Sony VENICE CineAlta 6K FullFrame camera

Product information "Sony VENICE CineAlta 6K FullFrame camera"

Next generation camera with forward thinking full frame sensor, phenomenal color science and user-friendly operation

Simple and intuitive

Usability and reliability of the camera is one of the major concerns for operators, especially in tough or time-critical filming conditions. With a user-friendly design, clear and simple menu navigation, and a highly durable, reliable construction, VENICE lets you simply concentrate on filming, and not the camera.

 

Full-Frame sensor for cinema

VENICE features an all-new Full-Frame sensor with the classic 36 x 24-mm dimensions that have been a staple of photography for over 100 years. Designed exclusively for high-end cinematography, this sensor can capture images up to a maximum resolution of 6048 x 4032.

Switchable imager modes mean VENICE can support an unprecedented number of cinematic aspect ratios for complete creative freedom:

 

Full width 36 mm 6K

In full-frame, you can use the full 6048 pixel width of the sensor for 6K imager modes such as 3:2, 2.39:1*, 1.85:1, 17:9, and 16.9*. Equivalent to 4-perforation motion picture film, these 6K modes allow for extra-shallow depth of field, super-wide shooting, and other creative effects.

 

Super35 anamorphic 4K

For super-wide screen productions, VENICE offers two full-height 2x squeeze anamorphic imager modes that include 6:5 and 4:3 recording modes for 12:5 (known as 2.39:1) and 8:3 (2.66:1) scenes, respectively.

Explore how VENICE can meet your production requirements with the firmware and licensing requirements in the aspect ratio chart:

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Fast shutter

VENICE’s high-speed readout sensor minimizes the jello effect typical in CMOS sensors.

 

Phenomenal latitude

VENICE has an exceptional 15+ stops of latitude, with low noise for extraordinary performance in delivering phenomenal images in conditions from searing sunlight to almost no light. VENICE’s real-world performance also excels at High Dynamic Range imaging and allows unprecedented creative freedom in grading.

 

More colors for more expression

VENICE can exceed Rec. 2020 color space. This means the color range is wider than DCI-P3 and can beautifully reproduce the true color of the scene in front of your lens. This also provides the broad palette in the grading suite using the established workflow of Sony’s third-generation LOG gamma encoding (S-Log3) and ultra-wide color space.

 

More colors for more expression

VENICE can exceed Rec. 2020 color space. This means the color range is wider than DCI-P3 and can beautifully reproduce the true color of the scene in front of your lens. This also provides the broad palette in the grading suite using the established workflow of Sony’s third-generation LOG gamma encoding (S-Log3) and ultra-wide color space.

 

Dual Base ISO

VENICE has a base ISO of 500 to provide the optimal dynamic range for typical cinematography applications with on-set lighting. A secondary High Base ISO of 2500 excels in low-light High Dynamic Range capture, with an exposure latitude from 6 stops over to 9 stops under 18% Middle Gray, for a total of 15 stops. High Base ISO 2500 is ideal whenever you’re using slow lenses or shooting dimly-lit environments. Combining ISO2500 with VENICE’s internal eight-step Optical ND filter system offers the ability to emulate different ISOs while maintaining maximum latitude of +6 and -9 stops, enabling you to use VENICE as an ISO1250 camera.

 

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World’s first 8-step mechanical ND Filters

VENICE is the world’s first camera of its class with a servo-controlled 8-step mechanical ND filter mechanism built into the camera chassis. It offers a massive ND of 0.3 (1/2 = 1 stop) to ND2.4 (1/256 = 8 stops) range that reduces time lost on set changing external filters. The ND filters also greatly increase VENICE’s flexibility when being controlled remotely on drones and cranes, or in an underwater housing.

 

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Next generation viewfinder

The DVF-EL200 was created as the perfect partner for VENICE. A 1920 x 1080 OLED panel enables precise, high-resolution focusing and framing, including False Color Display at the touch of a button. A rotary encoder provides instant access to brightness, peaking and contrast. An all-new ergonomic design allows for tool-free attachment/detachment and reconfiguring within seconds. The industry-standard LEMO connector offers exceptional durability.

  

Engineered to survive

VENICE’s chassis is engineered to be amazingly robust and has been rigorously tested in the harshest conditions. Its ventilation system is completely isolated from all electronic components to prevent ingress of dust, sand and splash. The silent-running fan can be cleaned or even swapped out on set quickly and easily.

 

Easily configurable

VENICE has a fully modular design and even the sensor block is interchangeable. So, as sensor technology advances in far future, you have the opportunity to upgrade without investing in a new camera. In order to maintain ergonomic balance for operators, the top handle and viewfinder are easily adjustable. As the height of the camera from the bottom to the optical center of the lens mount is the same as the F55, base plates and other accessories used for the F55 can be used with VENICE. The AXS-R7 recorder can be attached to VENICE with just four screws.

 

Additional features of the Venice camera:

  • native PL- and E-mount (Lever lock type)
  • anamorphic aspect ratios of 4:3 and 6:5 at 4K for shooting both 2.4:1 and 2.66:1 widescreen
  • desqeeze function on monitor out for several anamorphic squeeze factors
  • up to 16bit of tonal range when recording in RAW or X-OCN (16-bit eXtended tonal range Original Camera Negative) file formats
  • downsampling from Full Frame Image with 6K resulution to 4K XAVC codec
  • parallel recording of Proxy Files or XAVC on SxS cards while recording 6K (RAW or X-OCN) on AXS cards
  • the Select FPS function lets you choose frame rates from 1 frame per second to as high as 120 fps, depending on imager mode.  *Note: higher Framerates than 60fps require the HFR License available from summer 2019
  • several control tools for checking aperture an focus such as: up to 4.0x Dot-by-Dot magnification of the viewfinder image, Surround View (Look Around), High/Low Key, USER 3D LUTs, ACES compatibility
  • Full menu control via web browser based wired and wireless connection
  • and much more...

 More information about the Sony VENICE can be found at www.sonycine.com

 Download Technicolor Look Collection for VENICE here.

SONY - NEW GERMAN FINANCE PROMOTION

SONY - NEW GERMAN FINANCE PROMOTION

Accessory Items

ARRI Pro Broadcast Set for Sony Venice 1/2
Includes: K2.0043699, Top Plate for Sony Venice 1/2 K2.0043726, Plate for Sony Venice 1/2 K2.0043731, Side Bracket Right for Sony Venice 1/2 K2.0043725, Side Bracket Left for Sony Venice 1/2 K2.0043749, Broadcast Shoulder Adapter BSA-1 K2.66252.0, Support Rods 340mm, Ø15mm K2.0017270, Camera Center Handle CCH-4 K2.0021525, EVF bracket for Sony DVF-EL200 (Venice) K2.0006140, Mini Viewfinder Bracket MVB-1  

€1.00*
Sony VENICE 2 with 6K image sensor
In 2017, Sony introduced a next-generation motion picture camera system, focused on large format production: the VENICE. Working with extensive and detailed input from the film industry, we designed VENICE to give cinematographers more creative freedom. A 6K image sensor offered incredible detail and colors. Dual-base ISO drove remarkable low-light performance. An 8-step internal ND filter mechanism saved precious time on set.Now, VENICE 2 builds on this success, with new capabilities in a familiar, compact body. Remarkable ImagesVENICE 2 offer a choice between 8K (MPC-3628) and 6K (MPC-3626) sensors, both of wich boast incredibly wide latitude and gamut. Use greater freedom of expression in grading than ever before, with either 16 or 15+ stops of latitude and exquisite color rendition.   Sensor interchangeable between other models   36x24mm Full-Frame Sensor for Cinema VENICE 2 features one of two 36x24mm full-frame image sensors, designed specifically for the demands and performance of high-end cinematography. Each offers remarkable sensitivity, latitude and color rendition, and because the sensor blocks are interchangeable, users can easily switch between sensors—without any extra firmware—and can even use the sensor from their original VENICE. The new 8K sensor can capture images up to a maximum resolution of 8640 x 5760, while the established 6K sensor offers up to 6048 x 4032. Both offer powerful oversampling for incredible 4K images.     Super35 full height 2.0x squeeze AnamorphicFor anamorphic shooting and production, Super35 full height 2x squeeze anamorphic is supported. Dual Base ISOVENICE 2 features dual base ISO, meaning that the 8K sensor offers Base ISO3200 in addition to Base ISO800, while the 6K sensor has Base ISO500 and Base ISO2500. 8K sensor excels in low-light, High Dynamic Range capture, with an exposure latitude from 6 stops over to 10 stops under 18% Middle Gray, for a total of 16 stops.6K sensor offers an exposure latitude from 6 stops over to 9 stops under 18% Middle Gray, for a total of 15+ stops. High Frame Rate VENICE 2 can shoot at speed of up to 120fps at 4K and 90fps at 6K, when using the 6K sensor. In combination with an anamorphic license, it also allows shooting at speed of up to 75fps at 4K 4:3 and 72fps at 4K 6:5. With the 8K sensor, VENICE 2 can achieve up to 60fps at 8.2K and 90fps at 5.8K.   Supporting all major of motion picture lenses in the market Full-Frame Anamorphic lens Full-Frame Spherical lens S35mm Spherical lens E-Mount lens Image Mode details for 6K image sensor in V1.0          SPECIFICATIONS for VENICE 2 with 6K image Sensor #MPC-3626 Image Device: 35mm full size, single-chip CMOS image sensor Imaging Device Pixel Count: 24.8M (Total) Image sensor interchangeable Built-in ND Filters: Clear, 0.3 (1/2), 0.6 (1/4), 0.9 (1/8), 1.2 (1/16), 1.5 (1/32), 1.8 (1/64), 2.1 (1/128), 2.4 (1/256) ISO Sensitivity: ISO500, ISO2500 (Dual Base ISO) Lens Mount: PL Mount and E-Mount Latitude: 15+ stops Compact and X-OCN internal Recording 4K ProRes internal Rec VENICE 2 can apply 4K or HD LUTS to it´s monitor output. Dimensions (WxHxD): 15,2x 15,8x 2,5cm Weight: approx. 4,2Kg Almost same I/O and screw holes for accessories An evolved product design based on VENICE More information about the Sony VENICE can be found at www.sonycine.com  Click here to download the Special Report from FD Times.

€1.00*
ARRI Pro Cine Set for Sony Venice 1/2
Includes: K2.0043699, Top Plate for Sony Venice 1/2 K2.0043726, Plate for Sony Venice 1/2 K2.0043731, Side Bracket Right for Sony Venice 1/2 K2.0043725, Side Bracket Left for Sony Venice 1/2 K2.0017138, Bridge Plate Adapter BPA-5 K2.66252.0, Support Rods 340mm, Ø15mm K2.0017270, Camera Center Handle CCH-4 K2.0021525, EVF bracket for Sony DVF-EL200 (Venice) K2.0006140, Mini Viewfinder Bracket MVB-1  

€1.00*
ARRI Basic Broadcast Set for Sony Venice 1/2
Includes: K2.0043699, Top Plate for Sony Venice 1/2 K2.0043726, Plate for Sony Venice 1/2 K2.0043749, Broadcast Shoulder Adapter BSA-1 K2.66252.0, Support Rods 340mm, Ø15mm K2.0017270, Camera Center Handle CCH-4  

€1.00*
Arri ALEXA Mini LF
Combining the compact size and low weight of the popular ALEXA Mini with the large-format ALEXA LF sensor, ALEXA Mini LF brings exciting new creative possibilities to ARRI's large-format camera system. The LF camera system consists of the high-speed ALEXA LF and ALEXA Mini LF cameras, ARRI Signature Prime lenses, LPL lens mount, PL-to-LPL adapter, and Lens Data System LDS-2. The combined feature sets and form factors of ARRI's two large-format cameras encompass al on-set requirements.FEATURES Immersive large-format look Lower noise with higher usable sensitivity Highes dynamic range of any production camera ARRI color science for natural skin tones, easy color correction and clean VFX Perfect for High Dynymic Range (HDR) and Wide Color Gamut (WCG) displays Robust and reliable Easy to operate and use on set Fast and efficient workflows Internal recording to new Codex Compact Drive Uncompressed and unencrypted MXF/ARRIRAW Fast and efficient MXF/Apple ProRes New Codex Compact Drive 1TB is small, tough and cost-efficient Affordable Compact Drive Reader works without license or extra software Compact Drive Adapter is compatible with SXR Capture Drive Docks New MVF-2 high-contrast HD viewfinder HD OLED display, color science and ARRICAM eyepiece like ALEXA LF EVF-2 Optimal judgement of focus, dynamic range and color Stable color balance through temperature-controlled display Large 4" flip-out monitor shows image or camera menu Three operation medes: single operator, crew or remote New flexible and reliiable CoaXPress VF cable, up to 10 m/33 ft The ALEXA Mini LF uses the same sensor as the ALEXA LF. This is the ALEV 3 A2X sensor, which has the same photosite size and type as the Super 35 ARRI digital cameras. It has 4448 x 3096 photosites (yes, it is therefore a 4.5K sensor) and measures 36.70 x 25.54 mm. The ALEXA Mini LF (left) has the same dimensions and the same mounting points as the ALEXA Mini (right), except for the media bay on the camera left side. Our current prototypes weigh in at 2.6 Kg/5.7 lbs for the camera body with LPL lens mount and 800 g/1.7 lbs for the MVF-2 viewfinder.Arri-Alexa-LF-two-sidesAdditional new features Three internal, motorized large-format FSND filters: ND 0.6, 1.2 and 1.8 New dedicated, regulated 12 V and 24 V accessory power outputs New SYNC IN and improved AUDIO connectors Two built-in microphones Six user buttons on camera's left side One LOCK button each for camera and viewfinder Additional external WiFi antenna Easier access to media, VF and TC connectors Great system compatibility Same sensor and recording formats as ALEXA LF Compatible with LPL and PL mount lenses, Super 35 and full frame Supports all anamorphic de-squeeze ratios Compatible with almost all ALEXA Mini accessories Compatible with ARRIand cmotion wireless remote systems Works with 12 V and 24 V on-board batteries (~65 W power draw) 

€1.00*
Sony VENICE 2 with 8K image sensor
In 2017, Sony introduced a next-generation motion picture camera system, focused on large format production: the VENICE. Working with extensive and detailed input from the film industry, we designed VENICE to give cinematographers more creative freedom. A 6K image sensor offered incredible detail and colors. Dual-base ISO drove remarkable low-light performance. An 8-step internal ND filter mechanism saved precious time on set.Now, VENICE 2 builds on this success, with new capabilities in a familiar, compact body. Remarkable ImagesVENICE 2 offer a choice between 8K (MPC-3628) and 6K (MPC-3626) sensors, both of wich boast incredibly wide latitude and gamut. Use greater freedom of expression in grading than ever before, with either 16 or 15+ stops of latitude and exquisite color rendition.   Sensor interchangeable between other models   36x24mm Full-Frame Sensor for Cinema VENICE 2 features one of two 36x24mm full-frame image sensors, designed specifically for the demands and performance of high-end cinematography. Each offers remarkable sensitivity, latitude and color rendition, and because the sensor blocks are interchangeable, users can easily switch between sensors—without any extra firmware—and can even use the sensor from their original VENICE. The new 8K sensor can capture images up to a maximum resolution of 8640 x 5760, while the established 6K sensor offers up to 6048 x 4032. Both offer powerful oversampling for incredible 4K images Super35 full height 2.0x squeeze AnamorphicFor anamorphic shooting and production, Super35 full height 2x squeeze anamorphic is supported. Dual Base ISOVENICE 2 features dual base ISO, meaning that the 8K sensor offers Base ISO3200 in addition to Base ISO800, while the 6K sensor has Base ISO500 and Base ISO2500. 8K sensor excels in low-light, High Dynamic Range capture, with an exposure latitude from 6 stops over to 10 stops under 18% Middle Gray, for a total of 16 stops.6K sensor offers an exposure latitude from 6 stops over to 9 stops under 18% Middle Gray, for a total of 15+ stops. High Frame Rate VENICE 2 can shoot at speed of up to 120fps at 4K and 90fps at 6K, when using the 6K sensor. In combination with an anamorphic license, it also allows shooting at speed of up to 75fps at 4K 4:3 and 72fps at 4K 6:5. With the 8K sensor, VENICE 2 can achieve up to 60fps at 8.2K and 90fps at 5.8K.   Supporting all major of motion picture lenses in the market Full-Frame Anamorphic lens Full-Frame Spherical lens S35mm Spherical lens E-Mount lens Image Mode details for 6K image sensor in V1.0       SPECIFICATIONS for VENICE 2 with 8K image Sensor #MPC-3628 Image Device: 35mm full size, single-chip CMOS image sensor Imaging Device Pixel Count: 50.0M (Total) Image sensor interchangeable Built-in ND Filters: Clear, 0.3 (1/2), 0.6 (1/4), 0.9 (1/8), 1.2 (1/16), 1.5 (1/32), 1.8 (1/64), 2.1 (1/128), 2.4 (1/256) ISO Sensitivity: ISO800, ISO3200 (Dual Base ISO) Lens Mount: PL Mount and E-Mount Latitude: 16 stops Compact and X-OCN internal Recording 4K ProRes internal Rec VENICE 2 can apply 4K or HD LUTS to it´s monitor output. Dimensions (WxHxD): 15,2x 15,8x 2,5cm Weight: approx. 4,3Kg Almost same I/O and screw holes for accessories An evolved product design based on VENICE More information about the Sony VENICE can be found at www.sonycine.com  Click here to download the Special Report from FD Times.

€1.00*
ARRI Basic Cine Set for Sony Venice 1/2
Includes: K2.0043699, Top Plate for Sony Venice 1/2 K2.0043726, Plate for Sony Venice 1/2 K2.0017138, Bridge Plate Adapter BPA-5 K2.66252.0, Support Rods 340mm, Ø15mm K2.0017270, Camera Center Handle CCH-4  

€1.00*