FUJIFILM announces the introduction of the FUJINON Duvo™ HZK24-300mm Portable PL Mount Zoom Lens (“Duvo 24-300mm”), a dual format lens supporting two types of large-image sensors, specializing in shallow depth-of-field and beautiful bokeh. Fujifilm currently expects Duvo 24-300mm to be released in spring, 2024.Complementing Fujifilm’s Duvo™ HZK25-1000mm F2.8-F5.0 PL Mount Cinema Box Lens (“Duvo 25-1000mm”) — Fujifilm’s first Duvo Series lens — Duvo Portable 24-300mm delivers 12.5x zoom, covering 24-300mm, a focal range that is frequently used on set. The use of the built-in expander shifts the focal length by 1.5 times to 36mm-450mm, allowing users to capture far-away subjects in desirable fields –of-view. At 10.6 inches long (270.5mm) and 6.5 pounds (2.95kg), Duvo 24-300mm is compact and lightweight, making it easily portable for all types of live production; it can be operated in the same style as a broadcast lens using zoom and focus demands, is able to be used with a variety of accessories specifically designed for portable FUJINON lenses, and can be utilized for shoulder-mounted operation, as well as with a Steadicam or for high-angle shooting using a crane.Offering as long a focal length in as small and lightweight a package as possible, Duvo 24-300mm gives handheld positions in live production the opportunity to take advantage of that classic FUJINON cinema look that’s been developed over Fujifilm’s almost 90 year heritage, from making film to making cinema lenses, bringing that unique color space, latitude, and shallow depth –of-field to the show. The most dramatic, shallow depth-of-field shots in live shows often come from those intimate handheld positions, providing viewers with an immersive cinematic experience; Fujifilm's expanded range of our portable and long Duvo lenses provides directors with that highly desired cinema look from nearly any position.In today’s broadcast environments, cameras equipped with large-image sensors are increasingly used amidst the growing needs for immersive cinematic expressions involving the use of shallow depth-of-field, bokeh and high dynamic range. While cinema lenses are commonly used for those applications, they are optimized for shooting scripted production, and therefore have a smaller zoom magnification ratio than that of broadcast lenses. They also often require a specialist in focus operations, which is uncommon in the broadcast industry. The introduction of this compact, lightweight portable lens to the Duvo Series lens lineup will enable high mobility and portability in realizing cinematic coverage of live sporting events, music concerts, documentaries, and wildlife cinematography.  Key features of Duvo 24-300mmSupports cameras with Super 35mm sensors and sensors equivalent to full frame-The lens natively works with the Super 35mm sensor and supports a sensor equivalent to full frame by engaging the built-in expander to expand the image circle by 1.5 times.-When mounted on a camera equipped with a sensor equivalent to full frame, the lens delivers its maximum optical performance while maintaining the same angle of view as when used on a camera with a Super 35mm sensor.Creates cinema-quality imagery with beautiful bokeh-With Duvo 24-300mm's use of large-diameter aspherical elements and Super-ED (extra-low dispersion) lenses, polished to advanced precision, various forms of aberration are controlled thoroughly to achieve superb optical performance. Ghosting, lens flair and color bleeding are also suppressed to deliver natural, controllable, cinematic footage.-The lens has a maximum aperture of T2.9 at the wide-angle end despite being a high magnification lens that supports a large sensor. This enables filming in low-light conditions, such as indoor concerts and evening sporting events.-With Duvo 24-300mm, out-of-focus areas naturally fall out-of-focus from the focal plane into the background. This produces the highly sought after cinematic look with beautiful textures and bokeh, allowing the storyteller to naturally draw the attention of the viewer to the in-focus subject.Access to a wide variety of accessories -Duvo 24-300mm supports multi-camera operations to facilitate efficient production.-The lens can be connected to a third-party wireless lens controller, a setup commonly used for movie and TV commercial production, to remotely control focus, aperture and zoom. This also supports focusing by a dedicated focus operator. -The lens focus ring has a gear pitch6 of 0.8M, which allows the use of all standard, third-party accessories for movie production.Features function to support comfortable shooting and editing-Duvo 24-300mm features Breathing Compensation Technology (BCT), which automatically corrects focus breathing (fluctuations in the angle of view) to produce natural footage while maintaining the subject being filmed in the established field-of-view during changes in focus.-The lens also features Remote Back Focus (RBF), which enables the control of the flange focal distance7 from either the control panel of the camera or the robotic system that supports the RBF feature. It allows for precise adjustment with a large, high-resolution monitor and controlled lighting in a studio control room or in an OB van/production truck as opposed to via the onboard viewfinder.-Duvo 24-300mm is compatible with the “ZEISS eXtended Data” system developed by ZEISS based on the open /i® Technology standard. It enables the recording of lens metadata (focus, zoom, and iris position), as well as of lens distortion and shading corrections.Expected AvailabilityDuvo 24-300mm is currently expected to be available in the U.S. market in the spring of 2024 but will be previewed at IBC 2023 in Amsterdam, Netherlands from September 15 to 18, 2023 along with Fujifilm’s third Duvo Series lens, a wide portable zoom lens covering a focal length of 14-100mm.

HK3.1x14.5  14.5-45mm T2.0 covers unlimited focal lengths in a range where primes previously were the rule. This lens works like a high-end Prime when dealing with distortion, chromatic aberration, and all the tough challenges of wide angle lens design. MTF and resolution is stellar from the center to the corners, without shading or fall-off. This is the most expensive, yet most compact of the four Premiers. FEATURES Outstanding 4K+ ultra optical performance Fast T-Stop Super 35mm format coverage* 280 degree focus barrel rotation Color Matching Minimal breathing  

HK4.7x18  18-85mm T2.0 zoom is an all-purpose zoom encompassing the most used focal length range for the majority of dramatic studio and location scenes. Fujinon HK Premier Zooms are designed for the highest performance cameras. They exhibit minimal breathing when focusing. Image quality is consistent and repeatable. Coatings and elements of all lenses are consistently color matched. The 280 degree focus barrel rotation ensures an expanded focus scale, with accurate and consistent marks. FEATURES Outstanding 4K+ ultra optical performance Fast T-Stop Super 35mm format coverage* 280 degree focus barrel rotation Color Matching Minimal breathing    

HK5.3x75  75-400mm T2.8-3.8 Zoom when they need to cover a wide range from medium focal length to long telephoto. This is an important lens for sports, cars, action, wildlife, commercials, exteriors, compression shots, slowmotion, and other situations where you want a long lens, with a fast aperture, in a small and light body. It eliminates lots of scrambling to change lenses at magic hour. FEATURES Outstanding 4K+ ultra optical performance 400mm Super Telephoto Super 35mm format coverage* 280 degree focus barrel rotation Color Matching Minimal breathing  

HK7.5x24  24-180mm T2.6 is the high-quality general purpose member of the family of four 4K+ PL Cine zoom lenses. Identified by their gold band, Fujinon Premier PL 4K+ lenses consistently match each other superbly for focus, iris, zoom, color, contrast, and performance. FEATURES Outstanding 4K+ ultra optical performance Fast T-Stop Super 35mm format coverage* 280 degree focus barrel rotation Color Matching Minimal breathing  

The HZK25-1000mm is a box-type broadcast zoom lens in the dual format, supporting two types of large image sensors. It can be mounted on cameras equipped with the Super 35mm sensor or the even larger sensor equivalent to 35mm full frame*2. The lens achieves optical performance which exceeds 4K. It also facilitates the use of cinema cameras which is becoming increasingly common in the broadcast industry, offering cinematic visual expressions such as shallow depth-of-field for beautiful bokeh in live coverage of sporting events and music concerts. Today, in the broadcast industry, cinema cameras equipped with a sensor larger than the industry’s mainstream sensor*3 are increasingly used in live coverage of sporting events and music concerts, amidst the growing needs for immersive cinematic expressions involving the use of bokeh and high dynamic range. However, cinema camera lenses are optimized for shooting movies and TV commercials, and therefore have a smaller zoom magnification ratio than that of broadcast lenses. They also require a specialist in focus operations, which is uncommon in the broadcast industry. For these reasons, there has been a demand for a high-magnification zoom that supports a large sensor and can be operated in the same way as box-type broadcast lenses. The new HZK25-1000mm is a broadcast zoom lens that uses optical technology, nurtured over many years, to deliver the world’s highest 40x zoom and the world’s longest focal length of 1000mm. It is designed in the dual format, supporting two types of large sensors. The lens normally works with the Super 35mm sensor, and also supports a sensor equivalent to 35mm full frame by way of activating the built-in expander*4 to expand the image circle by 1.5 times. It offers the added benefit of maintaining the same angle of view in both sensors. On the wide-angle side, the lens provides F2.8 aperture, enabling cinematic visual expressions with shallow depth-of-field and resulting beautiful bokeh. The use of large-diameter aspherical lens and fluorite lens*5 controls various forms of aberration thoroughly to achieve optical performance which exceeds 4K. The lens maintains the operation of broadcast lenses involving zoom demand and focus demand even when mounted on a cinema camera. It can also be used with a variety of existing accessories*6. Furthermore, the lens features an image-stabilization mechanism based on Fujifilm’s unique “ceramic ball roller” system to accurately compensate for on-set vibrations and wind-induced movements for operation stability. Following many years of developing and supplying broadcast lenses that address broadcast camera operators’ refined needs, Fujifilm became the first in the world to release a 4K-compatible broadcast lens in 2015. The company has since established a lineup of 8K-compatible broadcast lenses to lead the industry in raising video image quality. In the cinema industry, Fujifilm began building its lineup of cinema camera lenses in 2009 with the launch of the HK Series. Of five lens series currently on offer, the Premista Series of cinema camera zoom lenses compatible with large-format sensors*7 is embraced by frontline producers of movies and TV commercials due to its superior image resolution and advanced operability. Fujifilm will continue to develop and supply high-performance lenses and accessories that facilitate their easy operations, thereby catering to the diversifying needs of frontline video professionals. *1 Among box-type broadcast zoom lenses compatible with a sensor larger than the Super 35mm, as of October 19, 2022 according to Fujifilm data. *2 Capable of covering an image circle measuring 28.5mm across the entire zoom range when combined with a camera equipped with a Super 35mm sensor, and covering an image circle measuring 41.3mm across the entire zoom range when combined with a camera equipped with a sensor equivalent to 35mm full frame; Image circle refers to a circular area where lights that have passed through the lens form an image. *3 2/3 inch sensor. *4 The expander can expand the image circle and extend the focal length to the telephoto side. *5 Lens element made of fluorite, which has a characteristically small wavelength dispersion in light refractive indices; It enables optical design with minimal chromatic aberration. *6 Limited to accessories specifically designed for box-type FUJINON broadcast lenses. *7 Image sensor that is larger than the mainstream formats of cinema cameras: super 35mm sensor and 35mm full frame sensor.   Main features (1) World’s highest 40x zoom and world’s longest focal length of 1000mm The broadcast lens is developed with optical technology nurtured over many years. It delivers the world’s highest 40x zoom covering from 25mm in wide angle to the world’s longest 1000m in ultra-telephoto. The use of the built-in expander shifts the focal length by 1.5 times to 37.5mm-1500mm, allowing users to capture a far-away subject in the size as intended.   (2) Supporting the Super 35mm sensor and a sensor equivalent to 35mm full frame The dual format lens is compatible with two large sensors that are mainstream among cinema cameras. The lens normally works with the Super 35mm sensor, and also supports a sensor equivalent to 35mm full frame by activating the built-in expander to expand the image circle by 1.5 times. When mounted on a camera equipped with a sensor equivalent to 35mm full frame, the lens delivers its maximum optical performance while maintaining the same angle of view as that of the Super 35mm sensor. (3) Cinematic visual expressions with beautiful bokeh With the use of large-diameter aspherical elements and fluorite elements, polished precisely, various forms of aberration are controlled thoroughly to achieve optical performance which exceeds 4K. Ghosting, lens flair and color bleeding are also suppressed to deliver natural yet high-definition footage. The lens has the maximum aperture of F2.8 on the wide-angle end despite being a high magnification lens that supports a large sensor. This enables filming in low-light conditions, such as an indoor concert. The optical design application “FOCUS,” developed by Fujifilm, has been used to simulate how the background is rendered out of focus. Out-of-focus areas were separated into several layers to examine bokeh textures to achieve bokeh that naturally goes out-of-focus from the focal plane into the background. This produces the cinematic expression which makes the subject stand out. (4) Latest image-stabilization mechanism The lens is equipped with an image stabilization mechanism based on Fujifilm’s unique “ceramic ball roller system”. It not only provides advanced image stabilization against on-set vibrations and wind-induced movements, but also controls swing-back to facilitate stable filming. (5) Operations involving zoom demand and focus demand The lens can be used in the same style as broadcast lenses involving zoom demand and focus demand while being mounted on a cinema camera. It can also be used with existing accessories designed for box-type broadcast FUJINON lenses. It also supports multi-camera operations, filming with multiple cameras at the same time to support efficient live production.   Specs Zoom Range: 25-1000 mm in Super35 with internal extender: 37-1500 mm in Super35 with internal expander: 37.5-1500 in Full Frame Note, the internal expander and extender in this lens are the same device. Expanders and extenders increase the focal length by their designated ratio (e.g. 15x). Expanders generally pay greater attention to maintaining optical quality towards the edges, which is important in Full Frame. Extenders basically “worry” about the center Super35 area.   Maximum Aperture in Super35: F2.8 at 25mm F3.9 at 700 mm F5.0 at 1000 mm Maximum Aperture in Full Frame with internal 1.5x expander: F4.2 at 37.5 mm F5.3 at 1050 mm F7.5 at 1500 mm Image Diagonal in Super35:  Ø 28.55 mm Image Diagonal in Full Frame:  Ø 41.3 mm Close Focus (M.O.D.):   3.5m / 11’5″ Length:   669mm / 26.3″ Weight:   28 kg / 61.7 lb Front Screw in filter: 241 mm (M241 x 1) Front diameter with Protective Screw-in Front Clear Filter: 245 mm ALAC – Automatic Chromatic Aberration Correction ARIA – Automatic Restoration of Illumination Attenuation corrects for aperture ramping. Remote Back-Focus        

“FUJINON MK18-55mm T2.9” achieves high optical performance and low distortion with T2.9 speed across the entire zoom range. With MK50-135mm, it covers standard 18 to 135mm focal length for cinema production. Super 35mm / APS-C sensor compatibility and E-mount dedicated design have led to an ultra-compact & “less than 1kg” lightweight body, and excellent cost performance. It suppresses “focus shift and optical axis shift while zooming” and “Lens breathing”. Also, it features three fully manual lens rings for focus, zoom, and iris with 0.8M gear pitch and a 200° focus rotation angle for sophisticated operability.FEATURES Outstanding optical performance and low distortion with T2.9 speed across the entire zoom range Covering the standard 18 to 135mm focal length for cinema production with MK18-55mm and MK50-135mm Ultra-compact & “less than 1kg” lightweight design thanks to Super 35mm/APS-C sensor compatibility with dedicated E-mount design Fully manual lens rings for focus, zoom, and iris with 0.8M gear pitch 200° focus rotation angle for accurate focusing Seamless iris to avoid vibrations and noise that you get with clicking mechanism Resolves issues of interchangeable lenses for still digital cameras such as “focus shift and optical axis shift while zooming” and “lens breathing” 85mm front diameter, 82mm filter diameter, and position of 0.8M are standardized between the two models Features macro function Features flange focal length adjustment function  

“FUJINON MK50-135mm T2.9” achieves high optical performance and low distortion with T2.9 speed across the entire zoom range. With MK18-55mm, it covers standard 18 to 135mm focal length for cinema production. Super 35mm/APS-C sensor compatibility and E-mount dedicated design have led to an ultra-compact & “less than 1kg” lightweight body, and excellent cost performance. It suppresses “focus shift and optical axis shift while zooming” and “Lens breathing”. Also, it features three fully manual lens rings for focus, zoom, and iris with 0.8M gear pitch and a 200° focus rotation angle for sophisticated operability.FEATURESOutstanding optical performance and low distortion with T2.9 speed across the entire zoom rangeCovering the standard 18 to 135mm focal length for cinema production with MK18-55mm and MK50-135mmUltra-compact & “less than 1kg” lightweight design thanks to Super 35mm/APS-C sensor compatibility with dedicated E-mount designFully manual lens rings for focus, zoom, and iris with 0.8M gear pitch200° focus rotation angle for accurate focusingSeamless iris to avoid vibrations and noise that you get with clicking mechanismResolves issues of interchangeable lenses for still digital cameras such as “focus shift and optical axis shift while zooming” and “lens breathing”85mm front diameter, 82mm filter diameter, and position of 0.8M are standardized between the two modelsFeatures macro functionFeatures flange focal length adjustment function  

  The short, lightweight wide-angle Premista 19-45mm T2.9 expands the Premista family of zooms to three lenses. Joining the 28-100mm T2.9 and the 80-250mm T2.9-3.5, the Premista 19-45mm produces images with natural and beautiful bokeh, outstanding high resolution, accurate color rendition, and controllable flare with minimal ghosting for capturing high dynamic range. The lens shows very little distortion throughout the entire zoom range, lightening the burden of correcting footage after shooting, and allowing high quality cinematic images to be created more efficiently.   Compact and robust designThe Premista 19-45mm is designed for professional use under the most difficult conditions. The mechanical structure of the lens was optimized on the computer. The production of the components themselves takes place with the highest precision in order to exclude quality variations. With an overall length of 230 millimeters, the Premista 19-45mm is 25 millimeters shorter and, with a weight of 3.3 kg, 500 grams lighter than the other FUJINON Premista lenses.     SPECIFICATIONS   Focal length: 19-45mm Aperture: T2.9 - 22 Lens Mount: ARRI PL mount Compatible Image Size (diagonal): 46.3mm Covers up to large-format sensors Iris Blades: 13 Gear MOD & Pitch for Focus + Iris + Zoom: 0.8 MOD / 32 Pitch Front Diameter: 114mm Focus Scales: Metric, Imperial Focus Rotation: 280° Iris Rotation: 48° Zoom Rotation: 120° Electric Communication: Yes Connectivity: 1x 4-pin LEMO Data Compatible with both ZEISS eXtended Data and Cooke /i Technology lens data Lens Support: Lens Support Foot Length (approx.): 230mm / 9.06" Weight (approx.): 3.3kg / 7.28 lbs.        

The Premista 28-100mmT2.9 is a standard zoom lens covering a 28-100mm focal length. It achieves stunning optical quality from the center to the corners and suppress unwanted flare and ghosts. The lens design combines both a lightweight of 3.8kg and compact size as well as the durability. The focus ring features a 280 degrees rotation angle with smooth torque. FEATURES Stunning optical quality and low distortion from the center to the corner. It allows the capture of both the feeling and texture of the subjects. Delivers clean and sharp imagery with minimum color aberrations regardless of zoom position or distance from subjects. Unwanted flare and ghosts are well suppressed and it performs well with the high dynamic range of a large format sensor. The color is natural and matched with Fujifilm’s current cine lens lineup to simplify color grading. The lens barrel combines high durability even in harsh conditions for professional use and a lightweight body. Covering 28mm to 100mm and achieving T2.9 across the entire focal length. Pleasant bokeh effect with 13 iris blades. The focus ring features a rotation of a full 280 degrees to facilitate precise focusing. Features a Flange Focal Distance adjustment function with a hex set screw. Compatible with the “ZEISS eXtended Data” system.* *Available via firmware update   SPECIFICATIONS Model name: Premista28-100mmT2.9 Focal length: 28-100mm Aperture: T2.9 Lens Mount: PL mount Compatible Image Size (diagonal): 46.3mm Close Focus: 0.8m / 2ft 7in Angular Field of View (H x V) 40.96mm x 21.60mm*1: 28mm: 72.4° x 42.2°; 100mm: 23.1° x 12.3° Angular Field of View (H x V) 36mm x 24mm *2: 28mm: 65.5° x 46.4°; 100mm: 20.4° x 13.7° Angular Field of View (H x V) 27.45mm x 15.44mm *3: 28mm: 52.2° x 30.8°; 100mm: 15.6° x 8.8° Angle of Focus Rotation: 280° Angle of Zoom Rotation: 120° Angle of Iris Rotation: 48° Iris Blades: 13 Front Diameter: 114mm Length (approx.): 255mm / 10in Weight (approx.): 3.8kg / 8.4lbs.    

Premista is a series of zoom cinema lenses that support large format sensors and delivers outstanding resolution, beautiful bokeh and rich gradation with high dynamic range. These zoom cinema lens, support large format sensors, and cater to a variety of filming situations with advanced operability without having to change lenses. The Series combines large-diameter aspherical lens elements, processed to ultimate precision, with the newly-developed focusing / zooming system to achieve low distortion and color aberration. The lenses have the ability to achieve an astonishing level of edge-to-edge resolution, regardless of the distance from the subject or zoom position, delivering footage of impressive sharpness and clarity. This is the first FUJINON cinema lens series to adopt a 13-blade iris design to form a near-perfect circle. When combined with large format sensors' characteristically shallow depth-of-field, the lenses create a natural and beautiful bokeh. Fujifilm's unique optical design effectively mitigates ghosts and flares to produce video of rich gradation with high dynamic range. The Premista lenses produce video in natural color tones, popular with the HK / ZK / XK / MK Series of cinema lenses. Consistency in color design with the current lineup of lenses simplifies color grading, required when using multiple lenses.   Advanced robustness in a compact and lightweight design Mechanical design built with Fujifilm's simulation technology, nurtured over many years, is coupled with production technology that can assemble parts processed in the order of microns at high precision, to produce a compact and lightweight body with advanced robustness, withstanding harsh filming conditions in professional video production.   Excellent operability The focus ring can be rotated as much as 280 degrees, and gives a sensation of smooth torque when rotated to enable precise focusing. The gear pitch for the operation rings for focusing, zooming and iris is 0.8M (module), the same as existing FUJINON cinema lenses. The lenses can also be used with standard peripheral accessories, essential for video production, such as Follow Focus for accurate and smooth focusing and remote lens control system for remotely operating rings.  Fluorescent paint is applied to index marks on the focus, zoom and iris rings so that these settings can be clearly checked even at night or in a dark room. The focus index can be also displayed in feet or meters. The lenses feature a Flange Focal Distance adjustment function, allowing users to adjust the flange focal distance by simply rotating a ring on the lens barrel to correct a shift in the flange focal distance caused by rapid temperature changes at a shooting site. This function achieves optimum camera and lens matching, thereby bringing out the lenses' full optical performance.   SPECIFICATIONS Model name: Premista80-250mmT2.9-3.5 Focal length: 80-250mm Aperture: T2.9-3.5 Lens Mount: PL mount Compatible Image Size (diagonal): 46.3mm Close Focus: 1.5m / 4ft 11in Angular Field of View (H x V) 40.96mm x 21.60mm*1: 80mm: 28.7° x 15.4°; 250mm: 9.4° x 4.9° Angular Field of View (H x V) 36mm x 24mm *2: 80mm: 25.4° x 17.1°; 250mm: 8.2° x 5.5° Angular Field of View (H x V) 27.45mm x 15.44mm *3: 80mm: 6.3° x 11.0°; 250mm: 6.3° x 3.5° Angle of Focus Rotation: 280° Angle of Zoom Rotation: 120° Angle of Iris Rotation: 48° Iris Blades: 13 Front Diameter: 114mm Length (approx.): 255mm / 10in Weight (approx.): 3.8kg / 8.4lbs      

XK6x20 is a zoom lens for cinema camera that offers high optical performance compatible with 4K cameras and covers a wide range of focal length from 20mm to 120mm. It also realizes T3.5 brightness in the entire zoom range. There is no T drop and it offers comfortable operation. Various scenes can be shot with this single lens.“XK6x20” is equipped with detachable drive unit for electric zooming and focusing which is popular function with existing products. It also features 0.8mm gear pitch for compatibility with standard accessories.FEATURES     Outstanding 4K optical performance and compact design     Wide focal length from 20mm to 120mm     T3.5 brightness in the entire zoom range     0.8mm gear pitch     Moderate focus torque with 200-degree rotation angle to aid accurate focusing     Focus indicator can be displayed in feet or meters

The all-new ZK12x25 offers the industry-leading zoom ratio of 12x to cover the most frequently-used 25mm wide angle to 300mm on the telephoto end. With its advanced optical performance supporting 4K cameras, the lens delivers a premium image quality across a versatile range of shooting scenes. The ZK12x25 also supports an optional detachable drive unit for electric zooming, focusing and iris. Mounting the drive unit enables the remote control of zooming, focusing and iris adjustment. The availability of the Zoom Rate and Focus Position Demand controls means the lens offers the operability equivalent to conventional TV camera lenses. FEATURES A versatile high zoom ratio lens covering focal lengths from 25mm to 300mm Outstanding 4K optical performance Super 35mm large format coverage Back Focus Adjustment with Macro Function Natural Bokeh(Blur) thanks to 9-Brades Round Iris Optionally Drive Unit is available  

ZK2.5x14 is a wide angle zoom lens with a focal length covering from 14 to 35mm. Thanks to the detachable servo drive unit on the ZK series, the lens can be operated in the same manner as a traditional broadcast ENG-Style lens and accessories. Furthermore, with the servo drive unit removed, traditional cinema manual, or external cine motors for zooming and focusing operation is also available for all models of this series. With the latest optical simulation technology and high precision large diameter aspherical elements, it has achieved both high optical performance and a lightweight compact body of 2.9kg. Thanks to high resolution from the center to corner, high image quality without image distortion will be exhibited on the large screens of movie theaters. FEATURES Outstanding 4K optical performance and compact design ENG Style with Detachable Servo Drive Unit Super 35mm large format coverage Compatible with current broadcast and cine lens accessories Natural Bokeh(Blur) thanks to 9-Brads Round Iris 16bit encoder for virtual device  

ZK3.5x85 is a telephoto zoom lens with a frequuently-used focal length covering from 85 to 300mm. Thanks to the detachable servo drive unit on the ZK series, the lens can be operated in the same manner as a traditional broadcast ENG-Style lens and accessories. Furthermore, with the servo drive unit removed, traditional cinema manual, or external cine motors for zooming and focusing operation is also available for all models of this series. With the latest optical simulation technology and high precision large diameter aspherical elements, it has achieved both high optical performance and a lightweight compact body of 2.9kg. Thanks to high resolution from the center to corner, high image quality without image distortion will be exhibited on the large screens of movie theaters.FEATURESOutstanding 4K optical performance and compact designENG-Style with Detachable Servo Drive UnitSuper 35mm large format coverageCompatible with current broadcast and cine lens accessoriesNatural Bokeh(Blur) thanks to 9-Brads Round Iris16bit encoder for virtual device

ZK4.7x19 is a stamdard zoom lens with a frequuently-used focal length covering from 19 to 90mm. Thanks to the detachable servo drive unit on the ZK series, the lens can be operated in the same manner as a traditional broadcast ENG-Style lens and accessories. Furthermore, with the servo drive unit removed, traditional cinema manual, or external cine motors for zooming and focusing operation is also available for all models of this series. With the latest optical simulation technology and high precision large diameter aspherical elements, it has achieved both high optical performance and a lightweight compact body of 2.85kg. Thanks to high resolution from the center to corner, high image quality without image distortion will be exhibited on the large screens of movie theaters. FEATURES Outstanding 4K optical performance and compact design ENG-Style with Detachable Servo Drive Unit Super 35mm large format coverage Compatible with current broadcast and cine lens accessories Natural Bokeh(Blur) thanks to 9-Brads Round Iris 16bit encoder for virtual device