The M full frame lenses have captured unique, iconic images for over than 60 years around the world. To bring the characteristics of these lenses directly to the cinema world, Leitz Cine Wetzlar designed the new M 0.8 lenses. The complete set contains focals of 21mm, 24mm, 28mm, 35mm, 50mm, 50-N, 75mm and 90mm. The M 0.8 lenses interpret light and skin tones with a unique sense of clarity, color and charisma.
FEATURES
Focal Length: 35 mm
Max. Aperture: f/1.4
Format: Full Frame (24mm x 36mm)
Mount: Leica M-Mount
Front Diameter: 80mm
Weight: 380g
CAMERA COMPATIBILITY
Sony VENICE
ARRI Alexa Mini/Amira
RED Monstro
and more - see comparative table:
IB/E Optics Raptor T2.9 150mm Cine Macro Lens - UMS PL Mount
The RAPTOR lenses featuring full frame (24×36) coverage and beyond, 1:1 magnification, T-Stop 2.9 as well as robust and durable professional cine mechanics.
Features:
Maximum magnification 1:1
No change in length, thanks to internal focusing
extended color correction (APO)
Aperture T 2.9-T22
Constistent distance from flange to iris- and focusring
Front diameter of 95 mm
M0.8 gear wheels for focus and iris
UMS PL Mount (LPL, Canon EF, Sony NEX E,...)
Robust and durable mechanical design
Data sheet downloadAPO CINE MACRO LENS FAMILY
IB/E Optics Raptor T2.9 60mm APO Cine Macro VV Lens - UMS PL Mount
All RAPTOR lenses featuring full frame (24x36) coverage and beyond, 1:1 magnification, max T-Stop 2.9 as well as robust and durable professional cine mechanics.
Features:
Maximum magnification 1:1
No change in length, thanks to internal focusing
extended color correction (APO)
Constistent distance from flange to iris- and focusring
Front diameter of 95 mm
M0.8 gear wheels for focus and iris
UMS PL Mount (LPL, Canon EF, Sony NEX E, …)
Robust and durable mechanical design
Data sheet downloadAPO CINE MACRO LENS FAMILY
IB/E Optics Raptor T2.9 100mm Cine Macro Lens - UMS PL Mount
The RAPTOR lenses featuring full frame (24×36) coverage and beyond, 1:1 magnification, T-Stop 2.9 as well as robust and durable professional cine mechanics.
Features:
Maximum magnification 1:1
No change in length, thanks to internal focusing
extended color correction (APO)
Aperture T 2.9-T22
Constistent distance from flange to iris- and focusring
Front diameter of 95 mm
M0.8 gear wheels for focus and iris
UMS PL Mount (LPL, Canon EF, Sony NEX E,...)
Robust and durable mechanical design
Data sheet downloadAPO CINE MACRO LENS FAMILY
Next generation camera with forward thinking full frame sensor, phenomenal color science and user-friendly operation
Simple and intuitive
Usability and reliability of the camera is one of the major concerns for operators, especially in tough or time-critical filming conditions. With a user-friendly design, clear and simple menu navigation, and a highly durable, reliable construction, VENICE lets you simply concentrate on filming, and not the camera.
Full-Frame sensor for cinema
VENICE features an all-new Full-Frame sensor with the classic 36 x 24-mm dimensions that have been a staple of photography for over 100 years. Designed exclusively for high-end cinematography, this sensor can capture images up to a maximum resolution of 6048 x 4032.
Switchable imager modes mean VENICE can support an unprecedented number of cinematic aspect ratios for complete creative freedom:
Full width 36 mm 6K
In full-frame, you can use the full 6048 pixel width of the sensor for 6K imager modes such as 3:2, 2.39:1*, 1.85:1, 17:9, and 16.9*. Equivalent to 4-perforation motion picture film, these 6K modes allow for extra-shallow depth of field, super-wide shooting, and other creative effects.
Super35 anamorphic 4K
For super-wide screen productions, VENICE offers two full-height 2x squeeze anamorphic imager modes that include 6:5 and 4:3 recording modes for 12:5 (known as 2.39:1) and 8:3 (2.66:1) scenes, respectively.
Explore how VENICE can meet your production requirements with the firmware and licensing requirements in the aspect ratio chart:
Fast shutter
VENICE’s high-speed readout sensor minimizes the jello effect typical in CMOS sensors.
Phenomenal latitude
VENICE has an exceptional 15+ stops of latitude, with low noise for extraordinary performance in delivering phenomenal images in conditions from searing sunlight to almost no light. VENICE’s real-world performance also excels at High Dynamic Range imaging and allows unprecedented creative freedom in grading.
More colors for more expression
VENICE can exceed Rec. 2020 color space. This means the color range is wider than DCI-P3 and can beautifully reproduce the true color of the scene in front of your lens. This also provides the broad palette in the grading suite using the established workflow of Sony’s third-generation LOG gamma encoding (S-Log3) and ultra-wide color space.
More colors for more expression
VENICE can exceed Rec. 2020 color space. This means the color range is wider than DCI-P3 and can beautifully reproduce the true color of the scene in front of your lens. This also provides the broad palette in the grading suite using the established workflow of Sony’s third-generation LOG gamma encoding (S-Log3) and ultra-wide color space.
Dual Base ISO
VENICE has a base ISO of 500 to provide the optimal dynamic range for typical cinematography applications with on-set lighting. A secondary High Base ISO of 2500 excels in low-light High Dynamic Range capture, with an exposure latitude from 6 stops over to 9 stops under 18% Middle Gray, for a total of 15 stops. High Base ISO 2500 is ideal whenever you’re using slow lenses or shooting dimly-lit environments. Combining ISO2500 with VENICE’s internal eight-step Optical ND filter system offers the ability to emulate different ISOs while maintaining maximum latitude of +6 and -9 stops, enabling you to use VENICE as an ISO1250 camera.
World’s first 8-step mechanical ND Filters
VENICE is the world’s first camera of its class with a servo-controlled 8-step mechanical ND filter mechanism built into the camera chassis. It offers a massive ND of 0.3 (1/2 = 1 stop) to ND2.4 (1/256 = 8 stops) range that reduces time lost on set changing external filters. The ND filters also greatly increase VENICE’s flexibility when being controlled remotely on drones and cranes, or in an underwater housing.
Next generation viewfinder
The DVF-EL200 was created as the perfect partner for VENICE. A 1920 x 1080 OLED panel enables precise, high-resolution focusing and framing, including False Color Display at the touch of a button. A rotary encoder provides instant access to brightness, peaking and contrast. An all-new ergonomic design allows for tool-free attachment/detachment and reconfiguring within seconds. The industry-standard LEMO connector offers exceptional durability.
Engineered to survive
VENICE’s chassis is engineered to be amazingly robust and has been rigorously tested in the harshest conditions. Its ventilation system is completely isolated from all electronic components to prevent ingress of dust, sand and splash. The silent-running fan can be cleaned or even swapped out on set quickly and easily.
Easily configurable
VENICE has a fully modular design and even the sensor block is interchangeable. So, as sensor technology advances in far future, you have the opportunity to upgrade without investing in a new camera. In order to maintain ergonomic balance for operators, the top handle and viewfinder are easily adjustable. As the height of the camera from the bottom to the optical center of the lens mount is the same as the F55, base plates and other accessories used for the F55 can be used with VENICE. The AXS-R7 recorder can be attached to VENICE with just four screws.
Additional features of the Venice camera:
native PL- and E-mount (Lever lock type)
anamorphic aspect ratios of 4:3 and 6:5 at 4K for shooting both 2.4:1 and 2.66:1 widescreen
desqeeze function on monitor out for several anamorphic squeeze factors
up to 16bit of tonal range when recording in RAW or X-OCN (16-bit eXtended tonal range Original Camera Negative) file formats
downsampling from Full Frame Image with 6K resulution to 4K XAVC codec
parallel recording of Proxy Files or XAVC on SxS cards while recording 6K (RAW or X-OCN) on AXS cards
the Select FPS function lets you choose frame rates from 1 frame per second to as high as 120 fps, depending on imager mode. *Note: higher Framerates than 60fps require the HFR License available from summer 2019
several control tools for checking aperture an focus such as: up to 4.0x Dot-by-Dot magnification of the viewfinder image, Surround View (Look Around), High/Low Key, USER 3D LUTs, ACES compatibility
Full menu control via web browser based wired and wireless connection
and much more...
More information about the Sony VENICE can be found at www.sonycine.com
Download Technicolor Look Collection for VENICE here.
*This product is EOL - End of Life*
PageBuilder OSPageBuilder OS: Quick and easy way to access professional software tools like Focus Peaking, HD Waveform, and 3D LUTs.
HDR Preview and 3D LUT SupportUltraBright monitors feature HDR Preview with 10-Bit ColorEngine and up to 2500 nits. Fine tune your HDR Preview with white point and black point adjustment sliders. Load any 3D LUT via SD card using SmallHD’s ColorFlow 3D LUT engine.
Efficiently UltraBrightThe 503 and 703 UltraBright are the Brightest 5" and 7" monitors in the world while maintaining low power consumption. In addition to LEMO power, Gold Mount, V-Mount and Sony L-Series battery plates are available.
Software That Eliminates HardwarePagebuilder OS enables you to send your video signal downstream via the Output Preview page. Any LUTs applied to the Output Preview page will also be mirrored downstream. Easily convert HDMI/SDI signals with Cross Conversion .
HD Scopes with Pixel Accurate Data AnalysisDisplay up to three, fully customizable Scopes on screen at a time. Utilize Color Picker to show raw pixel values from the displayed video.
Expose with ConfidenceExposure Assist supports both ARRI and Spectrum based false color, with built in IRE guides for reference. Utilize 2x Zebra to warn you when reaching a brightness level of your choosing. This is great for matching exposure across shots and cameras.
Dual ViewMonitor two input sources simultaneously. You can apply LUT’s and tools to each source individually. Great for monitoring A/B cameras or pre and post LUT footage. You can also apply tools to each page individually.
Custom Focus Assist & Peaking ToolsFocus assist creates a bright highlight on in-focus subject matter; highly recommended when focusing on the fly. Focus Peaking increases the image sharpness allowing more detailed focusing. Change your color and intensity of your focus tools.
Versatile Image FramingSelect standard markers and safety areas that can be overlaid on the display as lines or matte overlays with custom opacity level and colors. Default aspect ratios include 4:3, 1.85, 2.39:1, 16:9 and Custom (user selectable).
FEATURES
5",1920x1080
2x Function Buttons + Back Button + Joystick
Brightness: 2200 nits
Power via Battey Plates or 12V 2pin Lemo connector
Rugged milled aluminum housing + Gorilla Glass
HDMI and HD-SDI Cross Conversion
HDR Preview and 3D LUT support
TECHNICAL SPECS
Display: IPS LCD
Size: 5"
Resolution: 1920x1080, 443 PPI
Brightness: 2200 Nits
Inputs: 2x 3G-SDI (1x output can be switched to input), 1x HDMI, Micro USB
Output: 1x 3G-SDI, 1x HDMI, Headphone
OS3 Software Suits (Waveform, Scopes, Focus, Peaking, 3D LUTs and more)
Power input: via 2pin LEMO 12V connector or Battery Plate (Sony L-Series, V-Mount or Gold Mount)
Sony L-, V-Mount or Gold Mount Battery Brackets available
Bunch of usefull accessories available such as battery brackets, power cables, sunhood and mounting cage, monitor handles, screen protectors,...
*This product is EOL - End of Life*
PageBuilder OSAll SmallHD on-camera monitors are equipped with the powerful and easy-to-use PageBuilder operating system.
Wide Color GamutEach 702 OLED monitor comes from SmallHD precalibrated. Easily install your own 3D LUT calibration with advanced color management solutions like Light Illusion's, LightSpace CMS, or SpectraCal's CalMAN. Load any 3D LUT via SD card using SmallHD’s ColorFlow 3D LUT engine.
Software That Eliminates HardwarePagebuilder OS enables you to send your video signal downstream via the Output Preview page. Easily convert HDMI/SDI signals with Cross Conversion.
HD Waveform and ScopesDisplay up to three, fully customizable Scopes on screen at a time with highly detailed data analysis.
Expose with ConfidenceExposure Assist supports both ARRI and Spectrum based false color, with built in IRE guides for reference. Utilize 2x Zebra to warn you when reaching a brightness level of your choosing. This is great for matching exposure across shots and cameras.
Versatile Image FramingSelect standard markers and safety areas that can be overlaid on the display as lines or matte overlays with custom opacity level and colors. Default aspect ratios include 4:3, 1.85, 2.39:1, 16:9 and Custom (user selectable).
FEATURES
7", 1920x1080
5x Function Buttons + Back Button + Joystick
Brightness: 300nits
HDMI and HD-SDI Cross Conversion
Rugged milled aluminum housing + Gorilla Glass
3x Mounting points
Stunning OLED color, HD waveform and scopes, 3D LUT support,...
TECHNICAL SPECS
Display: OLED
Size: 7.7"
Resolution: 128x800, 191 PPI
Brightness: 2200 Nits
Color Gamut: 100% Rec 709, 85% NTSC
Color Depth: 8-bit Display (10-bit processing)
Inputs: 1x 3G-SDI, 1x HDMI, Micro USB
Output: 1x 3G-SDI, 1x HDMI, Headphone Jack
OS3 Software Suits (Waveform, Scopes, Focus, Peaking, 3D LUTs and more)
Power input: Sony L style switch battery plate
V-Mount or Gold Mount Battery Brackets Kits available
Bunch of usefull accessories available such as power cables, battery bracket kits, sunhood, monitor handles, screen protectors, cable lock,...
*This product is EOL - End of Life*
5.5-inch 1080p OLED with Wide Color Gamut + Tilt ArmProfessional grade camera-top monitor that can power your DSLR or mirrorless camera. (With Tilt Arm)
Beautiful OLED in a convenient form factor.The FOCUS OLED is a very sharp, wide color gamut, touchscreen monitor that’s easy attach to a camera or rig. Shipping with every FOCUS OLED is the SmallHD Tilt Arm: a lightweight, camera-top mounting solution.
Simple, convenient power.The FOCUS OLED monitor has an integrated Sony L Series battery plate and the unique ability to power popular DSLR and mirrorless cameras. Using the monitor’s 7.2 volt power output and camera specific adapter cables, operators can use one battery to power their camera and monitor for several hours.
Powerful tools at your fingertips.Beyond the impressive hardware features of the FOCUS, is SmallHD OS3: a professional software toolset with an easy to manage, touchscreen interface. High resolution Scopes, Waveform, False Color, Focus Peaking, and real-time 3D LUTs are just some of the tools you can easily customize and access quickly.
*This product is EOL - End of Life*
5.5-inch 1080p OLED with Wide Color Gamut + Tilt ArmProfessional grade camera-top monitor that can power your DSLR or mirrorless camera. (With Tilt Arm)
Beautiful OLED in a convenient form factor.The FOCUS OLED is a very sharp, wide color gamut, touchscreen monitor that’s easy attach to a camera or rig. Shipping with every FOCUS OLED is the SmallHD Tilt Arm: a lightweight, camera-top mounting solution.
Simple, convenient power.The FOCUS OLED monitor has an integrated Sony L Series battery plate and the unique ability to power popular DSLR and mirrorless cameras. Using the monitor’s 7.2 volt power output and camera specific adapter cables, operators can use one battery to power their camera and monitor for several hours.
Powerful tools at your fingertips.Beyond the impressive hardware features of the FOCUS, is SmallHD OS3: a professional software toolset with an easy to manage, touchscreen interface. High resolution Scopes, Waveform, False Color, Focus Peaking, and real-time 3D LUTs are just some of the tools you can easily customize and access quickly.
*This product is EOL - End of Life*
5-inch High Bright On-Camera Monitor. Ruggedly built SDI monitor with camera control for RED (sold separately). Designed specifically to pair with the RED® KOMODO™, Focus Pro maintains the same reliable SmallHD clarity, vivid color detail, and dynamic touchscreen camera control while offering an equal balance between durability and lightweight design.
Robust Design - The elegance of strength.Focus Pro fuses perfectly with KOMODO's compact, featherlight body: Constructed with a sturdy, milled aluminum chassis that weighs only 9.6 oz, Focus Pro withstands heavy everyday operation and frees you to operate on the fly, without the restrictions of weight. 3 x ¼”-20 mounting points make it easy to secure to a rig, and the new Focus Pro Hinge Mount (sold separately) gives KOMODO users the flexibility to tilt the monitor for optimal viewing.
Brilliant LCD Monitoring - See everything.Focus Pro offers a radiant 5-inch display with sharp resolution and bright daylight visibility for accurate image control in every environment. The SDI input provides real-time monitoring, and retracting menus offer an unobstructed field of view, so you see exactly as KOMODO sees.
SmallHD OS4 - Every tool you need for absolute precision.
Simple 7-inch mounting solution.Rigging a 7-inch external monitor can be difficult while trying to maintain a low-profile, easy-to-use camera setup. That’s why we’ve made a more robust, 7-inch SmallHD Tilt Arm. Available in our FOCUS 7 Gimbal Accessory Pack, the 7-inch Tilt Arm provides a simple and convenient way to mount the FOCUS 7 on-camera or on-gimbal.
FEATURES
5",1280x720
Touchscreen
Brightness: 800 nits
SDI input with up to 1080p60
Waveform, False Color, Focus Assist, 3D LUTs, Pixel Zoom and more
TECHNICAL SPECS
Panel Type: IPS LCD Touchscreen
Size Diagonal: 5"
Resolution: 1280x720, 294 PPI
Brightness: 800 nits
Input:1x 3G-/HD-/SD-SDI
Output: Headphone Jack, 7.2V Power
OS4
Power: 1x Sony L Series Battery Plate
Touchscreen for navigating Pagebuilder OS
Voltage: 7-16.4V
Battery Capacity: 2000mAh - 6200mAh
*This product is EOL - End of Life*Successor model #F-7HS
The F-7H mk2 is a 7’’ 1920x1080 resolution field monitor that offers max. luminance of 3,600nits with enhanced sharpness and peaking boost function via new image processing engine. While delivering the same high quality picture and professional features of the previous model, F-7H mk2 shows far less reflection with Anti-Glare film and faster access to frequent preset modes via front touch keys.
FEATURES
3.600 nits maximum luminance
4x Preset touch keys offers fast and easy access to user´s setting
HDR Emulation and Auto Flip
Less reflection with Anti-Glare film
HD-SDI & HDMI in-/output with Cross Conversion
Including: Focus Assist, H/V Delay, Mono Only, Audio Level Meter, 3D LUT, Waveform, Vectorscope, …
TECHNICAL SPECS
Display: IPS-LCD
Size: 7"
Resolution: 1920 x 1080
Brightness: 3600 Nits
Contrast Ratio:1200:1
Color Depth: 8-bit (16,7M)
Inputs: 1x 3G-SDI, 1x HDMI, Embedded Audio
Outputs: 1x 3G-SDI, 1x HDMI, Analog Stereo
Dimensions: 21,1x 12,5x 2,8 cm
Weight: 0,8 Kg
Using a 12-Channel Bi-voltage Wall charger is a convenient way to make sure all your batteries are always ready for the set. Best suited for rental houses. The Kit includes screws and plates for wall-mounting. And it only uses one power cable. With three switches, you can power just four channels at once – or all twelve together. The sturdy aluminum housing and three fans on top make sure the device doesn’t overheat. The indicators show the battery charging status. Easy to use – with a big impact on charging control.Specifications
Input: 100~240VAC 47~63Hz
Charging Output: 16.8V/4.0A or 29.4V/2.0A
Power: 1000W
Dimensions: 785(L)mm*540(W)mm*103(H)mm Weight: 13.9kg
Indicators show charging status
In the box
1 × PL-Q4B12BV - 12 CH Wall Charger
1 x Power Cable
Use this 15mm Studio Support Kit for both cameras: EOS C300 MKIII and EOS C500 MK II.
Included in box:
Basic Set for Canon C300 MKIII/ C500 MkII - #KK.0033625
LMB 4x5 Pro Set - #KK.0015177
LMB 4x5 Clamp Adapter Set - #KK.0015133
Follow Focus FF-5 Cine Set Pro - #K0.60144.0 | KK.0005758
Adapter FF-5 for 15mm Studio Support - #K2.47630.0
Lens Support LS-10 for 15mm Studio - #K2.47228.0
Universal Bridge Support UBS-3 - #K2.0013320
Bridge Plate BP-9 - #K2.0031435
Bottom Dovetail Plate 300mm/12in - #K2.0015896
Support Rods 340mm, Ø15mm - #K2.66252.0
Handgrip without on/off switch - #K2.47861.0
Handgrip Extension, long - #K2.47863.0
Shoulder Belt Adapters - #K2.0001223
Rod Mounting Bracket RMB-3 - #K2.0006186
Use this 19mm Studio Support Kit for both cameras: EOS C300 MKIII and EOS C500 MK II.
Included in box:
Basic Set for Canon C300 MKIII/ C500 MkII - #KK.0033625
LMB 4x5 Pro Set - #KK.0015177
LMB 4x5 Clamp Adapter Set - #KK.0015133
Follow Focus FF-5 Cine Set Pro - #K0.60144.0 | KK.0005758
Adapter FF-5 for 19mm Studio Support - #K2.47629.0
Lens Support LS-9 for 19mm Studio - #K2.47227.0
Universal Bridge Support UBS-3 - #K2.0013320
Bridge Plate BP-8 - #K2.0031436
Bottom Dovetail Plate 300mm/12in - #K2.0015896
Support Rods 340mm/13.4in, Ø19mm - #K2.66269.0
Handgrip without on/off switch - #K2.47861.0
Handgrip Extension, long - #K2.47863.0
Shoulder Belt Adapters - #K2.0001223
Rod Mounting Bracket RMB-3 - #K2.0006186
This Charger has two channels that are compatible with our Sony BP-U batteries. It features a USB-A Output.Specifications
Input: 100~240VAC 47~63Hz
Output: 16.8V/1.5A*2
USB Output: 5.0V/1.0A
Power Draw: 60W (Max)
Dimensions: 165(L)mm×103 (W) mm×61(H)mm
Weight: 540g
In the box
1 × PL-U65 - 2 CH Charger for Sony BP-U
1 × Power Cable
All our Chargers offer automatic Voltage detection ranging from 100 – 240VAC 47-63Hz. This opens the possibilities to travel with your charger anywhere in the world without even thinking about the different voltages. Fast Chargers charge your batteries with a current of 4 to 4.5 Amps. Normal Chargers charge your battery with 2 Amps. This means that your charging time is cut in half.Specifications
Input: 100-240V 47-63Hz
Output: 16.8V / 4.0A (each channel)
Power Draw: 150W
Features: Two channels simultaneous charging with 4 Amps per Channel
Dimensions: 135(L)mm*90(W)mm*225(H)mm
Weight: 920g
In the box
1 × PL-Q280B - 2 CH Fast Charger
1 x Power Cable
The 26V V-Mount/Gold-Mount battery is suited for equipment inputs ranging from 18 to 30VDC. The internal protection chips makes sure there won't be any over-heating, over-charge, over-discharge and over- current, causing any risk or harm.With a normal working current of 10 Amps at 26VDC the battery can provide much power. If your equipment uses more than the 10 Amps - you can get a maximum of 15 Amps Output.The battery is chargeable and can be used in temperatures ranging from -20°C~ +55°C with a maximum loss in sub zero temperatures of half the capacity.A 4-level indicator shows you the remaining capacity. There's a dedicated 26V charger available with a output of 29.4V at 5 Amps. This charger may not be used for any other equipment as the high voltage can kill electronic circuits that are not suitable.Specifications
Capacity: 10.5Ah 270Wh
Voltage: 26V
D-Tap In- / Output: Yes (1x) 26V
Current: 15.0A(max.)
Dimensions: 152(L)mm×97(W)mm×65(H)mm
Weight: 1.190g
In the box
1 × BP7S270 - 270Wh/26V Battery VM
All our Chargers offer automatic Voltage detection ranging from 100 – 240VAC 47-63Hz. This opens the possibilities to travel with your charger anywhere in the world without even thinking about the different voltages. Fast Chargers charge your batteries with a current of 4 to 4.5 Amps. Normal Chargers charge your battery with 2 Amps. This means that your charging time is cut in half.Specifications
Input: 100-240V 47-63Hz
Output: 16.8V / 4.0A (each channel)
Power Draw: 300W
Features: Four channels simultaneous charging with 4 Amps per Channel
Dimensions: 281(L)mm*145(W)mm*191(H)mm
Weight: 2.500g
In the box
1 × PL-Q480B - 4 CH Fast Charger
1 x Power Cable
Let us introduce to you our Smart Charger, which is a fast charger but with the extra information that smart batteries with the SMBUS system can display.For smart batteries with SMBUS system, the charger will show battery capacity percentage, capacity, charging voltage, chargingcurrent, remaining charging time and cycle. For normal batteries without SMBUS system, it will show charging voltage / charging current / current and Battery Capacity only.SpecificationsInput: 100-240V 47-63HzOutput: 16.8V / 4.0A (each channel)Power Draw: 300WFeatures: supports SMBUS compatible battery information, also simultaneous charging Dimensions: 281(L)mm*145(W)mm*191(H)mmWeight: 2510gIn the box1 × PL-Q4BL - 4 CH Smart Charger1 x Power Cable
Ace 750 is a lightweight, compact, HDMI wireless video system with
built-in antennas designed to be used with mirrorless cameras,
camcorders, action cameras and A/V workflows. It sends uncompressed
zero-delay, 4Kp30, HDR video and audio with up to 750 feet (230m) of
range. Ace 750 is cross-compatible with Bolt 4K and Bolt 6 in 5GHz and
6GHz modes and is fully compliant with FCC and CE frequency usage and
power output guidelines. Ace 750 features an integrated hole pattern for
mounting and can be powered with NP-F or LP-E6 batteries using an
optional L-shaped plate.The transmitter (TX) and receiver (RX)
units automatically detect and select the 5Ghz or 6GHz RF channel with
the least interference and employ Auto-Frequency Switching to maintain
optimal signal quality. Ace comes paired out of the box. The TX can send
video to up to six RX devices at the same time using the Bolt Manager
app for iOS or Android.Ace 750 is built with the same reliable
wireless technology found in our acclaimed Bolt product line. Because of
this, Ace 750 is fully compatible with all Bolt 4K and Bolt 6 models.
Features
4Kp30 10-bit HDR
Zero-Delay wireless video (<0.001sec)
Range: 750 feet / 228 m
6GHz auto frequency switching
Multi-receiver capable - up to 6 Receivers per Transmitter 2x 2dBi internal antennas (AMC mode always on)
Technical Specs
Range: 750ft/ 228m LOS
Video Inputs: 1x HDMI 1.4b Type-A receptacle
Video Outputs: 1x HDMI 1.4b Type-A receptacle
Color Sampling: RGB 4:4:4, 8-bit
Delay: <0.001sec
Video Compression: visually lossless
Power Input: Barrel conntecotr 7-18V
Power Consuption: 6 Watts
Audio compression: 48kHz 24-bit PCM
RF Channel Selection:
Auto only, 40 MHz only, no blocked frequencies
Dimensions Transmitter: 11,2 x 8,1 x 2,54 cm /
4.39" x 3.19" x 1"Mountability:
Multiple mounting options with M3 and 1/4-20” holes
Weight: Transmitter: 187 g / 6.6 oz
Multiple mounting options with M3 and 1/4" holes
Configuration Interface: OLED display - Input video format, Selected frequency, Video Quality %, Link statusSwitched: On/Off Switch
Desktop App (Bolt Manager for OSX & Windows), Bolt APP
Support Resolutions:
4Kp23.98/24/25/29.97/30
1080p 23.98/24/25/29.97/30/50/59.94/60
1080i50/59.94/60
720p50/59.94/60
What's In The Box?
1 x Ace 750 Transmitter
1 x Ace 750 Receiver
1 x Lightstand Adapter 1/4-20in
1 x Hot Shoe Adaptor
2 x Ultra Thin HDMI Male Type A - HDMI Male Type A - 18in Cable
1 x PSU 18W AC Adapter 12VDC - 6ft Cable
1 x PTap to r/a barrel - 18in Cable
Designed to give today's cinematic artists the freedom to work on the largest possible canvas, Optimo Primes provide full frame 46.5mm image circle coverage with a consistently fast 1.8 T-stop. All focal lengths provide maximum flexibility with fully interchangeable mounts including LPL and PL. Engineered as smart lenses, Optimo Primes will support both Cooke/I and Arri LDS; and feature common gear size and position across the entire 12-lens set.
FEATURES
Replaceable Iris blade unit, user-configurable for bokeh (including anamorphic effect)
Filters to change optical properties, MTF, CCI, etc.
High-end cinema functionality: constant volume, non-linear iris (as for Optimo Zoom range), non-linear focus (as for Optimo Zoom range), with 320° focus rotation angle, possibility to get ‘beyond’ infinity and close focus, identical colorimetry across the range, matched to Optimo Zooms, round bokeh across image plane
Front diameter 95mm (except for 18mm and 200mm)
Available as PL or LPL
SPECIFICATIONS
Focal Length (mm): 100T-number: 1,8f-number: 1,7Minimum object distance: TBDWeight kg/lbs: <1,8 / 3,96Length (mm) from PL mount: 128Front diameter: 95Full Frame VV 46,3mm diagonal: YesInternal Focus: YesHorizontal FoV: TBDVertical FoV: TBD
______________________________________________________________________________________
SILVER, GOLD OR PLATINUM SET - JUST MAKE YOUR CHOICE
PLATINUM SET (12 lenses): 18, 21, 24, 28, 32, 40, 50, 75, 100, 135, 200mm
GOLD SET (9 lenses): 18, 21, 28, 32, 40, 50, 75, 100, 135mm
SILVER SET (6 lenses): 21, 28, 40, 50, 75, 135mm
______________________________________________________________________________________
Pre-order now at Band Pro Munich
______________________________________________________________________________________
Angenieux Optimo Prime Series with IOP - Intergrate Optical Pallette. This Video shows the unique features of the Optimo Prime lenses: the interchangeable internal glass element & interchangeable iris.
Designed to give today's cinematic artists the freedom to work on the largest possible canvas, Optimo Primes provide full frame 46.5mm image circle coverage with a consistently fast 1.8 T-stop. All focal lengths provide maximum flexibility with fully interchangeable mounts including LPL and PL. Engineered as smart lenses, Optimo Primes will support both Cooke/I and Arri LDS; and feature common gear size and position across the entire 12-lens set.
FEATURES
Replaceable Iris blade unit, user-configurable for bokeh (including anamorphic effect)
Filters to change optical properties, MTF, CCI, etc.
High-end cinema functionality: constant volume, non-linear iris (as for Optimo Zoom range), non-linear focus (as for Optimo Zoom range), with 320° focus rotation angle, possibility to get ‘beyond’ infinity and close focus, identical colorimetry across the range, matched to Optimo Zooms, round bokeh across image plane
Front diameter 95mm (except for 18mm and 200mm)
Available as PL or LPL
SPECIFICATIONS
Focal Length (mm): 135T-number: 1,8f-number: 1,7Minimum object distance: 3'6"Weight kg/lbs: <2,0 / 4,4Length (mm) from PL mount: 140Front diameter: 95Full Frame VV 46,3mm diagonal: YesInternal Focus: YesHorizontal FoV: 17.0Vertical FoV: 9.6
______________________________________________________________________________________
SILVER, GOLD OR PLATINUM SET - JUST MAKE YOUR CHOICE
PLATINUM SET (12 lenses): 18, 21, 24, 28, 32, 40, 50, 75, 100, 135, 200mm
GOLD SET (9 lenses): 18, 21, 28, 32, 40, 50, 75, 100, 135mm
SILVER SET (6 lenses): 21, 28, 40, 50, 75, 135mm
______________________________________________________________________________________
Pre-order now at Band Pro Munich
______________________________________________________________________________________
Angenieux Optimo Prime Series with IOP - Intergrate Optical Pallette. This Video shows the unique features of the Optimo Prime lenses: the interchangeable internal glass element & interchangeable iris.
Angénieux 18mm Optimo Prime FThe Optimo Prime 18mm T2 Lens from Angenieux is a PL-mount lens that features a fast T2 maximum aperture, a replaceable iris blade unit, 320° focus rotation, and user-configurable bokeh. It shares a matching color profile with the entire Optimo range including the Optimo zoom lenses. Each lens in the series also features nonlinear zoom and iris, internal glass optical elements, and a rear filter option. All the Optimo Prime lenses have a 95mm front diameter (except the 200mm), making it easy to swap lenses without changing your focus motor or matte box setups.The Optimo Prime series is part of Angénieux’s latest high-end lens collection and is ideal for demanding productions requiring native cinema design. 70 years after the first Angénieux prime series, the Optimo Prime Series is the result of decades of proven experience and know-how in high precision optics and mechanics. Each lens in the 12 piece series (from 18mm to 200mm) was designed to be incredibly compact and lightweight, most of them at a fast T1.8, with Optimo-class mechanics and feel that embodies the legendary Angénieux look. Based on cinematographer feedback, the series provides meta data (Cooke-I, LDS) and unique user-features such as replaceable iris blade unit, internal glass optical element and rear filter. Three types of sets are available for sale depending on budget and applications: Platinum set with 12 lenses (18,21,24,28,32,40,50,60,75,100,135 and 200 mm), Gold set with 9 lenses (18,21,28,32,40,50,75,100 and 135 mm) and Silver set with 6 lenses (21,28,40,50,75 and 135mm)
A totally genuine cinema design based on Directors of Photography recommendations
Several Series in One with customizable lenses (interchangeable iris, internal glass element, rear filter) to express your own creativity
Optimo performances associated with a very high optical and mechanical quality,
Famous Angénieux look & perfect match with the new Optimo Ultra 12X
Main featuresBased on cinematographer feedback, Optimo primes also provide meta data (Cooke-i, LDS) and unique user-features such as:
replaceable iris blade unit, user-configurable for bokeh (including anamorphic effect)
filters to change optical properties, MTF, CCI, etc.
high-end cinema functionality: constant volume, non-linear iris (as for Optimo Zoom range), non-linear focus (as for Optimo Zoom range), with 320° focus rotation angle, possibility to go ‘beyond’ infinity and close focus, identical colorimetry across the range, matched to OPTIMO Zooms, round bokeh across image plane
front diameter 95mm for all except the F200 which is 114mm
Specifications
Max T-Stop: 2
Minimum Object Distance: 1’2”
Front Diameter (inches/mm): 3,74/95
Image Circle: 1,8/46.31
Reference (feet/meters): 324783/324887
Length(inches/mm) From PL Mount: 6.30/160
Horizontal FOV: 97.0°
Vertical FOV: 65.0°
Weight kg/lbs: <1.9/4.2
Focus Barrel Rotation MOD to Infinity: 320°
Focus Barrel Rotation end stop to end stop: 300°
Iris Barrel Rotation: 75°
______________________________________________________________________________________
SILVER, GOLD OR PLATINUM SET - JUST MAKE YOUR CHOICE
PLATINUM SET (12 lenses): 18, 21, 24, 28, 32, 40, 50, 75, 100, 135, 200mm
GOLD SET (9 lenses): 18, 21, 28, 32, 40, 50, 75, 100, 135mm
SILVER SET (6 lenses): 21, 28, 40, 50, 75, 135mm
______________________________________________________________________________________
Angenieux Optimo Prime Series with IOP - Intergrate Optical Pallette. This Video shows the unique features of the Optimo Prime lenses: the interchangeable internal glass element & interchangeable iris.
Angénieux 200mm Optimo Prime F
The Optimo Prime 200mm T2.2 lens from Angenieux is a PL-mount lens that features a fast T2.2 maximum aperture, a replaceable iris blade unit, 320° focus rotation, and user-configurable bokeh.
It shares a matching color profile with the entire Optimo range, including the Optimo zoom lenses. Each lens in the series also features nonlinear zoom and iris, internal glass optical elements, and a rear filter option. Except for this 200mm with a 114mm front, all the Optimo Prime lenses have a 95mm front diameter, making it easy to swap lenses without changing your focus motor or matte box setups.The Optimo Prime series is part of Angénieux’s latest high-end lens collection and is ideal for demanding productions requiring native cinema design. 70 years after the first Angénieux prime series, the Optimo Prime Series is the result of decades of proven experience and know-how in high precision optics and mechanics. Each lens in the 12 piece series (from 18mm to 200mm) was designed to be incredibly compact and lightweight, most of them at a fast T1.8, with Optimo-class mechanics and feel that embodies the legendary Angénieux look. Based on cinematographer feedback, the series provides meta data (Cooke-I, LDS) and unique user-features such as replaceable iris blade unit, internal glass optical element and rear filter. Three types of sets are available for sale depending on budget and applications: Platinum set with 12 lenses (18,21,24,28,32,40,50,60,75,100,135 and 200 mm), Gold set with 9 lenses (18,21,28,32,40,50,75,100 and 135 mm) and Silver set with 6 lenses (21,28,40,50,75 and 135mm)
A totally genuine cinema design based on Directors of Photography recommendations
Several Series in One with customizable lenses (interchangeable iris, internal glass element, rear filter) to express your own creativity
Optimo performances associated with a very high optical and mechanical quality,
Famous Angénieux look & perfect match with the new Optimo Ultra 12X,
Main featuresBased on cinematographer feedback, Optimo primes also provide meta data (Cooke-i, LDS) and unique user-features such as:
replaceable iris blade unit, user-configurable for bokeh (including anamorphic effect)
filters to change optical properties, MTF, CCI, etc.
high-end cinema functionality: constant volume, non-linear iris (as for Optimo Zoom range), non-linear focus (as for Optimo Zoom range), with 320° focus rotation angle, possibility to go ‘beyond’ infinity and close focus, identical colorimetry across the range, matched to OPTIMO Zooms, round bokeh across image plane
front diameter 95mm for all except the F200 which is 114mm
Specifications
Max T-Stop: 2.4
Minimum Object Distance: 4′
Front Diameter (inches/mm): 4,50/114
Image Circle: 1,8/46.31
Reference (feet/meters): 324785/324889
Length(inches/mm) From PL Mount: 7.48/190
Horizontal FOV: 11.5°
Vertical FOV: 6.5°
Weight kg/lbs: <2.3/5.07
Focus Barrel Rotation MOD to Infinity: 320°
Focus Barrel Rotation end stop to end stop: 300°
Iris Barrel Rotation: 75°
______________________________________________________________________________________
SILVER, GOLD OR PLATINUM SET - JUST MAKE YOUR CHOICE
PLATINUM SET (12 lenses): 18, 21, 24, 28, 32, 40, 50, 75, 100, 135, 200mm
GOLD SET (9 lenses): 18, 21, 28, 32, 40, 50, 75, 100, 135mm
SILVER SET (6 lenses): 21, 28, 40, 50, 75, 135mm
______________________________________________________________________________________
Angenieux Optimo Prime Series with IOP - Intergrate Optical Pallette. This Video shows the unique features of the Optimo Prime lenses: the interchangeable internal glass element & interchangeable iris.
Designed to give today's cinematic artists the freedom to work on the largest possible canvas, Optimo Primes provide full frame 46.5mm image circle coverage with a consistently fast 1.8 T-stop. All focal lengths provide maximum flexibility with fully interchangeable mounts including LPL and PL. Engineered as smart lenses, Optimo Primes will support both Cooke/I and Arri LDS; and feature common gear size and position across the entire 12-lens set.
FEATURES
Replaceable Iris blade unit, user-configurable for bokeh (including anamorphic effect)
Filters to change optical properties, MTF, CCI, etc.
High-end cinema functionality: constant volume, non-linear iris (as for Optimo Zoom range), non-linear focus (as for Optimo Zoom range), with 320° focus rotation angle, possibility to get ‘beyond’ infinity and close focus, identical colorimetry across the range, matched to Optimo Zooms, round bokeh across image plane
Front diameter 95mm (except for 18mm and 200mm)
Available as PL or LPL
SPECIFICATIONS
Focal Length (mm): 21T-number: 1,8f-number: 1,7Minimum object distance: 1’2”Weight kg/lbs: <1,8 / 3,96Length (mm) from PL mount: 140Front diameter: 95Full Frame VV 46,3mm diagonal: YesInternal Focus: YesHorizontal FoV: 87.8Vertical FoV: 57.0
______________________________________________________________________________________
SILVER, GOLD OR PLATINUM SET - JUST MAKE YOUR CHOICE
PLATINUM SET (12 lenses): 18, 21, 24, 28, 32, 40, 50, 75, 100, 135, 200mm
GOLD SET (9 lenses): 18, 21, 28, 32, 40, 50, 75, 100, 135mm
SILVER SET (6 lenses): 21, 28, 40, 50, 75, 135mm
______________________________________________________________________________________
Pre-order now at Band Pro Munich
______________________________________________________________________________________
Angenieux Optimo Prime Series with IOP - Intergrate Optical Pallette. This Video shows the unique features of the Optimo Prime lenses: the interchangeable internal glass element & interchangeable iris.
Designed to give today's cinematic artists the freedom to work on the largest possible canvas, Optimo Primes provide full frame 46.5mm image circle coverage with a consistently fast 1.8 T-stop. All focal lengths provide maximum flexibility with fully interchangeable mounts including LPL and PL. Engineered as smart lenses, Optimo Primes will support both Cooke/I and Arri LDS; and feature common gear size and position across the entire 12-lens set.
FEATURES
Replaceable Iris blade unit, user-configurable for bokeh (including anamorphic effect)
Filters to change optical properties, MTF, CCI, etc.
High-end cinema functionality: constant volume, non-linear iris (as for Optimo Zoom range), non-linear focus (as for Optimo Zoom range), with 320° focus rotation angle, possibility to get ‘beyond’ infinity and close focus, identical colorimetry across the range, matched to Optimo Zooms, round bokeh across image plane
Front diameter 95mm (except for 18mm and 200mm)
Available as PL or LPL
SPECIFICATIONS
Focal Length (mm): 24T-number: 1,8f-number: 1,7Minimum object distance: 1’2”Weight kg/lbs: <1,7 / 3,75Length (mm) from PL mount: 128Front diameter: 95Full Frame VV 46,3mm diagonal: YesInternal Focus: YesHorizontal FoV: TBDVertical FoV: TBD
______________________________________________________________________________________
SILVER, GOLD OR PLATINUM SET - JUST MAKE YOUR CHOICE
PLATINUM SET (12 lenses): 18, 21, 24, 28, 32, 40, 50, 75, 100, 135, 200mm
GOLD SET (9 lenses): 18, 21, 28, 32, 40, 50, 75, 100, 135mm
SILVER SET (6 lenses): 21, 28, 40, 50, 75, 135mm
______________________________________________________________________________________
Pre-order now at Band Pro Munich
______________________________________________________________________________________
Angenieux Optimo Prime Series with IOP - Intergrate Optical Pallette. This Video shows the unique features of the Optimo Prime lenses: the interchangeable internal glass element & interchangeable iris.
Designed to give today's cinematic artists the freedom to work on the largest possible canvas, Optimo Primes provide full frame 46.5mm image circle coverage with a consistently fast 1.8 T-stop. All focal lengths provide maximum flexibility with fully interchangeable mounts including LPL and PL. Engineered as smart lenses, Optimo Primes will support both Cooke/I and Arri LDS; and feature common gear size and position across the entire 12-lens set.
FEATURES
Replaceable Iris blade unit, user-configurable for bokeh (including anamorphic effect)
Filters to change optical properties, MTF, CCI, etc.
High-end cinema functionality: constant volume, non-linear iris (as for Optimo Zoom range), non-linear focus (as for Optimo Zoom range), with 320° focus rotation angle, possibility to get ‘beyond’ infinity and close focus, identical colorimetry across the range, matched to Optimo Zooms, round bokeh across image plane
Front diameter 95mm (except for 18mm and 200mm)
Available as PL or LPL
SPECIFICATIONS
Focal Length (mm): 28T-number: 1,8f-number: 1,7Minimum object distance: 1’2”Weight kg/lbs: <1,7 / 3,75Length (mm) from PL mount: 128Front diameter: 95Full Frame VV 46,3mm diagonal: YesInternal Focus: YesHorizontal FoV: 72.5Vertical FoV: 44.7
______________________________________________________________________________________
SILVER, GOLD OR PLATINUM SET - JUST MAKE YOUR CHOICE
PLATINUM SET (12 lenses): 18, 21, 24, 28, 32, 40, 50, 75, 100, 135, 200mm
GOLD SET (9 lenses): 18, 21, 28, 32, 40, 50, 75, 100, 135mm
SILVER SET (6 lenses): 21, 28, 40, 50, 75, 135mm
______________________________________________________________________________________
Pre-order now at Band Pro Munich
______________________________________________________________________________________
Angenieux Optimo Prime Series with IOP - Intergrate Optical Pallette. This Video shows the unique features of the Optimo Prime lenses: the interchangeable internal glass element & interchangeable iris.
Designed to give today's cinematic artists the freedom to work on the largest possible canvas, Optimo Primes provide full frame 46.5mm image circle coverage with a consistently fast 1.8 T-stop. All focal lengths provide maximum flexibility with fully interchangeable mounts including LPL and PL. Engineered as smart lenses, Optimo Primes will support both Cooke/I and Arri LDS; and feature common gear size and position across the entire 12-lens set.
FEATURES
Replaceable Iris blade unit, user-configurable for bokeh (including anamorphic effect)
Filters to change optical properties, MTF, CCI, etc.
High-end cinema functionality: constant volume, non-linear iris (as for Optimo Zoom range), non-linear focus (as for Optimo Zoom range), with 320° focus rotation angle, possibility to get ‘beyond’ infinity and close focus, identical colorimetry across the range, matched to Optimo Zooms, round bokeh across image plane
Front diameter 95mm (except for 18mm and 200mm)
Available as PL or LPL
SPECIFICATIONS
Focal Length (mm): 32T-number: 1,8f-number: 1,7Minimum object distance: 1’2”Weight kg/lbs: <1,7 / 3,75Length (mm) from PL mount: 128Front diameter: 95Full Frame VV 46,3mm diagonal: YesInternal Focus: YesHorizontal FoV: 65.3Vertical FoV: 39.5
______________________________________________________________________________________
SILVER, GOLD OR PLATINUM SET - JUST MAKE YOUR CHOICE
PLATINUM SET (12 lenses): 18, 21, 24, 28, 32, 40, 50, 75, 100, 135, 200mm
GOLD SET (9 lenses): 18, 21, 28, 32, 40, 50, 75, 100, 135mm
SILVER SET (6 lenses): 21, 28, 40, 50, 75, 135mm
______________________________________________________________________________________
Pre-order now at Band Pro Munich
______________________________________________________________________________________
Angenieux Optimo Prime Series with IOP - Intergrate Optical Pallette. This Video shows the unique features of the Optimo Prime lenses: the interchangeable internal glass element & interchangeable iris.
Designed to give today's cinematic artists the freedom to work on the largest possible canvas, Optimo Primes provide full frame 46.5mm image circle coverage with a consistently fast 1.8 T-stop. All focal lengths provide maximum flexibility with fully interchangeable mounts including LPL and PL. Engineered as smart lenses, Optimo Primes will support both Cooke/I and Arri LDS; and feature common gear size and position across the entire 12-lens set.
FEATURES
Replaceable Iris blade unit, user-configurable for bokeh (including anamorphic effect)
Filters to change optical properties, MTF, CCI, etc.
High-end cinema functionality: constant volume, non-linear iris (as for Optimo Zoom range), non-linear focus (as for Optimo Zoom range), with 320° focus rotation angle, possibility to get ‘beyond’ infinity and close focus, identical colorimetry across the range, matched to Optimo Zooms, round bokeh across image plane
Front diameter 95mm (except for 18mm and 200mm)
Available as PL or LPL
SPECIFICATIONS
Focal Length (mm): 40T-number: 1,8f-number: 1,7Minimum object distance: 1’2”Weight kg/lbs: <1,7 / 3,75Length (mm) from PL mount: 128Front diameter: 95Full Frame VV 46,3mm diagonal: YesInternal Focus: YesHorizontal FoV: 54.3Vertical FoV: 32.0
______________________________________________________________________________________
SILVER, GOLD OR PLATINUM SET - JUST MAKE YOUR CHOICE
PLATINUM SET (12 lenses): 18, 21, 24, 28, 32, 40, 50, 75, 100, 135, 200mm
GOLD SET (9 lenses): 18, 21, 28, 32, 40, 50, 75, 100, 135mm
SILVER SET (6 lenses): 21, 28, 40, 50, 75, 135mm
______________________________________________________________________________________
Pre-order now at Band Pro Munich
______________________________________________________________________________________
Angenieux Optimo Prime Series with IOP - Intergrate Optical Pallette. This Video shows the unique features of the Optimo Prime lenses: the interchangeable internal glass element & interchangeable iris.