Arri ALEXA Mini LF

Product information "Arri ALEXA Mini LF"

Combining the compact size and low weight of the popular ALEXA Mini with the large-format ALEXA LF sensor, ALEXA Mini LF brings exciting new creative possibilities to ARRI's large-format camera system. The LF camera system consists of the high-speed ALEXA LF and ALEXA Mini LF cameras, ARRI Signature Prime lenses, LPL lens mount, PL-to-LPL adapter, and Lens Data System LDS-2. The combined feature sets and form factors of ARRI's two large-format cameras encompass al on-set requirements.

FEATURES

  • Immersive large-format look
  • Lower noise with higher usable sensitivity
  • Highes dynamic range of any production camera
  • ARRI color science for natural skin tones, easy color correction and clean VFX
  • Perfect for High Dynymic Range (HDR) and Wide Color Gamut (WCG) displays
  • Robust and reliable
  • Easy to operate and use on set
  • Fast and efficient workflows
  • Internal recording to new Codex Compact Drive

  • Uncompressed and unencrypted MXF/ARRIRAW
  • Fast and efficient MXF/Apple ProRes
  • New Codex Compact Drive 1TB is small, tough and cost-efficient
  • Affordable Compact Drive Reader works without license or extra software
  • Compact Drive Adapter is compatible with SXR Capture Drive Docks
  • New MVF-2 high-contrast HD viewfinder

  • HD OLED display, color science and ARRICAM eyepiece like ALEXA LF EVF-2
  • Optimal judgement of focus, dynamic range and color
  • Stable color balance through temperature-controlled display
  • Large 4" flip-out monitor shows image or camera menu
  • Three operation medes: single operator, crew or remote
  • New flexible and reliiable CoaXPress VF cable, up to 10 m/33 ft
  • The ALEXA Mini LF uses the same sensor as the ALEXA LF. This is the ALEV 3 A2X sensor, which has the same photosite size and type as the Super 35 ARRI digital cameras. It has 4448 x 3096 photosites (yes, it is therefore a 4.5K sensor) and measures 36.70 x 25.54 mm.

The ALEXA Mini LF (left) has the same dimensions and the same mounting points as the ALEXA Mini (right), except for the media bay on the camera left side. Our current prototypes weigh in at 2.6 Kg/5.7 lbs for the camera body with LPL lens mount and 800 g/1.7 lbs for the MVF-2 viewfinder.

Arri-Alexa-LF-two-sides

Additional new features

  • Three internal, motorized large-format FSND filters: ND 0.6, 1.2 and 1.8
  • New dedicated, regulated 12 V and 24 V accessory power outputs
  • New SYNC IN and improved AUDIO connectors
  • Two built-in microphones
  • Six user buttons on camera's left side
  • One LOCK button each for camera and viewfinder
  • Additional external WiFi antenna
  • Easier access to media, VF and TC connectors
  • Great system compatibility

  • Same sensor and recording formats as ALEXA LF
  • Compatible with LPL and PL mount lenses, Super 35 and full frame
  • Supports all anamorphic de-squeeze ratios
  • Compatible with almost all ALEXA Mini accessories
  • Compatible with ARRIand cmotion wireless remote systems
  • Works with 12 V and 24 V on-board batteries (~65 W power draw)
     

Accessory Items

Bright Tangerine Revolvr Atom Cine Kit:
The Revolvr Atom Cine Kit comprises of the Revolvr Atom 15mm core bridge which lets you set up your follow focus system on 15mm lightweight rods. The core bridge allows you to set up on 15mm and 19mm studio rods as well with our additional accessories. This kit comes with the Revolvr Handwheel which is an ergonomically designed conical handwheels with anti-slip grip which lets you accurately pull focus in challenging conditions and also comes with a provision for you to mount our torch holster if required. The Revolvr Swing Arm Cine (1:1.842) along with our 0.8 – 35 tooth and 0.8 – 43 tooth gears is also a part of this kit and this allows you to set up on either side of the core bridge for complete flexibility in your set up and the industry standard gears effortlessly connect to the lens ring. We have included 2 of our Revolvr Atom Marking Disc Mini which are compatible with industry standard handwheels which allow you to make markings of your focus points and it is easy to wipe off as well. The Revolvr atom mini kit comprises of the most essential focus pulling tools which have been carefully crafted and assembled in Germany with uncompromised quality. This kit is built from anodized aluminium, stainless steel, rubber and high grade Delrin for maximum durability and resistance to wear and tear.   FEATURES 15mm Revolvr Atom core bridge Ergonomically designed conical handwheel with anti-slip grip Revolvr Swing Arm Cine (1:1.842) which can be mounted on either side of the core bridge Industry standard 0.8-35 tooth and 0.8 - 43 tooth gears which connect to the lens ring Two Revolvr atom marking disc mini, which are compatible with industry standard handwheels      

€1.00*
NOGA Arm Pro KIT
The Noga Arm Pro KIT includes a 10.7" articulating arm that holds up to 10 lb, and three adapters/converters that will allow for broader and more efficient use. The 1/4"-20 Quick Release Adapter is a pull-release adapter with a 1/4"-20 threaded screw on top and 1/4"-20 threaded hole on the bottom. It's made up of two parts that are securely attached together via an M6 stud. The top portion can simply be pulled off, leaving the bottom portion attached wherever you have it attached. This way you can quickly and easily pull your attached accessory/device off without having to unscrew it. The Xchange Cube Adapter has a 6-sided cube design and a threaded hole on each side, featuring three 1/4"-20 and three 3/8"-16 holes in total. The holes run 1/4"-20 to 1/4"-20, 1/4"-20 to 3/8"-16, and 3/8"-16 to 3/8"-16. You can use the Xchange Cube as a converter or extender, or as a stud to hole converter. The 1/4"-20 Female to 3/8"-16 Male Converter offers a 1/4"-20 threaded hole on one end and 3/8"-16 threaded screw on the other. It has a knurled design providing for an easy grip. The articulating arm has a 1/4"-20 screw on both ends and accepts any of the three adapters on either end. It has a central locking ratchet lever that locks the arm in place at once.Box includes:DG9014 - Hold it ArmAD4200 - Head Adaptor & Quick releaseAD2300 - ConverterAD1141 - Xchange Cube

€1.00*
ARRI Support Rods 340mm, Ø15mm
One pair Ø 15 mm, stainless steel, lightweight  

€1.00*

Accessory Items

Sony VENICE CineAlta 6K FullFrame camera
Next generation camera with forward thinking full frame sensor, phenomenal color science and user-friendly operation Simple and intuitive Usability and reliability of the camera is one of the major concerns for operators, especially in tough or time-critical filming conditions. With a user-friendly design, clear and simple menu navigation, and a highly durable, reliable construction, VENICE lets you simply concentrate on filming, and not the camera.   Full-Frame sensor for cinema VENICE features an all-new Full-Frame sensor with the classic 36 x 24-mm dimensions that have been a staple of photography for over 100 years. Designed exclusively for high-end cinematography, this sensor can capture images up to a maximum resolution of 6048 x 4032. Switchable imager modes mean VENICE can support an unprecedented number of cinematic aspect ratios for complete creative freedom:   Full width 36 mm 6K In full-frame, you can use the full 6048 pixel width of the sensor for 6K imager modes such as 3:2, 2.39:1*, 1.85:1, 17:9, and 16.9*. Equivalent to 4-perforation motion picture film, these 6K modes allow for extra-shallow depth of field, super-wide shooting, and other creative effects.   Super35 anamorphic 4K For super-wide screen productions, VENICE offers two full-height 2x squeeze anamorphic imager modes that include 6:5 and 4:3 recording modes for 12:5 (known as 2.39:1) and 8:3 (2.66:1) scenes, respectively. Explore how VENICE can meet your production requirements with the firmware and licensing requirements in the aspect ratio chart: Fast shutter VENICE’s high-speed readout sensor minimizes the jello effect typical in CMOS sensors.   Phenomenal latitude VENICE has an exceptional 15+ stops of latitude, with low noise for extraordinary performance in delivering phenomenal images in conditions from searing sunlight to almost no light. VENICE’s real-world performance also excels at High Dynamic Range imaging and allows unprecedented creative freedom in grading.   More colors for more expression VENICE can exceed Rec. 2020 color space. This means the color range is wider than DCI-P3 and can beautifully reproduce the true color of the scene in front of your lens. This also provides the broad palette in the grading suite using the established workflow of Sony’s third-generation LOG gamma encoding (S-Log3) and ultra-wide color space.   More colors for more expression VENICE can exceed Rec. 2020 color space. This means the color range is wider than DCI-P3 and can beautifully reproduce the true color of the scene in front of your lens. This also provides the broad palette in the grading suite using the established workflow of Sony’s third-generation LOG gamma encoding (S-Log3) and ultra-wide color space.   Dual Base ISO VENICE has a base ISO of 500 to provide the optimal dynamic range for typical cinematography applications with on-set lighting. A secondary High Base ISO of 2500 excels in low-light High Dynamic Range capture, with an exposure latitude from 6 stops over to 9 stops under 18% Middle Gray, for a total of 15 stops. High Base ISO 2500 is ideal whenever you’re using slow lenses or shooting dimly-lit environments. Combining ISO2500 with VENICE’s internal eight-step Optical ND filter system offers the ability to emulate different ISOs while maintaining maximum latitude of +6 and -9 stops, enabling you to use VENICE as an ISO1250 camera.     World’s first 8-step mechanical ND Filters VENICE is the world’s first camera of its class with a servo-controlled 8-step mechanical ND filter mechanism built into the camera chassis. It offers a massive ND of 0.3 (1/2 = 1 stop) to ND2.4 (1/256 = 8 stops) range that reduces time lost on set changing external filters. The ND filters also greatly increase VENICE’s flexibility when being controlled remotely on drones and cranes, or in an underwater housing.     Next generation viewfinder The DVF-EL200 was created as the perfect partner for VENICE. A 1920 x 1080 OLED panel enables precise, high-resolution focusing and framing, including False Color Display at the touch of a button. A rotary encoder provides instant access to brightness, peaking and contrast. An all-new ergonomic design allows for tool-free attachment/detachment and reconfiguring within seconds. The industry-standard LEMO connector offers exceptional durability.    Engineered to survive VENICE’s chassis is engineered to be amazingly robust and has been rigorously tested in the harshest conditions. Its ventilation system is completely isolated from all electronic components to prevent ingress of dust, sand and splash. The silent-running fan can be cleaned or even swapped out on set quickly and easily.   Easily configurable VENICE has a fully modular design and even the sensor block is interchangeable. So, as sensor technology advances in far future, you have the opportunity to upgrade without investing in a new camera. In order to maintain ergonomic balance for operators, the top handle and viewfinder are easily adjustable. As the height of the camera from the bottom to the optical center of the lens mount is the same as the F55, base plates and other accessories used for the F55 can be used with VENICE. The AXS-R7 recorder can be attached to VENICE with just four screws.   Additional features of the Venice camera: native PL- and E-mount (Lever lock type) anamorphic aspect ratios of 4:3 and 6:5 at 4K for shooting both 2.4:1 and 2.66:1 widescreen desqeeze function on monitor out for several anamorphic squeeze factors up to 16bit of tonal range when recording in RAW or X-OCN (16-bit eXtended tonal range Original Camera Negative) file formats downsampling from Full Frame Image with 6K resulution to 4K XAVC codec parallel recording of Proxy Files or XAVC on SxS cards while recording 6K (RAW or X-OCN) on AXS cards the Select FPS function lets you choose frame rates from 1 frame per second to as high as 120 fps, depending on imager mode.  *Note: higher Framerates than 60fps require the HFR License available from summer 2019 several control tools for checking aperture an focus such as: up to 4.0x Dot-by-Dot magnification of the viewfinder image, Surround View (Look Around), High/Low Key, USER 3D LUTs, ACES compatibility Full menu control via web browser based wired and wireless connection and much more...  More information about the Sony VENICE can be found at www.sonycine.com  Download Technicolor Look Collection for VENICE here.

€1.00*
Canon EOS C500 Mark II
Canon Cinema EOS C500 Mark II EF 5.9K Full Frame Digital Cinematography Camcorder with EF Lens Mount, 512GB CF Express Card & Card Reader.New generation Cinema EOS System with 5.9K Full Frame sensor in a compact body, delivers breathtaking image quality with Canon colour science. Newly developed technologies ensure great flexibility and reliability for all cinematographers.Breathtaking Full Frame image quality Canon’s own developed 5.9K full frame CMOS sensor delivers an immersive cinematic look combined with natural, smooth skin-tones and faithful colour reproduction with Canon colour science. The sensor also provides 15+ stop latitude with a wide colour space, perfect for High Dynamic Range productions.High quality and efficient recording formatsThe EOS C500 MARK II features a newly developed DIGIC DV 7 image processor which enables Cinema RAW Light recording internally at 5.9K, as well as supporting recording of Canon’s XF-AVC format in 4K 4:2:2 10-bit. FEATURES 5.9K Full Frame CMOS sensor Immersive Full Frame look with faithful colour reproduction Internal 5.9K Cinema RAW Light recording Efficient RAW file onto CFexpress 4K 4:2:2 10-bit Up to 810Mbps internal recording Dual CFexpress slots Simultaneous or relay recording High Dynamic Range support SMPTE ST 2084 and ITU-R BT.2100 (HLG) Pioneering Autofocus Technology Accurate and reliable, with touch screen control DIGIC DV7 Image Processor - to power the advanced features of the camera 12G-SDI terminal - Deliver 4K signal via single cable SUMMARYResolution: 1920 x 1080, 2048 x 1080, 2048 x 2160, 4096 x 2160, 5952 x 3140Video Resolution: 5.9KRecording Media: CFexpress, SD cardHDMI Output: YesSDI Output: YesLens Mount: Canon EFMaximum Video Resolution (recorded): 5952 x 3140Sensor Resolution (Mega Pixels): 18.69 MPSensor Size: Full FrameSensor Type: CMOSType: CineWeight: 0-2kgXLR Audio Input: Yes  

€1.00*