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Sony VENICE CineAlta 6K FullFrame camera
Next generation camera with forward thinking full frame sensor, phenomenal color science and user-friendly operation Simple and intuitive Usability and reliability of the camera is one of the major concerns for operators, especially in tough or time-critical filming conditions. With a user-friendly design, clear and simple menu navigation, and a highly durable, reliable construction, VENICE lets you simply concentrate on filming, and not the camera.   Full-Frame sensor for cinema VENICE features an all-new Full-Frame sensor with the classic 36 x 24-mm dimensions that have been a staple of photography for over 100 years. Designed exclusively for high-end cinematography, this sensor can capture images up to a maximum resolution of 6048 x 4032. Switchable imager modes mean VENICE can support an unprecedented number of cinematic aspect ratios for complete creative freedom:   Full width 36 mm 6K In full-frame, you can use the full 6048 pixel width of the sensor for 6K imager modes such as 3:2, 2.39:1*, 1.85:1, 17:9, and 16.9*. Equivalent to 4-perforation motion picture film, these 6K modes allow for extra-shallow depth of field, super-wide shooting, and other creative effects.   Super35 anamorphic 4K For super-wide screen productions, VENICE offers two full-height 2x squeeze anamorphic imager modes that include 6:5 and 4:3 recording modes for 12:5 (known as 2.39:1) and 8:3 (2.66:1) scenes, respectively. Explore how VENICE can meet your production requirements with the firmware and licensing requirements in the aspect ratio chart: Fast shutter VENICE’s high-speed readout sensor minimizes the jello effect typical in CMOS sensors.   Phenomenal latitude VENICE has an exceptional 15+ stops of latitude, with low noise for extraordinary performance in delivering phenomenal images in conditions from searing sunlight to almost no light. VENICE’s real-world performance also excels at High Dynamic Range imaging and allows unprecedented creative freedom in grading.   More colors for more expression VENICE can exceed Rec. 2020 color space. This means the color range is wider than DCI-P3 and can beautifully reproduce the true color of the scene in front of your lens. This also provides the broad palette in the grading suite using the established workflow of Sony’s third-generation LOG gamma encoding (S-Log3) and ultra-wide color space.   More colors for more expression VENICE can exceed Rec. 2020 color space. This means the color range is wider than DCI-P3 and can beautifully reproduce the true color of the scene in front of your lens. This also provides the broad palette in the grading suite using the established workflow of Sony’s third-generation LOG gamma encoding (S-Log3) and ultra-wide color space.   Dual Base ISO VENICE has a base ISO of 500 to provide the optimal dynamic range for typical cinematography applications with on-set lighting. A secondary High Base ISO of 2500 excels in low-light High Dynamic Range capture, with an exposure latitude from 6 stops over to 9 stops under 18% Middle Gray, for a total of 15 stops. High Base ISO 2500 is ideal whenever you’re using slow lenses or shooting dimly-lit environments. Combining ISO2500 with VENICE’s internal eight-step Optical ND filter system offers the ability to emulate different ISOs while maintaining maximum latitude of +6 and -9 stops, enabling you to use VENICE as an ISO1250 camera.     World’s first 8-step mechanical ND Filters VENICE is the world’s first camera of its class with a servo-controlled 8-step mechanical ND filter mechanism built into the camera chassis. It offers a massive ND of 0.3 (1/2 = 1 stop) to ND2.4 (1/256 = 8 stops) range that reduces time lost on set changing external filters. The ND filters also greatly increase VENICE’s flexibility when being controlled remotely on drones and cranes, or in an underwater housing.     Next generation viewfinder The DVF-EL200 was created as the perfect partner for VENICE. A 1920 x 1080 OLED panel enables precise, high-resolution focusing and framing, including False Color Display at the touch of a button. A rotary encoder provides instant access to brightness, peaking and contrast. An all-new ergonomic design allows for tool-free attachment/detachment and reconfiguring within seconds. The industry-standard LEMO connector offers exceptional durability.    Engineered to survive VENICE’s chassis is engineered to be amazingly robust and has been rigorously tested in the harshest conditions. Its ventilation system is completely isolated from all electronic components to prevent ingress of dust, sand and splash. The silent-running fan can be cleaned or even swapped out on set quickly and easily.   Easily configurable VENICE has a fully modular design and even the sensor block is interchangeable. So, as sensor technology advances in far future, you have the opportunity to upgrade without investing in a new camera. In order to maintain ergonomic balance for operators, the top handle and viewfinder are easily adjustable. As the height of the camera from the bottom to the optical center of the lens mount is the same as the F55, base plates and other accessories used for the F55 can be used with VENICE. The AXS-R7 recorder can be attached to VENICE with just four screws.   Additional features of the Venice camera: native PL- and E-mount (Lever lock type) anamorphic aspect ratios of 4:3 and 6:5 at 4K for shooting both 2.4:1 and 2.66:1 widescreen desqeeze function on monitor out for several anamorphic squeeze factors up to 16bit of tonal range when recording in RAW or X-OCN (16-bit eXtended tonal range Original Camera Negative) file formats downsampling from Full Frame Image with 6K resulution to 4K XAVC codec parallel recording of Proxy Files or XAVC on SxS cards while recording 6K (RAW or X-OCN) on AXS cards the Select FPS function lets you choose frame rates from 1 frame per second to as high as 120 fps, depending on imager mode.  *Note: higher Framerates than 60fps require the HFR License available from summer 2019 several control tools for checking aperture an focus such as: up to 4.0x Dot-by-Dot magnification of the viewfinder image, Surround View (Look Around), High/Low Key, USER 3D LUTs, ACES compatibility Full menu control via web browser based wired and wireless connection and much more...  More information about the Sony VENICE can be found at www.sonycine.com  Download Technicolor Look Collection for VENICE here.

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Raptor T2.9 100mm Lens
  IB/E Optics Raptor T2.9 100mm Cine Macro Lens - UMS PL Mount The RAPTOR lenses featuring full frame (24×36) coverage and beyond, 1:1 magnification, T-Stop 2.9 as well as robust and durable professional cine mechanics. Features: Maximum magnification 1:1 No change in length, thanks to internal focusing extended color correction (APO) Aperture T 2.9-T22 Constistent distance from flange to iris- and focusring Front diameter of 95 mm M0.8 gear wheels for focus and iris UMS PL Mount (LPL, Canon EF, Sony NEX E,...) Robust and durable mechanical design Data sheet downloadAPO CINE MACRO LENS FAMILY    

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Raptor T2.9 60mm Lens
  IB/E Optics Raptor T2.9 60mm APO Cine Macro VV Lens - UMS PL Mount All RAPTOR lenses featuring full frame (24x36) coverage and beyond, 1:1 magnification, max T-Stop 2.9 as well as robust and durable professional cine mechanics. Features: Maximum magnification 1:1 No change in length, thanks to internal focusing extended color correction (APO) Constistent distance from flange to iris- and focusring Front diameter of 95 mm M0.8 gear wheels for focus and iris UMS PL Mount (LPL, Canon EF, Sony NEX E, …) Robust and durable mechanical design Data sheet downloadAPO CINE MACRO LENS FAMILY  

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Raptor T2.9 150mm Lens
  IB/E Optics Raptor T2.9 150mm Cine Macro Lens - UMS PL Mount The RAPTOR lenses featuring full frame (24×36) coverage and beyond, 1:1 magnification, T-Stop 2.9 as well as robust and durable professional cine mechanics. Features: Maximum magnification 1:1 No change in length, thanks to internal focusing extended color correction (APO) Aperture T 2.9-T22 Constistent distance from flange to iris- and focusring Front diameter of 95 mm M0.8 gear wheels for focus and iris UMS PL Mount (LPL, Canon EF, Sony NEX E,...) Robust and durable mechanical design Data sheet downloadAPO CINE MACRO LENS FAMILY    

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Leitz 35mm M 0.8 Leitz f/1.4
The M full frame lenses have captured unique, iconic images for over than 60 years around the world. To bring the characteristics of these lenses directly to the cinema world, Leitz Cine Wetzlar designed the new M 0.8 lenses. The complete set contains focals of 21mm, 24mm, 28mm, 35mm, 50mm, 50-N, 75mm and 90mm. The M 0.8 lenses interpret light and skin tones with a unique sense of clarity, color and charisma. FEATURES Focal Length:        35 mm Max. Aperture:     f/1.4 Format:                  Full Frame (24mm x 36mm) Mount:                   Leica M-Mount Front Diameter:    80mm Weight:                   380g CAMERA COMPATIBILITY Sony VENICE ARRI Alexa Mini/Amira RED Monstro and more - see comparative table:  

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Optical & Mechanical Tools
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Angénieux Type EZ-1/EZ-2 Lens Mount E
The EZ lens series are supplied with an universal lens mount thread, allowing the lenses to be configured to PL, Sony-E, or Canon EF mounts. All lenses are supplied wir one PL lens mount ring, and additional lens mount rings can be purchased seperately when needed.

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Angénieux Type EZ-1/EZ-2 Lens Mount EF
The EZ lens series are supplied with an universal lens mount thread, allowing the lenses to be configured to PL, Sony-E, or Canon EF mounts. All lenses are supplied wir one PL lens mount ring, and additional lens mount rings can be purchased seperately when needed. 

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Angénieux Type EZ-1/EZ-2 Lens Mount RF
The EZ lens series are supplied with an universal lens mount thread, allowing the lenses to be configured to PL, Sony-E, or Canon EF or RF mounts. All lenses are supplied wir one PL lens mount ring, and additional lens mount rings can be purchased seperately when needed.

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Bright Tangerine LeftField 3 KASBAH Shoulder Pad + 15mm LWS/19mm Handle Kit
Bright Tangerine LeftField 3 KASBAH Shoulder Pad + 15mm LWS/19mm Handle KitDesigned for all day comfort, the KASBAH System provides a versatile support when operating on the shoulder or handheld. Designed for the LeftField 15mm Universal Baseplate and ARRI standard dovetails for fast & secure transitions between tripod & shoulder operating. This kit consists of the shoulder pad, 15mm bracket, riser, 15mm LWS/19mm Studio bridge, two sets of shoulder connectors, hand grip arms and hand grips. Variable density zones using KASBAH for optimal cushioning & pressure relief Open structure for air flow & allows for heat dissipation & evaporation of sweat Hand grip system for 15mm LWS & 19mm Studio configurations Upper flange encourages a relaxed grip and reduces tension 3/8″ Anti-twist & 1/4″ threads on Grip Arm for mounting accessories Milled rosettes offers positive engagement using ARRI standard for maximum compatibility Symmetrical design allows for use on left or right sides Glove-friendly knob for easy adjustments in fast paced settings Precision cut from high-grade aluminium & stainless steel The hand grip supports can be articulated into a wide range of positions to create various handheld looks and is configurable for 15mm LWS & 19mm Studio setups.Next Level Comfort & AirflowThe shoulder pad & hand grip have been created using Digital Light Synthesis (DLS), a process pioneered by Carbon that uses oxygen-permeable optics & programmable liquid resins to form a unique matrix structure with an infinite number of density zones. The open structure allows air to naturally flow through, evaporating sweat to keep the operator cool. Made for long days on set, operators will experience a new level of comfort & freedom to move. Extremely durable & sturdy, capable of being used in any extreme conditions, the pad is easy to clean with water and UV resistant The included mounting bracket allows the pad to connect to the rear of the LeftField 3 15mm LWS baseplate, with the riser providing clearance when using an ARRI standard balance plate.Tripod to Handheld in SecondsThe riser features a guided track to align the baseplate with an end stop that provides tactile feedback to the operator that the baseplate is on the riser. The safety wedge prevents the baseplate from sliding off accidentally. Unlike VCT systems, the KASBAH System works on any ARRI standard dovetail removing any flex or play due to tolerances between the wedge & receiver plates. Going back to handheld operation is as simple as opening up the lever and lifting off the camera. Alternatively, the LeftField 3 baseplate or any other baseplate with an ARRI dovetail clamp can dock on top of the shoulder pad, making it compatible with third party manufacturers.Battery Plates & CounterbalanceAttaching the rear 15mm bracket extends the mounting options even further. Supporting battery plates and other accessories which also serves as counter balance for larger camera builds. The arms feature 3x 3/8″ anti-twist & 5x 1/4″ threaded points which can be used to mount articulating arms for monitors & other accessories.Precision Milled, Not StampedEach rosette has been CNC precision cut from high-grade stainless steel. Compared to stamped rosettes, ours offer higher engagement & maximum compatibility that won’t slip.LeftField 3 SystemCustomise your camera build with the extensive selection of accessories in the LeftField system. Letting you create the right setup for each and every task.This kit has been updated to LeftField 3 and is not compatible with LeftField 2 accessories. Weight: 1,150 kgDimensions: 25 × 10 × 7 cm  

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Bright Tangerine LeftField 3 Sony FX6 – Expert Kit
Bright Tangerine LeftField 3 Sony FX6 – Expert KitTake your Sony FX6 to the next level with the LeftField 3 Sony FX6 – Expert Kit. It provides everything you need to rig the camera for different configurations, allowing you to move between setups quickly and easily. Whether you’re shooting documentaries, corporate videos, or anything in between, the Sony FX6 Expert Kit will help you get the most out of your camera. Mini Axl for FX6 monitor with drag adjustment & sag-free support Articulating NATO rail adds extra reach & height placement for monitor Rigid top plate with 1/4”, 3/8”, NATO & QD sockets Helicoil reinforced threads to prevent stripping and loosening over time Patented Open•UP baseplate lets you easily lift off the camera from the dovetail Sets the camera to 15mm LWS standards with support for rods & accessories With the Sony FX6 – Expert Kit, you can take your Sony FX6 to new heights with everything needed for any situation.Ready for RiggingRig up accessories to the rigid top plate with options for NATO, 1/4″& 3/8″ mounted accessories. Two Quick Detach (QD) sockets are also ready for attaching a carrying strap or tethers.15mm LWS PlatformThe LeftField 15mm LWS baseplate is perfect for fast transitions on set, using the patented Open•Up system. With two industry-standard 15mm rod mounts to support other camera accessories like a matte box or focus motors.Flexible Monitor MountThe Mini Axl is a versatile bracket that replaces your stock monitor mount on the FX6. The screen can be adjusted on the fly to any angle or locked into place. When you're operating handheld with the Sony FX9 loupe, the Mini Axl will keep it from sagging from the weight. When it's time to change locations, simply stow away the monitor, keeping the screen protected. The included cable hook also helps with cable management and snags.Sony FX6 SystemThe included filler piece adds an additional central NATO rail for handles and gimbal plates, as well a support brace to completely remove all physical stress from the stock handle.Each Expert kit comes with the Top Plate, Filler Piece, Top Handle Brace, Mini Axl (Sony FX6), LeftField 3 15mm LWS Baseplate & a set of 15mm Drumstix (12"/30.4cm)You can expand the kit further with options for lens adaptor supports when using PL lenses, KASBAH Shoulder support & more.LeftField 3Customise your camera build with the extensive selection of accessories in the LeftField system. Letting you create the right setup for each and every task.This kit has been updated to LeftField 3 and is not compatible with LeftField 2 accessories.No CompromisesMachined and hand-finished in our single factory in Church Crookham from high-grade materials. Hard anodised for extended durability. The Advanced Kit comes with our famous Bright Tangerine Support and the addition of a 5-year warranty.

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Bright Tangerine Mini Axl (Sony FX6)
Bright Tangerine Mini Axl (Sony FX6) The Mini Axl kit (Sony FX6) contains everything you need to replace the original mount for your Sony FX6 monitor, adding flexible positioning, drag adjustment and sag-free support for the FX9 Loupe. This kit includes the Folding NATO Rail, Monitor Holder, 15mm Rod Mount & the NATO Rotating Bar & cable hook. Adds an articulating NATO rail onto the Sony FX6 Top Handle Flexible monitor positioning with drag adjustment Replaces the original Sony FX6 monitor bracket Supports the weight of the FX9 Loupe and maintains horizon level Monitor can be folded & stowed away for transport This kit comes complete with everything you need to use your Sony FX6 monitor with the Mini Axl. It is designed to be compact while adding flexibility in how you want to position the monitor. The NATO rail can be attached to the front or rear Sony 8T point on the handle.VERSATILE MONITOR MOUNTThe extension rail mounts to the 15mm rod clamp, allowing it to pivot 360-degrees. The arm can then be rotated for extra height or reach, and can be folded flat when not in use. The removable orange threaded cap prevents the rail from falling out, while a removable stud provides a safety stop for attached accessories.ADJUST ON THE FLYYou can adjust the amount of drag on the tilt-axis by using the locking screw, capable of supporting the weight of the FX9 loupe.The monitor holder is custom matched to the FX6 monitor, with a 3/8” thread for attaching to the included 15mm rod mount or other accessories, and the included cable hook prevents snags.When transporting the camera, the monitor can be folded into the stowed position.CABLE HOOK INSTALLATIONTo install the cable hook, you will require a small Philips screwdriver. First, remove the original cover by undoing the screw on the side. Place the cable hook onto the monitor and secure with the longer M2 screw provided.NO COMPROMISESMachined and hand-finished in our single factory in Church Crookham from high-grade materials. Hard anodised for extended durability.Weight: 0,150 kgDimensions: 14 × 10 × 4 cm  

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Bright Tangerine Sony FX6 Cheeseplate
Bright Tangerine Sony FX6 CheeseplateCreate a clean build using a NATO based Cheeseplate on your Sony FX6 to mount your wireless transmitters, audio equipment, cables & more. Multiple 3/8″ & 1/4″ threads for mounting accessories Integrated NATO clamp for fast set up & removal Added cable management with wide slots for bongo ties Plate can be configured in portrait or landscape orientation Lightweight & low profile Keep your camera build clean & simple with the Sony FX6 Cheeseplate. Using the integrated NATO clamp, mount it to the top rail on the top plate to speed up your build time on set.Portrait or Landscape OrientationsThe NATO clamp attaches to the cheeseplate using a 3/8″ Anti-Twist mount. The cheeseplate can be mounted using any of the outer mounting points as required in either landscape or portrait orientation.Easy Accessory MountingWith multiple anti-twist 3/8″ & 1/4″ mounting points, you can attach any type of accessory you like from wireless video transmitters, audio receivers, FIZ controllers & more.The NATO clamp is secured in place using a 4mm Hex key.Extra care comes standardMachined and hand-finished in our single factory in Church Crookham from high-grade materials. Hard anodised for extended durability. Every Cheeseplate comes with our famous Bright Tangerine Support and the addition of a 5-year warranty.  

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Bright Tangerine Sony FX6 Portrait Adapter 15mm LWS Spacer
Bright Tangerine Sony FX6 Portrait Adapter 15mm LWS SpacerSet up your Sony FX6 with the correct spacing for 15mm LWS accessories when filming in vertical orientation.It combines with the Portrait Plate Adaptor and LeftField Sony FX6 Baseplate. Sets camera to correct height for 15mm LWS accessories Combines with LeftField Sony FX6 15mm LWS Baseplate and Sony FX6 Portrait Adapter Plate (B4004.1016) Securely interlocks with riser, eliminating any play or movement Includes captive ¼” & 3/8” mounting screws Set up your Sony FX6 with the correct spacing for 15mm LWS accessories like a matte box, lens supports and more when filming in vertical orientation.15mm LWS SpacingThe spacer interlocks with the Sony FX6 riser, eliminating any play or movement in the plate. The two captive screws are used to secure the Sony FX6 in portrait orientation using the portrait plate adapter.British WorkmanshipMachined and hand-finished in our single factory in Church Crookham from high-grade materials. Hard anodised for extended durability. The Sony FX6 Portrait Adapter 15mm LWS Spacer comes with our famous Bright Tangerine Support and the addition of a 5 year warranty.Weight: 0,130 kgDimensions: 3,3 × 8,8 × 1,5 cm  

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Bright Tangerine Sony FX6 Portrait Adapter Plate
Bright Tangerine Sony FX6 Portrait Adapter PlateEasily rig up your Sony FX6 for vertical filming with the Portrait Adapter Plate.It also adds an extra layer of convenience as a cheeseplate for mounting accessories like wireless video transmitters and more. Right side cheeseplate for your Sony FX6 for secure mounting in vertical orientation. Connects to the Sony FX6 Top Plate Mk II & handgrip mount Provides ¼”, 3/8”, QD socket & ARRI rosette for accessory mounting with helicoiled threads for dovetails & quick release plates. Compatible with B4004.1019 spacer for proper 15mm LWS height Easily rig up your Sony FX6 for vertical filming with the Portrait Adapter Plate. It also adds an extra layer of convenience with its double function as a cheeseplate for mounting accessories like wireless video transmitters and more.Accessory MountingThe plate provides a number of threaded ¼” & 3/8” holes on the side and top for mounting accessories. It also features an ARRI standard rosette for hand grips.Two helicoil reinforced threads provide a balanced point for mounting dovetails & quick release plates.Gimbal CompatibleWhen working with gimbals, combine it with the LeftField risers and dovetails for the DJI Ronin 2, RS 3 or Freefly Movi for a seamless quick release system, letting you switch between platforms in seconds.InstallationThe Portrait Adapter Plate attaches to the Sony FX6 Top Plate Mk II (B4004.1018) and is secured to the side using the hand grip mount. This creates a robust connection, keeping the camera secure and steady. The plate is also compatible with Sony FX6 Top Plate Mk I (B4004.1005).15mm LWS SpacingTo achieve proper 15mm LWS height spacing when in portrait mode, combine with the 15mm LWS Spacer (B4004.1019).British WorkmanshipMachined and hand-finished in our single factory in Church Crookham from high-grade materials. Hard anodised for extended durability. The Sony FX6 Portrait Adapter Plate comes with our famous Bright Tangerine Support and the addition of a 2 year warranty.Weight: 0,197 kgDimensions: 13,5 × 8,5 × 4 cm  

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Freelensing Cine® - The universal Tilt & Shift & Swing System
Freelensing Cine® is a system that leaves the lens virtually suspended in front of the camera sensor allowing the operator a fast and intuitive movement. It allows for shifts, parallel and perpendicular to the focal plane, rotation of the optical center, and a combination of both pan and tilt movements. It allows to control the focal planes and to choose where to have them in the frame, both to increase the depth of field or to minimize it. Currently works with ARRI Alexa Mini, Mini LF, 35, Sony Venice 1 & 2, RED V-Raptor XL, V-Raptor and DSMC2, although each camera has its own characteristics.   MARRIAGE BETWEEN CAMERA and FREELENSING CINE®     Choose the appropriate camera mount (ARRI ALEXA MINI, MINI LF, 35, SONY VENICE 1 & 2, RED V-RAPTOR XL, V-RAPTOR & RED DSMC2) Fix the corresponding camera mount to the bellows Prepare de camera at the standard 19mm height Remove the PL or LPL mount that is placed on the camera body Insert the camera into the Freelensing Cine® or the other way around Align the Freelensing Cine® to the sensor of the camera Place the camera mount (already installed in the bellows of the Freelensing Cine® Set all Freelensing Cine® settings to “0” (except Z-axis) Finish adjusting Fix all camera peripherals (rods, etc)     WHAT MOVEMENTS DOES FREELENSING CINE® OFFER?   Y-Axis Shift Offset X-Axis Shift Offset Y-Axis Rotation (Tilt-Y) X-Axis Rotation (Swing-X) Z-Axis Shift Offset “Collimation” Combination of all the movements     OPERATING MANUAL FREELENSING CINE®https://www.bandpro.de/media/pdf/61/c3/ba/V-03-OPERATING-MANUAL-FREELENSING-CINE.pdf      

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IB/E Diopter Set
Professional optical tools are one of core competencies, and IB/E Optics have taken great lengths to provide cinematographers with a complete set of high quality diopters housed in standard 4 x 5.65" frames that slide quickly and easily into any top-loaded and side-loaded matte box (Arri, Chrosziel, etc.) since the handle can be mounted either on top or sideways. IB/E Optics understand how important time is on the set, and working with tradition round diopters and donuts can be time consuming, and they believe our solution not only saves time on the set, but it also provides Directors of Photography with new creative opportunities. They used expensive, high-end glass to create these thin, rectangular diopters.+0.5 and +0.8  diopters uses single filter slot and +2 diopters uses double filter slots. The  Standard  Diopter  Set  consists  of  three  diopters  with  magnification  strengths  of  +0.5,  +0.8  and  +2.0. Features Slide quickly and easily into any top-loaded and side-loaded matte box Handle can be mounted on either top or side High-end glass     

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IB/E HDx1.4 Converter
The HDx1.4 converts B4 mount video lenses for use with single sensor (S16 or 2K) while slightly correcting the image.  The HDx1.4 can be used with the following cameras with only one stop of light loss (1080p): Phantom Flex 4K Sony F5 / F55 2K Sony F700 Blackmagic Pocket  

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IB/E HDx2 Mark II
The HDx2 Mark II was specifically designed to give cinematographers the ability to use all HD ENG 3D CCD lenses on high speed Phantom cameras and MFT format cameras (22 mm). This converter is best suited for scenarios when our HDx35 Mark III adapter‘s magnification is too strong or when light loss has to be restricted.

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IB/E HDx35-Mark-III
The HDx35 Mark III is the standard converter for high performance HD ENG 3D CCD lenses, such as TV box lenses, Digiprimes and other B4 mount 2/3'' HD broadcast lenses.This optical converter magnifies for all S35 sensor cameras.     Max. Input T-Stop: 1.9     Focal Length Extension: 2.6x     Max. Image Diameter: 30.2mm  

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IB/E Optics LPLx2VV Optical Expander
The LPLx2 VV optical expander doubles the focal length of Vista Vision Format LPL mount lenses. It’s compact optical and mechanical design makes it compatible with a wide range of lenses. High-index, low-dispersion glass ensures the highest possible resolution and contrast with minimal optical degradation. The expander transmits light over 4 times the area with a decrease in brightness by two f-stops. Recommended maximum input T-Stop is 1.9. The LPLx2 VV mounts directly to native LPL mount lenses and LPL cameras. Technical Data Max. Image Diameter (mm): 46.4 Magnification: x2 Max. Input T-Stop: 1.9 Light Drop (Stops): 2.0 Lens Mount: LPL Standard Camera Mount: LPL Standard Diameter (mm): 87.0 Length (mm) LPL to LPL: 34.8 Weight (kg): 0.5Download Data Sheet

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IB/E Optics PL-LPL Mechanical Adapter
IB/E Optics PL-LPL Mechanical AdapterThe PL - LPL Mechanical Adapter connects native PL mount lenses to LPL mount systems, namely, the ARRI LF Camera.The IB/E Optics PL-LPL Mechanical Adapter is a high-quality mechanical adapter designed for use in professional motion picture and television production. It allows you to use PL mount lenses on cameras or other equipment that have an LPL mount. The adapter is made from aircraft-grade aluminum that is precision machined to tight tolerances, ensuring a perfect fit between the lens and camera mount. The adapter is also hard anodized for added durability, making it resistant to wear and tear in demanding on-set environments. The positive lock mechanism built into the adapter provides a secure connection between the lens and the camera, preventing any unwanted movement or play. The adapter also features an engraved scale that allows you to accurately align the lens to the camera mount, ensuring that the lens is centered and parallel to the sensor. The IB/E Optics PL-LPL Mechanical Adapter is also designed to be lightweight and compact, making it easy to use on set or on location. It is also designed to be easy to install and remove, allowing you to quickly switch between lenses. This can be especially beneficial when working on a fast-paced production where time is of the essence. The adapter is compatible with a wide range of PL mount lenses and LPL mount cameras, including popular models from Arri, RED and other manufacturers. It is also compatible with a wide range of third-party accessories, such as follow focus units and matte boxes, allowing you to use it with your existing equipment. It's worth noting that the IB/E Optics PL-LPL Mechanical Adapter is a mechanical adapter and it does not change the optics of the lens or affect the image quality in any way. It simply enables you to use PL mount lenses on cameras or other equipment that have an LPL mount. Key Features Adapts Any PL-Mount Lens to LPL Mount Compatible with ALEXA LF Camera Bayonet Attaches without Tools Included in box 1x PL-LPL Mechanical Adapter    

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IB/E Optics PLx1.3VV-E Optical Expander
Available from October 2024 The PLx1.3VV-E optical expander increases the focal length and the projected image diameter of the lens by a factor of 1.3x. Then, it allows the use of the lens on large sensor cameras up to 47 mm. The electronic metadata pass-through has been introduced to bring the lens information to the recorded takes. This expander features high-index, low-dispersion glass to ensure the highest possible resolution and contrast with minimal optical degradation. The PLx1.3VV-E is characterized by a robust and durable mechanical design with stainless steel PL mounts and anodized aluminium. Inside, it carries flair minimized surfaces to keep the original lens character. The PLx1.3VV-E expander is designed to use most of the S35 PL lenses on almost all the digital cameras with a native PL mount. It is not compatible with mirror cameras, nor the UMS system. Features Electronic pass-through for lens metadata 47mm image diameter (VistaVision) High-index, low-dispersion glass Robust Mechanical Design Extended Color Correction (APO) Small & lightweight Technical Data Max. Image Diameter: (mm) 47 mm / 1.85'' Magnification: 1.3x Electronic Data: Pass-through Light Drop: 0.75 stop Camera Mount: PL Lens Mount: PL Max. Input: T-Stop 2.0 Weight: 0,5 kg / 1.1 lbsData Sheet Download

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IB/E Optics PLx1.4VV Optical Expander
Format PL mount lenses by a factor of 1.4x. It allows the use on large cameras up to 47 mm sensor diameter and supports a maximum aperture of T-Stop 2.0. The PLx1.4VV is characterized by a robust and durable mechanical design with stainless steel PL mounts and anodized aluminum as well as a decorative surface outside and flair minimized surfaces inside. It features high-index, low-dispersion glass to ensure the highest possible resolution and contrast with minimal optical degradation. The adapter is designed to mount to most digital cameras with a native PL mount. The UMS system is not usable with this expander. The PLx1.4VV is incompatible with mirror cameras but can be used with most of the S35 PL lenses. Technical Data Max. Image Diameter (mm): 47 Magnification: 1.4 Max. Input T-Stop: 2.0 Light Drop (Stops): 1.0 Lens Mount: PL Standard Camera Mount: PL Mount Diameter (mm): 77.0 Length (mm) PL to PL: 16.4 Weight (kg): 0.5Download Data Sheet

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IB/E Optics PLx1.6VV Optical Expander
The PLx1.6VV increases the focal length by a factor of 1.66x and allows the use of S35 lenses on large-format cameras up to 46.5 mm sensor diameter and supports a max. aperture of T-Stop 2.0. The PLx1.6VV is characterized by a robust and durable mechanical design with stainless steel PL mounts and anodized aluminium as well as decorative surface outside and flair minimized surfaces inside. The PLx1.6VV is incompatible with mirror cameras but can be used with most S35 PL lenses. Technical Data Max. image diameter (mm): 46.5 Focal length extension: 1.66x Max. input T-Stop: 2.0 Light drop (stops): 1.46 Lens Mount: PL Standard Camera Mount: PL UMS Mount* Diameter (mm): 77.0 Length (mm) PL to PL: 22.9 Weight (kg): 0.3 *without F and MFT Mount. UMS E without cover ringDownload Data Sheet

€1.00*
IB/E Optics PLx2VV Optical Expander
The PLx2VV optical expander doubles the focal length of Vista Vision Format PL mount lenses. The extender is the sequel to our successful PLx2 adapter. Thanks to its compact optical and mechanical design, the PLx2 VV is compatible with a wide range of lenses. The PLx2VV features high-index, low-dispersion glass to ensure the highest possible resolution and contrast with minimal optical degradation. In doubling the image size, the transmitted light is spread over 4 times the area, decreasing the brightness by two f-stops. To create an optical design that is optimized for modern lenses and digital cameras, the maximum input T-Stop is 1.9. The PLx2VV is designed to mount to any digital cinema camera with a native PL mount. The UMS Mount System makes it easy to change the mount to Canon EF, Sony E or others without re-shimming. Technical Data Max. Image Diameter (mm): 46.4 Magnification: x2 Max. Input T-Stop: 1.9 Light Drop (Stops): 2.0 Lens Mount: PL Standard Camera Mount: PL UMS Mount* Diameter (mm): 78.0 Length (mm) PL to PL: 34.8 Weight (kg): 0.5 ** without F and MFT Mount and E Mount with assembled inner ring*Download Data Sheet

€1.00*
IB/E Optics Velociter x0.8 Optical Converter
  IB/E Velociter x0.8 Optical ConverterThe Velociter x0.8 optical converter reduces the focal length of the RAPTOR macro lenses by 0.8x. At the same time it increases the lens speed by almost 1 stop. For example, the RAPTOR 100 mm T2.9 becomes a 80 mm T2.3. The Velociter x0.8 features high-index, low-dispersion glass as well as multi layer coating to ensure the highest possible resolution and contrast with minimal optical degradation. To create an optical design that is optimized for the RAPTOR macro lens family and digital cameras, the maximum input T-Stop is 2.9. The Velociter x0.8 can easily be assembled in exchange of the extension tube of the PL UMS mount. Note: With the Velociter connected to the lens, only PL cameras can be used. Not Compatible with Raptor 60mm. Technical data Max. image diameter (mm) 36.0 Magnification x0.8 Max. input T-Stop 2.9 Light drop (stops) 1.0 Diameter (mm) 54.0 Length (mm) 31.0 Weight (kg) 0.18   Data sheet download IB/E Velociter x0.8 Optical Converter

€1.00*
IB/E Plus 0,5 Diopter
IB/E Optics Rectangular Diopter Drop-In Filter - 0.5dpt Professional optical tools are one of core competencies, and IB/E Optics have taken great lengths to provide cinematographers with a complete set of high quality diopters housed in standard 4 x 5.65" frames that slide quickly and easily into any top-loaded and side-loaded matte box (Arri, Chrosziel, etc.) since the handle can be mounted either on top or sideways. IB/E Optics understand how important time is on the set, and working with tradition round diopters and donuts can be time consuming, and they believe our solution not only saves time on the set, but it also provides Directors of Photography with new creative opportunities. They used expensive, high-end glass to create these thin, rectangular diopters. +0.5 and +0.8  diopters uses single filter slot and +2 diopters uses double filter slots. Features Slide quickly and easily into any top-loaded and side-loaded matte box Handle can be mounted on either top or side High-end glass

€1.00*
IB/E Plus 0,8 Diopter
IB/E Optics Rectangular Diopter Drop-In Filter - 0.8dpt Professional optical tools are one of core competencies, and IB/E Optics have taken great lengths to provide cinematographers with a complete set of high quality diopters housed in standard 4 x 5.65" frames that slide quickly and easily into any top-loaded and side-loaded matte box (Arri, Chrosziel, etc.) since the handle can be mounted either on top or sideways. IB/E Optics understand how important time is on the set, and working with tradition round diopters and donuts can be time consuming, and they believe our solution not only saves time on the set, but it also provides Directors of Photography with new creative opportunities. They used expensive, high-end glass to create these thin, rectangular diopters.+0.5 and +0.8  diopters uses single filter slot and +2 diopters uses double filter slots. Features Slide quickly and easily into any top-loaded and side-loaded matte box Handle can be mounted on either top or side High-end glass

€1.00*
IB/E Plus 2 Diopter
IB/E Optics Rectangular Diopter Drop-In Filter - 2.0dpt Professional optical tools are one of core competencies, and IB/E Optics have taken great lengths to provide cinematographers with a complete set of high quality diopters housed in standard 4 x 5.65" frames that slide quickly and easily into any top-loaded and side-loaded matte box (Arri, Chrosziel, etc.) since the handle can be mounted either on top or sideways. IB/E Optics understand how important time is on the set, and working with tradition round diopters and donuts can be time consuming, and they believe our solution not only saves time on the set, but it also provides Directors of Photography with new creative opportunities. They used expensive, high-end glass to create these thin, rectangular diopters.+0.5 and +0.8  diopters uses single filter slot and +2 diopters uses double filter slots. Features Slide quickly and easily into any top-loaded and side-loaded matte box Handle can be mounted on either top or side High-end glass 

€1.00*