Leitz 35mm M 0.8 Leitz f/1.4
€1.00*
The M full frame lenses have captured unique, iconic images for over than 60 years around the world. To bring the characteristics of these lenses directly to the cinema world, Leitz Cine Wetzlar designed the new M 0.8 lenses. The complete set contains focals of 21mm, 24mm, 28mm, 35mm, 50mm, 50-N, 75mm and 90mm. The M 0.8 lenses interpret light and skin tones with a unique sense of clarity, color and charisma.
FEATURES
Focal Length: 35 mm
Max. Aperture: f/1.4
Format: Full Frame (24mm x 36mm)
Mount: Leica M-Mount
Front Diameter: 80mm
Weight: 380g
CAMERA COMPATIBILITY
Sony VENICE
ARRI Alexa Mini/Amira
RED Monstro
and more - see comparative table:
Raptor T2.9 60mm Lens
€1.00*
IB/E Optics Raptor T2.9 60mm APO Cine Macro VV Lens - UMS PL Mount
All RAPTOR lenses featuring full frame (24x36) coverage and beyond, 1:1 magnification, max T-Stop 2.9 as well as robust and durable professional cine mechanics.
Features:
Maximum magnification 1:1
No change in length, thanks to internal focusing
extended color correction (APO)
Constistent distance from flange to iris- and focusring
Front diameter of 95 mm
M0.8 gear wheels for focus and iris
UMS PL Mount (LPL, Canon EF, Sony NEX E, …)
Robust and durable mechanical design
Data sheet downloadAPO CINE MACRO LENS FAMILY
Raptor T2.9 150mm Lens
€1.00*
IB/E Optics Raptor T2.9 150mm Cine Macro Lens - UMS PL Mount
The RAPTOR lenses featuring full frame (24×36) coverage and beyond, 1:1 magnification, T-Stop 2.9 as well as robust and durable professional cine mechanics.
Features:
Maximum magnification 1:1
No change in length, thanks to internal focusing
extended color correction (APO)
Aperture T 2.9-T22
Constistent distance from flange to iris- and focusring
Front diameter of 95 mm
M0.8 gear wheels for focus and iris
UMS PL Mount (LPL, Canon EF, Sony NEX E,...)
Robust and durable mechanical design
Data sheet downloadAPO CINE MACRO LENS FAMILY
Sony VENICE CineAlta 6K FullFrame camera
€1.00*
Next generation camera with forward thinking full frame sensor, phenomenal color science and user-friendly operation
Simple and intuitive
Usability and reliability of the camera is one of the major concerns for operators, especially in tough or time-critical filming conditions. With a user-friendly design, clear and simple menu navigation, and a highly durable, reliable construction, VENICE lets you simply concentrate on filming, and not the camera.
Full-Frame sensor for cinema
VENICE features an all-new Full-Frame sensor with the classic 36 x 24-mm dimensions that have been a staple of photography for over 100 years. Designed exclusively for high-end cinematography, this sensor can capture images up to a maximum resolution of 6048 x 4032.
Switchable imager modes mean VENICE can support an unprecedented number of cinematic aspect ratios for complete creative freedom:
Full width 36 mm 6K
In full-frame, you can use the full 6048 pixel width of the sensor for 6K imager modes such as 3:2, 2.39:1*, 1.85:1, 17:9, and 16.9*. Equivalent to 4-perforation motion picture film, these 6K modes allow for extra-shallow depth of field, super-wide shooting, and other creative effects.
Super35 anamorphic 4K
For super-wide screen productions, VENICE offers two full-height 2x squeeze anamorphic imager modes that include 6:5 and 4:3 recording modes for 12:5 (known as 2.39:1) and 8:3 (2.66:1) scenes, respectively.
Explore how VENICE can meet your production requirements with the firmware and licensing requirements in the aspect ratio chart:
Fast shutter
VENICE’s high-speed readout sensor minimizes the jello effect typical in CMOS sensors.
Phenomenal latitude
VENICE has an exceptional 15+ stops of latitude, with low noise for extraordinary performance in delivering phenomenal images in conditions from searing sunlight to almost no light. VENICE’s real-world performance also excels at High Dynamic Range imaging and allows unprecedented creative freedom in grading.
More colors for more expression
VENICE can exceed Rec. 2020 color space. This means the color range is wider than DCI-P3 and can beautifully reproduce the true color of the scene in front of your lens. This also provides the broad palette in the grading suite using the established workflow of Sony’s third-generation LOG gamma encoding (S-Log3) and ultra-wide color space.
More colors for more expression
VENICE can exceed Rec. 2020 color space. This means the color range is wider than DCI-P3 and can beautifully reproduce the true color of the scene in front of your lens. This also provides the broad palette in the grading suite using the established workflow of Sony’s third-generation LOG gamma encoding (S-Log3) and ultra-wide color space.
Dual Base ISO
VENICE has a base ISO of 500 to provide the optimal dynamic range for typical cinematography applications with on-set lighting. A secondary High Base ISO of 2500 excels in low-light High Dynamic Range capture, with an exposure latitude from 6 stops over to 9 stops under 18% Middle Gray, for a total of 15 stops. High Base ISO 2500 is ideal whenever you’re using slow lenses or shooting dimly-lit environments. Combining ISO2500 with VENICE’s internal eight-step Optical ND filter system offers the ability to emulate different ISOs while maintaining maximum latitude of +6 and -9 stops, enabling you to use VENICE as an ISO1250 camera.
World’s first 8-step mechanical ND Filters
VENICE is the world’s first camera of its class with a servo-controlled 8-step mechanical ND filter mechanism built into the camera chassis. It offers a massive ND of 0.3 (1/2 = 1 stop) to ND2.4 (1/256 = 8 stops) range that reduces time lost on set changing external filters. The ND filters also greatly increase VENICE’s flexibility when being controlled remotely on drones and cranes, or in an underwater housing.
Next generation viewfinder
The DVF-EL200 was created as the perfect partner for VENICE. A 1920 x 1080 OLED panel enables precise, high-resolution focusing and framing, including False Color Display at the touch of a button. A rotary encoder provides instant access to brightness, peaking and contrast. An all-new ergonomic design allows for tool-free attachment/detachment and reconfiguring within seconds. The industry-standard LEMO connector offers exceptional durability.
Engineered to survive
VENICE’s chassis is engineered to be amazingly robust and has been rigorously tested in the harshest conditions. Its ventilation system is completely isolated from all electronic components to prevent ingress of dust, sand and splash. The silent-running fan can be cleaned or even swapped out on set quickly and easily.
Easily configurable
VENICE has a fully modular design and even the sensor block is interchangeable. So, as sensor technology advances in far future, you have the opportunity to upgrade without investing in a new camera. In order to maintain ergonomic balance for operators, the top handle and viewfinder are easily adjustable. As the height of the camera from the bottom to the optical center of the lens mount is the same as the F55, base plates and other accessories used for the F55 can be used with VENICE. The AXS-R7 recorder can be attached to VENICE with just four screws.
Additional features of the Venice camera:
native PL- and E-mount (Lever lock type)
anamorphic aspect ratios of 4:3 and 6:5 at 4K for shooting both 2.4:1 and 2.66:1 widescreen
desqeeze function on monitor out for several anamorphic squeeze factors
up to 16bit of tonal range when recording in RAW or X-OCN (16-bit eXtended tonal range Original Camera Negative) file formats
downsampling from Full Frame Image with 6K resulution to 4K XAVC codec
parallel recording of Proxy Files or XAVC on SxS cards while recording 6K (RAW or X-OCN) on AXS cards
the Select FPS function lets you choose frame rates from 1 frame per second to as high as 120 fps, depending on imager mode. *Note: higher Framerates than 60fps require the HFR License available from summer 2019
several control tools for checking aperture an focus such as: up to 4.0x Dot-by-Dot magnification of the viewfinder image, Surround View (Look Around), High/Low Key, USER 3D LUTs, ACES compatibility
Full menu control via web browser based wired and wireless connection
and much more...
More information about the Sony VENICE can be found at www.sonycine.com
Download Technicolor Look Collection for VENICE here.
Raptor T2.9 100mm Lens
€1.00*
IB/E Optics Raptor T2.9 100mm Cine Macro Lens - UMS PL Mount
The RAPTOR lenses featuring full frame (24×36) coverage and beyond, 1:1 magnification, T-Stop 2.9 as well as robust and durable professional cine mechanics.
Features:
Maximum magnification 1:1
No change in length, thanks to internal focusing
extended color correction (APO)
Aperture T 2.9-T22
Constistent distance from flange to iris- and focusring
Front diameter of 95 mm
M0.8 gear wheels for focus and iris
UMS PL Mount (LPL, Canon EF, Sony NEX E,...)
Robust and durable mechanical design
Data sheet downloadAPO CINE MACRO LENS FAMILY
Bright Tangerine Prodigy Air Deflector Base Kit
€1.00*
Clear lens with the Prodigy Air Deflector
The Prodigy Air Deflector is the perfect solution for keeping a clear lens. At Glastonbury Festival, where it was raining, we noticed the camera operators continually wiping water off the lens. Rain deflectors have been employing spinning discs and centrifugal forces for decades and have several disadvantages. The underlying principles haven’t changed in almost 30 years. We knew there had to be a better solution. With a simple push of a button, the patented design can be quickly deployed to provide you with the clear shot you need in any condition.
Harnessing the Power of AirBefore it’s compressed and accelerated at 300+ mph, air is filtered to 1 micron and passes through the hose to the Air Head. The air attaches to the specially treated piece of glass, deflecting any water or particles that might otherwise ruin the shot. The pressurised air provides a barrier over the entire frame with no dead zones where water might accumulate. The Prodigy is quieter and produces sound at a lower frequency than traditional rain spinners, resulting in less discomfort for the talent, crew and environment. The downward force imitates gravity and the natural movement of rainfall.No Spinning GlassWith no need for a spinning piece of glass, we eliminate many limitations in traditional designs. The Prodigy has no centrifugal forces at play so there’s no gyroscopic effect for the operators to manage. This makes it a much easier experience for the operator whether it’s panning on a tripod or operating in handheld. The glass in the Prodigy is secured in place dissipating any vibrations, making it stronger and less likely to break from impacts.Optically Clear, Impact Resistant and SuperhydrophobicThe special piece of glass goes through a number of advanced manufacturing processes. The end result is a glass that’s optically clear with no effect on image quality or exposure,and has excellent impact resistance. Any water or liquid on the surface slides off and doesn’t bead up after being treated with a superhydrophobic coating.More Creativity and Fewer RetakeWith an airspeed of over 300 mph, the lens is cleaned almost immediately, with some particles not even coming into contact with the glass, making it ideal for high-speed work. The compressor has three different speeds so you can choose the one that best matches your desired look and feel.Saves Time On SetThe Air Head doesn’t emit any heat, so there’s no fogging on the lens or filters. This also saves time because you don’t have to unbag the camera and lens to clear the lens before shooting.Plastic bagging is easily secured to waterproof the camera and other electronics because of the flat sides.Rental Friendly & Easy MaintenanceCompared to spinners, the Prodigy has far fewer moving parts. With no bearings to physically spin the glass, there is less maintenance to do. Constructed of carbon fiber, high-grade aluminum, and stainless steel, making it extremely durable, rugged, and waterproof. It can endure any harsh conditions in either hot or cold climates. It won’t rust or corrode. When you need to replace your glass, it’s simple and quick to do so. Spare glass is accessible if it gets damaged or breaks. This results in a faster ROI for rental investments and the lower cost makes it more accessible to end-users, works with existing accessories, requiring less inventory space to store.Industry Standard 24V PowerThe Prodigy is powered by 24V, which has already become an industry standard used to power cameras and light fixtures. This increases efficiency and allows for the use of larger batteries with longer run times. An industry-standard 2-pin LEMO input with built-in automatic polarity switching prevents any chance of shorting out and damaging the compressor when using different cable standards.Built on the Misfit KickThe Air Head can also be used as a standalone matte box and builds on the foundation set by the Misfit Kick. The large field of view makes it ideal for wide-angle lenses, with the Reveal stage delivering the third stage without the need of any additional accessories. It’s light enough to use in a clip-on configuration or with rod supports on a 15mm LWS or 15/19 Studio setup. The top flag is made of carbon fiber, which aids with flare control and adds further protection from the weather.Built for RiggingThe Compressor has a variety of rigging possibilities, featuring helicoil reinforced threads to connect clamps and brackets. When it comes to high-risk stunts, the priority is always safety. For added security, attach a safety line using the tether points on the Air Head and Compressor. The Compressor can be positioned anywhere on the rig using the 50cm (20”) long hose. The bayonet quick-release connectors ensure a leak-free connection.Run/Stop ConnectivityAn industry-standard 3-pin Fischer Run/Stop port allows the Prodigy to be triggered using compatible hand units and remotes.Field-Tested by ProfessionalsThe Prodigy is already in use on feature films and projects like Matt Reeves’ The Batman, shot by DP Greig Fraser ACS, ASC and many more.User-Friendly Control PanelThe buttons on the compressor’s control panel are big and well-lit, making them easy to operate even with gloves on. The warning lights will light up to indicate the operator how to troubleshoot any problems, thanks to built-in error detection. Future firmware updates may be completed by the user without requiring the unit to be sent in using the Type-C USB connection.
Product Highlights
Easily deflects rain and other debris for a clear lens
50cm (20") long hose allows for flexible compressor placement
Rugged and tough construction for use in any weather conditions
Reveal Stage expands for a third filter stage
Requires Frame Safe clamp adapter - available in 11 sizes
In the box
B5000.1001 - Prodigy Air Deflector Compressor
B5000.1002 - Prodigy Air Head
B5000.1004 - Prodigy Power Cable
B5000.1007 - Prodigy Hose
B5000.1009 - Prodigy Top Flag
2x B1251.1042 - 4x5.65"/4x4" Filter Tray (Misfit Kick)
Bright Tangerine Prodigy Air Deflector Compressor
€1.00*
The Prodigy Air Deflector Compressor filters and compresses air, accelerating it to 300+ mph through the connected hose to the Air Head. It is extremely durable, rugged, and waterproof, and can endure any harsh conditions in either hot or cold climates. BUILT FOR PROFESSIONALS The Compressor can be placed up to 50cm (20") away from the Air Head and has a variety of rigging possibilities. When in high risk situations, connect a safety wire to the tether point for added peace of mind. Powered by industry-standard 24V for high efficiency and ability to use larger batteries for longer run times. The 2-pin LEMO port has built-in automatic polarity switching to prevent any short circuits and potential damage. The 3-pin Fischer Run/Stop port allows the Prodigy to be triggered using compatible hand units and remotes. USER-FRIENDLY The large buttons on the control panel are easy to operate with gloves on, and future firmware updates can be done by the user using the Type-C USB port. The warning lights will light up to indicate the operator how to troubleshoot any problems, thanks to built-in error detection. The air filter is a drop-in replacement with no special tools required that can be done in the field. EXTRA CARE COMES STANDARD Hand-built in our single factory in Church Crookham from high-grade materials. The Prodigy Compressor comes with our famous Bright Tangerine Support and the addition of a 24-month warranty
Product Highlights
Easy to rig using arms, rod brackets and clamps
Simple interface for operation with R/S connectivity
Automatic Polarity Detection (2-pin LEMO for US or ARRI Standard)
Rugged housing and military-grade filtration
Self-serviceable in the field or on location
Bright Tangerine Prodigy Air Deflector Production Kit
€1.00*
Clear lens with the Prodigy Air Deflector
The Prodigy Air Deflector is the perfect solution for keeping a clear lens. At Glastonbury Festival, where it was raining, we noticed the camera operators continually wiping water off the lens. Rain deflectors have been employing spinning discs and centrifugal forces for decades and have several disadvantages. The underlying principles haven’t changed in almost 30 years. We knew there had to be a better solution. With a simple push of a button, the patented design can be quickly deployed to provide you with the clear shot you need in any condition.
Harnessing the Power of AirBefore it’s compressed and accelerated at 300+ mph, air is filtered to 1 micron and passes through the hose to the Air Head. The air attaches to the specially treated piece of glass, deflecting any water or particles that might otherwise ruin the shot. The pressurised air provides a barrier over the entire frame with no dead zones where water might accumulate. The Prodigy is quieter and produces sound at a lower frequency than traditional rain spinners, resulting in less discomfort for the talent, crew and environment. The downward force imitates gravity and the natural movement of rainfall.No Spinning GlassWith no need for a spinning piece of glass, we eliminate many limitations in traditional designs. The Prodigy has no centrifugal forces at play so there’s no gyroscopic effect for the operators to manage. This makes it a much easier experience for the operator whether it’s panning on a tripod or operating in handheld. The glass in the Prodigy is secured in place dissipating any vibrations, making it stronger and less likely to break from impacts.Optically Clear, Impact Resistant and SuperhydrophobicThe special piece of glass goes through a number of advanced manufacturing processes. The end result is a glass that’s optically clear with no effect on image quality or exposure,and has excellent impact resistance. Any water or liquid on the surface slides off and doesn’t bead up after being treated with a superhydrophobic coating.More Creativity and Fewer RetakeWith an airspeed of over 300 mph, the lens is cleaned almost immediately, with some particles not even coming into contact with the glass, making it ideal for high-speed work. The compressor has three different speeds so you can choose the one that best matches your desired look and feel.Saves Time On SetThe Air Head doesn’t emit any heat, so there’s no fogging on the lens or filters. This also saves time because you don’t have to unbag the camera and lens to clear the lens before shooting.Plastic bagging is easily secured to waterproof the camera and other electronics because of the flat sides.Rental Friendly & Easy MaintenanceCompared to spinners, the Prodigy has far fewer moving parts. With no bearings to physically spin the glass, there is less maintenance to do. Constructed of carbon fiber, high-grade aluminum, and stainless steel, making it extremely durable, rugged, and waterproof. It can endure any harsh conditions in either hot or cold climates. It won’t rust or corrode. When you need to replace your glass, it’s simple and quick to do so. Spare glass is accessible if it gets damaged or breaks. This results in a faster ROI for rental investments and the lower cost makes it more accessible to end-users, works with existing accessories, requiring less inventory space to store.Industry Standard 24V PowerThe Prodigy is powered by 24V, which has already become an industry standard used to power cameras and light fixtures. This increases efficiency and allows for the use of larger batteries with longer run times. An industry-standard 2-pin LEMO input with built-in automatic polarity switching prevents any chance of shorting out and damaging the compressor when using different cable standards.Built on the Misfit KickThe Air Head can also be used as a standalone matte box and builds on the foundation set by the Misfit Kick. The large field of view makes it ideal for wide-angle lenses, with the Reveal stage delivering the third stage without the need of any additional accessories. It’s light enough to use in a clip-on configuration or with rod supports on a 15mm LWS or 15/19 Studio setup. The top flag is made of carbon fiber, which aids with flare control and adds further protection from the weather.Built for RiggingThe Compressor has a variety of rigging possibilities, featuring helicoil reinforced threads to connect clamps and brackets. When it comes to high-risk stunts, the priority is always safety. For added security, attach a safety line using the tether points on the Air Head and Compressor. The Compressor can be positioned anywhere on the rig using the 50cm (20”) long hose. The bayonet quick-release connectors ensure a leak-free connection.Run/Stop ConnectivityAn industry-standard 3-pin Fischer Run/Stop port allows the Prodigy to be triggered using compatible hand units and remotes.Field-Tested by ProfessionalsThe Prodigy is already in use on feature films and projects like Matt Reeves’ The Batman, shot by DP Greig Fraser ACS, ASC and many more.User-Friendly Control PanelThe buttons on the compressor’s control panel are big and well-lit, making them easy to operate even with gloves on. The warning lights will light up to indicate the operator how to troubleshoot any problems, thanks to built-in error detection. Future firmware updates may be completed by the user without requiring the unit to be sent in using the Type-C USB connection.
Product Highlights
Easily deflects rain and other debris for a clear lens
50cm (20") long hose allows for flexible compressor placement
Rugged and tough construction for use in any weather conditions
Includes all necessary cables, accessories and spares
Set up for three stages, with 15mm LWS support using Black Hole
In the box
B5000.1001 - Prodigy Air Deflector Compressor
B5000.1002 - Prodigy Air Head
2x B5000.1004 - Prodigy Power Cable
2x B5000.1007 - Prodigy Hose
B5000.1009 - Prodigy Top Flag
3x B1251.1042 - 4x5.65"/4x4" Filter Tray (Misfit Kick)
B5000.1006 - Prodigy Spare Glass
B1235.1017 - Frame Safe Clamp Adapter (143mm)
B1250.1076 - Black Hole Rubber Donut (143mm)
B1235.1002 - 15mm LWS Support Bracket (Misfit Kick)
Bright Tangerine Prodigy Air Head
€1.00*
The Prodigy Air Head takes pressurised air from the Compressor through the connected hose and creates barrier over a specially treated piece of glass for a clear lens. With advanced processes, we can make a glass that is optically clear with no effect on image quality or exposure, and it has excellent impact resistance. Any water or liquid on the surface slides off and doesn’t bead up after being treated with a superhydrophobic coating. Spare glass is accessible if it gets damaged or breaks, and replacing it takes only a few minutes.BUILT ON THE MISFIT KICKThe Air Head can also be used as a standalone matte box. The large field of view makes it ideal for wide-angle lenses, with the Reveal stage delivering the third stage without the need of any additional accessories. It’s light enough to use in a clipon configuration or with rod supports on a 15mm LWS or 15/19 Studio setup.Compared to spinners, the Prodigy has far fewer moving parts. With no bearings to physically spin the glass, there is less maintenance to do. Constructed from high-grade aluminum, and stainless steel, making it extremely durable, rugged, and waterproof. It can endure any harsh conditions in either hot or cold climates.EXTRA CARE COMES STANDARDHand-built in our single factory in Church Crookham from high-grade materials. The Prodigy Air Head comes with our famous Bright Tangerine Support and the addition of a 24-month warranty.
Product Highlights
Keep your lens clear to shoot through rain, dust and debris
Low maintenance with no moving parts
Flat surfaces make it easy to bag your camera
No vignetting with wide angle lenses on large format sensors
Can be set up for clip-on or rod mounted with full range of Frame Safe clamp adapters
Bright Tangerine Prodigy Filter
€1.00*
The Prodigy accelerates air to over 300 miles per hour. The high airflow filter purifies to 1 micron blocking out dust particles and debris from entering the compressor.It is robust, waterproof, and designed to operate in a wide temperature range (-40 to +50°C) so you can use the Prodigy in any type of environment.EASY INSTALLATIONThe filter in the Prodigy Compressor needs to be replaced every 12 months or sooner, so that you can maintain the highest possible level of performance. To replace it is simple: remove four mounting screws on the bottom and remove the housing. Remove the old filter and drop in the new filter. Reattach the housing and you’re ready to go.Product Highlights
Prevents particles from entering the compressor
Military-grade filtration designed for high airflow
Filters out any particle larger than 1 micron
Waterproof and operates in a wide temperature range
Bright Tangerine Prodigy Hose – 100cm (40″)
€1.00*
Bright Tangerine Prodigy Hose – 100cm (40″)
A custom-made flexible hose for air to flow from the compressor to the Air Head. Purpose-built to handle the high pressure and volume requirements.The hose is 100cm (40”) in length and features secure bayonet fittings on each end.
Purpose-built to handle high pressure and large volume of air
100cm (40”) long hose allows for flexible compressor placement
Kink resistant and durable to provide high air flow
One-piece quick release bayonet fittings for no leaks
Hose also available in 50cm (20”) & 75cm (30”) lengths
Description
Available in 50cm (20”), 75cm (30”) & 100cm (40”) lengths to place the compressor further away from the Air Head.
QUICK RELEASE CONNECTORS
Attaching the Prodigy Compressor and Air Head is easy using the quick release connectors on each end. The custom designed bayonet fittings ensure a secure fit and are a one-piece construction, removing any chance of air leaks or loss in pressure which could affect the air flow.
DESIGNED FOR HIGH PRESSURE
The Prodigy Hose is available in a range of lengths, allowing for the compressor to be placed in a range of positions on the camera rig. It is kink resistant so it can be articulated and tied down without affecting the air flow.
Additional information
Weight: 0,120 kgDimensions: 102,5 × 4 × 3 cm
Bright Tangerine Prodigy Hose – 75cm (30″)
€1.00*
Bright Tangerine Prodigy Hose – 75cm (30″)
A custom-made flexible hose for air to flow from the compressor to the Air Head. Purpose-built to handle the high pressure and volume requirements.The hose is 75cm (30”) in length and features secure bayonet fittings on each end.
Purpose-built to handle high pressure and large volume of air
75cm (30”) long hose allows for flexible compressor placement
Kink resistant and durable to provide high air flow
One-piece quick release bayonet fittings for no leaks
Hose also available in 50cm (20”) & 100cm (40”) lengths
Description
Available in 50cm (20”), 75cm (30”) & 100cm (40”) lengths to place the compressor further away from the Air Head.
QUICK RELEASE CONNECTORS
Attaching the Prodigy Compressor and Air Head is easy using the quick release connectors on each end. The custom designed bayonet fittings ensure a secure fit and are a one-piece construction, removing any chance of air leaks or loss in pressure which could affect the air flow.
DESIGNED FOR HIGH PRESSURE
The Prodigy Hose is available in a range of lengths, allowing for the compressor to be placed in a range of positions on the camera rig. It is kink resistant so it can be articulated and tied down without affecting the air flow.
Additional information
Weight 0,090 kgDimensions 75,5 × 4 × 3 cm
Bright Tangerine Prodigy Hose Prodigy Hose – 50cm (20″)
€1.00*
A custom-made flexible hose for air to flow from the compressor to the Air Head. Purpose-built to handle the high pressure and volume requirements.QUICK RELEASE CONNECTORSAttaching the Prodigy Compressor and Air Head is easy using the quick release connectors on each end. The custom designed bayonet fittings ensure a secure fit and are a one-piece construction, removing any chance of air leaks or loss in pressure which could affect the air flow.DESIGNED FOR HIGH PRESSUREThe Prodigy Hose is 50cm (20") in length, allowing for the compressor to be placed in a range of positions on the camera rig. It is kink resistant so it can be articulated and tied down without affecting the air flow.Product Highlights
Purpose-built to handle high pressure and large volume of air
50cm (20") long hose allows for flexible compressor placement
Kink resistant and durable to provide high air flow
One-piece quick release bayonet fittings for no leaks
Bright Tangerine Prodigy Power Cable
€1.00*
Power the Prodigy Air Deflector with this 2-pin Lemo to 3-pin XLR cable.24V RATEDThe 1.5m (4.9ft) cable made from high-quality materials rated for 24V offers minimal voltage drop. They are flexible and reliable for the most demanding conditions.WIRING SPECIFICATIONSThe Prodigy power cable uses the US standard. For both the 2-pin LEMO & XLR connector, Pin 1 is wired for Power (+), and Pin 2 for Ground (-). EXTRA CARE COMES STANDARDHand-built in our single factory in Church Crookham from high-grade materials. The Prodigy Power Cable comes with our famous Bright Tangerine Support and the addition of a 12-month warranty.
Product Highlights
Hand-built and tested for a reliable connection for the Prodigy Air Deflector
High-quality 2-Pin 2B Lemo & XLR connectors
Rated for 24V output with low voltage drop
Flexible 1.5m (4.9ft) long cable
Bright Tangerine Prodigy Spare Glass
€1.00*
The Prodigy Glass has been through a nummer of manufacturing processes to create a piece of glass with special properties.The air flow from the compressor attaches to the glass to deflect water and particles out of view.IMPACT-RESISTANTThe Prodigy Glass is neutral and impact resistant, free of unwanted color shifts while protecting expensive front elements and filters. It provides a barrier for any debris or particles which would otherwise damage the lens during stunts or action scenes.WATER REPELLANTThe glass has also been treated with a superhydrophobic coating that prevents water from beading on the surface. Combined with the Prodigy air flow, any water is cleared almost instantly.EASY INSTALLATIONThe replacement of the glass is a simple process that can be done in minutes. Using a 4mm Hex key, undo the screw to remove the access panel. Slide out the old glass and insert the new glass. Reattach the access panel and fixing screw and you’re ready to go.Product Highlights
Impact-resistant against chips and scratches
Superhydrophobic coating to repel water and particles
Optically clear to maintain lens characteristics
Easy to replace and install in a few minutes
Bright Tangerine Prodigy Top Flag
€1.00*
The Prodigy Top Flag is a great way to protect your frame from the elements and maintain contrast by blocking out flares. No tools are required, so you can install it quickly on the go. The flag provides additional protection for your Prodigy glass, with its 165 degree range of movement. It can close flush for transport and open up to block out flares and provide coverage from rain.QUICK AND EASYTo install the flag, line up the guide posts and insert the thumbscrew through the mounting point. You can now use the thumbscrew to set the tension. When fully tightened, the flag will be secured in position. Slightly loosen to adjust the flag on the fly. This is great when working in fast paced environments when constantly changing angles.EXTRA CARE COMES STANDARDMachined and hand-finished in our single factory in Church Crookham from high-grade materials. Hard anodised for extended durability. The Prodigy Top Flag comes with our famous Bright Tangerine Support and the addition of a 2-year warranty.Product Highlights
Quick and easy installation, no tools required
Adjustable tension - lock it off or adjust it on the fly
Lightweight carbon fiber construction for easy transport
Closes flat for complete protection for your Prodigy Glass
Hard Travel Case for Angénieux EZ-1/EZ-2 Lens
€1.00*
Hard Protective CineCast Case for Angénieux EZ Lenses.
Hudson Spider Flop Daddy
€1.00*
Discover Flop Daddy™. This game-changing innovation instantly transforms any 4x4 floppy into a relaxing glare-free screening room, so you can focus on what really matters.Featuring a white outer layer to reflect the heat and a black interior to minimise monitor glare.
Flop Daddy is ideal for everyone as:
DOP/DP
Camera Operator
AC
Director/AD
Script
DIT
VAO
Lighting
Grip
Make-up
Wardrobe
FX
Stylist
Agency
Stunts
...
FEATURES
Slips on to any 4x4 floppy
Waterproof material
2 roll up sides with mesh window inner layer
Travels in a sleek shoulder bag
White outside - black inside - dual layer Nylon.
Grab some Sand Noodles™ to slide into the sides of your Flop Daddy™ (or KUPO Floopy) if the wind picks up.
Inovativ Insight Carrying Case
€1.00*
Inovativ Insight Carrying CaseThis case is for carrying all components of the Insight Mounting System if you need to install it on location.
Product Weight: 20 lbs
Dimensions: 50 In. L x 16 In. W x 11 In. H
OR-140 Orca Hard Shell Case for 5" monitors
€1.00*
Much more than just a monitor Bag!The OR-140 Hard Shell Monitor Bag was designed to carry transport and protect most of the 5″ field productions LCD monitors, which are available on the market.The special design of the OR-140 enables any user to operate the monitor right from the bag and offers all the needed features such as an integrated hood, table mounting option and on-camera mounting option via 1/4″ cold shoe. The all in one ORCA bags monitor solution is a unique development that offers a full solution for your field monitor. The Thermoforming technology structure of the OR-140 ensures full protection of LCD monitors on the field.
Dimensions:
Internal:cm/inchLength: 18cm / 7"Width: 12,5cm / 5"Height: 9cm / 3.5"External:cm/inchLength: 20cm / 8"Width: 15cm / 6"Height: 10cm / 4"
OR-142 Orca Hard Shell Case for 7" monitors
€1.00*
The OR-142 Hard Shell Monitor Bag was designed to carry, transport and protect most of the 7″ field productionsLCD monitors, which are on the market.The special design of the OR-140 enables any user to operate the monitor right from the bag and offers all the needed features such as an integrated hood, table mounting option and on-camera mounting option via 1/4″ cold shoe.The all in one ORCA bags monitor solution is a unique development that offers a full solution for your field monitor. The Thermoforming technology structure of the OR-140 ensures full protection of LCD monitors on the field.
Dimensions:
Internal:cm/inchLength: 23cm / 9"Width: 18cm / 7"Height: 12 cm / 5"External:cm/inchLength: 25cm / 10"Width: 22cm / 8.5"Height: 15 cm / 6"
OR-16 Orca Equipment Trolley
€1.00*
Orca OR-16 Equipment Trolley (+ BackPack)
The Orca OR-16 Rolling Camera Bag is ideal for carrying a camera and accessories while traveling. The bag is compatible with DSLR/video cameras such as the Sony PXW-FS7, PXW-FS5, PXW-X200, and PXW-Z150; the Panasonic AG-DVX200, AG-AC160A, and AJ-PX270; and the Blackmagic 2K, 4K, and URSA Mini. Alternatively, it can fit two Sony a7S Mirrorless cameras (or similarly sized cameras) plus lenses and accessories. It is also compatible with field recording sound gear such as microphone windshields, wireless microphones, cables, connectors, and additional items.
Main Features:
Internal honeycomb frame for maximum gear protection
Aluminum Trolley System with durable rollerblade wheels
Integrated hidden backpack system
13 removable, fully adjustable internal dividers
Two large internal mesh pockets for extra accessories
Two external pockets for smartphone and passport
External USB port and padded compartment for up to 17″ laptop
Elastic slots for SD memory cards
Two padded carrying handles
Two external straps to hold a small tripod or monopod
Waterproof zippers
Internal dimensions: L50xW33xH18cmExternal dimensions: L55xW40xH25cmWeight: 5,2 kg
OR-5 Orca Shoulder Camera Bag
€1.00*
The OR-5 Orca Shoulder Camera Bag is expertly designed to carry and protect your video camera and all its related items, from studio to location and anywhere else you choose to shoot. Orca Video Bags are highly protective, with their external aluminum frame, internal honeycomb frame and layers of foam and EVA. The bags are extremely light, versatile and easy to carry. Orca Video Bags come in different sizes, each with external pockets, padded shoulder strap and a flexible internal dividing system that can be configured according to the user’s needs.
OR-5 Orca Shoulder Camera Bag with Large External Pockets iscompatibel with:
Sony: HXR-NX30E, PXW-X70-4K, PXW-Z90V 4K,
Panasonic: AC-90 ,AC-30.
Canon: XF-400,XA-11,XF-405& similar sized cameras.
Internal dimensions (L x W x H) : 15 x 9.4 x 9.8" / 38 x 24 x 25 cm
OR-732 Orca Soft Bag for Tripod / Light Stands (Medium)
€1.00*
Soft but well padded and durable bag for use with tripod or light stands with maximum length 105cm / 40".Depending on the size the soft bag can carry up to approx. 3 - 6 light stands.The OR-732 is made from high-quality material and strong YKK zippers. The bottom of the bag has an extra protection layer to reduce wear and tear.Inside the bag, two velcro straps and a tripod head mark helps to secure the tripod in place. The bag has an external zip pocket for tripod and camera plates, comes with a shoulder strap and can be carried by two well balanced handles with extra padding.
Dimensions:
Internal:cm/inchLength: 105cm / 40"Width: 23cm / 9"Height: 23cm / 9"External:cm/inchLength: 107cm / 41"Width: 25cm / 10"Height: 25cm / 10"
OR-84 Orca Traveller Suitcase, Trolley
€1.00*
Carry-on baggage for your personal belongings or further equipment in comfortable cabin size.With integrated USB port and compartment for laptop up to 17". For travel and general purpose.Internal dimensions (L X W X H):20.5 X14.5 X 8.5" / 52 X 37 X 22 cm
Orca OR-91 Protective Case
€1.00*
The Protective Case is made of hard plastic and can hold up to 4 SD, 4 CF and 4 micro SD cards. It is a foam fitted, shock resistant case that comes with inner padding.FEATURES
Hard Shell Plastic Case
Fits up to 4 SD, 4 CF and 4 micro SD cards
Custom cut for exact fitting
Shock resistant
ORCA DSLR OR-531G Any Day Laptop-Backpack Gray
€1.00*
ORCA DSLR OR-531G Any Day Laptop-Backpack Gray
The new ORCA DSLR “Super Lite” Backpack was designed to carry a laptop and many personal items inside. The bag has a special side pocket to store up to a 17“ laptop. The fabric is super lightweight, made from 600D polyester, and is PVC-free. The laptop compartment is padded for increased protection while the front compartment is designed to hold laptop accessories, a cell phone, and other essentials.The front top zipper pocket can hold sunglasses or a cell phone. Lastly the mesh side pockets are ideal for storing cables or a water bottle.Main Features• 1 Internal padded laptop compartment.• External top pocket for small items.• External pouch for flat objects.• Lite weight backpack system.• 2 external mesh pockets.• Back sleeve for attaching to trolley.Internal cm / InchLength 44cm / 17.3"Width 32cm / 12.5"Height: 11 cm 4.3"Exteral : cm / inchLength 44cm / 17.3"Width 32cm / 12.5"Height: 11 cm 4.3"Weight: Kg / Lb0.60kg/1.2Lb
ORCA DSLR OR-531Y Any Day Laptop-Backpack Yellow
€1.00*
ORCA DSLR OR-531Y Any Day Laptop-Backpack Yellow
The new ORCA DSLR “Super Lite” Backpack was designed to carry a laptop and many personal items inside. The bag has a special side pocket to store up to a 17“ laptop. The fabric is super lightweight, made from 600D polyester, and is PVC-free. The laptop compartment is padded for increased protection while the front compartment is designed to hold laptop accessories, a cell phone, and other essentials.The front top zipper pocket can hold sunglasses or a cell phone. Lastly the mesh side pockets are ideal for storing cables or a water bottle.Main Features• 1 Internal padded laptop compartment.• External top pocket for small items.• External pouch for flat objects.• Lite weight backpack system.• 2 external mesh pockets.• Back sleeve for attaching to trolley.Internal cm / InchLength 44cm / 17.3"Width 32cm / 12.5"Height: 11cm 4.3"Exteral : cm / inchLength 44cm / 17.3"Width 32cm / 12.5"Height: 11cm 4.3"Weight: Kg / Lb0.60kg/1.2Lb
Orca OR-1 Camera Accessories Pouch
€1.00*
The Orca OR-1 is specially designed to help the camera operator store and organize essential equipment. The pouch is detachable, and can easily be relocated from one bag to another. It can accommodate a dynamic microphone, batteries, on-camera LED light, SD cards, wireless system, cables, and more.
There are two external pockets for wireless receivers and/or transmitters, and two internal pockets for SD cards. Two internal dividers split the main compartment into three smaller compartments. The top of the pouch is a mesh cover so you can see the contents when it's closed.