High-speed 4K RAW recording with AXS-R7 Portable Memory RecorderThe AXS-A1TS48 AXS Memory (AXSM™) A Series card is an ultra high speed, high capacity, and high reliability flash memory media, for demanding 4K and 2K 16-bit linear RAW format, including High Frame Rate (HFR) recording up to 120fps in 4K resolution* and 240fps in 2K resolution. The AXS-A1TS48 has a capacity of 1 TB and guaranteed write speed of 4.8 Gbps. The card works with the AXS-R7 Portable Memory Recorder and AXS-R5 2K / 4K RAW recorders - and AXS-CR1 USB 3.0 AXS Memory card reader, using the AXS Memory card adapter. * HFR up to 120 fps in 4K resolution is only supported by AXS-R7 with PMW-F55. Slim and small design35 x 75 x 8 mm size using less power and more effective ventilation compared to previous AXS Memory cards. Ideal for PMW-F55, PMW-F5, PXW-FS7 and NEX-FS700 2K/4K RAW workflowsAXS Memory has a unique combination of capacity, sustained data throughput, security and portability. It opens up completely new ways for end-users to work. Works with AXS-R7, AXS-R5 and AXS-CR1The AXS-A1TS48 works with the AXS-R7 Portable Memory Recorder and AXS-R5 2K / 4K RAW recorder and AXS-CR1 USB 3.0 AXS Memory card reader, using the AXS Memory card adapter. Records 4K RAW and 2K RAWHigh capacity recordings of, for example, 120 min 4K RAW and 470 min 2K RAW at 23.98PsF, 46 min 4K RAW and 188 min 2K RAW at 60p, and 48 min 2K RAW at 240fps (frames per second), and 22 min 4K RAW at 120fps.  

High-speed 4K RAW recording with AXS-R7 Portable Memory RecorderThe AXS-A512S48 AXS Memory (AXSM™) A Series card is an ultra high speed, high capacity, and high reliability flash memory media, for demanding 4K and 2K 16-bit linear RAW format, including High Frame Rate (HFR) recording up to 120fps in 4K resolution* and 240fps in 2K resolution. The AXS-A512S48 has a capacity of 512 GB and guaranteed write speed of 4.8 Gbps. The card works with the AXS-R7 Portable Memory Recorder and AXS-R5 2K / 4K RAW recorder - and AXS-CR1 USB 3.0 AXS Memory card reader, using the AXS Memory card adapter. * HFR up to 120 fps in 4K resolution is only supported by AXS-R7 Portable Memory Recorder with PMW-F55. Slim and small design35 x 75 x 8 mm size using less power and more effective ventilation compared to previous AXS Memory cards. Ideal for PMW-F55, PMW-F5, PXW-FS7 and NEX-FS700 2K/4K RAW workflowsAXS Memory has a unique combination of capacity, sustained data throughput, security and portability. It opens up completely new ways for end-users to work. Works with AXS-R7, AXS-R5 and AXS-CR1The AXS-A512S48 works with the AXS-R7 4K Portable Memory Recorder and AXS-R5 2K / 4K RAW recorder and AXS-CR1 USB 3.0 AXS Memory card reader, using the AXS Memory card adapter. Records 4K RAW and 2K RAWHigh capacity recordings of, for example, 60 min 4K RAW and 235 min 2K RAW at 23.98PsF, 23 min 4K RAW and 94 min 2K RAW at 60p, and 24 min 2K RAW at 240fps (frames per second), and 11 min 4K RAW at 120fps.  

Charges one BP-U90/U60/U60T/U30 batteryThe BC-U1A battery charger charges one compact BP-U90, BP-U60/U60T, BP-U30 Lithium-ion battery at high speed. Built-in AC adaptor provides 12 V DC power outputThe BC-U1A also has 12 V DC power output cable to power a camcorder directly. Compact design for ease of useThe BC-U1A has a mass of only 340 g (12 oz) and dimensions (W x H x D) of 128 x 45 x 98 mm (5 1/8 x 1 13/16 x 3 7/8 inches). NOTE: BC-U1A is compliant with safety standard IEC62368-1.SPECIFICATIONS Power Requirements: AC100V～240V 50/60Hz Power consumption: 46W DC supply: [36W] 12V / 3.0A Charging Voltage: 16.4V Dimensions (W x H x D): 128x45x98 (mm) Mass: 340 (g) Operating Temperature: [DC supply]-5 ℃～+45℃; [Charge] 0℃～+45℃ Charge times BP-U90: 190 minutes BP-U60: 150 minutes BP-U30: 130 minutes  

BRC-AM7 is an advanced PTZ Auto Framing camera with built-in AI analytics delivering flagship image quality. Offering high interoperability with other production systems. The BRC-AM7 stands as one of the smallest and lightest integrated lens PTZ cameras, measuring a compact 168.7mm wide, 225.2mm tall, and 192.3mm deep, with a weight of just 3.7kg. Its compactness offers enhanced installation flexibility, broader accessibility, and diverse vantage points. Seamlessly integrating with Sony's professional camera ecosystem, it ensures compatibility and seamless color matching. Incorporating AI-based auto-tracking and Auto Framing technology, it streamlines content creation, enhancing production efficiency and maintaining high production values.Key Highlights: Dramatically improved imaging performance Images captured over a 20x optical zoom range that covers everything from wide angles to close-ups are delivered as high-quality 4K 60p output. In addition, interoperability with existing systems has been improved by incorporating ITU709/709tone, S-Cinetone™, and S-Log3 support. Built-in AI PTZ Auto Framing Advanced AI analytics allow subjects to be accurately tracked with smooth, natural-looking framing, making it easier than ever to produce high quality content with less camera operators. Direct pan and tilt drive using newly developed brushless DC motor results in exceptionally smooth camera operation. This advanced drive system is also remarkably quiet and is ideally suited to situations where silence is a requirement. Seamless integration with Sony’s system cameras The BRC-AM7 is the smallest and lightest camera of its type in the world*, making it easy to install just about anywhere. It is unobtrusive for the same reason, even in multi-camera setups. Additionally, the BRC-AM7 offers broad connectivity and system compatibility with for example S700PTP and free-d protocols.New 24-480 mm* integrated lens design covers wide to telephotoThis newly developed built-in lens features a 20x optical zoom range. In addition, Sony’s advanced Clear Image Zoom offers 30x zoom (720 mm) in 4K and 40x zoom (940 mm) in Full HD. This offers extraordinary range that can easily capture a subject in various situations.* 35mm full-frame equivalent.Built-in Variable ND filter for automatic exposure adjustmentSony’s original built-in electronic variable ND (neutral density) filter allows seamless variation from 1/4 to 1/128 ND, with an auto exposure mode automatically maintaining optimum exposure through lighting variations. Ideal exposure can be maintained when stage lighting changes, for example, without having to adjust iris, shutter, or gain. Also, optimum exposure can be achieved without affecting depth of field in the widest possible range of lighting situations.Quick colour matching with other Sony's camerasColor matching with Sony’s system cameras is simple with ITU709 and 709tone, as well as S-Cinetone and S-Log3 for Cinema Line cameras for seamless multi-camera operation.Built-in AI PTZ Auto Framing - Highly accurate recognition technologyAI analytics uses detailed human pose, head, face, clothing, and other data to recognise human subjects with high precision. This can be used to automatically control pan, tilt, and zoom to follow an athlete at a sports event, for example. PTZ Auto Framing is smooth and natural-looking, making it possible to work with a smaller camera crew.High-performance AF and PTZ Auto Framing combined for outstanding subject trackingThe latest Exmor™ RS image sensor and BIONZ XR image processing engine work in unison to achieve outstanding subject detection precision and speed for significantly improved tracking performance. The image sensor has focal plane phase-detection AF in the imaging area, easily focusing on fast-moving subjects with extraordinary speed and precision over a wide area. PTZ Auto Framing works with this newly adopted AF system to dramatically improve overall AF tracking performance. A performer who is actively moving around on stage can be reliably followed while precise focus is maintained, for example. With this capability, a multi-camera system can be set up to follow individual performers without requiring a correspondingly large camera crew.Versatile camera work and quiet operationA direct drive system using newly developed motors allows smooth, detailed control of camera pan and tilt for high-quality visual presentation. These advanced motors work with precision optical encoders to allow pan and tilt speeds ranging from a very slow 0.004 degrees per second to a snappy 180 degrees per second. This broad speed range makes it possible to be used in a various applications.Seamless integration with Sony’s system cameras - Interoperability with existing systemsThe BRC-AM7 supports not only ITU709, 709tone, S-Cinetone and S-Log3 for seamless color matching, but also has great control capability by S700PTP protocol. This allows remote control of Sony’s cameras via Ethernet, so detailed remote control is available from Sony’s RCP series remote control panels or MSU series master setup units. This makes it possible to combine the BRC-AM7 with Sony’s BRC series cameras and/or system cameras to create highly integrated systems with advanced remote-control capability*. *An MSU unit is required for multi-camera systems.Installation freedom and flexibilityThe BRC-AM7 is the smallest, lightest camera of its kind in the world.* It fits easily in limited spaces where installation of other PTZ cameras might be difficult or impossible. This product is less likely to be noticed if it appears in a shot in a multi-camera installation. The BRC-AM7 also has a standard 1/4-20 UNC screw socket for tripod mounting and the same 3/8-16 UNC screw socket as other system cameras for accessory attachment. ＊Equipped with a 1.0-type image sensor and compatible with 4K 60p as an integrated lens PTZ remote camera. As of April 2024 press announcement. Sony survey.Broad connectivityIn addition to 12G SDI primary output, 3G SDI is provided for monitoring. The BRC-AM7 offers a variety of video output options such as optical-fiber 12G SDI available via an SFP slot, and HDMI. Audio input can be connected via a pair of 3-pin XLR type connectors or a 3.5 mm stereo jack, providing plug-in compatibility.Power can be supplied via a standard 4-pin XLR connector, or a PoE++* network connection without the need for additional wiring in environments where a power infrastructure is not available.Expanding creative possibilitiesfree-d compliant camera tracking information output (pan, tilt, zoom, focus, iris) allows the camera’s position in 3DCG space to be output so that its motion can be replicated in virtual VR/AR systems. This makes high-level virtual production available for news programmes, events, and much more. SRT/RTMP/RTMPS/RTSP, NDI|HX, and optical fiber communication are supported, allowing 4K 60p output and remote control via an IP network Specifications

  Sony Burano - A New Era in Cinematography Versatile, lightweight, and compact full-frame 8K cinema camera with 16 stops of latitude, image stabilization for PL and E-mount lenses. Easily configurable for solo and team production. BURANO is a new concept in cinema cameras. It takes VENICE’s superior image quality and usability but re-imagines it for solo and small team productions. 33% lighter than VENICE 2, more power efficient and supporting CFexpress media – it’s not just our smallest full-frame CineAlta camera, in many ways it’s our most technically advanced. Expect uncompromising image quality wherever you are, whatever the size of your crew.Smaller, Lighter, Stronger At 6.39 lb including the PL adapter, BURANO is approximately 33% lighter than Sony’s top-of-the-line VENICE 2 digital cinema camera – a significant advantage when shooting hand-held or shoulder mounted, as well as when using with gimbal, drone, cranes and jibs.All the button and key layouts have been carefully considered to suit the new compact size and solo or team operation. The main cinematography controls are on the Operator Switch Side and can be illuminated for use in dark environments. The camera has tally lights in three positions, so operators can check status from four different directions. There’s also an optional audio beep for recording start and stop.Despite its compact size, BURANO is engineered to Sony’s highest standards of reliability with a housing constructed of sturdy magnesium alloy and aluminum for shooting in the harshest environments. Recording for hours on end is no problem with a highly efficient cooling system, which is completely isolated from the image sensor and other dust sensitive components.Smarter Shooting BURANO makes shooting the highest quality 8K simpler than you can imagine. The world’s first PL mount compatible camera with a built-in stabilization system*. A ground-breaking combination of our unique electronic variable ND filter system with in-body image stabilization (IBIS) in a full-frame PL and E-mount cinema camera. For the first time in a full-frame CineAlta camera, Fast Hybrid and Subject Recognition AF with AI makes it easier to get the shots you want under the most demanding scenarios. With BURANO, you don’t need a studio or big crew to excel.* As of September 2023, based on Sony research for cinema cameras with standard equipped PL mount   Shoot The Way You WantBURANO adapts to be the camera you want to be whatever the shoot. A multi-purpose touchscreen LCD monitor, with a flexible mounting system and versatile, robust handle, allow you to easily configure BURANO for different shooting styles. A lightweight, compact chassis and ergonomic balance make it easy to switch between shoulder-mount, handheld, gimbal or drone operation. BURANO can be configured for large and small projects, solo or with an entire crew. It’s all your choice.Full-Frame 8.6K SensorBURANO has a large 3.6 x 2.4 cm full-frame image sensor that delivers high-quality images and superb rendition with wide latitude and a rich color gamut. It achieves the beautiful bokeh and dynamic wide-angle shooting that only a full-frame sensor can provide. 8K image quality with a maximum resolution of 8632 x 4856 and, through oversampling, it can output phenomenal looking 4K content.Multiple Image Scan Modes BURANO supports 16:9 and 17:9 readouts in full-frame (8.6K) and Super 3.5 cm (5.8K). Image scan modes include full-frame and Super35 as well as finely optimized down sampled and high-speed modes such as 6K 60p (FF crop), 5.8K 60p (S35), and 4K 120p (S35 crop*) catering to a wide range of production requirements. * Only 17:9 in Super 35 Cropped (S35c) mode16 Stop LatitudeWith a wide latitude of 16 stops*, BURANO captures beautiful, low-noise images under almost any lighting conditions. The camera’s wide dynamic range captures everything from highlights to shadows expertly with superb color rendition, giving operators maximum flexibility in color grading. * S-Log3 shooting. Sony measurements.Wide Color GamutBURANO features Sony’s signature S-Gamut/S-Gamut.Cine wide color space that, as with the VENICE 2, covers a gamut exceeding BT.2020 and DCI-P3. S-Log3 and X-OCN also dramatically enhances creative flexibility in post-production. As BURANO offers the same color accuracy as VENICE 2, it’s easy to use both cameras together for a seamless and efficient post-production workflow.   Internal 16-bit X-OCN LT and XAVC H recordingDespite its compact dimensions, BURANO offers internal recording of X-OCN LT* as well as our new XAVC H and proven industry standard XAVC-I format. X-OCN is Sony’s compressed RAW format that records everything that the 8.6K sensor can capture in a broad latitude 16-bit scene linear file full of rich tonal gradation. X-OCN LT’s high efficiency reduces storage requirements and accelerates file transfer times for 8K content for a post-production workflow that’s comparable to a 4K project.BURANO also features 10-bit S-Log3 with XAVC H-I HQ recording at 1200 Mbps and XAVC H-I SQ recording at 800 Mbps for 8K30p image quality. This enables even greater data savings and faster post-production workflow.* Not compatible with X-OCN XT and X-OCN ST recording formatsNew in-camera Looks for Ready-to-Use Footage BURANO has four new looks – Warm, Cool, Vintage and Teal and Orange – to choose between alongside the established s709 and 709 (800) looks in Cine EI mode. Creatively tuned to suit typical shooting scenarios, they give the operator a choice of distinctive, engaging looks at the touch of a button. Moreover, LUT data from a shoot can be embedded in those clips’ metadata for an efficient color workflow. s709: Kodak 2383-like natural tones and colors s709(800): Standard 709 tone curve for accurate color reproduction Anamorphic Lens De-Squeeze functionBURANO comes with an anamorphic de-squeeze function as standard. The monitoring menu gives a choice from 1.3x/2.0x, based on the anamorphic lens’ magnification. The result can be seen on the LCD monitor display, and on external monitors at FHD resolution. The camera monitor output supports SDI or HDMI for X-OCN shooting, and HDMI for non-X-OCN content.In-Body Stabilization with PL mount lenses BURANO is the world’s first cinema camera that supports in-body optical image stabilization (IBIS) for almost any attached lens, including for the first time PL. The new, compact image stabilization system was originally developed for the Alpha series of mirrorless cameras. Featuring a gyroscopic sensor and control algorithm, it compensates for camera shake even for handheld shooting while walking. The stabilization is so effective that it removes the need for any extra equipment for many applications.Stabilization is even greater with E-mount lenses, allowing more difficult shots to be captured without blurring. Camera shake data can be passed to post production for precise alignment with CGI and in volume stages.Electronic Variable ND Filter Sony’s unique electronic Variable ND Filter has been redesigned to be both smaller and compatible with the built-in image stabilization mechanism. It can smoothly and continuously change its density from 0.6 (1/4) to 2.1 (1/128). With physical ND filters no longer needed, operators can adjust the electronic filter density by simply rotating the ND dial. Operators can maintain a constant depth of field by adjusting the electronic ND filter and the iris control together. Continuous or stepped changes can be selected with the ND STEP/VARIABLE switch, depending on the application. The [Auto ND] function automatically adjusts the filter density to give correct exposure, effectively allowing the use of the ND filter as an alternative Auto IRIS.Catch the action with Fast Hybrid AF*Effortlessly track fast moving subjects with pin-sharp focus, even when using wide lens aperture settings to maintain a shallow depth of field with BURANO’s full-frame sensor. Originally developed by Sony’s Alpha camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognizes and locks on to human faces.The dedicated 627-point phase detection AF sensor covers approximately 88.7% of the whole image area, allowing consistently accurate, responsive AF tracking, even with shallow depth-of-field.AI Subject Recognition AF with touch*Our onboard AI processing unit recognizes not only eye position but also accurately senses human torso and head positions. Subject Recognition AF automatically draws a frame around people’s faces when they are detected. Human pose estimation technology recognizes body and head position, so you can even track a subject facing away from the camera or wearing a mask.Touch a person to focus on, and the camera will track that person precisely. Even in challenging situations like a bowed head or when hair is covering a face, the camera accurately captures the eyes, so that operators can focus accurately even in the most difficult circumstances.* Over 70 E-mount lenses can use BURANO’s advanced Hybrid AF and AI Subject Recognition AF featuresDual CFexpress Type B Slots Sony’s new CFexpress card VPG400 allows for reliable capture at exceptional high data rates, including X-OCN LT recording in full 8K.BURANO’s dual media slots allow relay and simultaneous recording*, while versatile CFexpress Type B media are convenient for backing up and transferring data in the field. An additional SD card slot is for storing Proxy and camera setting information.* XAVC-only   Specifications     Pre-Order-Now @ Band Pro Munich info@bandpro.de    

The versatile and compact Sony BURANO Cine Kit offers high-quality imaging with its Full-Frame 8.6K sensor, delivering stunning visuals and wide latitude. Its large sensor ensures beautiful bokeh and dynamic wide-angle shots, while its maximum resolution of 8632 x 4856 produces exceptional 4K content through oversampling. Supporting various image scan modes, including full-frame and Super35, as well as optimized downsampled and high-speed modes like 6K 60p (FF crop), it caters to diverse production needs, whether solo or team-based. A pioneer in cinema camera design, the BURANO builds upon VENICE's excellence in image quality and usability, tailored for solo and small team productions. It's 33% lighter than VENICE 2, more power-efficient, and compatible with CFexpress media, making it both the smallest full-frame CineAlta camera and the most advanced. With superior image quality regardless of crew size or location, it sets a new standard in cinematography. Simplifying 8K shooting, the BURANO is the first PL mount-compatible camera with built-in stabilization, combining electronic variable ND filter system with in-body image stabilization (IBIS) for smooth footage. It boasts Fast Hybrid and Subject Recognition AF with AI for effortless shooting in demanding conditions, adapting to various shooting styles from handheld to drone operation.In addition, the Sony 1TB CFexpress Type B Card offers blazing read and write speeds of up to 1850 MB/s and 1750 MB/s respectively, enhancing workflows and productivity for professionals and enthusiasts alike. VPG400 certification ensures stable high bitrate or framerate video capture at 4K resolution and beyond, while its durability makes it perfect for challenging environments such as sports events, location shoots, and outdoor expeditions. Key Features Sony BuranoFull-frame 8K cinema capability with 8.6K sensor Large 36x24mm sensor for wide latitude and rich color gamutMaximum resolution of 8632 x 4856 for phenomenal 4K oversampled content Multiple image scan modes: full-frame, Super35, down sampled, and high-speed (e.g., 6K 60p) Versatile and lightweight design, easily configurable for solo or team production Incorporates VENICE's superior image quality and usability, optimized for solo/small team productions 33% lighter than VENICE 2, power-efficient, and supports CFexpress media World's first PL mount compatible camera with built-in stabilization system Features electronic variable ND filter system and in-body image stabilization (IBIS) Fast Hybrid and Subject Recognition AF with AI, adaptable to various shooting styles.Sony CFexpress Memory Card 960GB The Sony 960GB CEB-G Series CFexpress Type B Memory Card offers blazing read speeds of up to 1850 MB/s and write speeds of up to 1750 MB/s, ideal for professionals needing rapid data transfer. VPG400 certification ensures stable high bitrate video capture, while its durability withstands extreme conditions, offering peace of mind for outdoor shoots. The card's toughness exceeds industry standards, withstanding falls up to 5 meters and harsh environments. Additionally, Sony's Media Scan Utility monitors card health, and rescue software aids in file recovery. Compatible with Sony CFexpress Type B and XQD G series, the MRW-G1 card reader enables quick data transfer for efficient workflows. Key Features CFexpress Memory Card 960GB Ultra-fast read speeds of up to 1850 MB/s High write speeds of up to 1750 MB/s VPG400 certification for stable high bitrate video capture Exceptional durability for extended professional use Superior strength exceeding industry standards Withstands falls up to 5 meters Resilient in extreme environmental conditions Sony Media Scan Utility monitors card health Downloadable rescue software for file recovery Compatibility with Sony CFexpress Type B and XQD G series; works with MRW-G1 card reader for efficient data transfer

The versatile and compact Sony BURANO Docu Kit offers high-quality imaging with its Full-Frame 8.6K sensor, delivering stunning visuals and wide latitude. Its large sensor ensures beautiful bokeh and dynamic wide-angle shots, while its maximum resolution of 8632 x 4856 produces exceptional 4K content through oversampling. Supporting various image scan modes, including full-frame and Super35, as well as optimized downsampled and high-speed modes like 6K 60p (FF crop), it caters to diverse production needs, whether solo or team-based. A pioneer in cinema camera design, the BURANO builds upon VENICE's excellence in image quality and usability, tailored for solo and small team productions. It's 33% lighter than VENICE 2, more power-efficient, and compatible with CFexpress media, making it both the smallest full-frame CineAlta camera and the most advanced. With superior image quality regardless of crew size or location, it sets a new standard in cinematography. Simplifying 8K shooting, the BURANO is the first PL mount-compatible camera with built-in stabilization, combining electronic variable ND filter system with in-body image stabilization (IBIS) for smooth footage. It boasts Fast Hybrid and Subject Recognition AF with AI for effortless shooting in demanding conditions, adapting to various shooting styles from handheld to drone operation.In addition, the Sony 1TB CFexpress Type B Card offers blazing read and write speeds of up to 1850 MB/s and 1750 MB/s respectively, enhancing workflows and productivity for professionals and enthusiasts alike. VPG400 certification ensures stable high bitrate or framerate video capture at 4K resolution and beyond, while its durability makes it perfect for challenging environments such as sports events, location shoots, and outdoor expeditions. Key Features Sony BuranoFull-frame 8K cinema capability with 8.6K sensor Large 36x24mm sensor for wide latitude and rich color gamutMaximum resolution of 8632 x 4856 for phenomenal 4K oversampled content Multiple image scan modes: full-frame, Super35, down sampled, and high-speed (e.g., 6K 60p) Versatile and lightweight design, easily configurable for solo or team production Incorporates VENICE's superior image quality and usability, optimized for solo/small team productions 33% lighter than VENICE 2, power-efficient, and supports CFexpress media World's first PL mount compatible camera with built-in stabilization system Features electronic variable ND filter system and in-body image stabilization (IBIS) Fast Hybrid and Subject Recognition AF with AI, adaptable to various shooting styles.Sony GP-VR100 Grip Remote Control for Sony BuranoPopular with operators around the world, the adjustable arm with Grip Remote Control transformed shooting on the go and now with GP-VR100* we’ve made it even better. The arm’s length is easily adjustable at the turn of a knob, while another knob at the joint adjusts the angle. Once perfectly adjusted for shooting from your shoulder or waist, Sony’s Grip Remote Control puts all the important controls at your fingertips with Zoom, Start/Stop and a range of Assign controls, including a dial you can use to adjust Iris. So, you can operate the camera without taking your hand off the grip. The unit can control basic camera shooting operations (recording start/stop, zoom, etc.). You can operate functions assigned on the camera using the ASSIGN (assignable) button, assignable dial, and multi selector.Key Features GP-VR100 Grip Remote Control For Sony BURANO 8K Cinema Camera On/Off, Zoom & Focus Functions Extendable Extension Arm Coiled 3.5mm LANC Cable Mounts Using Sony-Standard Rosette Contoured Grip with Support StrapSony CFexpress Memory Card 960GB The Sony 960GB CEB-G Series CFexpress Type B Memory Card offers blazing read speeds of up to 1850 MB/s and write speeds of up to 1750 MB/s, ideal for professionals needing rapid data transfer. VPG400 certification ensures stable high bitrate video capture, while its durability withstands extreme conditions, offering peace of mind for outdoor shoots. The card's toughness exceeds industry standards, withstanding falls up to 5 meters and harsh environments. Additionally, Sony's Media Scan Utility monitors card health, and rescue software aids in file recovery. Compatible with Sony CFexpress Type B and XQD G series, the MRW-G1 card reader enables quick data transfer for efficient workflows. Key Features CFexpress Memory Card 960GB Ultra-fast read speeds of up to 1850 MB/s High write speeds of up to 1750 MB/s VPG400 certification for stable high bitrate video capture Exceptional durability for extended professional use Superior strength exceeding industry standards Withstands falls up to 5 meters Resilient in extreme environmental conditions Sony Media Scan Utility monitors card health Downloadable rescue software for file recovery Compatibility with Sony CFexpress Type B and XQD G series; works with MRW-G1 card reader for efficient data transfer

  Sony CBK-3620XS Realto VENICE Extension System 2 The [CBK-3620XS] is increasing the flexibility compared with [CBK-3610XS] as customers are now able to use both sensors with even more distance between the sensor and the body. This will add the possible usage also on cranes which have been limited before. This model is able to support all features of VENICE 2 and will expand the creativity of DoPs. Shooting a scene handheld with an impossible sense of freedom comparable to a stills camera. Revolutionizing aerial photography with an array of three cameras inside a jet fighter’s cockpit. The original VENICE Extension was created out of a partnership with a director demanding impossible flexibility for a 3D shoot where there could be no compromise in image quality. The innovative cabled separation of the image sensor and camera body meant cinematographers no longer needed to compromise their vision. Its compact size allowed DoPs to fit truly cinematic lenses and achieve their preferred look in every scene. Key features Supports VENICE2 8K high quality images (Compatible with VENICE2-8K/VENICE2-6K/VENICE) 2 new cable lengths, 12m & 3m no repeater necessary (both cables are included in the CBK-3620XS) Tilt/Roll sensor built-in 3 more assign buttons (4 in total for VENICE2) Unique technology Second Generation EnhancementsIncorporating customer feedback and developed alongside VENICE 2, the VENICE Extension System 2 (CBK-3620XS) offers a wider bandwidth to support the VENICE 2 with an 8K sensor, over twice as much cable distance (up to 12 m) without a repeater box, additional control buttons and a built-in gyro sensor. It once again expands the realms of possibility for cinematography. The new Extension System is fully compatible with VENICE 2 using the 8K or 6K sensors, while also supporting the original VENICE camera with extended 12-m cable length. The Extension System also has an HD-SDI output and a 24-V output for powering accessories such as lens servo motors and monitoring. Multiple screw holes on all surfaces make it easy to accessorize and fit on to a wide variety of rigs while the main weight of the camera can be supported elsewhere. There’s no need for a smaller, lighter B-camera for extreme shooting scenarios. You can shoot everything with one modular camera system.   DetailsIdeal for shooting in tight spaces and with gimbalsThe Extension System camera head measures 158 × 147 × 126 mm (H × W × D)*, weighing around 2.2 kg* with a PL mount adapter and 1.7 kg* with E mount when used with the VENICE 2 8K sensor block. The separated sensor block with lens is so small and light it allows for an easy handheld mode, enabling you to locate it in tiny spaces, keeps stabilization systems lightweight, allows use of larger lenses while maintaining a smaller profile, facilitates faster operation for motion-control rigs, use of body mounts, and other situations that you wouldn’t expect possible for a full-frame cinema camera. The creative freedom without any image compromise is boundless.Extends up to 12 meters without a repeaterThe original VENICE Extension System could reach a maximum extension of 5.5 m between the camera head and body. The VENICE Extension System 2 more than doubles that with transmission distance up to 12 m. The original also needed a repeater to connect the middle of the cable between the head and body to reach 5.5 m. The CBK-3620XS extends to 12 m without a repeater. This enables greater freedom of movement and expands the range of shooting possibilities, particularly when used with a crane. The CBK-3620XS also offers both 3-m and 12-m cables. Simply choose the best one for your needs.Gyroscopic support with recording to metadataWhile shooting with the original Extension System did not accommodate use of a spirit level indicator (gyroscope sensor), the CBK-3620XS is equipped with a sensor on the camera head side that detects horizontal and vertical tilt. This allows use of a spirit level indicator and spirit level gauge graphical indicator on the camera's main monitor, even when shooting with the CBK-3620XS. Camera head tilt information can be checked when shooting at different head and tilt angles – ideal for VFX applications. Naturally, the horizontal and vertical tilt are also recorded in the metadata and output through the camera’s SDI.4 assignable (ASSIGN) buttons on camera head for easy operationThe camera head has four ASSIGN buttons that can be set to functions such as change ND filter settings, REC Start/Stop and more for easier operation with VENICE 2. Choose a custom set-up that suits your preference for any scene. Please note the original VENICE is limited to one button operation with CBK-3620XS.Compatible with VENICE* and VENICE 2**The CBK-3620XS was developed alongside VENICE 2 to support both 8K and 6K sensors. It is also compatible with the original VENICE using the latest firmware, however, due that camera’s existing functionality, some CBK-3620XS features may not be available. VENICE does not support spirit level display and recording to metadata, while only one assignable button is functional rather than four. However, VENICE fully benefits from greater cabling length.* VENICE requires the latest firmware.** VENICE 2 requires the latest firmware. Specifications Power consumptionApprox. 3.0 W (with 3-m extension)Approx. 3.0 W (with 12-m extension)Operating Temperature0 °C to 40 °C (32 °F to 104 °F)Storage Temperature–20 °C to +60 °C (–4 °F to +140 °F)MassImager Block Adapter 3 m: 1.8 kg (3 lb 16 oz)Imager Block Adapter 12 m: 3.2 kg (7 lb 1 oz)Camera Body Adapter: 0.4 kg (14 oz)CBK-3620XSApprox. 5.4 kg (11 lb 15 oz)(excluding supplied accessories)Input/Output Connectors24 V IN connector (Fischer 3-pin) (1)24 V OUT connector (Fischer 3-pin) (1)MONITOR IN connector (BNC type) (1)MONITOR OUT connector (BNC type) (1)  

  Sony CEA-G Series CFexpress Type A Memory Card 160GB Ultra-high-speed storage for innovative creators The new CFexpress Type A standard was developed to provide compact cameras with the ultra-high-speed performance required for cutting-edge video creation. It maximises the capabilities of α-series cameras and the latest image-processing engines. For creators seeking higher levels of performance and expression, this compact card is a must-have.CFexpress Type A – A new standard for compact storageSuper-charge your professional video and photography workflows with Sony’s CFexpress Type A memory cards – ideal for advanced cameras like the α7S III. The world’s firstCFexpress Type A cards, they deliver extraordinary speed, around twice that of the best SDXC cards, in a similarly compact body. With write speeds up to 700MB/s and professional-level durability, Sony CFexpress Type A cards open up a wide range of new imaging possibilities.Extraordinary response speedDramatically expand your photographic possibilities, with uncompressed continuous RAW shooting for fast-moving action such as motor sports and wildlife. Writing speeds of up to 700MB/s far outperform even the best SDXC cards, ensuring ultra-fast camera buffer clearance for responsive continuous shooting.Dependable videographySony CFexpress Type A cards are optimised for continuous, high-bandwidth data writing, making them ideal for professional high-bitrate video recording, such as 4K 120p capture on cameras like the α7S III, where dependability is critical. For extra reassurance and video recording stability they also carry the VPG (Video Performance Guarantee) 400.Ultra-efficient workflowDramatically accelerate your workflow with the optimised MRW-G2 card reader and ultra-fast read speeds of up to 800MB/s for data transfer and backup. Work seamlessly with high-resolution photos and high-bitrate video, to turn projects around at the speed of your imagination.Rugged. Reliable. Ready.Partnered with professional equipment like the α7S III, CFexpress Type A memory cards are perfect for the unpredictability of sport and location shoots or the hazards of outdoor expeditions. They are designed for extended professional use in the most challenging environments – from snow-covered mountains to sand-blown deserts – so you can shoot, swap and store with total confidence.For the roughest placesThanks to Sony’s unique TOUGH card design, our CFexpress Type A cards offer over 10x greater bend resistance than standard CFexpress cards. Designed for absolute dependability, their rigidity is tested to 150 newtons to protect your card data during  drops from up to 7.5 metres – 5 times that mandated by the CFexpress Type A standard.For the toughest conditionsYou can rely on CFexpress Type A memory cards to work faultlessly in extreme temperatures, harsh electrostatic environments and intense UV light or X rays. With IP57 dust and moisture ingress protection your data is safe even from a drop at the beach or an accidental cycle through the washing machine.   SPECIFICATIONS    

  Sony CEA-G Series CFexpress Type A Memory Card 80GB Ultra-high-speed storage for innovative creators The new CFexpress Type A standard was developed to provide compact cameras with the ultra-high-speed performance required for cutting-edge video creation. It maximises the capabilities of α-series cameras and the latest image-processing engines. For creators seeking higher levels of performance and expression, this compact card is a must-have.CFexpress Type A – A new standard for compact storageSuper-charge your professional video and photography workflows with Sony’s CFexpress Type A memory cards – ideal for advanced cameras like the α7S III. The world’s firstCFexpress Type A cards, they deliver extraordinary speed, around twice that of the best SDXC cards, in a similarly compact body. With write speeds up to 700MB/s and professional-level durability, Sony CFexpress Type A cards open up a wide range of new imaging possibilities.Extraordinary response speedDramatically expand your photographic possibilities, with uncompressed continuous RAW shooting for fast-moving action such as motor sports and wildlife. Writing speeds of up to 700MB/s far outperform even the best SDXC cards, ensuring ultra-fast camera buffer clearance for responsive continuous shooting.Dependable videographySony CFexpress Type A cards are optimised for continuous, high-bandwidth data writing, making them ideal for professional high-bitrate video recording, such as 4K 120p capture on cameras like the α7S III, where dependability is critical. For extra reassurance and video recording stability they also carry the VPG (Video Performance Guarantee) 400.Ultra-efficient workflowDramatically accelerate your workflow with the optimised MRW-G2 card reader and ultra-fast read speeds of up to 800MB/s for data transfer and backup. Work seamlessly with high-resolution photos and high-bitrate video, to turn projects around at the speed of your imagination.Rugged. Reliable. Ready.Partnered with professional equipment like the α7S III, CFexpress Type A memory cards are perfect for the unpredictability of sport and location shoots or the hazards of outdoor expeditions. They are designed for extended professional use in the most challenging environments – from snow-covered mountains to sand-blown deserts – so you can shoot, swap and store with total confidence.For the roughest placesThanks to Sony’s unique TOUGH card design, our CFexpress Type A cards offer over 10x greater bend resistance than standard CFexpress cards. Designed for absolute dependability, their rigidity is tested to 150 newtons to protect your card data during  drops from up to 7.5 metres – 5 times that mandated by the CFexpress Type A standard.For the toughest conditionsYou can rely on CFexpress Type A memory cards to work faultlessly in extreme temperatures, harsh electrostatic environments and intense UV light or X rays. With IP57 dust and moisture ingress protection your data is safe even from a drop at the beach or an accidental cycle through the washing machine.   SPECIFICATIONS      

  Sony FE 16-35mm F2.8 GM IIThe FE 16-35mm F2.8 GM II delivers dynamic wide-angle perspectives with extraordinary resolution and bokeh while maximizing the speed and performance of advanced camera bodies. Unequalled AF performance provides significant advantages for stills and movies in a versatile lens that is also the smallest and lightest of its kind.   Key Features Full-Frame | f/2.8 to f/22 Fast Wide-Angle Zoom 20% Lighter, 10% Smaller than Previous Four XD Linear AF Motors, Floating Focus Aperture De-Click and Lock Switches Zoom Smoothness Switch XA and Super ED Elements Fluorine Coating Dust and Moisture-Resistant Construction Breathtaking G Master resolutionHigh spatial resolution results in detailed rendering right out to the image edges throughout the 16-35 mm zoom range, even with the lens wide open. Five aspherical elements include three XA (extreme aspherical) elements, and aberration is effectively controlled for an outstanding blend of high resolution and gorgeous bokeh.Extraordinary resolution and bokehSmooth, beautiful bokeh is made possible by a large F2.8 maximum aperture, innovative optical design, and an advanced 11-blade aperture unit. The FE 16-35mm F2.8 GM II also offers outstanding close-up performance with a minimum focusing distance of 0.22 m (0.73 ft) throughout the zoom range and maximum magnification of 0.32x. Get close for dynamic perspectives while deep bokeh adds extra expressive capability.Refined for outstanding movie imageryReduced focus breathing, focus shift, and axis shift when zooming contribute to smooth movie imagery, while XD (extreme dynamic) Linear Motors and an advanced aperture unit reduce noise and vibration. A center of gravity that changes very little contributes to agile, stable maneuverability when shooting handheld, and eliminates the need for readjustment after changing the zoom setting when using a gimbal.AF that is smooth, precise, quiet, and lightning fastThe FE 16-35mm F2.8 GM II uses a floating focus mechanism that includes four original XD Linear Motors and precise lens control for up to approx. 2x higher AF speed. Continuous shooting at up to 30 fps is possible with Sony’s α1 body. It reliably acquires focus and smoothly tracks subjects, easily achieving the critical focus required for slow motion and 4K/8K movies.The world’s smallest and lightest in its classEven though it is the smallest and lightest F2.8 16-35 mm zoom in the world, the FE 16-35mm F2.8 GM II delivers extraordinary imaging quality thanks to XA elements and Super ED glass (extra-low dispersion) in an advanced optical design. Lightweight high-thrust XD Linear Motors further contribute to a low overall weight of just 547 grams (19.3 oz.). That’s about 20% lighter than the E 16-35mm F2.8 GM. Overall length is a compact 111.5 mm(4-1/2 in.).Professional control and reliabilityA click ON/OFF switch and lock switch offer flexible aperture control, while two focus hold buttons provide convenient access for horizontal or vertical shooting. One function can be assigned to the focus hold buttons from the body menus. All seams feature structural sealing, buttons and switches are fitted with silicone rubber gaskets, and a rubber ring seals the lens mount for protection against dust and moisture.      

  Sony FE 24-70mm F2.8 GM II Full-frame Standard Zoom G Master lensNext-generation G Master standard zoomThe FE 24-70mm F2.8 GM II is an updated “holy trinity” standard zoom, packing evolved optics and AF performance into a convenient, compact, lightweight zoom design that offers maximum mobility for both stills and movies. It is an ideal match for high-performance compact α system bodies, and will cover a wide range of shooting situations.High resolution that rivals the best primesExcellent contrast at high spatial frequencies means superb resolution even at F2.8. Two high-precision XA (extreme aspherical) elements, two ED (Extra-low dispersion) glass elements, two Super ED glass elements, and a floating focus mechanism control chromatic aberration, astigmatism, distortion, and coma at all zoom and aperture settings. Nano AR Coating II subdues flare and ghosting for outstanding clarity.Stunning G Master bokehExquisite F2.8 bokeh extends throughout the zoom range thanks to advanced optical design and a new 11-blade aperture unit. Bokeh is enhanced by precise control of spherical aberration during design and for each lens during manufacture. Two XA elements with 0.01-micron precision suppress onion ring bokeh. Minimum focusing distance is 8.27" (0.21 meters) and 11.8" (0.30 meters), with max. magnification of 0.32x.Fast, precise AF and excellent responseFour of Sony’s original XD (Extreme Dynamic) Linear Motors, a floating focus mechanism and advanced lens control achieve high AF precision and approximately 2x better tracking performance while zooming than the previous model.3 With a compatible body it can shoot at up to 30 frames per second.4 The new aperture unit also contributes to high speed, enabling full AF tracking performance even when shooting with the aperture stopped downMovie features refined for visual creatorsThe latest lens design technology reduces unwanted image shifts and angle of view variations for smooth, expressive movie imagery. XD Linear Motors enhance AF and tracking performance, enabling high frame rate recording for exquisite detail. Independent focus and aperture rings are provided. Linear response MF ensures direct, repeatable manual focus adjustment when focusing manually.Excellent control and reliability in any environmentAn updated dust and moisture resistant design6 provides extra reliability for outdoor use in challenging conditions, and a fluorine coating keeps the front element clean. Convenient operation of circular polarizing and variable ND filters (optional) is provided by a special opening in the supplied lens hood. Two customizable focus hold buttons are provided for easy access and convenient control when shooting in any orientation.   Highlights Superb image quality throughout the entire zoom range at all focusing distances Smallest and lightest F2.8 24-70mm zoom in its class2 - 24.6 oz (695 g) Beautiful F2.8 bokeh throughout the zoom range from advanced optics & 11-blade aperture Four XD Linear Motors and floating focus achieve fast, precise, quiet AF and excellent response Minimum focusing distance is just 8.3” at 24mm and 11.8” at 70 mm, 0.32 max magnification Nano AR coating II effectively suppresses reflections, flare and ghosting Advanced design reduces focus breathing, focus shift and axial shift when zooming Aperture ring, click/de-click switch and iris lock for professional aperture control Two customizable focus hold buttons, zoom smoothness switch Dust and moisture resistant for robust reliability5 ED aspherical lens elements correct spherical and chromatic aberrations Linear Response MF for precise, repeatable manual focus control Instant auto/manual focus selection via AF/MF switch Front fluorine coating prevents fingerprints, dust, water and oil Petal shaped, bayonet mount lens hood with filter control window  

  Sony FE 70-200mm F4 Macro G OSS II Full-frame compact telephoto zoom   Highlights Spectacular G Lens rendering and corner to corner resolution Eye-opening close-up performance with half macro (0.5x) at all focal lengths Fast, precise, quiet autofocus and tracking matches high-speed cameras Compact high-resolution telephoto zoomOur most advanced lens technology comes together in a compact, lightweight 70-200 mm F4 telephoto zoom G Lens™ that delivers outstanding optical and AF performance as well as half-macro capability1 throughout the zoom range. Impressive handling and mobility make it an excellent choice for a wide range of still and movie applications.Spectacular G Lens renderingExcellent corner-to-corner resolution and contrast throughout the zoom range are achieved by combining AA (advanced aspherical) and aspherical lens elements. Three ED (Extra-low Dispersion) elements and one Super ED element suppress chromatic aberration and color bleeding for revealing sharpness. Exquisite full-frame bokeh is enhanced by a circular 9-blade aperture mechanism and optimized spherical aberration.Eye-opening close-up performanceThis is the world's first2 zoom lens in its class to offer half-macro capability1 throughout the zoom range. Minimum focusing distance is 10- 1/4 in. (0.26 m) at the wide end and 16-1/2 in. (0.42 m) at the telephoto end of the zoom range, with a maximum magnification of 0.5x throughout. New levels of zoom close-up capability offer unprecedented versatility and freedom for shooting stills as well as movies.Fast autofocus matches high-speed camerasFour of Sony's original high-thrust XD linear motors work in conjunction with precision floating focus groups to achieve extremely fast, accurate focus drive. Thrust efficiency has been dramatically improved, resulting in up to approximately a 20% increase in autofocus speed throughout the entire zoom range when shooting stills. The speed potential of high-performance α series cameras is fully realized. Focus tracking continues uninterrupted even while zooming, ensuring that important moments of the action won't be lost.Refined movie performance and imageryLinear Response MF ensures that manual focus responds directly and linearly to subtle control. The breathing compensation function provided in compatible α series cameras is fully supported, reducing unwanted image shifts while focusing. Built-in optical image stabilization can work in conjunction with the in-body stabilization in compatible α series cameras to provide extremely smooth, stable handheld footage.Top-class performance with teleconvertersThe FE 70-200mm F4 Macro G OSS II is fully compatible with Sony's 1.4x and 2.0x teleconverters. In addition to increasing maximum focal length, the 2.0x teleconverter make it possible to shoot life-size 1:1 macro at all focal lengths for new creative potential. Attached with the 1.4x teleconverter, it can shoot max. 0.7x macro at all focal lengths. And because the working distance does not change with the teleconverter attached, you can move in close to the subject to capture truly impressive images.Compact, mobile, reliable, and easy to useThis innovative lens offers a rare blend of performance and compact mobility. It is 3-1/4 in. (82.2 mm) in diameter by 5- 7/8 in. (149 mm) in length at the wide end of the zoom range and weighs 28.1 oz. (794 g). An extending lens design was chosen to maximize portability, and a zoom lock switch is provided to prevent unwanted lens extension during transportation.

PRE ORDER NOW! Sony FE C 16-35mm T3.1 G Cinema Lens Series full-frame wide angle zoom with advanced optical performance, operability and intelligent shooting functions.Cinematic images with beautiful bokehExperience beautiful cinematic images, with excellent corner-to-corner resolution and consistent T3.1 (F2.8) large aperture from wide to telephoto for stunning background bokeh effects.Responsive manual control for content creatorsAdjust focus, zoom and iris with smooth, consistent precision. Enjoy fine control over realising your artistic vision with large-format sensor cameras such as the PXW-FX9 and VENICE.Shoot with extra intelligenceEnjoy smart functions unique to Sony’s E-mount lens system, including AF (autofocus) support, servo zoom and zoom/iris/focus control from your camera, remote or smartphone, allowing cinematographers to concentrate on composition and focus without touching lens rings.**Requires compatible cameras, remote controllers, smartphones and mobile apps.Unlimited expression for content creatorsExplore new artistic possibilities and precise creative control with Cinema Lens Series – the refined expression of Sony’s technological expertise for uncompromising content creators. This wide angle zoom lens is optimised for digital cinematography, documentary production and other premium content produced with full-frame cameras such as the FX9 and VENICE.Advanced optical designTwo XA (Extreme Aspherical) lens elements and three aspheric elements minimise distortion, curvature and astigmatism. Two ED (Extra-low Dispersion) glass elements suppress colour distortion, while an advanced nano AR (Anti Reflection) coating on optical surfaces drastically reduces flare and ghosting. The floating focus mechanism is optimised for motion picture applications, ensuring outstanding resolution and very low distortion at any shooting distance.Smooth, natural bokehAn ideal partner for the full-frame sensor of Sony’s acclaimed FX9 and VENICE cameras, the consistent T3.1 (F2.8) large aperture and circular 11-blade aperture of the SELC1635G lets professional cinematographers enjoy shallow depth of field and the creation of beautifully smooth bokeh (background defocus) effects.Precise, responsive manual focusLinear Response MF enables smooth, lag-free manual focus, allowing DoPs and camera operators to adjust focus accurately and intuitively. The focus ring offers a 120deg large angle of rotation for finer control, with distance scale markers for consistent focus reset during multiple takes. For complete creative control to suit any user including photographers who are used to shooting stills, SELC1635G also offers reversible zoom ring rotation, modes switchable between AF/MF and Full manual, and the option to engage ‘click stops’, providing tactile feedback for precise adjustments of the aperture ring. When the click stops are disengaged, the aperture ring moves smoothly and quietly.More options for content creatorsThe SELC1635G has a 0.8mm pitch gear and 114mm lens diameter, which is regarded as the industry standard in cinematography, providing compatibility with a wide range of accessories include matte boxes and follow focus systems.Detachable servo zoomThe included servo unit provides comfortable fingertip control for smooth, gradual zooms suitable for a slow moving drama or promotional video. Servo and Manual control are switchable by the button on the lens unit, and while set to servo, you can control zoom via camera’s handle or grip zoom.Also, the servo can be detached if preferred, making the lens lighter and more portable.Fast, accurate AF and AEThe SELC1635G fully supports the Enhanced Hybrid phase/contrast detection autofocus (AF) and Auto Exposure (AE) capabilities of the FX9 full-frame camera. This breakthrough technology allows you to concentrate on framing while the camera and lens work seamlessly together to maintain focus on subjects with shallow depth of field.SPECIFICATIONS Mount: Sony E-mount Format: Full Frame Focal-Length (mm): 16-35 Lens Type: Wide Zoom Aperture: T3.1 (F2.8), consistently superb resolution Detachalbe Servo Zoom De-clickable Iris ring What's in the Box: Hood Lens Front Cap Lens Rear Cap Soft Case Tripod Mount Lens Support Adapter  

Sony FX3 Full-Frame Camera for Cinematic Look and Enhanced Operability for CreatorsFX3 Product Highlights     Compact and lightweight body design with high operability for hand-held shooting, gimbal and drone-mounted work     Multiple 1/4-20 UNC threaded mounting points to easily attach compatible accessories     Detachable XLR handle unit with two XLR/TRS audio inputs and one 3.5mm stereo jack     S-Cinetone™ look – inspired by the color science of the digital cinema camera VENICE – which is also used in FX9 and FX6 Cinema Line cameras     Built-in cooling fan enables effective heat dissipation to support uninterrupted 4K 60p recordingi     Records up to 4K 120pii     10.2 megapixeliii full-frame back-illuminated CMOS Exmor R™ sensor and BIONZ XR™ image processing engine     Ultra-high sensitivity with ISO expandable to 409,600 for very low light conditions and 15+ stops of dynamic rangeiv     Fast Hybrid AF (Autofocus), Touch Tracking (real-time tracking) and Real-time Eye AF, also used in other Alpha™ cameras     5-axis in-body image stabilization with "Active Mode"v supports handheld movie shooting The Sony FX3 delivers a cinematic look and professional operability and reliability in a camera that is accessible to early-career creators, as well as suitable to be used alongside Sony's VENICE, FX9 and FX6 cameras. The new model provides outstanding image quality and usability for small scale and one-person shooting. The FX3 boasts industry-leading autofocus capabilities, 5-axis in-body image stabilization with Active modev, handheld shooting design and advanced heat dissipation for extended recording times. All this is combined in a compact, lightweight body that provides the performance and mobility to meet the growing demands of today's content creators.Cinematic LookThe FX3 boasts Sony's industry-leading image sensor technology to achieve high processing speeds and outstanding image quality. The full-frame, back-illuminated Exmor R CMOS sensor (approximately 10.2 effective megapixel count for video recording and approximately 12.1 effective megapixels count for stills) and the BIONZ XR image processing engine team up to ensure high sensitivity with low noise. The standard ISO range is 80 to 102,400 (expandable to 409,600when shooting video), and dynamic range is an impressively wide 15+ stopsiv.In response to a growing need for more expressive depth, the FX3, along with FX9 and FX6 Cinema Line cameras, allows users to create a cinematic look without post-production using the S-Cinetone color matrix. Inspired by the color science used in Sony's flagship VENICE camera, S-Cinetone delivers natural mid-tones, plus soft colors and smooth highlights that are essential to create a cinematic look.Creators can record in 4K at up to 120 frames per secondii. Extraordinarily smooth slow-motion imageryvi (up to 5x) at QFHD (3840 x 2160) resolution with autofocus provides new expressive capability.Designed for Comfortable Solo-ShootingSony's most compact and lightweight Cinema Line camera is ideal for handheld shooting, gimbal and drone-mounted work. It weighs just 1.58 lbs. (715 g), including the battery and memory cards, and the body is only 5.11 in x 3.33 in x 3.06 in (77.8 mm x 129.7 mm x 84.5 mm). The camera grip has been carefully designed to provide optimum flexibility, stability and comfort for long shoots.Designed for mobility and efficiency, the FX3's body features five 1/4-20 UNC threaded mounting points to easily attach compatible accessories while remaining light enough for handheld shooting and making it easy to set up and carry. The supplied XLR handle securely attaches to the body via the Multi Interface Shoe without any special tools and provides three additional threaded mounting points for accessories. Optional accessories such as external monitors, recorders, wireless microphones, or other add-ons can be securely attached.To enable 4-channel 24-bit audio recording, the supplied XLR handle includes two balanced XLR/TRS audio inputs and an additional 3.5mm stereo 2-channel jack. With an optional XLR or TRS microphone connected, the XLR adaptor on the handle takes care of the A/D (Analogue to Digital) conversion and DSP (Digital Signal Processing), and transfers the digital audio data directly to the camera for outstanding audio quality.  Because the XLR adaptor is integrated into the handle and does not require any additional cables or batteries, it offers easy set up. If the handle is not being used, the FX3 includes a 3.5mm stereo mic input on the camera body.The FX3 provides Fast Hybrid autofocus (AF) by using the 627 pointsvii focal plane phase-detection system during movie recording. The camera is further enhanced with Touch Tracking (Real-Time tracking) where simply touching the desired subject on the monitor screen initiates auto focus and tracking on that subject. Precise and smooth focus is maintained with Real-time Eye AF – technology that pinpoints the eye even when subjects are looking down or up at steep angles. Additionally, other AF features have been included and refined in response to feedback from professional users, including AF Transition Speed, AF Subject Shift Sensitivity, intuitive control and AF support when focusing manually. These AF features have been implemented in the FX3 to ensure stable, flexible and precise focusing in any situation and are easy to operate for solo shoots.The FX3 features 5-axis optical in-body image stabilization – highly effective for handheld shooting. A high precision stabilization unit and gyro sensors have made it possible to provide an Active Modev that is dedicated to movie shooting in each format, including 4K. In-body image stabilization means that effective stabilization can be achieved with a wide range of E-mount lenses, including those that do not include stabilization on their own. Alternately, the FX3 records image stabilization metadata that can be adjusted during post-production using Catalyst Browse/Prepare.Expandability and Operability for Content CreatorsOperabilityFX3 was designed to optimize professional operability. The controls frequently used in movie shooting such as ISO, iris, and white balance adjustment are located on the grip and on the top of the body for easy access. In addition, 140 functions assignable to 15 custom keys allow for ultimate efficiency.The zoom lever located on the top of the grip not only controls compatible powered zoom lenses, but also allows Clear Image Zoom to be used with unpowered zoom and prime lenses – reducing the number of lenses required for many projects. This lever also enables smooth zooming that is difficult for manual zoom-ring control.Recording lamps (tally) are provided on the top, front and back of the camera, so that the operator and talent can easily confirm recording.  A side-opening vari-angle touch-panel LCD monitor allows for easy operation and is suitable for gimbal-mounted shots, complicated angles, handheld operation and more. Flexible Exposure Mode allows the FX3 to have a similar Auto/Manual switch operation as other FX series cameras for iris, shutter speed and ISO, which can be set independently.ReliabilityCreators need more than just refined features and performance; they also need reliability and durability. The FX3 combines a fan for active cooling with effective heat dissipation resulting in uninterrupted 4K 60p recording without thermal shutdowni. The newly developed fan provides high-efficiency cooling by drawing air into the camera via the bottom panel and exhausts via the side.The new camera also features a dust and moisture resistant designix and durable magnesium alloy chassis. Moreover, USB PD (Power Delivery) supports fast chargingx for uninterrupted recording.ExpandabilityThe FX3 is compatible with several recording functions including S-Log3 gamma and S-Gamut3.cine, which record in a high dynamic range and wide color gamut. It also supports internal recording in XAVC S™ (MPEG-4 AVC/H.264 Long GOP) and XAVC S-I (MPEG-4 AVC/H.264 Intra) formats in 4K (QFHD) and FHD, and XAVC HS™ (MPEG-H HEVC/H.265, 4K only) format. 4K 60p video in 10-bit 4:2:2 or 16-bit RAW formatxi can be output to an external device via the FX3 full-size HDMI Type-A jack.The FX3 also offers two fast, future-oriented media slots that contribute to unprecedented shooting freedom by being compatible with either CFexpress Type A or SDXC cards. The same data can be simultaneously recorded to both cards for backup and a "relay" mode will automatically switch to the second media card when the first media card becomes full during recording.The new camera has been developed with advanced connectivity features to better assist professional creators with high-speed wireless LAN functionality (2.4 GHz or 5 GHz bandxii) and wired LAN connection via a compatible USB-to-Ethernet adaptor. The FX3 supports video and still file transfers to a specified remote FTP server.  This FX3 also allows for remote shooting from a PC using the Imaging Edge Desktop™ application's "Remote" function via Wi-Fi, or Superspeed USB 5Gbps connection over USB Type-C® terminal.FEATURESImage sensor with blazingly fast readout speedThe back-illuminated full-frame Exmor R™ CMOS sensor boasts a blazingly fast data readout speed along with high sensitivity and wide dynamic range. An advanced colour filter array boosts colour reproduction accuracy, while focal plane phase-detection AF enables solid autofocus stability and excellent precision, all of which contribute to outstanding image quality.High performance image-processing engine The BIONZ XR™ image-processing engine is designed for high speed, minimising latency while providing impressive real-time processing capabilities. The engine performs real-time processing of AF, image recognition and image quality adjustments, while also handling data transfer, user interface and other camera operations. High sensitivity, wide dynamic range The full-frame sensor enables high sensitivity with low noise throughout the camera's range by optimising the sensor’s output. Capture clear motion even in low light conditions with an impressive ISO expanded range up to 409600. It has an extended dynamic range of 15+ stops, without blown highlights. Together, the camera's high sensitivity and wide dynamic range expand your flexibility in post-production. Acclaimed cinematic colour with S-Cinetone™The inclusion of Sony’s acclaimed S-Cinetone look, inherited from the development of the FX9, allows cinematic colour to be achieved directly in-camera. S-Cinetone is optimised for natural skin tones and mid-range colours, with gentle highlight roll-off, for impressive subject depiction even without post production grading.All-Intra internal recordingIn addition to Long-GOP inter-frame compression, internal intra-frame (All-Intra) recording is supported. XAVC S-I recording compresses each frame independently at a high bitrate, up to 600Mbps, so is ideal for capturing complex motion, and allowing maximum flexibility and playback performance during post-production. 4K High Frame Rate 120fps recordingYou can record full-frame 4K (QFHD) at up to 120fps with autofocus thanks to the high-speed readout capabilities of the image sensor and the powerful BIONZ XR processor. Even at high frame rates, 4K (QFHD) images are captured using full-pixel readout without binning, for clear post-produced slow motion (up to 5x slower than real time). The high-precision AF even allows beautiful full-frame bokeh to be achieved during slow motion shooting.16-bit RAW data outputFacilitating improved image quality and more flexible and efficient editing in post production, the FX3 supports 16-bit RAW data output to an external recorder via the HDMI Type-A terminal. RAW video output is from a full-frame image sensor with 4264 x 2408 [16:9] resolution, to suit 4K (QFHD) or DCI-4Kworkflows, with a choice of frame rates (59.94p/50p/29.97p/25p/23.98p).HEVC codec with high compression efficiencyXAVC HS format recording, using the MPEG-H HEVC/H.265 codec, roughly doubles the compression efficiency. Compared to a normal 4K XAVC S format, XAVC HS allows for detailed 10-bit video with 4:2:2 colour sampling at comparable or lower data rates, delivering even better image quality as well as manageable file sizes. Proxy recording for more efficient editing workflow Low bit-rate HD proxy files can be recorded simultaneously with higher bit-rate formats such as XAVC S-I 4K, and these smaller proxy files can then be used for editing and previewing prior to final production delivery. This reduces computer load and allows faster and more efficient workflows. Proxy files can be captured in either 10-bit XAVC HS (1920 x 1080) or 8-bit XAVC S (1280 x 720). Expand your vision with Creative LookLooks emulate pro monitoring and post-production tools inside the camera. The Creative Look presets are available in-camera, and each of these can be used as is, or further customised using individual parameter settings such as hue, colour depth, brightness, contrast, and sharpness. Fine adjustment of preset looks can be made according to the user's preference, and you can also register your favourite settings as a custom look.Flexible exposure modeFlexible Exposure Mode allows the Auto and Manual modes for iris, shutter speed and ISO to be set independently. The lock function, activated by a short press on the respective custom buttons, locks the related controls to prevent changes if the dial or wheel is accidentally moved. The frequently used iris and ISO can be controlled by the easily accessible front and rear dials as well as by the dial on the top panel.Fast Hybrid AF for dependable focus during movie shooting Fast Hybrid AF combines focal plane phase-detection AF with contrast-detection AF. This results in highly precise, smooth tracking of fast-moving subjects even over a wide range with a shallow depth of field. AF Transition Speed and AF Subject Shift Sensitivity parameters allow more flexible focus control, as demanded by professional users.Fast, easy touch focus controlTouch focus control allows you to precisely specify the point of focus simply by touching the LCD monitor. It's fast, easy, and intuitive to perform rack focusing through touch operation—ensuring you have full creative control of the FX3's powerful AF technology. Cage-free accessory mounting Five 1/4-20 UNC mounting screw holes allow stable attachment of accessories directly to the camera body, without the need for a cage. Three additional mounting holes are also available on the included XLR handle. The result is a system optimised for incredible mobility and hand-held shooting as well as quick setup for fast-moving productions.REC lamps and highlighting during video recording There is one tally light on the front and one on the back, and an LED-illuminated REC button on top that works with the tally lights. In addition, by displaying a red frame on the monitor screen during video recording, even if the screen is difficult to see with a rig or gimbal attached, you can immediately confirm recording status. Light operation can be set on or off for specific applications.Flexible camera positioning with vari-angle monitorThe FX3 is equipped with a horizontally opening vari-angle LCD monitor that is rotatable for precise framing or interesting angles, regardless of whether you are shooting movies hand-held or gimbal mounted. The screen can even be rotated for direct viewing by the subject or when shooting dramatic low angle shots. The 3.0-type, approximately 1.44 million-dot large touch panel LCD has high visibility and clarity. Power for professional lengthFor extended shooting sessions, the FX3 is compatible with large-capacity NP-FZ100 batteries. USB-PD (Power Delivery) support also enables fast chargingor continuous shooting when connected to a compatible USB Type C® power supply or portable powerbank battery. Reliable durability and weather resistance in tough situationsIn response to feedback from working professionals, sealing has been applied to all body seams and around the battery and media compartments, terminal covers and chassis joints. All routes for dust and moisture entry have been examined to ensure reliable operation in challenging environments.   SPECIFICATIONS        

FEATURES 4K 10.2 megapixel full-frame back-illumination CMOS Exmor R TM sensor 15+ stop dynamic range ISO expandable to 409,600 for low light conditions S-Cinematone highly regarded look profile also used in FX9 and inspired by VENICE colorimetry Compact and approx. 0.89kg (body only) lightweight body suitable for grab-and-shoot-styling 627 points phase-detection AF, Real-time Eye AF 4K (QFHD) high-frame-rate 120fps recording XAVC-I 4:2:2 10-bit class 300 internal recording, DCI 4K/QFHD 16bit RAW output with 12G-SDI BIONZ XR TM image processing engine optimized for mobile movie shooting style S-Log3/S-Gamut3, S-Gamut3.Cine for post production flexibility Built-in electroic Variable ND Filter controlled from 1/4ND to 1/128ND linearly, or set to auto Magnesium body and frame for high durability with light weight   TECH SPECSCamera: Lens Mount: E-Mount Imaging Sensor: 4K Full-Frame / Exmor R FF4K Full-Frame: DCI 4K 60p Super35mm: FHD 60p Number of pixels (total): Approx: 12.9 Megapixels Number of pixels (effective): Approx. 10.2 Megapixels Built-in Optical Filters: Clear, linear variable ND (1/4 ND to 1/128 ND) Base ISO: 800-12800 ISO: 320 - 409600 Shutter Speed: 64F to 1/8000 sec Slow and Quick Motion Function: XAVC-I 4096x2160: 1 to 60 frames (59.94/50/29.97/25/23.98)XAVC-I/L 3840x1080: 1 to 60, 100, 120 frames (59.94/50/29.97/25/23.98)XAVC-I/L 1920x1080: 1 to 60, 100, 120, 150, 180, 200, 240 frames (59.94/50/29.97/25/23.98) Codec @Max bit rate: XAVC-I 422 10bit RAW: 16-bit RAW output White Balance: Preset, Memory A, Memory B (2000K-15000K)/ATW Gain: -3 to 30dB (every 1dB), AGC Gamma Curve: SRD Mode: S-Cinetone, Standard, Still, ITU709; HDR mode: HLG_Live, HLG_Neutral Latitude: 15+ stop LCD: 8.8cm (3.5 type) approx. 2.76M dots Fast Hybrid AF In/Output SDI Output: BNC: 12G/6G/3G-SDI (Leven A/B) Audio Input: 2x XLR-type 3-pin (female), line/mic/mic +48V selectableMic referance -30 to -80 dBu General Recording Format (Video): (I= Intra; L= Long)XAVC-I DCI4K 59.94/50/29.97/25/24/23.98pXAVC-I QFHD 59.94/50/29.97/25/23.98pXAVC-I HD 59.94/50/29.97/25/23.98pXAVC-L QFHD 29.97/25/23.98/59.94/50pXAVC-L HD 23.97/25/29.97/50.59.94p Recording Format (Audio): LPCM 24bits, 48kHz, 4 channels Recording Frame Rate: (I= Intra; L= Long)XAVC-I DCI4K (4096x21609) 59.94/50/29.97/23.98/25/24pXAVC-I QF HD (3840x2160) 59.94/50/29.97/23.98/25pXAVC-I HD (1920x1080) 59.94/50/29.97/23.98/25pXAVC-L QFHD (3840x2160) 59.94/50/29.97/23.98/25pXAVC-L HD 50 (1920x1080) 59.94/50/29.97/23.98/25pXAVC-L HD 35 (1920x1080) 59.94/50/29.97/23.98/25p Recording Format (Proxy Video): XAVC Proxy: AVC/H.264 High Profile 4:2:0 Long GOP, VBR 1920x1080, 9Mbps Recording Format (Proxy Audio): XAVC Proxy: AAC-LC, 128 kbps, 2 channels Media Type: CFexpress Type A and 2x SD card Power Requirements: DC 19.5V Power Consumption: Approx. 18.0 W (while recording XAVC-I QF HD 59.94) Battery Operating Time: Approx. 105min with BP-U35 battery (while recording XAVC-I QF HD 59.94p)Approx. 215min with BP-U70 battery (while recording XAVC-I QF HD 59.94p) Dimensions (WxHxD): 114x 116x 153mm (body without protrusions) Weight: Approx. 890g (body only) and 2.59Kg (with Viewfinder, Grip Remote Control BP-U35 battery, SEL24105G Lens, Lens Hood, Handle, Mic holder) Wi-FI/NFC: Supported Format: IEEE 802.11 a/b/g/n/ac Frequency Band [[F_WI0007]]: 2.4 GHz bandwidth 5.2/5.3/5.6/5.8 GHz bandwidth Security: WEP/WPA-PSK / WPA2-PSK NFC: NFC Forum Type 3 Tag compliant Supplied Accessories: Handle LCD Monitor LCD Hood Grip remote control AC Adaptor Power Cord USB-C Cable Cold Shoe Kit Lens Mount Cap Handle Connector Cap

Sony GP-VR100 Grip Remote Control for Sony Burano & FX9 Popular with operators around the world, the adjustable arm with Grip Remote Control transformed shooting on the go and now with GP-VR100* we’ve made it even better.   The arm’s length is easily adjustable at the turn of a knob, while another knob at the joint adjusts the angle. Once perfectly adjusted for shooting from your shoulder or waist, Sony’s Grip Remote Control puts all the important controls at your fingertips with Zoom, Start/Stop and a range of Assign controls, including a dial you can use to adjust Iris. So, you can operate the camera without taking your hand off the grip.The unit can control basic camera shooting operations (recording start/stop, zoom, etc.). You can operate functions assigned on the camera using the ASSIGN (assignable) button, assignable dial, and multi selector.     Key Features   For Sony BURANO 8K Cinema Camera On/Off, Zoom & Focus Functions Extendable Extension Arm Coiled 3.5mm LANC Cable Mounts Using Sony-Standard Rosette Contoured Grip with Support Strap NoteThe unit can control a camera equipped with a Sony Grip Remote Control connector such as BURANO, however, not all cameras are supported. A full list of supported models will be made available soon.      

  Sony ILME-FR7Cinema Line Full-frame PTZ Interchangeable Lens camera with 15+ stop dynamic range, 4K (QFHD) high-frame-rate 120fps, Fast Hybrid & Real-time Eye AF, and S-Cinetone™ colour science.Sony’s New Cinema Line PTZ camera opens new creative and cinematic possibilities for content creators, from filmmakers to live event or music video producers.A high-performance full-frame image sensor and the expressive scope of Sony’s extensive E-mount lens*2 lineup work with remote pan/tilt/zoom control, high flexibility in zoom capability and wide angle shooting to break through location and space limitations. It also offers the cinematic look and operability that have made Sony digital cinema cameras push the boundaries of the filmmaking industry, plus versatile connectivity and efficient multi camera workflow support. Uncompromised Image Quality in a PTZ Form FactorThe FR7 features a back-illuminated 35mm full-frame CMOS image sensor Exmor R™ with approximately 10.3 effective megapixels and wide 15+ stop latitude*3 in a pan tilt zoom (PTZ) camera for the first time. In addition to wide dynamic range, low noise, and cinematic full frame bokeh, this amazing sensor also delivers high sensitivity that allows ISO to be expanded up to 409,600*4 when shooting in low light. The FR7 features Sony's E-mount and can mount a wide range of E-mount lenses*2, including the G Master™ series with stunning resolution and bokeh effect. A choice of focal lengths ranging from 12 mm to 1200 mm gives users comprehensive creative control.A number of Cinema Line features are built into the camera to deliver a cinematic look and feel including: The Sensitivity setting allows ISO to be expanded up to 409,600*4 when shooting in low light. A 15+ stop latitude*3 allows smooth highlights and low noise levels. A number of preset scene files are included including S-Cinetone for natural mid-tones that are essential to healthy-looking skin color, plus soft colors and gorgeous highlights. Since the target look can be created while shooting, time can be saved in post-production. In the Cine EI mode, base sensitivity can be set to either ISO 800 or ISO 12800 to match lighting conditions and to minimize noise while maintaining a consistent look. This mode is ideal for post-production, as it allows the use of Sony's original S-Log3 gamma, wide S-Gamut3 and S-Gamut3.Cine color spaces. Shooting up to 120fps 4K (QFHD) and 240 fps FHD*6 slow-motion is possible, again creating that emotional possibility offered by a cinematic look. Easy Operation for Storytelling from New Angles With a new dedicated web application, pan, tilt, zoom, focus, record, playback, and all camera settings can be intuitively controlled from a tablet or computer web browser. Multiple people can monitor FR7 footage remotely at the same time. Multi camera monitoring is also enabled, allowing multiple cameras to be viewed remotely on one device. With its integrated remotely controllable pan/tilt mechanism, the FR7 can be mounted on a tripod, on a ceiling with the dedicated CIB-PCM1, or in other locations with limited access so that subjects can be unobtrusively followed and recorded from unique viewpoints. It is also compatible with Sony's RM-IP500 remote controller*7 for multi-camera production, expanding creative potential while reducing the need for dedicated staff in production studios and other shooting situations. A single RM-IP500 unit can remotely control up to 100 PTZ cameras and provide precious joystick-controlled pan, tilt, and zoom operation.The supplied infrared remote controller will also support the FR7's simple operation Variable PTZ Movements for Smooth Camera WorkPan and tilt speed can be continuously varied from 0.02 degrees per second to 60 degrees per second, supporting a wide range of stable and smooth camera movements. The pan angle range is from -170° to +170°, and the tilt angle range is from -30° to +195°.Up to 100 Preset Camera PositionsThe FR7 can memorize up to 100 camera position presets.*8 The built-in web application and optional RM-IP500 remote controller allow up to 100 camera position presets to be recalled. Presets include camera direction, zoom, and focus, and can be recalled at the touch of a button.The FR7 will also support S700 protocol via Ethernet, enabling control of this product from Sony's Remote Control Panel (RCP) and Master Setup Unit (MSU) with a firmware update.Real-time Eye AF and Real-time TrackingFast Hybrid AF and pan/tilt/zoom functionalities combine to focus on static or fast-moving subjects precisely and smoothly over a wide area, to avoid blurred images, even when a shallow depth of field is used.The integrated BIONZ XR™ engine realizes detection performance for pinpoint eye focus even when subjects are looking at steep angles, allowing the operator to concentrate on composing the best shot. Touch Focus can be used to initiate focusing with Real-time Tracking on the desired subject when using the FR7's web application, with Real-time Eye AF if an eye is detected.Sony's Built-in Electronically Controlled Variable ND FilterThe built-in electronic variable ND filter allows seamless ND adjustment. An Auto ND function keeps exposure constant by automatically adjusting the ND filter to match changing light. Remote control is also possible, allowing exposure control at a distance from the camera.Versatile Interfaces for Various Production WorkflowsThe FR7 is built to integrate and adapt to many workflow scenarios, from simple plug and play to more complex high-end productions, thanks to a comprehensive selection of video inputs and outputs, IP streaming, power supply, and synchronization with other devices.Internal XAVC Recording and External RAW OutputA rare feature in a PTZ camera, the FR7 also features dual media slots that support CFexpress Type A and SDXC memory cards. The ability to record high-quality XAVC-I footage with metadata makes the FR7 an excellent choice for a wide variety of video production applications.CFexpress Type A cards are particularly well suited to high bitrate 4K movie production, with high-speed write capability that ensures stable recording of high volume, high frame rate data. Simultaneous recording, relay recording, interval recording, and proxy recording are also supported. The SDI output can deliver a 16-bit RAW signal to a compatible external recorder (sold separately). Professional Video and Audio InterfaceHDMI Type A and 12G-SDI connectors are provided for video output as well as optical output*10 for long transmission.The AUDIO IN (XLR type 5-pin) connector will receive signal from an external microphone or audio device. AUDIO CH-1 and CH-2 use a single connector.Ethernet ConnectivityCamera control, video and audio transfer, and power supply can also be carried out via a single LAN cable, simplifying cabling requirements.The FR7 LAN (network) connector supports a variety of streaming protocols, including RTSP, SRT and NDI ® |HX*11, perfect for working in an IP based environment. The FR7 can be powered from an external PoE++ (Power over Ethernet Plus Plus)*12 device via a standard network cable, eliminating the need for separate power supply cabling.Multicamera Production SynchronizationThe Timecode IN connector receives timecode for synchronization with an external device, while the GENLOCK receives synchronization signals in multi camera setups.Additionally, red/green tally lights are provided on the camera's side panels, allowing performers and staff to easily identify the on-air and preview cameras in multi camera setups in studio or on location.  

The BP-U35 is a 35 Wh capacity lithium ion battery optimised for professional video shooting. Its compact size and low weight make the BP-U35 ideal for high-mobility applications such as gimbal mounting.Battery status data is continuously communicated to the camera. Remaining capacity is displayed on the camera’s LCD monitor and viewfinder, allowing operators to monitor battery status easily and accurately while shooting.The BP-U35 offers higher capacity and faster charging time than the previous generation BP-U30.SPECIFICATIONS Dimensions (W x H x D): 41.5 x 46.1 x 69.7 mm; (1 11/16 x 1 7/8 x 2 3/4 inches) Mass: Approx. 235 g (8.3 oz) Maximum/nominal voltage: 16.4 V DC/14.4 V DC Capacity: 35 Wh Charging time (using the BC-U1): Approx. 90 minutes Operating temperature: -20 to +45 °C (-4 to +113 °F) Remaining capacity display: Four LED (20, 40, 60, and 80%)  

The BP-U70 is a 72 Wh capacity lithium ion battery that offers an ideal balance of capacity and weight for many professional video applications.Battery status data is continuously communicated to the camera. Remaining capacity is displayed on the camera’s LCD monitor and viewfinder, allowing operators to monitor battery status easily and accurately while shooting.The BP-U70 offers significantly higher capacity while having the same charging time than the previous generation BP-U60.SPECIFICATIONS Dimensions (W x H x D): 41.5 x 84.5 x 69.7 mm; (1 11/16 x 3 3/8 x 2 3/4 inches) Mass: Approx. 450 g (15.9 oz) Maximum/nominal voltage: 16.4 V DC/14.4 V DC Capacity: 72 Wh Charging time (using the BC-U1): Approx. 150 min. Operating temperature: -20 to +45 °C (-4 to +113 °F) Remaining capacity display: Four LED (20, 40, 60, and 80%)  

The BP-U60 (56 Wh) Lithium-ion Battery effectively supports professional video shooting in both the field and the studio. The battery is are equipped with the professional INFO function that intelligently communicates battery status data to the PMW-EX1 camcorder.The remaining capacity of the battery is displayed on the LCD monitor and viewfinder when the camcorder is powered on. This intelligent battery-management function allows operators to monitor the battery status easily and accurately.SPECIFICATIONS Dimensions (W x H x D): 41.5 x 82.5 x 69.7 mm; (1 11/16 x 3 1/4 x 2 3/4 inches) Mass: 350 g (15 oz) Maximum/nominal voltage: 16.4 V DC/14.4 V DC Capacity: 56 Wh Charging time (using the BC-U1): Approx. 170 min Operating temperature: -20 to +45 °C (-4 to +113 °F) Remaining capacity display: Four LED (20, 40, 60, and 80%)  

The BP-U30 (28 Wh) Lithium-ion Battery effectively supports professional video shooting in both the field and the studio. The battery is are equipped with the professional INFO function that intelligently communicates battery status data to the PMW-EX1 camcorder.The remaining capacity of the battery is displayed on the LCD monitor and viewfinder when the camcorder is powered on. This intelligent battery-management function allows operators to monitor the battery status easily and accurately.SPECIFICATIONS Dimensions (W x H x D): 41.5 x 45.1 x 69.7 mm; (1 11/16 x 1 13/16 x 2 3/4 inches) Mass: 220 g ( 8 oz) Maximum/nominal voltage: 16.4 V DC/14.4 V DC Capacity: 28 Wh Charging time (using the BC-U1): Approx. 130 min. Operating temperature: -20 to +45 °C (-4 to +113 °F) Remaining capacity display: Four LED (20, 40, 60, and 80%)  

Compact battery provides high power for XDCAM handy camcordersThe BP-U90 (85 Wh) Lithium-ion battery supports professional video shooting in both the field and the studio. The BP-U90 powers XDCAM handy camcorders such as the PMW-F3L/K, PMW-200, PMW-150, PMW-100, PMW-EX3 and PMW-EX1R. The battery provides power for up to six hours, depending on the camcorder.** BP-U90 battery provides 85 Wh energy to power the PMW-200, PMW-150, PMW-100 or PMW-EX1R camcorder for up to 360 minutes. For full range of capacities and camcorder running times, see features. Intelligent INFO function displays battery status in camcorderThe BP-U90 is equipped with a professional INFOfunction that shows the remaining capacity, chargingtime, and charge cycles on INFO-compatibleequipment such as Sony chargers and camcorders.FEATURES Powers XDCAM handy camcorders up to six hours The BP-U90 powers XDCAM handy camcorders such as the PMW-F3L/K, PMW-200, PMW-150, PMW-100, PMW-EX3 and PMW-EX1R. Intelligent INFO function displays battery status in camcorder The BP-U90 is equipped with a professional INFOfunction that shows the remaining capacity, chargingtime, and charge cycles on INFO-compatibleequipment such as Sony chargers and camcorders. Compact design for ease of use The BP-U90 has a mass of 630 g (1 lb 6oz) and dimensions (W x H x D) of 41.5 x 120.7 x 69.7 mm (1 11/16 x 4 7/8 x 2 3/4 inches).  

  Sony LMD-A180 Full HD High Grade LCD Monitor18.4-inch lightweight Full HD high grade LCD monitor for studio and field useLightweight and slim Full HD (1920 x 1080) LMD-A Series monitor with an excellent cost-performance ratio: The LMD-A180 18.4-inch LMD-A Series LCD monitor offers Full HD resolution, along with a lightweight and compact design. The LMD-A180 offers the same user-interface design, convenient features, functions and operability among the LMD-A series. This consistency among the LMD-A180, LMD-A240 and LMD-A220 brings great user benefits when they are used in the same network. Furthermore, LMD-A Series monitors provide versatility for a wide range of user applications both in the studio and in the field. These include DC operation, wall mount and yoke-mount holes, and an optional protection kit (BKM-PL18). In addition, the latest camera-linkage functions, such as camera and lens metadata display and a Picture and Picture function, provide the convenience of working efficiency both in the field and in the post process.LMD-A180 expands and enhances the monitor’s ability to support 4K production, shopping channels, field and graphics applications. Sony continuously improves the LMD-A Series. The LMD-A180 achieves HDR capability and is able to satisfy the highest demands of HDR production.Color consistency and HDR production featuresThanks to premium LCD technology, the color gamut is wide and the same as the color gamut of BVM-HX3110, BVM-HX310, PVM-X3200, PVM-X2400, PVM-X1800 and LMD-A240. Their colors are matched to each other on the screens.The LMD-A180 is a cost-effective yet highly capable entry solution for HD HDR and 4K HDR production. The monitor supports EOTF of S-Log3(Live HDR), which allows for seamless integration into Sony HDR Live production workflow. While also supporting ITU-R BT.2100(HLG), LMD-A180 will also easily integrate with Sony camcorders to enable Instant HDR workflow. SMPTE ST2084, S-Log3, S-Log2 and 2.4(HDR) are also supported for a variety of video productions.4K production featuresThe LMD-A180 fulfills the demand for an affordable HD monitor in a 4K system. The unit supports the ITU-R BT.2020 color space and accepts one of Quad-link 2SI 3G-SDI signals. To fully utilize its wide color gamut, the monitor offers DCI-P3 and S-GAMUT/S-GAMUT3/S-GAMUT3.cine settings, with proper EOTFs such as 2.6 gamma, S-Log3 and S-Log2.Features       Specifications