography.Features of Fujinon MK 18-55mm T2.9 Cine LensConstant T2.9 maximum aperture for low-light performanceFocal length range: 18-55mmLightweight and compact design for easy handlingAdvanced optical construction minimizes distortion and aberrationSmooth focus and zoom rings for precise adjustmentsCompatible with follow focus systemsRobust build quality for professional usePL mount for compatibility with various cinema camerasTechnical SpecificationsFocal length: 18-55mmAperture range: T2.9Lens mount: PL mountImage circle: 31.5mmMinimum focus distance: 0.38mWeight: approximately 0.8kgFront diameter: 82mmSupported formats: Super 35Dimensions and WeightWeight: approximately 0.8kgLength: 16.7cmFront diameter: 82mmIncluded in the PackageFujinon MK 18-55mm T2.9 Cine LensFront and rear lens capsLens support footPL mount capCarrying case

The Fujinon MK 50-135mm T2.9 Cine Lens is a prime choice for professional filmmakers looking to capture stunning imagery with exceptional clarity and depth. This versatile lens covers a focal length range from 50mm to 135mm, making it perfect for a variety of shooting scenarios, from medium shots to beautifully composed close-ups. With its constant T2.9 aperture, filmmakers can achieve excellent low-light performance while maintaining a shallow depth of field, enhancing the cinematic quality of their work.Crafted with advanced optical technology, the MK 50-135mm lens minimizes optical aberrations, ensuring sharp images with vibrant colors and rich contrast. Its lightweight design, combined with a robust build, makes it an ideal companion for handheld shooting and demanding shooting environments. The lens features smooth focus and zoom controls, allowing for precise adjustments that can bring a director's vision to life effortlessly.Moreover, the Fujinon MK 50-135mm T2.9 is compatible with various follow focus systems, providing filmmakers with the flexibility to use this lens in professional setups. Whether you're working on narrative films, commercials, or documentaries, this lens will empower you to explore your creative potential while delivering stunning visual storytelling.Features of Fujinon MK 50-135mm T2.9 Cine LensConstant T2.9 maximum aperture for low-light shootingFocal length range: 50-135mmLightweight design for easy handling and portabilityAdvanced optical elements to minimize distortion and chromatic aberrationSmooth focus and zoom mechanics for precise controlCompatible with industry-standard follow focus systemsDurable construction for reliable performance in various conditionsPL mount for versatility with different cinema camerasTechnical SpecificationsFocal length: 50-135mmAperture range: T2.9Lens mount: PL mountImage circle: 31.5mmMinimum focus distance: 0.85mWeight: approximately 1.5kgFront diameter: 80mmSupported formats: Super 35Dimensions and WeightWeight: approximately 1.5kgLength: 15.7cmFront diameter: 80mmIncluded in the PackageFujinon MK 50-135mm T2.9 Cine LensFront and rear lens capsLens support footPL mount capCarrying case

The Fujinon Premista 19 - 45mm T2.9 is a high-performance cine lens designed to meet the evolving demands of cinematographers. With a focal length range from 19mm to 45mm, this lens excels in a variety of shooting situations, from expansive landscapes to dynamic close-ups. Its constant T2.9 aperture provides consistent exposure throughout the zoom range, enabling filmmakers to maintain creative control over depth of field while adapting to different lighting conditions.Engineered with advanced optical technology, the Premista 19 - 45mm lens delivers stunning image quality characterized by remarkable sharpness, rich colors, and excellent contrast. The lens features a sophisticated optical design that minimizes distortion and chromatic aberration, resulting in clear and natural images. Enhanced lens coatings help reduce unwanted flare and ghosting, ensuring that your visuals remain vibrant and true to life. The lens’s smooth focus and zoom mechanisms offer exceptional precision, making it ideal for both handheld and rigged shooting scenarios.Constructed for durability and ease of use, the Fujinon Premista 19 - 45mm T2.9 is compatible with PL mounts, allowing it to integrate seamlessly with a variety of professional cinema cameras. Its lightweight and compact design makes it easy to handle during extended shoots, ensuring filmmakers can achieve their artistic vision without compromise. Whether you are shooting a feature film, commercial, or documentary, the Premista lens elevates your cinematography with its superior performance and reliability.Features of Fujinon Premista 19 - 45mm T2.919-45mm focal length range for wide versatilityConstant T2.9 aperture for consistent exposureAdvanced optical design for minimal distortionEnhanced coatings to reduce flare and ghostingSmooth and precise focus and zoom operationsPL mount compatibility for various cinema camerasCompact and lightweight for easy handlingExceptional color reproduction and contrastTechnical SpecificationsFocal length: 19-45mmAperture range: T2.9Lens mount: PL mountImage circle: 43.2mmMinimum focus distance: 0.85mWeight: approx. 2.5kgFront diameter: 95mmSupported formats: Super 35Dimensions and WeightWeight: approx. 2.5kgLength: 21.5cmFront diameter: 95mmIncluded in the PackageFujinon Premista 19 - 45mm T2.9 lensFront and rear lens capsLens support footPL mount capCarrying case