The next generation EOS C300 Mark III incorporates Canon’s newly developed 4K Super 35mm DGO sensor, with 4K 120p Slow motion, High Dynamic Range and Dual Pixel CMOS AF into the same body as the EOS C500 Mark II. New 4K Super 35mm CMOS Dual Gain Output (DGO) Sensor A new developed 4K Super 35mm DGO sensor delivers high resolution image with 16 stops of dynamic range and ISO up to 102,400.The DGO (Dual Gain Output) Sensor is a newly-developed imaging system that generates high dynamic range and maintains low-noise levels by reading out each pixel with different gains. It combines images using pixels shot with a saturation-prioritizing amplifier for bright areas, and a lower-noise noise-prioritizing amplifier for darker areas. DIG!C DV7 Image Processor The EOS C300 Mark III features Canon’s DIG!C DV7 image processor that takes the extensive RAW information captured from the imaging sensor and processes it for output. DiG!C is also the engine behind features such as high frame rate recording, Dual Gain Output (DGO) Sensor, Dual Pixel Autofocus, Cinema Raw Light Recording, HDR (PQ) output, Electronic Image Stabilization, and proxy recording. Multiple Recording Formats Dual card slots enable simultaneous internal recording of 4K Cinema RAW light files (10/12-bit) or 4K XF-AVC files (4:2:2, 10-bit) onto CFexpress cards. A Proxy can also be recorded onto SD card.Cinema RAW Light: 4K up to  1Gbps or 2.1Gbps at 120fpsXF-AVC: 4K 4:2:2 10-bit up to 810Mbps or 2Gbps at 120fps LM-V2 4.2" LCD Touchscreen Monitor The LM-V2 4.3” LCD Monitor is an easy to view touch panel with approx. 2.76 million dots. The monitor easily attaches to the EOS C300 Mark III using included accessories and can be adjusted to different viewing positions. The LCD monitor is capable of displaying both image framing and visual confirmation of camera settings.  4-Channel Audio Recording Canon EOS C300 Mark III supports up to 4-channel audio recording. Audio input from the camera’s internal microphone, mini mic port, and XLR ports can be assigned to the 4 different audio channels. With Expansion Unit EU-V2, a total of 4 XLR ports are supported. Dual Pixel CMOS AF Technology For DAF, each pixel in the camera´s CMOS sensor is configured with two photodiodes. Two independent image signals can then be detected at each photosite and compared using phase-difference to provide autofocus with compatible lenses. DAF can survey the scene and recognizes not only whether the subject is in focus or not, but in which direction (near or far), and by how much. Interchangable Lens Mounts Canons EOS C300 Mark III ships with EF-Mount which can be easily user swapped (by removing four M3 hex screws) to an optical Lockin EF (EF-C) or PL-mount.   Technical Specifications: 4K Super35 DGO Sensor and DIGIC DV7 image processor 4K recording 12fps - 120fps in Cinema RAW Light and XF-AVC 2K (crop) mode recording 12fps - 180fps in XF-AVC Sensor-Modi: Super 35mm (Crop) / Super 16mm (crop) Pixel: cca. 9,6 Megapixel / 4206x2280 Effective Sensor area: Super 35mm* 4096x2160 or 2049x1080 selected resolution: 26.2x13.8mm (29.6mm diagonal)* 3840x2160 or 1920x1080 selected resolution: 24.6x13.8 (28.2mm diagonal) Dual Gain Output (16+ stops of dynamic range) Internal 4K Cinema RAW light recording 4K 4:2:2 10-bit and up to 810Mbps internal recording Dual CFexpress slots Supports both Canon Log 2 and Canon Log 3 Gamma. Dual Pixel Autofocus with touch screen control High Dynamic Range support (SMPTE ST 2084 and ITU-R BT.2100) Upload and apply custom LUTs Supports 4K resolution up to 60p output via single 12G-SDI cable ND Filters 2/4/6 and extended 8/10 stops 1.3x and 2.0x Anamorphic Desqueeze Same built-in five-axis electronic Image Stabilization as EOS C500 MK II Approx. Camerabody weight: 1.750g In the Box: C300 Mark III Body LCD Monitor LM-V2 LCD Attachment Unit LA-V2 Unit Cable UN-5 Camera Grip GR-V1 Handle Unit Mic Holder Unit Battery Pack BP-A60 Battery Charger CG-A20 Compact Power Adapter CA-CP200B AC Power Cable Shoulder Strap SS-1200 Extension System Attachment Bracket Thumb Rest Body Cap Allen wrenched bolts  

The Canon EOS C300 Mk II Touch Focus Kit consists of a C300 Mk II digital cinema camera with EF Mount, LM-V1 4" Touchscreen LCD Monitor (identical to that shipping with the C200), and MA400 XLR Accessory, which is a separate XLR unit. Using these two accessories instead of the traditional "clamshell" Monitor/XLR unit (not included) enables a more flexible, streamlined configuration. If the user does not require XLR functionality, the C300 Mark II can be used with the LCD only for an incredibly compact camera build (ideal for use with Gimbal Stabilizers). The original top handle is still included and compatible with the new configuration options.CameraThe Canon EOS C300 Mark II Digital Cinema Camera with EF lens mount features a dynamic range of 15 stops, CFast recording technology, 4K/2K/Full HD internal and external recording with 4K RAW output, plus a new 10-bit Canon Log 2 Gamma. Canon also improved the Dual Pixel CMOS Autofocus along with an innovative focus assist engineering. This camera was remodeled with user input to enhance the user experience of studio motion picture applications, broadcast, indie productions, sports, and many more.SensorThe redesigned camera boasts an 8.85 Megapixel Canon Super 35mm 16:9 CMOS image sensor. It supports up to 4K DCI recording with a maximum resolution of 4096x2160 pixels. Data from the 4K sensor, working with its dual Canon DIGIC DV5 image processors, delivers Over-Sampling HD Processing for reduced-moiré 2K (DCI)/Full 1080-60p HD recording and Dual-Pixel CMOS Autofocus.The dual DIGIC DV5 image processors also help to reduce visual noise and enable high-sensitivity shooting at a maximum speed of ISO 102,400 (+54dB) for sharp, clear image capture using only ambient lighting. The EOS C300 Mark II camera also incorporates a trio of XF-AVC H.264 codecs to enable in-camera 4K (DCI) recording to dual CFast card slots and 2K/Full HD recording to an SD card slot. For external recording and monitoring, twin 3G-SDI outputs capable of 4K RAW output are included on the rear of the camera body. You can choose among multiple recording modes, resolutions, and frame rates to meet your individual production needs.Each pixel in this CMOS imaging sensor also maintains a wide pixel pitch to maximize the amount of light which falls on each photo site. This enhances the sensitivity while also minimizing noise. It also supports ISO speeds of up to 102,400 for low-light imaging. This sensor reduces data-readout time to about half of what it was in the original EOS C300 Camera, which results in a significant reduction in rolling-shutter artifacts.AutofocusThe Autofocus now includes an expanded focusing area and Face Detection when used in combination with Canon EF lenses. Each pixel in the camera's CMOS sensor is configured with two photodiodes. Two independent image signals can be detected at each photosite. By implementing phase-difference AF, smooth focusing is accomplished using Canon EF lenses with much higher speed and accuracy than was possible with previous technologies.Canon expanded the DAF focusing area to approximately 80% (vertically) x 80% (horizontally). You can move the focus area using the convenient 4-direction key to provide you with a more manual control over Autofocus operation. This only functions when the Guide Area is within the Dual Pixel CMOS AF Range.Face Detection AF on Canon EF lenses will recognize a face, focus on it, then follow that face when it moves.One innovative feature of the enhanced AF allows you to confirm if you are focused in front of or behind the subject through visual observation. In this manner, quick and accurate manual focus can be achieved.LensesThe C300 Mark II is compatible with the full range of 100 Canon EF and EF-S photographic lenses, including specialty tilt-shift and fisheye models, plus Canon CN-E Cinema prime and zoom lenses, including the ENG-style Canon CINE-SERVO zooms. New Dual-Pixel CMOS AF capabilities of the EOS C300 Mark II are enabled by the AF motors in Canon EF lenses. The improved EF lens communication capabilities of the EOS C300 Mark II camera allow for the display of CN-E Cinema lens T-values, lens metadata acquisition, and chromatic aberration correction on the camera’s LCD Monitor/EVF/Output display.ImprovementsThe Canon EOS C300 Mark II Digital Cinema Camera facilitates operation and creative freedoms, such as full manual control, an Ultra-High Resolution 1.77 Megapixel color OLED EVF with adjustable 60° tilting angle, a built in internal mono reference microphone, a removable hand grip, and an improved camera handle extension with additional attachment points. The modular design of the EOS C300 Mark II camera accommodates many third-party accessories.A new log gamma designated as Canon Log Gamma 2 was designed explicitly for the camera's 10-bit recording capabilities. The files produced using Log format are ideal for color correction and grading in post-production. Canon did this to produce a high level of creative freedom while minimizing degradation of image quality. When using Canon Log 2, the Cinema EOS C300 Mark II can provide a dynamic range up to 1600%.Be sure to check out the images where a chart on Slow and Fast Motion recording has been provided for your reference.RecordingThe Canon EOS C300 Mark II employs CFast (CompactFast) 2.0 cards for in-camera 4K video recording. The camera features two CFast card slots. Each slot is protected by a convenient hinged cover. The camera also includes an SD card slot for HD and Proxy recording. The camera can simultaneously record 4K on two CFast (2.0) cards along with 2K proxy images on its SD card for off-line editing. Canon provided a chart to show the memory cards verified for the EOS C300 Mark II.ErgonomicsThis camera builds on the efficient ergonomic design of the original, while adding new advantages. Redesigned to maximize shooting comfort and the usability improvements asked for by users, the EOS C300 Mark II Digital Cinema Camera's modular design allows different components to be added or removed as needed to meet both the demands of a particular shooting environment and the comfort of the camera operator. In addition to the core body, the EOS C300 Mark II Digital Cinema Camera comes with a removable hand grip, and improved low-angle camera handle extension with additional attachment points. Connectivity & ControlThe C300 MK II arrives equipped with (2) 3G-SDI, a gunlock input, a timecode input/output, and an HDMI output. It also includes a remote terminal, a standard headphone jack, and both an audio and a video terminal to connect exclusively to a monitor.The camera supports the Canon RC-V100 remote controller (sold separately) to enable adjustments to camera controls and image quality from a distance. It supports a variety of third-party LANC accessories.You do not need a remote to achieve remove control though. Use a standard web browser on a WiFi capable device (your smart phone, laptop, tablet, etc.) to take dynamic control of your camera functionality. Canon added focus control functions. You can adjust the focus area by touch. The EOS C300 Mark II camera offers full manual control of functions such as iris, shutter speed, gain, zoom, focus, and audio. The user also has access to Custom Picture Settings, Custom Functions, and Custom Display Options.The Canon LM-V1 LCD Monitor is a fully adjustable and detachable 4" display for the Canon C200 & C300 Mk II digital cinema cameras. This 1.23 million dot, touch capacitive monitor features Canon's exclusive AF technologies for easy monitoring and one-finger "tap-focusing" during shooting.The Canon MA-400 Microphone Adapter allows you to mount a microphone on your Canon EOS C300 MK II Camera or Canon XC15 4K Professional Camcorder. The Mic Adapter fits on your camera accessory shoe so you can hold an optional on-board microphone. The Mic Adapter is powered by the camera or camcorder's power supply and does not require additional power or batteries to operate.The Microphone Adapter provides the ability to use the INPUT Terminals to record audio from your compatible microphone (19-20 mm diameter) or analog line in sources with an XLR connector.Attach the MA-400 to your camera or camcorder by sliding the attachment base into your camera or camcorder's accessory shoe, then tightening the lock screw to secure in place. Connect the AUDIO terminal to the camcorder or camera AUDIO terminal with the appropriate cable. A cable clamp can be helpful to keep this cable from snagging as you move the camera during recording.Your condenser microphone with its own power supply and a 3.5mm stereo mini jack/plug can be used in the Microphone Adapter. To attach your microphone to the MA-400 Microphone Adapter, begin by loosening the microphone lock screw on the top of the Adapter. Open the microphone holder to insert your microphone, then tighten the lock screw. The microphone cable feeds through the cable clamp under your microphone holder. Place the mic cable into either an INPUT Terminal or a MIC Terminal (Input 1 and Input 2) on this Mic Adapter.Includes: C300 MkII Body / without Standard-display Touch LCD LM-V1 / the same unit included in C200 MA-400 XLR-accessory Mount Arm Small HD  

The EOS C70 is a new generation RF Mount Cinema EOS System camera featuring Canon´s 4K Super 35mm DGO sensor. With 4K 120P Slow Motion, High Dynamic Range and Dual Pixel CMOS AF ina compact body, it takes the RF System into a brand-new era. The EOS C70 is the first Cinema EOS System camera to employ the RF mount, which makes possible a compact and lightweight1 body that can be equipped with any of the RF lenses from Canon’s EOS R System. When equipped with the Mount Adapter EF-EOS R 0.71x (released in November 2020, sold separately), the camera can also support the rich lineup of lenses from the EF lens series2, opening up a myriad possibilities for creative cinematography and visual expression. Featuring a 4K Super 35mm CMOS DGO (Dual Gain Output) sensor, the EOS C70 can capture high-image-quality 4K video in 4:2:2 (10-bit) color that delivers rich gradation without losing focus, even in environments with significantly different levels of brightness. What’s more, the camera is equipped with the DIGIC DV7 image-processing platform capable of high-speed processing, enabling users to record high-framerate 4K/120P video to UHS-II standard SD cards. The EOS C70 is equipped with two SD card slots and supports a wide variety of dual-card recording modes such as simultaneous proxy recording to save backups, relay recording and 4K/2K recording. In addition, the camera enables smooth workflows thanks to features including a subject recognition algorithm that utilizes deep learning to detect and smoothly track subjects when using Dual Pixel AF, and a “Direct Touch Control” function that allows users to change recording settings quickly and directly from the camera’s touchscreen panel. 1 The EOS C70 measures approximately 160.0 mm (W) x 130.2 mm (H) x 115.9 mm (D) and weighs approximately 1,170 g. 2 Includes CN-E (EF cinema) lenses. Excludes EF-M lenses and EF-S lenses   Technical Specifications: Sensor: 4K Super35 DGO; DIGIC DV7 Image Processor Sensor Modi: Super 35mm/ Super 16mm (crop) Pixel: cca. 9,6 Megapixel / 4206x2280 Effective Sensor Screen Size: Super 35mm* 4096x2160 or 2049x1080 selected resolution: 26.2x13.8mm (29.6mm diagonal)* 3840x2160 or 1920x1080 selected resolution: 24.6x13.8 (28.2mm diagonal) Effective Pixels:* 4096x2160 approx. 8.85 megapixels when 4096 x 2160 or 2048 x 1080 is selected as resolution* 3820x2160 approx. 8.29 megapixels when 3840 x 2160 or 1920 x 1080 is selected as resolution Dynamic Range: * Canon Log 2: 1600% & 16+ stops* Canon Log 3: 1600% / 14 stops* Wide DR: 800% (at ISO 400) Internal recording Media: SD card for Cinema RAW Light LT, XF-AVC or MP4 recording, Dual Slot rec Rec Formats:* Cinema RAW Light (CRM)*: 12-bit RAW* XF-AVC (MXF) ALL-I or Long GOP, 4:2:2 10-bit* MP4 H.265/HEVC, 4:2:2 10-bit* MO4 H.264, 4:2:0 8-bit Frame Rates: * 59.94Hz mode (59,94 / 59,94i / 29,97p / 23.98p)* 50.00Hz mode (50p, 50i, 25p)* 24.00Hz mode (24p) HDMI Type A Connector 24V DC input Dimensions (Main Body Only): 16x 13x 11,6 cm Weight (Body Only): 1190g Operating Temperature Range:* approx. 0°C to 40°C (85% relative humidity)* approx. -5°C to 45°C (60% relative himidity) In the Box: C70 Body Handle Unit Mic Holder Unit Mic Holder Adapter Battery Pack BP-A30 Battery Charger CG-A20 Compact Power Adapter CA-CP200L Shoulder Strap Body Cap Measure Hook  

The EOS C200 Digital Cinema Camera is a "ready-to-go" production camera that comes with a built-in electronic viewfinder and an array of accessories including a 4-inch touch screen LCD monitor, a versatile handle and ergonomic handgrip. The camera can record internal 4K RAW to a CFast™ 2.0 card in Canons new Cinema RAW Light format without compromising detail, as well as 4K UHD and Full HD in MP4 format to SD cards. The 8.85 Megapixel Super 35mm CMOS sensor, 13 stops of dynamic range, Dual Pixel CMOS AF, full compatibility with Canon EF-mount lenses, and HDR capability help make the EOS C200 ideal for film, documentary and television production, corporate and event videography, and newsgathering. The camera's multitude of features helps deliver outstanding image quality, performance and versatility. EOS C200 Kit Contents EOS C200 Camera Body LCD Touch Panel Monitor (LM-V1) LCD Attachment Unit (LA-V1) Handle Unit (HDU-2) Camera Grip (GR-V1) Shoulder Strap (SS-1200) AC Adapter (CA-A10) Battery Pack (BP-A30) Battery Charger (CG-A20) Compact Power Adapter (CA-CP200B) 50cm Unit Cables (UN-5) Eyecup Mic Holder Unit Tape Measure Hook x1 Thumb Rest Body Cap

The EOS C300 Mark II Digital Cinema Camera delivers improved image-expression capabilities and operability advances not only including a fast dual pixel auto-focus system but also in-camera 4K recording to two CFast card slots and 2K/Full HD recording to an SD card slot, up to 15 stops of dynamic range, 10-bit Canon Log Gamma 2 recording, and MXF support for a diverse array of workflow environments.  

Canon’s EOS C700 FF top-end digital cinema camera features a full frame CMOS sensor designed to meet an extensive range of production needs. The camera’s full frame sensor provides higher resolution and produce footage with shallower depth of field than Canon cameras with Super 35 sized sensors, giving filmmakers a variety of creative options.  

Full-frame creativityRealize beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh for a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable you to capture every nuance, from subtle shadow detail to specular highlights, with an immaculate color palette. Capturing the impossibleMake sure your story’s always clear with enhanced Fast Hybrid AF that tracks your subject with unprecedented speed, smoothness, and precision. Its impact is transformative for premium documentary, commercial, and event applications. Your ability to precisely capture your subject’s expression is further enhanced with Sony’s unique Eye AF.**Ver2.0 is required. 6K Full-Frame "Exmor R" sensor for stunning picture qualityThe camera’s full-frame 6K sensor provides superb recording in DCI 4K*, Ultra HD, and HD resolutions. Powerful image processing with debayering and oversampling ensures image quality beyond the limits of conventional Super 35-mm sensors. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35-mm sensor, the FX9’s 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field.  *DCI 4K (4096 x 2160 at 17:9 recording)  requires Ver.2.0 or higher firmware. Dual Base ISO for stunning images in any lightThe FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary High Base sensitivity of ISO 4000 excels in low-light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal when using slow lenses. Combining Dual Base ISO with the camera’s electronic variable ND Filter provides superb creative control in almost any shooting environment, with truly next-generation responsiveness to changing conditions.  *ISO 800 and ISO 4000 are used in S-Log3, Cine EI mode. Selectable Frame Rates in Both Full-Frame & Super 35 Choose your desired frame rate from 1fps up to 180fps* for impressive quick- and slow-motion footage. FX9 creates an immersive image with a wide-angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow motion. Engage your audience with this new creative look. FX9 also offers a Quality priority setting** that maximizes full HD image quality using full-frame 6K scan mode or Super 35 4K scan mode with advanced oversampling technology.  Super 35 2K imager scan mode prioritizes frame rates, so image quality may be reduced depending on the shooting environment. In this instance, the settings below are recommended. Cine EI mode: Set EI gain lower and exposure level higher instead Custom/SDR mode: Choose the gamma category setting of Original (S-Cinetone) or STD (STD1 to 6)  · *Up to 120fps with Ver1.0. Full-HD 180fps requires Ver.2.0 or higher firmware. · **In full-frame scanning mode: selectable at 1–30fps/in super 35 scanning mode: selectable at 1–60fps. Quality priority setting is recommended if desired frame rate is available.   FEATURES: 6K Full-Frame Exmor R CMOS Sensor 15 Stops of Dynamic Range, Dynamic HDR DCI 4K and UHD 4K up to 59.94p HD Recording up to 150/180 fps Sony E-Mount 10-Bit 4:2:2 XAVC-I up to 600 Mb/s Auto-HD, AF, 7-Stop ND Filter, 3D LUTs Dual Base ISO up to 102,400, HLG Mode Dual XQD Card Slots, 2K Imager Scan Mode 12G/6G/3G-SDI & HDMI Output up to 4K  TECH SPECS Mount: E-Mount Image Sensor: 6K Full-Frame Full-Frame: DCI 4K 60p (V2.0) Super35mm: DCI 4K 60p (V2.0) Latitude: 15+ stops Base ISO: Dual Base ISO (800/4000) ISO: 320 - 102400 (V2.0) Variable ND: 1/4 - 1/128 Gamma Curve: S-Cinetone, S-log3, HLG HFR: FHD 180p (V2.0) Codec @Max bit rate: XAVC-I 422 10bit RAW: 16-bit RAW output (V2.0) Fast Hybrid AF TC, Genlock Recording Format: Mpeg HD322 Proxy Recording: Yes Weight: Approx. 2.0 (Body only) Software Features and Improvements:  Full-frame 4K 60p/50p recording with oversampling (image sensor scan size is around 5K) FHD 180fps shooting DCI 4K recording 16 bit RAW output (with XDCA-FX9) Support DWX digital wireless audio receiver (with XDCA-FX9) Eye-AF capability Support 6G-SDI Adds User 3D Look-Up-Table function Adds HDR shooting function with Hybrid Log Gamma Supports touch-screen operation (regarding some status screens and some settings) Increased upper limit of Gain setting Supports XLR-K3M with digital I/F Image quality improvement at S35 2K mode    Be up to date with the Software & Firmware!  

World-leading handheld 4K HDR performanceAn all-new 4K 3CMOS 1/2-type sensor with a deep depth of field and class-leading performance provides the pinnacle of 4K HDR performance in your hand. Face Detection AF keeps your subject in focus, while HLG and S-Log3 provide stunning HDR to suit any workflow.The complete package for professionalsUnpack and shoot from day one. Advanced XAVC-Intra and XAVC-Long for 4K QFHD and HD, plus MPEG HD422, MPEG HD and DVCAM to support any workflow. Familiar Sony control layout and operation minimize training requirements.World's first 1/2-type 3CMOS Sensor for broadcast 4KThe Z280’s all-new Exmor R™ imager is custom-designed for broadcast 4K acquisition. Its three 1/2-type Exmor R™ CMOS deliver a deep depth of field with superb image quality. Red, blue and green light are independently captured by separate image sensors, contributing to high resolution, high sensitivity of F12 (59.94p) and wide dynamic range. An advanced LSI (featuring intelligent noise reduction and enhanced detail reproduction) delivers remarkably lifelike 4K 4:2:2 10-bit images. Even if you’re delivering in HD, your recordings will capture detail and image texture that HD sensors simply cannot see.17x professional HD zoom lens with three independent rings with end-stop and large focal lengthThe PXW-Z280 is equipped with a 17x professional zoom lens able to zoom from 30.3 mm to 515 mm (35 mm equivalent). The 1/2-inch type lens has three independent control rings with end-stop, which allows manual control of focus, zoom, and iris, making for better and faster adjustment.The image can be enlarged in HD mode up to 34x zoom equivalent while maintaining Full HD resolution, thanks to digital extender.Spectacular HDR performanceDemand for HDR content is increasing and Z280 offers you a choice of two powerful workflows.S-Log3 is the proven choice for premium applications where you wish to capture as much data as possible for the ultimate flexibility in gradingInstant HDR Workflow is all about speed. Shoot, edit and view content in Hybrid Log-Gamma (HLG) to deliver content quickly without compromising on imaging expression and quality of contentAmazingly fast precision auto focusThe PXW-Z280 features newly developed Face detection AF. You can choose between Face Priority AF and Face Only AF. Simply keep the person in frame and, however you move to obtain a better angle, you can be confident the PXW-Z280 will keep your subject in pin-sharp focus.Built-in electronic Variable ND FiltersSony’s ground-breaking integration of electronic variable ND Filters into the body of a camcorder enables fast, agile shooting. Moving from shadowy interiors to bright sun-lit exteriors is no problem with PXW-Z280. Unlike conventional optical ND filters, the electronic ND filter on the PXW-Z280 can be controlled from 1/4ND to 1/128ND linearly while ND Filters can be set to fully auto. You can even manually adjust Depth of Field using the iris lens ring, while relying on the PXW-Z280 to maintain constant exposure without changing gain nor shutter speed.12G-SDI accelerated workflowRevolutionize your workflow with 12 Gbps content transfer—four times the bandwidth of 3G-SDI over a single cable and ideal for working with highest quality 4K content or speeding through HD content. Sony is the first broadcast manufacturer to build 12G-SDI into a compact handheld camcorder. Once you’ve tried it, you won’t want to use anything else.Accurate OLED viewfinderAn expansive 0.5-inch high quality OLED viewfinder is perfectly offset for right-eye or left-eye viewing. OLED’s superb accuracy, high contrast, and high resolution (2.36M dot) enables precise manual focus and eliminates any color-breaking phenomenon.Dual Multi-Interface (MI) ShoeMI Shoe provides power, signal connections, and coordinated on/off switching to compatible Sony accessories. For example, you can connect and control Sony wireless microphone systems such as the UWP-D11 or UWP-D12 or attach the HVL-LBPC light *Connectors at front and back of camcorder maximize operational flexibility.*Accessories sold separately. HVL-LBPC light does not draw power from PXW-Z280.Dual XLR and 4 Channel AudioThe PXW-Z280 offers superior professional audio capabilities with independent volume dials, enabling precision control of external audio inputs, including an MI-shoe attached microphone.Dual SxS media slotsThe camcorder is equipped with two SxS memory card slots, which can record in Simul, Relay, or Back up mode. Simul mode permits simultaneous recording to two memory cards, including simultaneous recordings of MPEG HD exFAT and UDF recordings, ideal for archival purposes. Relay mode automatically switches recording from the first to the second memory card when the first is full to extend recording times. In Back up mode, users can set up the two Start/Stop buttons on the PXW-Z280, one on the grip and one on the camcorder body, to independently start and stop recording on different memory cards while recording in Simul mode.**Simul and back-up recording are limited to HD operationNetworked for high mobilityThe PXW-Z280 comes with 5 GHz* and 2.4 GHz Wi-Fi as standard—simply turn on and log onto your preferred network to enable a host of advanced wireless production features: Dual Link Cellular—use two cellular networks in combination to provide an even more reliable network connection. The PXW-Z280 is compatible with standard USB cellular dongles from most networks. (Please check for the most appropriate service provider for your region. Standard network fees will apply.) High-quality Sony QoS Streaming to Network RX station (sold separately) and XDCAM air allows images to be streamed live from the camcorder for viewing at a remote location. FTP Transfer allows content files recorded with MPEG HD 422/420 proxy feature and other content files shot in XAVC (QFHD/FHD) to be sent over the internet for remote storage on an FTP server even while shooting. In case of signal interruption, the system will automatically resume as soon as connection is restored Trimming function is available for both proxy and PGM without need for a PC. Any clip can have its start and endpoints selected to eliminate time wasted transferring unnecessary content XDCAM air can upload proxy footage to the cloud from multiple camera operators in the field, so editing can start immediately. Uploaded content can be accessed securely from any location. News teams can even start logging clips while shooting’s still going on, saving even more valuable time when a story’s breaking. Wi-Fi/NFC (Near Field Communication) with Content Browser Mobile™** allows the PXW-Z280 to be remotely controlled from a smartphone or tablet computer (iOS 9.0–10.3 or Android 4.4 through 7.1) via a Wi-Fi connection. One-touch authentication is also possible with smartphones that offer NFC connectivity Wired LAN port allows you to connect the PXW-Z280 to the Internet with a standard Ethernet cable, allowing files to be streamed or transferred by FTP *5 GHz support dependent on country/regional regulation. Only PXW-Z280V supports 5 GHz. **The Content Browser Mobile™ application can be downloaded from the Google Play Store or App Store. Wi-Fi operation cannot be guaranteed with all smartphones and tablet computers.High-quality XAVC Intra and XAVC Long GOP recordingsXAVC technology is based on the H.264 standard, which provides an exceptionally robust and efficient compression technology. XAVC Intra (frame) compression means that every frame is encoded independent of the other frames – providing a better quality picture, without compromises. XAVC Long GOP applies compression across multiple frames – reducing file sizes, which can make for fast ingest and editing as well as providing budget savings on recording media. The XAVC codec adopts 10-bit sampling for high-definition recording with rich tonal expression.Broadcast-standard MPEG HD422 and MPEG HDHigh-quality MPEG HD422 50 Mbps is fully compliant with the latest EBU recommendations for long-form broadcast production and is widely accepted in broadcasting stations and production houses. This recording capability makes PXW-Z280 ideal for a wide range of different applications, including newsgathering and documentary production.DVCAM at 25 Mbps in MXF file formatMany broadcasters and production houses still utilize the proven DVCAM format and PXW-Z280 provides support at the flick of a switch.   SxS-1 Memory Card: Rugged, proven technology to support all the recording features of the XDCAM EX camera lineup 32GB, 64GB, and 128GB capacityRead speed up to 440MB/sSupports EB Streaming between card and Sony camcorders enabling constant 2 way communication and insuring stable recording while avoiding speed degradation.Enhanced media management with Memory Media Utility:Memory Media Utility dedicated PC software for Sony memory media products (available from download) provides enhanced media management. Specifications Interface: ExpressCard/34, PCI Express Gen2 Read speed: 3.5Gbps (=440MB/s)* Write Speed: 1.6Gbps (=200MB/s)* : SBS-64G1C, SBS-128G1C 110MB/s* : SBS-32G1C Capacity: 32GB**: SBS-32G1C 64GB**: SBS-64G1C 128GB**: SBS-128G1C Model Name: SBS-32G1C, SBS-64G1C, SBS-128G1C Operating Temperature: -25℃-65℃ Storage Temperature: -40℃-85℃ Weight: Approx.27g Dimension (W x H x D): Approx.34 x 5 x 75 mm (excluding the projecting parts)