The M full frame lenses have captured unique, iconic images for over than 60 years around the world. To bring the characteristics of these lenses directly to the cinema world, Leitz Cine Wetzlar designed the new M 0.8 lenses. The complete set contains focals of 21mm, 24mm, 28mm, 35mm, 50mm, 50-N, 75mm and 90mm. The M 0.8 lenses interpret light and skin tones with a unique sense of clarity, color and charisma.
FEATURES
Focal Length: 35 mm
Max. Aperture: f/1.4
Format: Full Frame (24mm x 36mm)
Mount: Leica M-Mount
Front Diameter: 80mm
Weight: 380g
CAMERA COMPATIBILITY
Sony VENICE
ARRI Alexa Mini/Amira
RED Monstro
and more - see comparative table:
IB/E Optics Raptor T2.9 150mm Cine Macro Lens - UMS PL Mount
The RAPTOR lenses featuring full frame (24×36) coverage and beyond, 1:1 magnification, T-Stop 2.9 as well as robust and durable professional cine mechanics.
Features:
Maximum magnification 1:1
No change in length, thanks to internal focusing
extended color correction (APO)
Aperture T 2.9-T22
Constistent distance from flange to iris- and focusring
Front diameter of 95 mm
M0.8 gear wheels for focus and iris
UMS PL Mount (LPL, Canon EF, Sony NEX E,...)
Robust and durable mechanical design
Data sheet downloadAPO CINE MACRO LENS FAMILY
IB/E Optics Raptor T2.9 60mm APO Cine Macro VV Lens - UMS PL Mount
All RAPTOR lenses featuring full frame (24x36) coverage and beyond, 1:1 magnification, max T-Stop 2.9 as well as robust and durable professional cine mechanics.
Features:
Maximum magnification 1:1
No change in length, thanks to internal focusing
extended color correction (APO)
Constistent distance from flange to iris- and focusring
Front diameter of 95 mm
M0.8 gear wheels for focus and iris
UMS PL Mount (LPL, Canon EF, Sony NEX E, …)
Robust and durable mechanical design
Data sheet downloadAPO CINE MACRO LENS FAMILY
IB/E Optics Raptor T2.9 100mm Cine Macro Lens - UMS PL Mount
The RAPTOR lenses featuring full frame (24×36) coverage and beyond, 1:1 magnification, T-Stop 2.9 as well as robust and durable professional cine mechanics.
Features:
Maximum magnification 1:1
No change in length, thanks to internal focusing
extended color correction (APO)
Aperture T 2.9-T22
Constistent distance from flange to iris- and focusring
Front diameter of 95 mm
M0.8 gear wheels for focus and iris
UMS PL Mount (LPL, Canon EF, Sony NEX E,...)
Robust and durable mechanical design
Data sheet downloadAPO CINE MACRO LENS FAMILY
Next generation camera with forward thinking full frame sensor, phenomenal color science and user-friendly operation
Simple and intuitive
Usability and reliability of the camera is one of the major concerns for operators, especially in tough or time-critical filming conditions. With a user-friendly design, clear and simple menu navigation, and a highly durable, reliable construction, VENICE lets you simply concentrate on filming, and not the camera.
Full-Frame sensor for cinema
VENICE features an all-new Full-Frame sensor with the classic 36 x 24-mm dimensions that have been a staple of photography for over 100 years. Designed exclusively for high-end cinematography, this sensor can capture images up to a maximum resolution of 6048 x 4032.
Switchable imager modes mean VENICE can support an unprecedented number of cinematic aspect ratios for complete creative freedom:
Full width 36 mm 6K
In full-frame, you can use the full 6048 pixel width of the sensor for 6K imager modes such as 3:2, 2.39:1*, 1.85:1, 17:9, and 16.9*. Equivalent to 4-perforation motion picture film, these 6K modes allow for extra-shallow depth of field, super-wide shooting, and other creative effects.
Super35 anamorphic 4K
For super-wide screen productions, VENICE offers two full-height 2x squeeze anamorphic imager modes that include 6:5 and 4:3 recording modes for 12:5 (known as 2.39:1) and 8:3 (2.66:1) scenes, respectively.
Explore how VENICE can meet your production requirements with the firmware and licensing requirements in the aspect ratio chart:
Fast shutter
VENICE’s high-speed readout sensor minimizes the jello effect typical in CMOS sensors.
Phenomenal latitude
VENICE has an exceptional 15+ stops of latitude, with low noise for extraordinary performance in delivering phenomenal images in conditions from searing sunlight to almost no light. VENICE’s real-world performance also excels at High Dynamic Range imaging and allows unprecedented creative freedom in grading.
More colors for more expression
VENICE can exceed Rec. 2020 color space. This means the color range is wider than DCI-P3 and can beautifully reproduce the true color of the scene in front of your lens. This also provides the broad palette in the grading suite using the established workflow of Sony’s third-generation LOG gamma encoding (S-Log3) and ultra-wide color space.
More colors for more expression
VENICE can exceed Rec. 2020 color space. This means the color range is wider than DCI-P3 and can beautifully reproduce the true color of the scene in front of your lens. This also provides the broad palette in the grading suite using the established workflow of Sony’s third-generation LOG gamma encoding (S-Log3) and ultra-wide color space.
Dual Base ISO
VENICE has a base ISO of 500 to provide the optimal dynamic range for typical cinematography applications with on-set lighting. A secondary High Base ISO of 2500 excels in low-light High Dynamic Range capture, with an exposure latitude from 6 stops over to 9 stops under 18% Middle Gray, for a total of 15 stops. High Base ISO 2500 is ideal whenever you’re using slow lenses or shooting dimly-lit environments. Combining ISO2500 with VENICE’s internal eight-step Optical ND filter system offers the ability to emulate different ISOs while maintaining maximum latitude of +6 and -9 stops, enabling you to use VENICE as an ISO1250 camera.
World’s first 8-step mechanical ND Filters
VENICE is the world’s first camera of its class with a servo-controlled 8-step mechanical ND filter mechanism built into the camera chassis. It offers a massive ND of 0.3 (1/2 = 1 stop) to ND2.4 (1/256 = 8 stops) range that reduces time lost on set changing external filters. The ND filters also greatly increase VENICE’s flexibility when being controlled remotely on drones and cranes, or in an underwater housing.
Next generation viewfinder
The DVF-EL200 was created as the perfect partner for VENICE. A 1920 x 1080 OLED panel enables precise, high-resolution focusing and framing, including False Color Display at the touch of a button. A rotary encoder provides instant access to brightness, peaking and contrast. An all-new ergonomic design allows for tool-free attachment/detachment and reconfiguring within seconds. The industry-standard LEMO connector offers exceptional durability.
Engineered to survive
VENICE’s chassis is engineered to be amazingly robust and has been rigorously tested in the harshest conditions. Its ventilation system is completely isolated from all electronic components to prevent ingress of dust, sand and splash. The silent-running fan can be cleaned or even swapped out on set quickly and easily.
Easily configurable
VENICE has a fully modular design and even the sensor block is interchangeable. So, as sensor technology advances in far future, you have the opportunity to upgrade without investing in a new camera. In order to maintain ergonomic balance for operators, the top handle and viewfinder are easily adjustable. As the height of the camera from the bottom to the optical center of the lens mount is the same as the F55, base plates and other accessories used for the F55 can be used with VENICE. The AXS-R7 recorder can be attached to VENICE with just four screws.
Additional features of the Venice camera:
native PL- and E-mount (Lever lock type)
anamorphic aspect ratios of 4:3 and 6:5 at 4K for shooting both 2.4:1 and 2.66:1 widescreen
desqeeze function on monitor out for several anamorphic squeeze factors
up to 16bit of tonal range when recording in RAW or X-OCN (16-bit eXtended tonal range Original Camera Negative) file formats
downsampling from Full Frame Image with 6K resulution to 4K XAVC codec
parallel recording of Proxy Files or XAVC on SxS cards while recording 6K (RAW or X-OCN) on AXS cards
the Select FPS function lets you choose frame rates from 1 frame per second to as high as 120 fps, depending on imager mode. *Note: higher Framerates than 60fps require the HFR License available from summer 2019
several control tools for checking aperture an focus such as: up to 4.0x Dot-by-Dot magnification of the viewfinder image, Surround View (Look Around), High/Low Key, USER 3D LUTs, ACES compatibility
Full menu control via web browser based wired and wireless connection
and much more...
More information about the Sony VENICE can be found at www.sonycine.com
Download Technicolor Look Collection for VENICE here.
The M18 is an 1,800 W open face lamphead, combining the Academy Scientific and Engineering Award-winning lens-less optical technology of the ARRIMAX with the innovative True Blue design. The result is an extremely powerful lamphead, as small as a 1,200W PAR but with a 70 % higher light output. The M-Series M18 fixture is adjustable from 20° to 60° without requiring spreader lenses.
M18 EB MAX Set includes:
1x M18 MAN blue/silver International (VEAM) / L1.37600.B
1x EB MAX 1.8, ALF CCL DMX AutoScan / L2.0014190
1x 4-leaf barndoor, True Blue (344 mm / 13.5“) / L2.40950.0
1x Spill Ring (330 mm / 13.0") / L2.37670.0
1x Head-to-Ballast cable, 7 m, International connector (VEAM) / L2.75600.0
Dimensions:
Length: 39,3cm
Width: 38,8cm
Height: 54,3cm
Weight: 11,5kg
A member of the ARRI M-Series, the M40 is a lens-less system that unifies the advantages of Fresnel and PAR fixtures. The unit is openface and thus very bright: around 30 % brighter than an AS 40 in spot.
M40 EB MAX Set includes:
1x M40 MAN blue/silver International (VEAM) / L1.37400.B
1x EB MAX 2.5/4, ALF CCL DMX AutoScan / L2.0016746
1x 4-leaf barndoor, True Blue (413 mm / 16.3“) / L2.41200.0
1x Spill Ring (400 mm / 15.8“) / L2.37305.0
1x Head-to-Ballast cable, 7 m, International connector (VEAM) / L2.75620.0
Dimensions:
Length: 52,4cm
Width: 50,5cm
Height: 72,4cm
Weight: 20kg
The M8 is the latest and smallest lighting fixture in ARRI’s highly successful M-Series of HMI lampheads. Like the rest of the M-Series, the M8 is equipped with MAX Technology, a unique, patented reflector design that unifies the advantages of a Fresnel and a PAR fixture.
M8 EB MAX Set includes:
1x M8 MAN blue/silver International (VEAM) /L1.37200.B
1x EB MAX 1.8, ALF CCL DMX AutoScan / L2.0014190
1x 4-leaf barndoor, True Blue (245 mm / 9.7“) / L2.39870.0
1x Spill Ring (230 mm / 9.1") / L2.37207.0
1x Head-to-Ballast cable, 7 m, International connector (VEAM) / L2.75600.0
Dimensions:
Length: 31cm
Width: 35cm
Height: 59,1cm
Weight: 10,7kg
Like all M-Series lampheads, the M90 is equipped with MAX Technology, a unique, patented reflector technology that unifies the advantages of Fresnel and PAR fixtures. The unit is open-face and thus very bright; in fact the light output produced with a 9,000 W lamp comes close to the output of a 12 kW PAR fixture with lens.
M90 EB MAX Set includes:
1x M90 MAN blue/silver International (VEAM) / L1.37489.B
1x EB MAX 6/9, ALF CCL DMX AutoScan / L2.0016747
1x 4-leaf barndoor (584 mm / 23.0“) / L2.37560.0
1x Spill Ring (571 mm / 22.5“) / L2.37561.0
1x Head-to-Ballast cable, 7 m, International connector (VEAM) / L2.77940.0
Dimensions:
Length: 72cm
Width: 71,3cm
Height: 83,2cm
Weight: 40kg
Orbiter is an ultra-bright, tunable, and directional LED fixture from ARRI. All systems in Orbiter are completely new and designed with versatility in mind. FEATURES:
Lamphead Voltage Input: 48-52 V DC
Lamphead Power Connection: powerCON TRUE1 TOP
Battery Connector: 3-Pin XLR Connector
Color Rendition: CRI Average >98 TLCI Average >95
Colored Light: RGB+W
IP Rating: IP 20
Dimensions:
Length: 41cm
Width: 54,1cm
Height: 67cm
Weight: 14,2kg
NOTE: You will need some accessories for this light; You can choose from: OPTICS
Open Face Optic 60° for Orbiter / L2.0033542
Open Face Optic 30° for Orbiter / L2.0033541
Open Face Optic 15° for Orbiter / L2.0033540
LAMPHEAD CONTROL
Control Panel for Orbiter (without Cable) / L2.0033732
Cable for Control Panel, 5 m / L2.0033799
Cable for Control Panel, 15 m / L2.0033800
LIGHT CONTROL
4-leaf barndoor (168 mm / 6.6") for 30°&60° Optics / L2.79470.0
8-leaf barndoor (168 mm / 6.6“) for 30°&60° Optics / L2.79500.0
Snoot (168 mm / 6.6“) for 30°&60° Optics / L2.79480.0
4-leaf barndoor, True Blue (245 mm / 9.7") for 15° Optic / L2.39870.0
8-leaf barndoor, True Blue (245 mm / 9.7") for 15° Optic / L2.39900.0
Snoot (245 mm / 9.7“) for 15° Optic / L2.79880.0
SOFTBOXES
DoPchoice SnapBag S for Orbiter / L2.0033840
DoPchoice SnapBag M for Orbiter / L2.0034270
MOUNTING
Orbiter Manual Yoke with Spigot / L2.0034025
Orbiter P.O. Yoke with Spigot / L2.0036642
CABLES
Mains cable, 3 m, powerCON TRUE1 TOP Schuko / L2.0001486
The S120 is twice as long as the S60, but weighs nearly the same. Its larger light aperture makes a great soft light even better.SkyPanel makes no sacrifice when it comes to light output. SkyPanel puts out a tremendous amount of light, in a soft and uniform beam field.
FEATURES
Lamphead Voltage Input: 48 V DC
Lamphead Power Connection: Male 3-Pin XLR - 15 Amp
Battery Connector: Male 4-Pin XLR - 10 Amp
Color Rendition: CRI Average >95, TLCI Average >91
Colored Light: RGB+W
IP Rating: IP 20
Dimensions:
Length: 13,3cm
Width: 146,7cm
Height: 58,8cm
Weight: 26kg
The S30 is a small, portable version; half the length of the S60, it is perfect for on-the-go mobile applications. Unlike other tuneable fixtures, SkyPanel makes no sacrifice when it comes to light output. SkyPanel puts out a tremendous amount of light, in a soft and uniform beam field.
FEATURES:
Lamphead Voltage Input: 48 V DC
Lamphead Power Connection: Male 3-Pin XLR - 15 Amp
Battery Connector: Male 4-Pin XLR - 10 Amp
Color Rendition: CRI Average >95, TLCI Average >91
Colored Light: RGB+W
IP Rating: IP 20
Dimensions:
Length: 13,3cm
Width: 50,7cm
Height: 49,9cm
Weight: 14kg
The S360 is the largest and brightest SkyPanel with four times the output of the S60 and almost six times the aperture size. The S360 is perfect for lighting large areas with tuneable, soft light. SkyPanel puts out a tremendous amount of light, in a soft and uniform beam field.
FEATURES:
Lamphead Voltage Input: 54 V DC
Lamphead Power Connection: Male 4-Pin Metal Locking - 30 Amp
Battery Connector: none
Color Rendition: CRI Average >95, TLCI Average >90
Colored Light: RGB+W
IP Rating: IP 20
Dimensions:
Length: 20,3cm
Width: 159,4cm
Height: 123,7cm
Weight: 41kg
The S60 is a mid-range model, featuring a light aperture of 645 x 300 mm and accommodating the vast majority of applications.SkyPanel makes no sacrifice when it comes to light output. SkyPanel puts out a tremendous amount of light, in a soft and uniform beam field.
FEATURES:
Lamphead Voltage Input: 48 V DC
Lamphead Power Connection: Male 3-Pin XLR - 15 Amp
Battery Connector: Male 4-Pin XLR - 10 Amp
Color Rendition: CRI Average >95, TLCI Average >91
Colored Light: RGB+W
IP Rating: IP 20
Dimensions:
Length: 13,3cm
Width: 82,6cm
Height: 56,6cm
Weight: 21kg
Featuring a snap-open design for fast setup, the Snapgrid for Astra 3X from Litepanels narrows the Astra's beam angle to 40 degrees to direct the light to specific areas and eliminate spill light. This version of the Snapgrid mounts directly onto the Astra 3X.
The DoPchoice SNAPBAG from ARRI is a softbox that attaches directly to the front of the SkyPanel S30 to provide a soft quality of light with a manageable beam angle to control light spill.
The DoPchoice SNAPBAG from ARRI is a softbox that attaches directly to the front of the SkyPanel S60 to provide a soft quality of light with a manageable beam angle to control light spill.
Featuring a snap-open design for fast setup, the Snapgrid for Gemini 1x1 from Litepanels narrows the Gemini's 95-degree beam angle to 40 degrees to direct the light to specific areas and eliminate spill light. This version of the Snapgrid mounts directly onto the Gemini 1x1.
Featuring a snap-open design for fast setup, the Snapgrid for Gemini 2x1 from Litepanels narrows the Gemini's beam angle to 40 degrees to direct the light to specific areas and eliminate spill light. This version of the Snapgrid mounts directly onto the Gemini 2x1.
Featuring a snap-open design for fast setup, the Snapgrid for Skypanel S30-C from Litepanels narrows the Skypanels S-30's beam angle to 40 degrees to direct the light to specific areas and eliminate spill light. This version of the Snapgrid mounts directly onto the Skypanel S30-C.
Featuring a snap-open design for fast setup, the Snapgrid for Skypanel S60-C from Litepanels narrows the Skypanels S-60's beam angle to 40 degrees to direct the light to specific areas and eliminate spill light. This version of the Snapgrid mounts directly onto the Skypanel S60-C.
Featuring a snap-open design for fast setup, the Snapgrid for SnapBag S30 from Litepanels narrows the beam angle to 40 degrees to direct the light to specific areas and eliminate spill light. This version of the Snapgrid mounts directly onto the DopChoice SNAPBAG for the Skypanel S30-C.
Featuring a snap-open design for fast setup, the Snapgrid for SnapBag S60 from Litepanels narrows the beam angle to 40 degrees to direct the light to specific areas and eliminate spill light. This version of the Snapgrid mounts directly onto the DopChoice SNAPBAG for the Skypanel S60-C.
The AIRLITE balloon light offers you an amazingly soft source of light. Every kit comes with a velcro skirt for all around the light. The integrated air pump inflates and deflates the balloon light in around 60 seconds, giving you no effort or trouble at all. During filming the pump can be adjusted to silent 10% power to keep the balloon inflated over long shooting times. The AIRLITE gives you astonishing 1000W LED Power with a huge and soft lighting angle. The color temperature can be adjusted from 2800-6500 Kelvin. Mounting is quite universal. The light can be used in all directions. The AIRLITE provides a 28mm pin (male) on top of the light. The ballast is not attached to the light itself. Each kit comes with a 7m (23ft) extension cable. The total weight of the light (including the ballast) is a total of 8kg
FEATURES:
Color temperature: 2800-6500°K
Dimming: 0-100%
CRI / TLCI: >95
Rated Input: AC 100-240V
Control: Cable DMX 4-channel control per unit or LumenRadio
IP class: IP20
Output: 1.030Lux at 5m
IN THE BOX:
1x Lamphead
1x Diffuser
1x Ballast
1x Power Cable
1x Lighthead Cable 7m
1x Travel Case
1x Black/Silver Skirt
Note: Also available as RGBWW version
The AIRLITE balloon light offers you an amazingly soft source of light. Every kit comes with a velcro skirt for all around the light. The integrated air pump inflates and deflates the balloon light in around 60 seconds, giving you no effort or trouble at all. During filming the pump can be adjusted to silent 10% power to keep the balloon inflated over long shooting times. The AIRLITE gives you astonishing 500W LED Power with a huge and soft lighting angle. The color temperature can be adjusted from 2800-6500 Kelvin. Mounting is quite universal. The light can be used in all directions. The AIRLITE provides a 28mm pin (male) on top of the light. The ballast is not attached to the light itself. Each kit comes with a 7m (23ft) extension cable. The total weight of the light (including the ballast) is a total of 6.2kg
FEATURES:
Color temperature: 2800-6500°K
Dimming: 0-100%
CRI / TLCI: >95
Rated Input: AC 100-240V
Control: Cable DMX 4-channel control per unit or LumenRadio
IP class: IP20
Output: 420Lux at 5m
IN THE BOX:
1x Lamphead
1x Diffuser
1xBallast
1x Power Cable
1x Lighthead Cable 7m
1x Travel Case
1x Black/Silver Skirt
Note: Also available as RGBWW version
The AIRLITE balloon light offers you an amazingly soft source of light. Every kit comes with a velcro skirt for all around the light. The integrated air pump inflates and deflates the balloon light in around 120 seconds, giving you no effort or trouble at all. During filming the pump can be adjusted to silent 10% power to keep the balloon inflated over long shooting times. The AIRLITE gives you astonishing 1000W LED Power with a huge and soft lighting angle. The color temperature can be adjusted from 2800-6500 Kelvin. Mounting is quite universal. The light can be used in all directions. The AIRLITE provides a 28mm pin (male) on top of the light. The ballast is not attached to the light itself. Each kit comes with a 7m (23ft) extension cable. The total weight of the light (including the ballast) is a total of 11kg
FEATURES:
Color temperature: 2800-6500°K
Dimming: 0-100%
CRI / TLCI: >95
Rated Input: AC 100-240V
Control: Cable DMX 4-channel control per unit or LumenRadio
IP class: IP20
Output: 670Lux at 5m
IN THE BOX:
1x Lamphead
1x Diffuser
1x Ballast
1x Power Cable
1x Lighthead Cable 7m
1x Travel Case
1x Black/Silver Skirt
Note: Also available as RGBWW version
The LED Dino Light now in RGBWW with IP65 rating.The Lightstar LUXED-P9-LM-IP65 is a waterproof RGBWW high output LED spotlight. It can be controlled over the dimmer, DMX, lumenradio and the free Lightstar app. Perfect for outdoor sets on a cherry picker.It’s robust, versatile and the perfect match for your set. The Lightstar LUXED-P9 comes with a yoke-mount for easy mounting. The slim structure of the LUXED-9 is perfect for lighting stands in small areas and studios. The LUXED-P9 gives you full control with the tools of your choice. You can use DMX, lumenradio or free app to change your settings and adjust each one of the 9 spots seperately. Expect astonishing 1440W of bi-color and 720W of RGB light, that will change the way you work on set. The high-quality frame offers you endless possibilities to mount your LUXED-P9 whereever you need it.
FEATURES
Color temperature: 2400-10000K
Dimming: 0-100%
Control: Cable DMX 4-channel control per unit or LumenRadio
IP class: IP65
Dimensions: 1256x1218x216mm
The Lightstar LUXED-12 is the strongest of all LUXED bi-color high output LED spotlights. The color temperature can easily be adjusted continuously between 2800K-6500K and dimming is adjustable from 0-100%. This is the light you have been waiting for. The Lightstar LUXED-12 is robust, versatile and gives you all the LUX you need. In fact it gives you astonishingly 18’000lux at 4m. Mounting the light is easy and safe. The aluminum casting frame allows you to mount the LUXED-12 just anywhere you need it. Each light comes with a yoke-mount for easy mounting. The slim structure of the LUXED-12 is perfect for heavy-duty stands in small areas. The design of the lights is also optimized to be used as space light on set or in the studio, allowing it to be installed quick and safe. The LUXED-12 is also ready for flicker free highspeed shootings.
FEATURES:
Material: Aluminium casting
Color temperature: 2800-6500°K
Dimming: 0-100%
CRI / TLCI: >95 / >96
Rated Input: AC 100-240V / DC 48V
Control: Cable DMX 4-channel control per unit or LumenRadio
Frequency: 1-50Hz
IP class: IP20
Output: 18.000Lux at 4m
IN THE BOX:
1x Lamphead
1x Separate Ballast
1x Power Cable
1x Extension Cable 1m
1x Extension Cable 7m
1x Softbox Set
1x Rainproof Cover
Note: Also available as RGBWW version