Leitz 35mm M 0.8 Leitz f/1.4
€1.00*
The M full frame lenses have captured unique, iconic images for over than 60 years around the world. To bring the characteristics of these lenses directly to the cinema world, Leitz Cine Wetzlar designed the new M 0.8 lenses. The complete set contains focals of 21mm, 24mm, 28mm, 35mm, 50mm, 50-N, 75mm and 90mm. The M 0.8 lenses interpret light and skin tones with a unique sense of clarity, color and charisma.
FEATURES
Focal Length: 35 mm
Max. Aperture: f/1.4
Format: Full Frame (24mm x 36mm)
Mount: Leica M-Mount
Front Diameter: 80mm
Weight: 380g
CAMERA COMPATIBILITY
Sony VENICE
ARRI Alexa Mini/Amira
RED Monstro
and more - see comparative table:
Raptor T2.9 150mm Lens
€1.00*
IB/E Optics Raptor T2.9 150mm Cine Macro Lens - UMS PL Mount
The RAPTOR lenses featuring full frame (24×36) coverage and beyond, 1:1 magnification, T-Stop 2.9 as well as robust and durable professional cine mechanics.
Features:
Maximum magnification 1:1
No change in length, thanks to internal focusing
extended color correction (APO)
Aperture T 2.9-T22
Constistent distance from flange to iris- and focusring
Front diameter of 95 mm
M0.8 gear wheels for focus and iris
UMS PL Mount (LPL, Canon EF, Sony NEX E,...)
Robust and durable mechanical design
Data sheet downloadAPO CINE MACRO LENS FAMILY
Raptor T2.9 60mm Lens
€1.00*
IB/E Optics Raptor T2.9 60mm APO Cine Macro VV Lens - UMS PL Mount
All RAPTOR lenses featuring full frame (24x36) coverage and beyond, 1:1 magnification, max T-Stop 2.9 as well as robust and durable professional cine mechanics.
Features:
Maximum magnification 1:1
No change in length, thanks to internal focusing
extended color correction (APO)
Constistent distance from flange to iris- and focusring
Front diameter of 95 mm
M0.8 gear wheels for focus and iris
UMS PL Mount (LPL, Canon EF, Sony NEX E, …)
Robust and durable mechanical design
Data sheet downloadAPO CINE MACRO LENS FAMILY
Raptor T2.9 100mm Lens
€1.00*
IB/E Optics Raptor T2.9 100mm Cine Macro Lens - UMS PL Mount
The RAPTOR lenses featuring full frame (24×36) coverage and beyond, 1:1 magnification, T-Stop 2.9 as well as robust and durable professional cine mechanics.
Features:
Maximum magnification 1:1
No change in length, thanks to internal focusing
extended color correction (APO)
Aperture T 2.9-T22
Constistent distance from flange to iris- and focusring
Front diameter of 95 mm
M0.8 gear wheels for focus and iris
UMS PL Mount (LPL, Canon EF, Sony NEX E,...)
Robust and durable mechanical design
Data sheet downloadAPO CINE MACRO LENS FAMILY
Sony VENICE CineAlta 6K FullFrame camera
€1.00*
Next generation camera with forward thinking full frame sensor, phenomenal color science and user-friendly operation
Simple and intuitive
Usability and reliability of the camera is one of the major concerns for operators, especially in tough or time-critical filming conditions. With a user-friendly design, clear and simple menu navigation, and a highly durable, reliable construction, VENICE lets you simply concentrate on filming, and not the camera.
Full-Frame sensor for cinema
VENICE features an all-new Full-Frame sensor with the classic 36 x 24-mm dimensions that have been a staple of photography for over 100 years. Designed exclusively for high-end cinematography, this sensor can capture images up to a maximum resolution of 6048 x 4032.
Switchable imager modes mean VENICE can support an unprecedented number of cinematic aspect ratios for complete creative freedom:
Full width 36 mm 6K
In full-frame, you can use the full 6048 pixel width of the sensor for 6K imager modes such as 3:2, 2.39:1*, 1.85:1, 17:9, and 16.9*. Equivalent to 4-perforation motion picture film, these 6K modes allow for extra-shallow depth of field, super-wide shooting, and other creative effects.
Super35 anamorphic 4K
For super-wide screen productions, VENICE offers two full-height 2x squeeze anamorphic imager modes that include 6:5 and 4:3 recording modes for 12:5 (known as 2.39:1) and 8:3 (2.66:1) scenes, respectively.
Explore how VENICE can meet your production requirements with the firmware and licensing requirements in the aspect ratio chart:
Fast shutter
VENICE’s high-speed readout sensor minimizes the jello effect typical in CMOS sensors.
Phenomenal latitude
VENICE has an exceptional 15+ stops of latitude, with low noise for extraordinary performance in delivering phenomenal images in conditions from searing sunlight to almost no light. VENICE’s real-world performance also excels at High Dynamic Range imaging and allows unprecedented creative freedom in grading.
More colors for more expression
VENICE can exceed Rec. 2020 color space. This means the color range is wider than DCI-P3 and can beautifully reproduce the true color of the scene in front of your lens. This also provides the broad palette in the grading suite using the established workflow of Sony’s third-generation LOG gamma encoding (S-Log3) and ultra-wide color space.
More colors for more expression
VENICE can exceed Rec. 2020 color space. This means the color range is wider than DCI-P3 and can beautifully reproduce the true color of the scene in front of your lens. This also provides the broad palette in the grading suite using the established workflow of Sony’s third-generation LOG gamma encoding (S-Log3) and ultra-wide color space.
Dual Base ISO
VENICE has a base ISO of 500 to provide the optimal dynamic range for typical cinematography applications with on-set lighting. A secondary High Base ISO of 2500 excels in low-light High Dynamic Range capture, with an exposure latitude from 6 stops over to 9 stops under 18% Middle Gray, for a total of 15 stops. High Base ISO 2500 is ideal whenever you’re using slow lenses or shooting dimly-lit environments. Combining ISO2500 with VENICE’s internal eight-step Optical ND filter system offers the ability to emulate different ISOs while maintaining maximum latitude of +6 and -9 stops, enabling you to use VENICE as an ISO1250 camera.
World’s first 8-step mechanical ND Filters
VENICE is the world’s first camera of its class with a servo-controlled 8-step mechanical ND filter mechanism built into the camera chassis. It offers a massive ND of 0.3 (1/2 = 1 stop) to ND2.4 (1/256 = 8 stops) range that reduces time lost on set changing external filters. The ND filters also greatly increase VENICE’s flexibility when being controlled remotely on drones and cranes, or in an underwater housing.
Next generation viewfinder
The DVF-EL200 was created as the perfect partner for VENICE. A 1920 x 1080 OLED panel enables precise, high-resolution focusing and framing, including False Color Display at the touch of a button. A rotary encoder provides instant access to brightness, peaking and contrast. An all-new ergonomic design allows for tool-free attachment/detachment and reconfiguring within seconds. The industry-standard LEMO connector offers exceptional durability.
Engineered to survive
VENICE’s chassis is engineered to be amazingly robust and has been rigorously tested in the harshest conditions. Its ventilation system is completely isolated from all electronic components to prevent ingress of dust, sand and splash. The silent-running fan can be cleaned or even swapped out on set quickly and easily.
Easily configurable
VENICE has a fully modular design and even the sensor block is interchangeable. So, as sensor technology advances in far future, you have the opportunity to upgrade without investing in a new camera. In order to maintain ergonomic balance for operators, the top handle and viewfinder are easily adjustable. As the height of the camera from the bottom to the optical center of the lens mount is the same as the F55, base plates and other accessories used for the F55 can be used with VENICE. The AXS-R7 recorder can be attached to VENICE with just four screws.
Additional features of the Venice camera:
native PL- and E-mount (Lever lock type)
anamorphic aspect ratios of 4:3 and 6:5 at 4K for shooting both 2.4:1 and 2.66:1 widescreen
desqeeze function on monitor out for several anamorphic squeeze factors
up to 16bit of tonal range when recording in RAW or X-OCN (16-bit eXtended tonal range Original Camera Negative) file formats
downsampling from Full Frame Image with 6K resulution to 4K XAVC codec
parallel recording of Proxy Files or XAVC on SxS cards while recording 6K (RAW or X-OCN) on AXS cards
the Select FPS function lets you choose frame rates from 1 frame per second to as high as 120 fps, depending on imager mode. *Note: higher Framerates than 60fps require the HFR License available from summer 2019
several control tools for checking aperture an focus such as: up to 4.0x Dot-by-Dot magnification of the viewfinder image, Surround View (Look Around), High/Low Key, USER 3D LUTs, ACES compatibility
Full menu control via web browser based wired and wireless connection
and much more...
More information about the Sony VENICE can be found at www.sonycine.com
Download Technicolor Look Collection for VENICE here.
Bright Tangerine LeftField 3 KASBAH Shoulder Pad + 15mm LWS/19mm Handle Kit
€1.00*
Bright Tangerine LeftField 3 KASBAH Shoulder Pad + 15mm LWS/19mm Handle KitDesigned for all day comfort, the KASBAH System provides a versatile support when operating on the shoulder or handheld. Designed for the LeftField 15mm Universal Baseplate and ARRI standard dovetails for fast & secure transitions between tripod & shoulder operating. This kit consists of the shoulder pad, 15mm bracket, riser, 15mm LWS/19mm Studio bridge, two sets of shoulder connectors, hand grip arms and hand grips.
Variable density zones using KASBAH for optimal cushioning & pressure relief
Open structure for air flow & allows for heat dissipation & evaporation of sweat
Hand grip system for 15mm LWS & 19mm Studio configurations
Upper flange encourages a relaxed grip and reduces tension
3/8″ Anti-twist & 1/4″ threads on Grip Arm for mounting accessories
Milled rosettes offers positive engagement using ARRI standard for maximum compatibility
Symmetrical design allows for use on left or right sides
Glove-friendly knob for easy adjustments in fast paced settings
Precision cut from high-grade aluminium & stainless steel
The hand grip supports can be articulated into a wide range of positions to create various handheld looks and is configurable for 15mm LWS & 19mm Studio setups.Next Level Comfort & AirflowThe shoulder pad & hand grip have been created using Digital Light Synthesis (DLS), a process pioneered by Carbon that uses oxygen-permeable optics & programmable liquid resins to form a unique matrix structure with an infinite number of density zones. The open structure allows air to naturally flow through, evaporating sweat to keep the operator cool. Made for long days on set, operators will experience a new level of comfort & freedom to move. Extremely durable & sturdy, capable of being used in any extreme conditions, the pad is easy to clean with water and UV resistant The included mounting bracket allows the pad to connect to the rear of the LeftField 3 15mm LWS baseplate, with the riser providing clearance when using an ARRI standard balance plate.Tripod to Handheld in SecondsThe riser features a guided track to align the baseplate with an end stop that provides tactile feedback to the operator that the baseplate is on the riser. The safety wedge prevents the baseplate from sliding off accidentally. Unlike VCT systems, the KASBAH System works on any ARRI standard dovetail removing any flex or play due to tolerances between the wedge & receiver plates. Going back to handheld operation is as simple as opening up the lever and lifting off the camera. Alternatively, the LeftField 3 baseplate or any other baseplate with an ARRI dovetail clamp can dock on top of the shoulder pad, making it compatible with third party manufacturers.Battery Plates & CounterbalanceAttaching the rear 15mm bracket extends the mounting options even further. Supporting battery plates and other accessories which also serves as counter balance for larger camera builds. The arms feature 3x 3/8″ anti-twist & 5x 1/4″ threaded points which can be used to mount articulating arms for monitors & other accessories.Precision Milled, Not StampedEach rosette has been CNC precision cut from high-grade stainless steel. Compared to stamped rosettes, ours offer higher engagement & maximum compatibility that won’t slip.LeftField 3 SystemCustomise your camera build with the extensive selection of accessories in the LeftField system. Letting you create the right setup for each and every task.This kit has been updated to LeftField 3 and is not compatible with LeftField 2 accessories. Weight: 1,150 kgDimensions: 25 × 10 × 7 cm
Bright Tangerine Mini Axl (Sony FX6)
€1.00*
Bright Tangerine Mini Axl (Sony FX6)
The Mini Axl kit (Sony FX6) contains everything you need to replace the original mount for your Sony FX6 monitor, adding flexible positioning, drag adjustment and sag-free support for the FX9 Loupe. This kit includes the Folding NATO Rail, Monitor Holder, 15mm Rod Mount & the NATO Rotating Bar & cable hook.
Adds an articulating NATO rail onto the Sony FX6 Top Handle
Flexible monitor positioning with drag adjustment
Replaces the original Sony FX6 monitor bracket
Supports the weight of the FX9 Loupe and maintains horizon level
Monitor can be folded & stowed away for transport
This kit comes complete with everything you need to use your Sony FX6 monitor with the Mini Axl. It is designed to be compact while adding flexibility in how you want to position the monitor. The NATO rail can be attached to the front or rear Sony 8T point on the handle.VERSATILE MONITOR MOUNTThe extension rail mounts to the 15mm rod clamp, allowing it to pivot 360-degrees. The arm can then be rotated for extra height or reach, and can be folded flat when not in use. The removable orange threaded cap prevents the rail from falling out, while a removable stud provides a safety stop for attached accessories.ADJUST ON THE FLYYou can adjust the amount of drag on the tilt-axis by using the locking screw, capable of supporting the weight of the FX9 loupe.The monitor holder is custom matched to the FX6 monitor, with a 3/8” thread for attaching to the included 15mm rod mount or other accessories, and the included cable hook prevents snags.When transporting the camera, the monitor can be folded into the stowed position.CABLE HOOK INSTALLATIONTo install the cable hook, you will require a small Philips screwdriver. First, remove the original cover by undoing the screw on the side. Place the cable hook onto the monitor and secure with the longer M2 screw provided.NO COMPROMISESMachined and hand-finished in our single factory in Church Crookham from high-grade materials. Hard anodised for extended durability.Weight: 0,150 kgDimensions: 14 × 10 × 4 cm
Bright Tangerine Sony FX6 Cheeseplate
€1.00*
Bright Tangerine Sony FX6 CheeseplateCreate a clean build using a NATO based Cheeseplate on your Sony FX6 to mount your wireless transmitters, audio equipment, cables & more.
Multiple 3/8″ & 1/4″ threads for mounting accessories
Integrated NATO clamp for fast set up & removal
Added cable management with wide slots for bongo ties
Plate can be configured in portrait or landscape orientation
Lightweight & low profile
Keep your camera build clean & simple with the Sony FX6 Cheeseplate. Using the integrated NATO clamp, mount it to the top rail on the top plate to speed up your build time on set.Portrait or Landscape OrientationsThe NATO clamp attaches to the cheeseplate using a 3/8″ Anti-Twist mount. The cheeseplate can be mounted using any of the outer mounting points as required in either landscape or portrait orientation.Easy Accessory MountingWith multiple anti-twist 3/8″ & 1/4″ mounting points, you can attach any type of accessory you like from wireless video transmitters, audio receivers, FIZ controllers & more.The NATO clamp is secured in place using a 4mm Hex key.Extra care comes standardMachined and hand-finished in our single factory in Church Crookham from high-grade materials. Hard anodised for extended durability. Every Cheeseplate comes with our famous Bright Tangerine Support and the addition of a 5-year warranty.
Bright Tangerine Sony FX6 Portrait Adapter 15mm LWS Spacer
€1.00*
Bright Tangerine Sony FX6 Portrait Adapter 15mm LWS SpacerSet up your Sony FX6 with the correct spacing for 15mm LWS accessories when filming in vertical orientation.It combines with the Portrait Plate Adaptor and LeftField Sony FX6 Baseplate.
Sets camera to correct height for 15mm LWS accessories
Combines with LeftField Sony FX6 15mm LWS Baseplate and Sony FX6 Portrait Adapter Plate (B4004.1016)
Securely interlocks with riser, eliminating any play or movement
Includes captive ¼” & 3/8” mounting screws
Set up your Sony FX6 with the correct spacing for 15mm LWS accessories like a matte box, lens supports and more when filming in vertical orientation.15mm LWS SpacingThe spacer interlocks with the Sony FX6 riser, eliminating any play or movement in the plate. The two captive screws are used to secure the Sony FX6 in portrait orientation using the portrait plate adapter.British WorkmanshipMachined and hand-finished in our single factory in Church Crookham from high-grade materials. Hard anodised for extended durability. The Sony FX6 Portrait Adapter 15mm LWS Spacer comes with our famous Bright Tangerine Support and the addition of a 5 year warranty.Weight: 0,130 kgDimensions: 3,3 × 8,8 × 1,5 cm
Bright Tangerine Sony FX6 Portrait Adapter Plate
€1.00*
Bright Tangerine Sony FX6 Portrait Adapter PlateEasily rig up your Sony FX6 for vertical filming with the Portrait Adapter Plate.It also adds an extra layer of convenience as a cheeseplate for mounting accessories like wireless video transmitters and more.
Right side cheeseplate for your Sony FX6 for secure mounting in vertical orientation.
Connects to the Sony FX6 Top Plate Mk II & handgrip mount
Provides ¼”, 3/8”, QD socket & ARRI rosette for accessory mounting with helicoiled threads for dovetails & quick release plates.
Compatible with B4004.1019 spacer for proper 15mm LWS height
Easily rig up your Sony FX6 for vertical filming with the Portrait Adapter Plate. It also adds an extra layer of convenience with its double function as a cheeseplate for mounting accessories like wireless video transmitters and more.Accessory MountingThe plate provides a number of threaded ¼” & 3/8” holes on the side and top for mounting accessories. It also features an ARRI standard rosette for hand grips.Two helicoil reinforced threads provide a balanced point for mounting dovetails & quick release plates.Gimbal CompatibleWhen working with gimbals, combine it with the LeftField risers and dovetails for the DJI Ronin 2, RS 3 or Freefly Movi for a seamless quick release system, letting you switch between platforms in seconds.InstallationThe Portrait Adapter Plate attaches to the Sony FX6 Top Plate Mk II (B4004.1018) and is secured to the side using the hand grip mount. This creates a robust connection, keeping the camera secure and steady. The plate is also compatible with Sony FX6 Top Plate Mk I (B4004.1005).15mm LWS SpacingTo achieve proper 15mm LWS height spacing when in portrait mode, combine with the 15mm LWS Spacer (B4004.1019).British WorkmanshipMachined and hand-finished in our single factory in Church Crookham from high-grade materials. Hard anodised for extended durability. The Sony FX6 Portrait Adapter Plate comes with our famous Bright Tangerine Support and the addition of a 2 year warranty.Weight: 0,197 kgDimensions: 13,5 × 8,5 × 4 cm
Cartoni Adapter flat-to-bowl 150
€1.00*
Fluid Heads AccessoriesBowl base adapter from Mitchell flat base to 150mm for
Master Mk2
Master 30
Maxima 5.0
Master 40
Maxima 30
Spinhead
Lambda 25
Airfloater
Cartoni Focus 12 SDS Carbon Tripod System
€1.00*
Cartoni Focus 12 SDS Carbon Tripod SystemThe Focus 12 SDS Carbon System Tripod system includes: Focus 12 fluid head, SDS Carbon Fiber tripod, Smart Lock mid-level spreader, set of rubber feet & carrying bagExtremely lightweight, compact, and fast to deploy the Focus 12 SDS System supports camera set-ups of up to 12 kg / 26 lbs.Ideally suited for run-and-gun shooters using midweight digital cinema and news cameras with very few accessories, seeking premium supports at a fair price point.The Focus 12 fluid head features patented technology in both counterbalance and fluid drag systems, the tilt angle is +/- 90 °, the bowl diameter 100mm, the temperature range is -40°/+60° Celsius, an illuminated bubble level and the fixing camera sliding plate is equipped with a Euro-style quick release system.The SDS tripod is the fastest one-lever two-stage tripod on the market. Covered by three patents the SDS tripod offers an unprecedented ease of deployment and versatility. The smart lock spreader with the innovative “no-bind” design allows super low angles with uncompromised stability.
Features
Weight: 6.9 kg
Capacity: 12 kg
Minimum Height: 65 cm
Maximum Height: 176 cm
Material: Carbon Fiber
Number of stages: 2
Spreader: Smart Lock Mid-level
Cartoni Focus 18 SDS Carbon System
€1.00*
The Focus 18 SDS Carbon System includes: Focus 18 fluid head, SDS Carbon Fiber tripod, Smart Lock mid-level spreader, set of rubber feet and carrying bag.Extremely lightweight, compact, and fast to deploy the Focus 18 SDS System supports camera set-ups of up to 18 kg / 40 lbs.Ideally suited for documentary and broadcast professionals using midweight digital cinema and broadcast cameras with fully equipped accessories, seeking premium supports at a fair price point.The Focus 18 fluid head features patented technology in both counterbalance and fluid drag systems, the tilt angle is +/- 90 °, the bowl diameter 100mm, the temperature range is -40°/+60° Celsius, an illuminated bubble level and the fixing camera sliding plate is equipped with a Euro-style quick release system.The SDS tripod is the fastest one-lever two-stage tripod on the market. Covered by three patents the SDS tripod offers an unprecedented ease of deployment and versatility. The Smart Lock spreader with the innovative “no-bind” design allows super low angles with uncompromised stability.
Cartoni Focus 22 150
€1.00*
The Focus 22 fluid head offers the widest payload range of the Focus Series from 3 kg (6.5 lbs) to 22 kg (49 lbs).Built with extensive use of lightweight magnesium alloys and high resistance polymer composites the Focus 22 weighs only 3.9 kg (8.6 lbs) and represents the most advanced solution of the Focus line featuring the patented Cartoni “wing” continuously adjustable counterbalance setting, and a continuously variable patented fluid damping system on both pan and tilt movements.Main Features
Tilt angle of +/- 90°
Temperature range is -40°/+60° Celsius
Sliding camera plate with Euro-style quick release system
Telescopic orientable pan bar
Illuminated bubble level
150mm bowl (also in 100mm version)
Easily-readable numerical counterbalance reference
The Focus 22 is specifically designed for the most recent ENG digital & CineStyle cameras like the ones from Arri, Red, Blackmagic Design, Canon, Sony and others…The professional grade materials, matched to the outstanding Cartoni construction quality, makes the Focus 22 the perfect solution when searching for a fluid head built to last at a fair price point.Compatibility
Interfaces with all 150 mm bowl base tripods.
AH869/150 adapter for Cartoni Pedestal P40 P70+, P70 Steering
Cartoni Master 25
€1.00*
The Master 25 fluid head is designed to support the latest cameras complete with long lens, viewfinders, prompters and pan bar controls for new studio production as well as OB/ENG/EFP applications, robust yet lightweight with a payload capacity of up to 30 kg (66 lbs).A lightweight fluid head at 4.4 kg (11 lbs) the Master 25 features a tilt range of +/-90° and easy to use rings which allow the camera operator or grip to preselect the continuously adjustable fluid drag and counterbalance on a numerical scale from 0 to 10. Both the pan and tilt brake levers are easy to reach, and the Head features a convenient horizontal lock for setup. With a 150 mm bowl, it offers a wide and stable base on tripods or hi-hats.
The Head base includes 4 bolt threads for direct interface to most of the Pedestals. Additionally, the Camera platform is equipped with a sliding Camera plate, compatible with competitor gear as the Vinten Vision 250, with standard 11 cm plate or 22 cm extra-long plate for balancing off-set Camera configurations. The Master 25 is the ultimate premium do-it-all competitively priced Head, with a combination of perfect balance and a super-smooth, continuously variable patented fluid drag on pan and tilt modes, perfectly suited for the camera operators needs. That means the Head can precisely track slow moving objects and whip pan in an instant.It comes with a single telescopic pan bar, while the second is optional. The new base interfaces directly with 150mm tripods and to Pedestals via the standard Vinten 4 bolts. The tie down shaft can be easily removed with 14mm wrench from the 3/8” thread to interface with many popular pedestals and sliders, ideal for rental houses and broadcast production environments that employ a variety of camera and support systems.
Cartoni Maxima 30
€1.00*
The Maxima 30 is the ultimate Cartoni fluid head for Digital Cinematography with mid-weight camera packages.The Maxima series is designed by and for cinematographers. Patented drag and balance systems provide a feel that has raised the industry standard on what is expected in a fluid head.User controls located and designed for total comfort allow operators to rapidly fine tune head performance by feel. The patented continuous fluid drag system performs from almost freewheeling to an exceptionally consistent drag for maximum versatility and flawless diagonal shots. The large sliding camera plate is compatible with Arri, Sony and O’Connor slides.The fluid movements in both Pan & Tilt are exceptionally smooth with that progression going from almost freewheeling to an extremely consistent maximum drag, the starts and stops are extraordinarily precise. The famed “wing” counterbalance will assists any Camera payload from 3 (7 lbs) to 30 kg (66 lbs) with a perfect response throughout the entire +/- 90 ° range and can reach up to 40 kg (88 lbs) at 100mm CG. The Maxima 30 includes all the advantages of the famed Cartoni Maxima Fluid Head line, but in a more compact size at a reduced weight of 10,5 kg (23 lbs). For ease of use a digital read out indicates counterbalance, Pan & Tilt fluid settings at a glance and the bubble level is illuminated.
To make the Maxima 30 completely user friendly, the Pan & Tilt brakes are conveniently placed on the left side of the head as the camera plate latch, which can be activated with one hand both to disengage the new safety lock and free the camera plate completely. The camera plate stage accepts all industry standard plates as ARRI, RED, etc. with a sliding run of 140mm clearly referenced by a scale; It also features 4 rosettes attachment for Pan bars and the standard configuration comes with right telescopic pan bar and a left front pan handle. Front box attachment and eyepiece extension holders are optional. The head comes with a telescopic pan bar and a short front pan bar. With the classic Mitchell base the Maxima 30 interfaces with all flat base Mitchel tripods and platforms.
Cartoni Maxima 5.0
€1.00*
The Maxima 5.0 is the ultimate Cartoni fluid head for Digital Cinematography with heavy duty camera packages.The Maxima series is designed by and for cinematographers. Patented drag and balance systems provide a feel that has raised the industry standard on what is expected in a fluid head. User controls located and designed for total comfort allow operators to rapidly fine tune head performance by feel. The patented continuous fluid drag system performs from almost freewheeling to an exceptionally consistent drag for maximum versatility and flawless diagonal shots. The large sliding camera plate is compatible with Arri, Sony and O’Connor slides.Its outstanding patented counterbalance compensates payloads from zero to 50 kg, with “perfect balance” throughout the 180° tilt range. The patented continuous fluid drag system performs from almost freewheeling to extremely consistent drag for maximum versatility and perfect diagonal shots. The Maxima 5.0 knobs and levers are ergonomically placed to ensure camera operators complete ease-of-use in any situation, whether in the studio, location or during outside shooting.
Drag and counterbalance settings are monitored on a large digital display.The large sliding camera plate is compatible with Arri , Sony and O’Connor slides. The head comes with a telescopic pan bar and a short front pan bar. With the classic Mitchell base the Maxima 5.0 interfaces with all flat base Mitchel tripods and platforms. Optional 150mm bowl base adapter can be easily applied. Optional Pedestal adapter can be easily applied.
Cartoni SDS Carbon 100 Tripod
€1.00*
The SDS Carbon 100 tripod is the ultimate ENG lightweight support, expressly designed for ultra-fast operation.- The Smart Deployment System (SDS) is the fastest one-lever two-stage tripod on the market. Covered by three patents it offers an unprecedented ease of deployment and versatility.- Six telescopic triple cross-layered carbon fiber tubes provide the SDS tripod with an extraordinary torsional rigidity, becoming the bestseller solution for ENG and Documentary work.- Through one lever, conveniently located on the middle stage, the patented Smart Deployment System (SDS) adjusts the double stage legs, and yet the operator can rely on a positive clamp at any desired operative height.Technical Data
Weight: 2.9 kg
Capacity: 60 kg
Minimum Height: 25 cm
Maximum Height: 161 cm
Folded Height: 73 cm
Material: Carbon Fiber
Number of stages: 2
Cartoni Sport 200 Black Tripod
€1.00*
The totally new Sport 200 Black Tripod is a new entry in the Cartoni tripod family, the ideal for videographers shooting sports in all possible large camera/lens configuration.The SPORT 200 offers an outstanding torsional rigidity and its innovative and new design aluminum profile angled and shaped to ensure maximum strength, holding up to 200 Kg (441 lbs) load while weighing only 10,5 kg (23 lbs).A special attention has been devoted to materials of this HDT, enduring harsh weather conditions, rain, dust, moisture and extreme temperatures.The center brace drives a telescopic mid-level spreader for a truss structure stable in any environment.Set up is fast and comfortable, each leg has an engraved second stage, positive rotary locking knobs and safety pins while the bubble level is located on the side of the platform.The upper stage accepts classic Mitchell flat base heads and the 4 standard Vinten bolts.The feet incorporate a stainless steel spike for soft terrains and a pivoting rubber pad for flat surfaces.The SPORT 200 HDT tripod is compatible with the Cartoni HD Dolly and HD floor spreader.Technical Data
Weight: 10.5 kg
Capacity: 200 kg
Minimum Height: 57 cm
Maximum Height: 115 cm
Folded Height: 72 cm
Material: Aluminum
Number of stages: 1
Cartoni Studio Carbon Tripod 2 Stages
€1.00*
With its rugged construction and extraordinary sturdiness the Cartoni Studio Carbon Tripod 2 Stages and Heavy Duty Tripods are designed to support the larger Fluid Heads in Studio or Outside Broadcast configuration.A special care has been developed in achieving torsional rigidity and positive leg clamp.Each Tripod can be secured either by an integral off mid-level Spreader or by a variety of a ground Spreaders and skids.Using a bowl base converter from 150 mm to flat base, it is possible to mount on this Tripod Studio C40S, Lambda, C60S, Spinhead (all versions) Master MK2 and Maxima Fluid Heads.C20S 150 mm can be mounted straight on the Tripod.When assembled with mid-level spreader, requires pivoting tripod feet.Technical Data
Weight: 5 kg
Capacity: 150 kg
Maximum Height: 163 cm
Folded Height: 75 cm
Material: Carbon Fiber
Number of stages: 2
Cartoni Studio Minibaby Carbon Tripod
€1.00*
This Studio Minibaby Carbon Tripod with 150 mm bowl base is for Studio cameras.Using a bowl base converter from 150 mm to flat base, it is possible to mount on this Tripod Studio also C40S, Lambda, C60S, Spinhead (all versions) Master MK2 and Maxima Fluid Heads.C20S 150 mm can be mounted straight on the Tripod.Technical Data
Weight: 3.5 kg
Capacity: 150 kg
Maximum Height: 45 cm
Folded Height: 35 cm
Material: Carbon Fiber
Number of stages: 1
Easyrig 5 Vario Gimbal Vest with STABIL Arm and Quick-Release
€1.00*
The Easyrig 5 Vario Gimbal Vest with STABIL Arm and Quick-Release is a robust and ergonomic solution for filmmakers working with heavier camera rigs. Designed to support camera setups ranging from 5 to 17 kg, the 5 Vario system offers adjustable tension, allowing you to fine-tune the support according to your camera’s weight. The Gimbal Vest provides excellent back support, distributing the weight across the body to minimize fatigue during long shooting sessions, making it ideal for handheld camera operations.With the inclusion of the STABIL Arm, this system ensures smoother shots by reducing vertical motion, making it perfect for dynamic scenes that require smooth tracking and movement. The Quick-Release mechanism simplifies camera attachment and detachment, allowing filmmakers to quickly switch between different setups without disrupting workflow. Built from high-quality materials, the Easyrig 5 Vario Gimbal Vest is engineered for durability and optimal performance in professional film environments.FeaturesAdjustable 5 Vario system supporting 5-17 kg camera rigsGimbal Vest for optimal weight distribution and comfortSTABIL Arm reduces vertical motion for smoother shotsQuick-Release mechanism for fast and secure camera changesIdeal for dynamic filming and handheld camera operationsHigh-quality, durable materials for long-term useDesigned to reduce physical strain during long shootsPerfect for filmmakers using gimbals or heavier camera setupsTechnical SpecificationsCamera support range: 5-17 kgSTABIL Arm vertical movement reduction up to 15 cmQuick-Release for rapid camera mountingHigh-strength aluminum and stainless steel constructionErgonomic vest design for optimal back supportTension adjustment for different camera setupsCompatible with various gimbals and handheld rigsTotal weight of the system: 5.9 kgDimensions and WeightsEasyrig weight: 4.8 kgSTABIL Arm weight: 1.1 kgDimensions (Easyrig): 95 cm x 35 cm x 20 cmSTABIL Arm length: 50 cmPackaged weight: 6.2 kgScope of Delivery1x Easyrig 5 Vario1x Gimbal Vest1x STABIL Arm1x Quick-ReleaseUser manual
Easyrig 5 Vario, Cinema Vest, standard arm
€1.00*
The Easyrig 5 Vario with Cinema Vest and standard arm is a versatile tool designed to provide filmmakers with superior comfort and control during long shoots. Ideal for professional cinematographers and camera operators, this system helps distribute the camera's weight across your body, reducing strain on the arms, back, and shoulders. The Vario 5 mechanism allows for adjustable tension, accommodating camera setups ranging from 5 to 17 kg, making it adaptable to a wide variety of cameras and rigs.The included Cinema Vest is designed to give additional support for larger rigs, offering a comfortable and snug fit during extended use. Combined with the standard arm, this system ensures that the camera's weight is transferred evenly to your body, allowing you to focus on capturing the perfect shot without fatigue. The Easyrig 5 Vario helps to stabilize handheld shots, creating smooth, professional footage without the need for additional stabilizing equipment. Whether you're filming a fast-paced action scene or a long interview, the Easyrig 5 Vario is an essential addition to any professional filmmaker’s kit.FeaturesAdjustable tension to support camera setups from 5 to 17 kgErgonomic Cinema Vest for added comfort during long shootsStandard arm for easy and smooth weight distributionReduces arm, shoulder, and back strain, enhancing filming efficiencyStabilizes handheld shots for professional-quality footageQuick setup and adjustment for a variety of cameras and rigsIdeal for both fast-paced and stationary filmingDurable design for long-term, professional useTechnical SpecificationsSupports camera weights from 5 to 17 kgStandard arm length: 90 cmAdjustable tension control for different camera setupsWeight of the complete system: 3.4 kgMaterial: high-strength aluminum and durable fabricDesigned for professional filmmakers and cinematographersCompatible with various cinema cameras and heavy rigsDimensions and WeightsTotal system weight: 3.4 kgArm length: 90 cmCinema Vest size: Adjustable, fits most body typesPackaged dimensions: 100 cm x 30 cm x 20 cmPackaged weight: 4.5 kgScope of Delivery1x Easyrig 5 Vario1x Cinema Vest1x Standard Arm1x Carrying BagUser Manual
EASYRIG 5 Vario, Gimbal Vest, Arm +130mm
€1.00*
The EASYRIG 5 Vario Gimbal Vest with Arm +130mm is a groundbreaking solution for filmmakers seeking enhanced stability and comfort during prolonged shooting sessions. Designed to accommodate gimbal setups, this vest system effectively redistributes the weight of your camera rig, allowing for smooth and fatigue-free operation. With its innovative design, the EASYRIG 5 Vario allows users to effortlessly capture stunning, dynamic shots without the burden of heavy equipment weighing them down.Constructed with high-quality materials, the vest offers both durability and comfort. Its adjustable straps ensure a secure fit for various body types, while the integrated arm provides increased reach and flexibility when maneuvering your gimbal setup. Whether you're shooting on a busy set or in the great outdoors, the EASYRIG 5 Vario enhances your filming experience, enabling you to focus on creativity and storytelling rather than the strain of handling heavy gear.FeaturesDesigned for use with gimbals for added stabilityWeight redistribution for reduced fatigue during long shootsAdjustable straps for a customizable fitIntegrated arm +130mm for enhanced flexibilityDurable construction for long-lasting performanceLightweight design for easy transportCompatible with a variety of camera setupsQuick-release mechanism for rapid adjustmentsTechnical SpecificationsMaterial: High-strength nylon and aluminum componentsWeight: 1.6 kgArm length: +130mmCompatibility: Suitable for various gimbal modelsMaximum load capacity: 15 kgAdjustable harness: Yes, for optimal comfortColor: Black with reflective accentsUser manual includedDimensions and WeightsWeight: 1.6 kgVest size: Adjustable to fit most body typesPackaged weight: 2 kgPackaged dimensions: 45 cm x 30 cm x 10 cmScope of Delivery1x EASYRIG 5 Vario Gimbal Vest1x Arm +130mmUser manual
Easyrig 5 Vario, Gimbal Vest, STABIL Arm
€1.00*
EASYRIG 5 Vario, Gimbal Vest, STABILVario is compatible for cameras in the weight range min. 5kg up to 17kg. This version comes with the STABIL Arm which integrates a stabilization systems to stabilize y-axis movement caused by walking.
The enforced gimbal vest is comfortable and safe also with more heavy loads.
This model is good for all kind of hand held camera shooting as well as for use with Gimbal! All packed in a comfortable bag.(Please note that Vario with STABIL arm can be ordered also with Gimbal FLEX unisex vest = EASY-VGF582ST)
FEATURES
5-17kg / 11-38lb load capacity
stabilizes y-axis movement
Weight of complete rig around 11kg
Adjustable line and spring tension for different configurations
Lockable camera hook (for alternative Quick-Release please order EASY-VG582STQ !)
Vest is made of breathable material and comes with double padded hip belt and new ratched closure EASYLOCK
Easyrig 5 Vario, Gimbal Vest, standard arm
€1.00*
The Easyrig 5 Vario with Gimbal Vest is an advanced camera support system designed for professional filmmakers using heavier camera setups and gimbals. With its adjustable weight range, the Easyrig 5 Vario allows operators to easily switch between cameras weighing 5 to 17 kg, offering unparalleled flexibility on set. The inclusion of the Gimbal Vest adds another layer of comfort, specifically designed to support the operator’s upper body while handling gimbals, making long shooting sessions more manageable and less tiring. Whether you're shooting documentaries, feature films, or commercials, the Easyrig 5 Vario offers stability and reduces physical strain for smooth, dynamic shots.The Gimbal Vest is ergonomically engineered to distribute the weight evenly across your torso and hips, preventing back strain during extended use. It works seamlessly with the Easyrig’s signature adjustable line tension system, ensuring precise support for any camera or gimbal configuration. This system enhances mobility while preserving shot stability, making it the ideal tool for complex tracking shots or handheld sequences.FeaturesSupports camera setups between 5 and 17 kgIncludes Gimbal Vest for added upper body supportReduces operator fatigue and back strainAdjustable tension system for flexible weight distributionIdeal for use with gimbals, offering smooth, stable shotsErgonomically designed for long shooting sessionsEasy to adjust for different camera setupsDurable, high-quality materials designed for professional useTechnical SpecificationsWeight support range: 5 - 17 kgCompatible with various gimbals and camera systemsSpring-based tension adjustment systemMaterial: high-grade aluminum and durable fabricsIncludes ergonomic Gimbal Vest for enhanced supportIdeal for handheld and tracking shotsHeight-adjustable to fit different operator sizesWeight of system: 4 kgDimensions and WeightsSystem weight: 4 kgWeight support: 5 - 17 kgVest dimensions: Adjustable for different body sizesPackaged dimensions: 60 cm x 30 cm x 20 cmPackaged weight: 5 kgScope of DeliveryEasyrig 5 Vario systemErgonomic Gimbal VestCarrying bagInstruction manual
Easyrig Boom Rig
€0.00*
The Easyrig Boom Rig is a specialized support system designed specifically for sound engineers and boom operators, providing a lightweight and ergonomic solution for long and demanding shoots. Drawing from Easyrig's 30 years of expertise in weight distribution, the Boom Rig is crafted to relieve the strain on shoulders, arms, and back by transferring the weight of the boom pole directly to the operator’s hips through a comfortable vest. This innovative approach not only prevents fatigue and potential injury but also allows the operator the freedom to focus on precise audio capture without discomfort.With adjustable weight capacity between 2.5-10 kg, the Easyrig Boom Rig can accommodate various boom pole setups, making it ideal for a wide range of production types including drama, documentaries, and commercials. The system supports high and low-angle operations, enabling flexibility in capturing sound in different environments and setups. Additionally, the Boom Rig includes a unique side hook that secures the boom pole, allowing the user to free both hands when needed.The Boom Rig’s user-friendly design makes it easy to set up in under a minute. Attachments for a mixer on the vest's front provide convenient access while distributing additional weight to the hips. The included backpack-style transport bag ensures ease of portability. With its robust, comfortable build and practical features, the Easyrig Boom Rig empowers sound professionals to work longer and with greater efficiency, improving overall audio performance on set.Features Easyrig Boom RigDesigned specifically for sound engineers and boom operatorsDistributes boom pole weight to hips, relieving shoulder and back strainSupports boom pole weights from 2.5-10 kg with adjustable tension knobCompatible with all boom poles through a versatile hook system with rollersHigh and low-angle operation for diverse shooting environmentsFront attachment for a mixer, allowing hands-free accessQuick and easy setup in under a minutePortable design with a backpack-style transport bagTechnical SpecificationsWeight capacity range: 2.5-10 kgHook with rollers for easy boom pole movementHeight and power adjustments on the support barVest with breathable, ergonomic materialsSide hook to secure boom pole for hands-free useCompatible with standard audio mixer setupsQuick setup time of approximately one minuteTransport bag with backpack functionalityDimensions and WeightWeight (without accessories): approx. 2.2 kgAdjustable height range: 100-150 cmBackpack dimensions: 55 x 40 x 25 cmIn the Box1 x Vest with breathable material1 x Boom hook with rollers1 x Upper support bar1 x Mixer holder1 x Side hook1 x Strap for securing boom hook1 x User manual1 x Transport bag (usable as a backpack)
Easyrig Camera Hook with ball stud mounted
€1.00*
For additional combination with Quick-Release Hook (EASY033-Q), if camera handle has no 1/4" or 3/8" thread or seems to be not sturdy enough to hold the camera weight.
Easyrig Cover for Easyrig STABIL Arm
€1.00*
The Easyrig Cover for Easyrig STABIL Arm is an essential accessory designed to protect your Easyrig STABIL Arm from the rigors of professional filmmaking environments. This durable cover shields the arm from dust, dirt, and scratches, ensuring that your equipment remains in top condition for extended use. Whether you’re on set or in transit, the cover offers reliable protection, preventing wear and tear that can compromise the performance and longevity of your rig.Crafted from high-quality, weather-resistant materials, the Easyrig Cover is both lightweight and easy to attach, providing maximum protection without adding bulk. Its form-fitting design ensures a snug fit around the STABIL Arm, while still allowing for easy access to adjustments and controls. Perfect for filmmakers who want to maintain the quality and performance of their gear, this cover is an investment in the long-term durability of your Easyrig system.FeaturesProtects Easyrig STABIL Arm from dust, dirt, and scratchesLightweight and durable design for ease of useWeather-resistant materials for outdoor shooting conditionsSnug, form-fitting cover for optimal protectionEasy to attach and remove for quick adjustmentsExtends the lifespan of your Easyrig STABIL ArmIdeal for professional filmmakers and frequent travelersMaintains the performance and appearance of your rigTechnical SpecificationsCompatible with Easyrig STABIL ArmMaterial: high-quality weather-resistant fabricColor: BlackWeight: 0.3 kgEasy to clean and maintainFits securely with adjustable strapsDesigned for long-term protectionDimensions and WeightsWeight: 0.3 kgDimensions: 30 cm x 15 cm x 10 cmPackaged weight: 0.5 kgPackaged dimensions: 35 cm x 20 cm x 15 cmScope of DeliveryEasyrig Cover for Easyrig STABIL ArmUser manual