A lightweight and portable Easyrig for all sound engineers and boom operators Easyrig used their 30 years long experience in weight distribution and camera support to focus on a new market: Boom Operators & Sound Engineers. And after 5 years of intensive research and testing they released the new Easyrig Boom Rig. Similar to the Easyrig camera support, the Boom Rig distributes the weight of the boom pole across your hips via the vest, protecting you from injuries to your shoulders, arms or back and gives you the greatest possible freedom and relief when operating in high or low mode. The Boom Rig is designed to be operated with boom pole weights from 2-10 kg ( 4.4-22 lbs ). It will be your best tool for use with drama, documentaries, commercials and anywhere else a boom is essential! The Easyrig Boom Rig is designed in a way that all the weight of the boom pole is on your hips while still being able to have full control of the boom pole. You still operate the boom with your hands as you always have, but you can now do it without damaging your shoulders, arms, or back. The Easyrig Boom Rig allows the user to operate high- and low-angles. You can attach a mixer to it in the front and even fasten the boom to the side of the vest to be able to free both your hands while it is attached to the rig. The Boom Rig gives you the advantages of being able to operate the boom with your hands while having the weight of the pole distributed to your hips. This relieves your shoulders, arms, and back of fatigue. The roller hanger allows you to twist the boom with ease. The system comes with mounting hangers for your mixer and case. Featured on the side is a hanger to hook and rest the boom to allow your hands to be free. You can now focus on the boom being in the correct position without the worry of your body. We have been working with experts in the field to perfect this new invention, such as Kevin Cerchiai from Atlanta, Ljudfadern and SoundImage from Sweden, Thomas Wallis from Germany, among others. Adjustable Weight Range By turning the knob in the back, the Boom Rig can be adjusted to fit your boom perfectly. It can take weights between 2.5-10 kg (5.5-22 lbs). Fits All Booms The Boom Rig can be attached to any boom with the easy-to-use hook. The hook has rollers that allows the user to easily twist the boom pole. Hooks for MixerAttach a mixer to the front of the Boom Rig vest for easy access and to have the weight on the hips. Free Your HandsFree your hands by attaching the pole to the side hook of the Boom Rig vest. Specs Load Range: 2.5-10 kg (5.5-22 lbs) Weight: 3.8 kg (8.3 lbs) Weight: 3.8 kg (8.3 lbs)

  Sony CBK-3620XS Realto VENICE Extension System 2 The [CBK-3620XS] is increasing the flexibility compared with [CBK-3610XS] as customers are now able to use both sensors with even more distance between the sensor and the body. This will add the possible usage also on cranes which have been limited before. This model is able to support all features of VENICE 2 and will expand the creativity of DoPs. Shooting a scene handheld with an impossible sense of freedom comparable to a stills camera. Revolutionizing aerial photography with an array of three cameras inside a jet fighter’s cockpit. The original VENICE Extension was created out of a partnership with a director demanding impossible flexibility for a 3D shoot where there could be no compromise in image quality. The innovative cabled separation of the image sensor and camera body meant cinematographers no longer needed to compromise their vision. Its compact size allowed DoPs to fit truly cinematic lenses and achieve their preferred look in every scene. Key features Supports VENICE2 8K high quality images (Compatible with VENICE2-8K/VENICE2-6K/VENICE) 2 new cable lengths, 12m & 3m no repeater necessary (both cables are included in the CBK-3620XS) Tilt/Roll sensor built-in 3 more assign buttons (4 in total for VENICE2) Unique technology Second Generation EnhancementsIncorporating customer feedback and developed alongside VENICE 2, the VENICE Extension System 2 (CBK-3620XS) offers a wider bandwidth to support the VENICE 2 with an 8K sensor, over twice as much cable distance (up to 12 m) without a repeater box, additional control buttons and a built-in gyro sensor. It once again expands the realms of possibility for cinematography. The new Extension System is fully compatible with VENICE 2 using the 8K or 6K sensors, while also supporting the original VENICE camera with extended 12-m cable length. The Extension System also has an HD-SDI output and a 24-V output for powering accessories such as lens servo motors and monitoring. Multiple screw holes on all surfaces make it easy to accessorize and fit on to a wide variety of rigs while the main weight of the camera can be supported elsewhere. There’s no need for a smaller, lighter B-camera for extreme shooting scenarios. You can shoot everything with one modular camera system.   DetailsIdeal for shooting in tight spaces and with gimbalsThe Extension System camera head measures 158 × 147 × 126 mm (H × W × D)*, weighing around 2.2 kg* with a PL mount adapter and 1.7 kg* with E mount when used with the VENICE 2 8K sensor block. The separated sensor block with lens is so small and light it allows for an easy handheld mode, enabling you to locate it in tiny spaces, keeps stabilization systems lightweight, allows use of larger lenses while maintaining a smaller profile, facilitates faster operation for motion-control rigs, use of body mounts, and other situations that you wouldn’t expect possible for a full-frame cinema camera. The creative freedom without any image compromise is boundless.Extends up to 12 meters without a repeaterThe original VENICE Extension System could reach a maximum extension of 5.5 m between the camera head and body. The VENICE Extension System 2 more than doubles that with transmission distance up to 12 m. The original also needed a repeater to connect the middle of the cable between the head and body to reach 5.5 m. The CBK-3620XS extends to 12 m without a repeater. This enables greater freedom of movement and expands the range of shooting possibilities, particularly when used with a crane. The CBK-3620XS also offers both 3-m and 12-m cables. Simply choose the best one for your needs.Gyroscopic support with recording to metadataWhile shooting with the original Extension System did not accommodate use of a spirit level indicator (gyroscope sensor), the CBK-3620XS is equipped with a sensor on the camera head side that detects horizontal and vertical tilt. This allows use of a spirit level indicator and spirit level gauge graphical indicator on the camera's main monitor, even when shooting with the CBK-3620XS. Camera head tilt information can be checked when shooting at different head and tilt angles – ideal for VFX applications. Naturally, the horizontal and vertical tilt are also recorded in the metadata and output through the camera’s SDI.4 assignable (ASSIGN) buttons on camera head for easy operationThe camera head has four ASSIGN buttons that can be set to functions such as change ND filter settings, REC Start/Stop and more for easier operation with VENICE 2. Choose a custom set-up that suits your preference for any scene. Please note the original VENICE is limited to one button operation with CBK-3620XS.Compatible with VENICE* and VENICE 2**The CBK-3620XS was developed alongside VENICE 2 to support both 8K and 6K sensors. It is also compatible with the original VENICE using the latest firmware, however, due that camera’s existing functionality, some CBK-3620XS features may not be available. VENICE does not support spirit level display and recording to metadata, while only one assignable button is functional rather than four. However, VENICE fully benefits from greater cabling length.* VENICE requires the latest firmware.** VENICE 2 requires the latest firmware. Specifications Power consumptionApprox. 3.0 W (with 3-m extension)Approx. 3.0 W (with 12-m extension)Operating Temperature0 °C to 40 °C (32 °F to 104 °F)Storage Temperature–20 °C to +60 °C (–4 °F to +140 °F)MassImager Block Adapter 3 m: 1.8 kg (3 lb 16 oz)Imager Block Adapter 12 m: 3.2 kg (7 lb 1 oz)Camera Body Adapter: 0.4 kg (14 oz)CBK-3620XSApprox. 5.4 kg (11 lb 15 oz)(excluding supplied accessories)Input/Output Connectors24 V IN connector (Fischer 3-pin) (1)24 V OUT connector (Fischer 3-pin) (1)MONITOR IN connector (BNC type) (1)MONITOR OUT connector (BNC type) (1)  

  Prêt À Tourner - Anamorphic x2 FEMTO Chart 18X33cm Very high printing resolution chart, designed for the calibration of spherical lenses and 8K cameras and over. Travel-sized optical chart, of dimensions 18x33 cm, composed of very-high printing definition linear targets, for the wedging of anamorphic lenses on 8K cameras and above.  A must-have for camera assistants, videographers, and photographers.   Description Flexible plate, entirely magnetic at the back, of dimensions 18x33x0,1 cm. Mat and Anti-reflection coating. Chart of dimensions 14x28 cm, composed of 2x8 linear targets with increasing gaps from 5 to 40 (link to the numbering explanation). The targets are composed of horizontal, vertical, and diagonal lines, designed for an x2 anamorphosis. Very high printing definition. Additional information Weight: 0,2 kg Dimensions: 35 × 35 × 5 cm  

  Angénieux Optimo Ultra Compact 37-102mm FF & U35 rear Open Gate (Full Pack) A new generation of wide-angle compact spherical zoom lens The full pack, which is based on the exclusive IRO (Interchangeable Rear Optics) technology by Angénieux, includes a full-frame and a U35 rear that can be easily interchanged to work on full-frame cameras or to cover the open gate of the new ARRI ALEXA 35.This new generation of high-end lenses is fully designed for the FF/VV format and Open Gate. Lightweight and compact, they are among the lightest on the market. Designed for cinematographers who want to have the possibility to work in both formats or for rental companies who have both types of cameras, the Optimo Ultra Compact lenses are the perfect addition to the Optimo Ultra 12X and the Optimo Prime Series. They seduce by their ergonomics, their superb optical quality from T2.9 (in FF/VV) or T2.2 (in U35-Opengate), including the famous Angénieux look and their high-precision mechanics.Image quality is consistent from open to close aperture and at every focal length and focus distance. The iris is also capable of closing completely. The balance of contrast, color and resolution offer an appealing cinematic look. The Angénieux Full Frame solution is now complete with zooms and primes for all kinds of applications in one single and homogeneous ecosystem. NEW OPTICAL DESIGN Completely new optical design to enable Full Frame Coverage Superb image quality from T2,9 (in FF/VV) open aperture Well controlled optical performances at each focal length and focus distance by having a good balance between contrast and resolution. Appealing cinematic look Perfect homogeneity of color, contrast and resolution. Low distortion No ramping, minimal breathing, very fast for 2.7x zoom ratios Close focus of 2ft / 0.6m enables extreme close-up shots Internal focus, internal zoom, constant lens volume NEW MECHANICAL DESIGN Completely newly designed mechanics vs. Optimo 15-40 & 28-76 Compact (235mm) and very lightweight (2,6kg / 6lbs) Precise and rugged travelling of the zoom and focus groups using Angenieux classic rod mechanical guiding system Precise and ergonomic focus ring with scale rotation of 310°, user-optimized marking design User changeable focus marking rings (focusing scales available in feet or metric) Adapted to extreme shooting environments (passive athermalization from -20°C to +45°C) Available in PL mount. Front protective glass (as an accessory) Can be used with with ARRI FF4 & FF5 Follow-Focus, please use ARRI FF Gear 0.8 Module, 43 Tooth, 45mm K2.0020752 MULTIPLE IMAGE FORMAT DESIGN  IRO Technology Two versions : Optimo Ultra Compact FF/VV + U35 Only and Optimo Ultra Compact Full Pack (FF + U35) Cooke Metadata : External connector for metadata transfer to an external drive or a display unit      

In 2017, Sony introduced a next-generation motion picture camera system, focused on large format production: the VENICE. Working with extensive and detailed input from the film industry, we designed VENICE to give cinematographers more creative freedom. A 6K image sensor offered incredible detail and colors. Dual-base ISO drove remarkable low-light performance. An 8-step internal ND filter mechanism saved precious time on set.Now, VENICE 2 builds on this success, with new capabilities in a familiar, compact body. Remarkable ImagesVENICE 2 offer a choice between 8K (MPC-3628) and 6K (MPC-3626) sensors, both of wich boast incredibly wide latitude and gamut. Use greater freedom of expression in grading than ever before, with either 16 or 15+ stops of latitude and exquisite color rendition.   Sensor interchangeable between other models   36x24mm Full-Frame Sensor for Cinema VENICE 2 features one of two 36x24mm full-frame image sensors, designed specifically for the demands and performance of high-end cinematography. Each offers remarkable sensitivity, latitude and color rendition, and because the sensor blocks are interchangeable, users can easily switch between sensors—without any extra firmware—and can even use the sensor from their original VENICE. The new 8K sensor can capture images up to a maximum resolution of 8640 x 5760, while the established 6K sensor offers up to 6048 x 4032. Both offer powerful oversampling for incredible 4K images Super35 full height 2.0x squeeze AnamorphicFor anamorphic shooting and production, Super35 full height 2x squeeze anamorphic is supported. Dual Base ISOVENICE 2 features dual base ISO, meaning that the 8K sensor offers Base ISO3200 in addition to Base ISO800, while the 6K sensor has Base ISO500 and Base ISO2500. 8K sensor excels in low-light, High Dynamic Range capture, with an exposure latitude from 6 stops over to 10 stops under 18% Middle Gray, for a total of 16 stops.6K sensor offers an exposure latitude from 6 stops over to 9 stops under 18% Middle Gray, for a total of 15+ stops. High Frame Rate VENICE 2 can shoot at speed of up to 120fps at 4K and 90fps at 6K, when using the 6K sensor. In combination with an anamorphic license, it also allows shooting at speed of up to 75fps at 4K 4:3 and 72fps at 4K 6:5. With the 8K sensor, VENICE 2 can achieve up to 60fps at 8.2K and 90fps at 5.8K.   Supporting all major of motion picture lenses in the market Full-Frame Anamorphic lens Full-Frame Spherical lens S35mm Spherical lens E-Mount lens Image Mode details for 6K image sensor in V1.0       SPECIFICATIONS for VENICE 2 with 8K image Sensor #MPC-3628 Image Device: 35mm full size, single-chip CMOS image sensor Imaging Device Pixel Count: 50.0M (Total) Image sensor interchangeable Built-in ND Filters: Clear, 0.3 (1/2), 0.6 (1/4), 0.9 (1/8), 1.2 (1/16), 1.5 (1/32), 1.8 (1/64), 2.1 (1/128), 2.4 (1/256) ISO Sensitivity: ISO800, ISO3200 (Dual Base ISO) Lens Mount: PL Mount and E-Mount Latitude: 16 stops Compact and X-OCN internal Recording 4K ProRes internal Rec VENICE 2 can apply 4K or HD LUTS to it´s monitor output. Dimensions (WxHxD): 15,2x 15,8x 2,5cm Weight: approx. 4,3Kg Almost same I/O and screw holes for accessories An evolved product design based on VENICE More information about the Sony VENICE can be found at www.sonycine.com  Click here to download the Special Report from FD Times.

  Teradek Bolt 6 LT 1500ft Wireless Transmitter/Receiver SetThe Bolt 6 LT Set is a real-time wireless video transmission system that supports 4K video with Teradek’s patented Zero-Delay technology, now with less interference using the newly opened 6GHz wireless frequency. Bolt 6 LT can send and receive color-accurate, True-HDR videos in under 0.001 seconds using the set’s included Bolt 6 LT video Transmitter and Receiver.Key features of the Bolt 6 LT Set include range options designed for a variety of production needs, fast reconnection times, an intuitive, easy setup with the Bolt Manager App for iOS or Android, and consistent, stable connectivity. The Bolt 6 LT series utilizes the 6GHz band to give users better image quality and reduced interference. And when used in high-traffic areas, 6GHz wireless frequency gives Bolt 6 LT users more options for frequency adjustments with 12 new channels. Bolt 6 can also pass metadata, timecode, and start/stop flags from most camera manufacturers.Bolt 6 also offers new tools for high-end users, including better visibility over connections and signals, adding confidence to the workflow no matter how challenging the environment. It additionally gives you access to our new Long Range Mode, offering better video quality at longer distances. A 5-pin USB adapter, sold separately, allows for effortless and wireless camera-control setup when using SmallHD Smart Monitors.The included Transmitter, our most compact design ever, and the Receiver are cross-compatible with the entire Bolt 4K Series – including Bolt 4K, Bolt 4K LT, and the Bolt 4K Monitor Modules – giving you the option to expand your workflow requirements. Link up to 6 receivers to one transmitter, or unlimited receivers when used in Broadcast Mode (available on MAX models).Bolt 6 LT offers three line-of-sight options: 750 ft., 1500 ft., and the MAX Set, which can be configured for up to 5,000+ ft. Additionally, you can upgrade your set to include Gold or V-Mount Battery plates. And while the Bolt 6 LT Set has both 4K HDMI and 1080p SDI input and outputs, you can also select the Bolt 6 LT HDMI model if your production needs require HDMI only. Bolt 6GHz HIGHLIGHTS 12 new 40MHz wide channels from 5.925 to 6.425GHz Enhanced long-range image quality algorithm New SDI pattern tool to monitor SDI signal quality Pairs with up to 6 receivers, or unlimited receivers when used in Broadcast mode with the MAX models Universal compatibility with all Bolt 6 and Bolt 4K Series AES-256 encryption and RSA 1024 key pairing prevents unauthorized access Features Receive Wireless Video up to DCI 4K Zero-Delay wireless video (<0.001sec) 1500 feet of range 4K HDR with 10-bit 4:2:2 Transmit 4Kp30 with HDMI; 1080p60 with SDI Gold & V-Mount Battery Plate options Available in HDMI-only version   Technical Specs Range: 1500ft/ 457m LOS Video Inputs: 1x 3G-SDI SMPTE 424M standard/75 Ω, 1x HDMI Type-A receptacle* 1x Loop-out 3G-SDI on Transmitter Video Outputs: 1x 3G-SDI SMPTE 424M standard/75 Ω, 1x HDMI Type-A receptacle SDI ancillary Data Support: Metadata, TC, start/stop flags from certain camera manafacturers Color Sampling: SDI: YCbCr 4:2:2, 10bit / HDMI: RGB 4:4:4, 8-bit Delay: <0.001sec Video Compression: visually lossless Input Cross Conversion: HDMI to SDI (4Kp23.98/30 HDMI input is scaled and looped out as 1080p23.98/30 on SDI loopout) Power Input: 2-pin Connector 6-28 VDC Power Consuption: TX: 9 Watts; RX: 11 Watts Audio compression: 48kHz 24-bit PCM RF Channel Selection: Auto, Manual (Manual available for Non-DFS Channels) Dimensions Transmitter: 6x 10,3x 3,3 cm / 2.4"x 4.1"x 1.3" Dimensions Receiver: 12x 9,4x 2,7 cm / 4.8"x 3.7"x 1" Weight: Transmitter: 206g / 7.3oz Weight: Receiver: 292g / 10.3oz Multiple mounting options with M3 and 1/4" holes Configuration Interface: OSD with Menu Joystick Navigation Desktop App (Bolt Manager for OSX & Windows), Bolt APP Support Resolutions:  4Kp23.98/24/25/29.97/30 (HDMI only) 1080p 23.98/24/25/29.97/30/50/59.94/60 1080psf23.98/24/25/29.97/30 1080i50/59.94/60 720p50/59.94/60 480p59.94/576p50 480i(NTSC)/576i(PAL) Wireless Non-DFS Frequencies: 5.190 ~ 5.230 GHz 5.755 ~ 5.795 GHz 5.945 ~ 6.425 GHz Wireless DFS Frequencies: 5.270 ~ 5.670 GHz    What's In The Box? 1 x Bolt 6 LT 1500 TX V-Mount 1 x Bolt 6 LT 1500 RX V-Mount 7 x Teradek 6G V Antenna (2dBi 4.9-7.3Ghz RP-SMA) 3 x Teradek 6G Flexible H Antenna "Mushroom" (2dBi 4.9-7.3Ghz RP-SMA) 1 x Antenna Array 2 x Bolt 4K LT RX Battery Cover 1 x Lightstand Adapter 1/4-20in 1 x Hot Shoe Adaptor 2 x Screw Flat Head Phillips 2 x Ultra Thin HDMI Male Type A (Full) - HDMI Male Type A (Full) 18in/46cm Cable 1 x (Bit 118) 2pin Conn. to PowerTap - 18in/46cm Cable 1 x (Bit 718) 2pin Conn. to 2pin Conn. (Alexa) 18in/46cm Cable 5 x RP-SMA Female to RP-SMA Female 4in/10cm Cable 2 x SDI - BNC to BNC Cable, 10in 1 x PSU 2pin Conn. to 18W AC Adapter (Int) - 6ft Cable 1 x Wooden Camera - Teradek Offset Mount for Bolt 4K LT TX 1 x Teradek Case XL - Bolt 6 LT TX/4RX and Antenna Array 1 x USB Male Type A (Full) - USB Male Type B (Micro) -3ft Cable 3 x Antenna 2dBi Rigid V 4.9-7.3Ghz RP-SMA (Mushroom)  

Vision 24 allows you to see as your camera sees. Engineered to equal modern sensors’ increased sensitivity to highlight and lowlight image retention. Powered by SmallHDRTM, a proprietary Full-Array Local Dimming (FALD) hardware that enables nuanced control of over 2100 zones, rendering hyper-sharp contrasts with deep blacks, crisp highlights, and a stunning 10-bit color depth. Ideal for use in any production environment where HDR monitoring is a necessity, Vision 24 provides the added security that every detail is captured. Product Highlights• 24.1in/61cm Full-Array Local Dimming (FALD)• 1000nits•  1,000,000:1 Contrast Ratio• 10-bit Color Depth• 2176 Zone high-density FALD Backlight• 4096 x 2160 Resolution• Weight: 19.7lbs / 8.9kg (with handle & feet) Unibody Smart Chassis• Smartrail for battery and accessory mounting • Interchangeable mounting points• 2x 2-pin accessory power outputs Small4KTM Video Processing Architecture• Inputs: 4x 12G-SDI, 1x HDMI 2.0• Outputs: 4x 12G-SDI, 1x HDMI 2.0* PageOS 4 software platform:• Internal Calibration Wizard• Color Pipe color-space formatting• Settings Dashboard for easy access to common settings• Preconfigured Pages• Page Tabs• Customizable False Color Overlay• Customizable 4K Waveform w/Region of Interest Highlighting (coming soon)• Improved Function Buttons• Pixel Zoom, Focus Assist, Peaking• Total UI overhaul  FEATURES: 24",4096 x 2160 (4K/2K) HDR Brightness: 1000 nits Dual- & Quad-view Hot-swappable dual inputs (1x 3pin XLR, 1x Dual-GM/V Battery Plate) 2x 12V Lemo power connector output Cheese Stick on the side of the monitor TECHNICAL SPECS Size: 24.1" / 61cm Resolution: 4096 x 2160 (true 4K) Brightness: 1000 nits Contrast Ration: 1,000,000:1 Backlight Type: Full-Array Local Dimming Backligh Zones: 2176 Color Depth: True 10-bit Color Gamut: 115% DCI-P3 Video Inputs: 4x 12G/6G/3G/HD-SDI, 1x HDMI (2.0 / 4K60) Video Outputs: 4x 12G/6G/3G/HD-SDI, 1x HDMI (2.0 / 4K60) Power Inputs: 1x 3-pin XLR (12-34V/12A), 1x Dual-GM/V Battery Plate (14/26V) Power Outputs: 2x 2-pin (12V/2A combined), 2x USB (5V/2.4A front rear), 1x USB-C (5V/1.5A) Data I/O: 1x SD Card, 1x RJ45 Ethernet, 1x RJ45 GPI LUTs: 17pt 3D-LUT on output/input, 33pt 3D-LUT on ouput/input (coming soon) Audio: 1x 3.5mm 3-pin Stereo Headphone Jack NEW OS4 Software with new features Mounting Options: 1x 110mm VESA-compatible rear mount, 36x 1/4-20 mounting points (top/sides) - also available with 3/8" Bunch of usefull accessories available Weight: 8.9 Kg   Check out the feedback from Kitty Scharinger and Christian Saure on this monitor, it was tested in studio and on location.    RELATED PRODUCTS: SmallHD Cine 13" 4K/UHD HighBright Monitor with 1500Nits, SDI/HDMI, 8bit SmallHD Vision 17" 4K/UHD HDR Monitor with 1000Nits, SDI/HDMI, 8bit SmallHD OLED 22" 4K/UHD Reference Monitor with 350Nits, SDI/HDMI, true 10bit SmallHD Cine 24" 4K/UHD HighBrigh Monitor with 1350Nits, SDI/HDMI, 8bit  

The EZ-3 lens is the new Tele-lens addition to the versatile, future proof Angénieux EZ series. Based on the same philosophy as EZ-1 and EZ-2, the EZ-3 is a compact and affordable cinestyle zoom lens. It also includes improvements such as a quick IRO Technology ® mechanism and dual focus scales (feet-meters). The new Tele zoom 45 - 165 mm T2.3/T3 S35 and 68 - 250 mm T3.5/T4.5 FF works with multiple camera formats, thanks to its easy interchangeable mount system (PL, RF, EF, E).   FEATURES Compact and affordable cinestyle tele zoom  Based on the same philosophy as EZ-1 & EZ-2  New quick IRO Technology® mechanismS35 & FF user configurable Compact & lightweight: 2,6 Kg / 4,40 lb & 265mm / 10,4" Fully compatible with EZ-1 & EZ-2 accessores Long tele reach- S35 45 - 165mm T2.3/T3 I Constant T-Stop 45 - 135 mm T2.3Constant T-stop across the entire zoom range when iris is set to T3 or slower T-stop- FF 68 - 250mm T3.5/T4.5 I Constant T-Stop 68 - 200mm T3.5Constant T-stop across the entire zoom range when iris is set to T4.5 or slower T-stop Dula feet-meter scale focus ringEasy feet-meter conversion with standard screwdriver and no collimator   TECH SPECS Focal Length:          45-165mm (S35 Format) | 68-250mm (FF/VistaVision Fromat) Zoom Ratio:            3.7x Aperture:                 T2.3/T3 (S35 Format) |  T3.5/T4 (FF Format) MOD:                      4ft / 1.2m Format:                    S35mm and FF/VistaVision Weight (approx.):   2,60 kg Front diameter:      114 mm Image Size             24 x 13.6mm (S35) | 37.7 x 24.9mm (FF)   USEFULL ACCESSORIES RF Mount (#66069850AA) EF Mount (#320811) E Mount (#320810) EZ Transport Case (#320986) EZ Hood (#322051) Front protective glass (#66067166AA)  

Sony Venice Cine Bundle includes:Camera Body Sony Venice with permanent anamorphotic and Fullframe licenses, Viewfinder DVF-EL200 and Recorder AXS-R7 Next generation camera with forward thinking full frame sensor, phenomenal color science and user-friendly operation Simple and intuitive Usability and reliability of the camera is one of the major concerns for operators, especially in tough or time-critical filming conditions. With a user-friendly design, clear and simple menu navigation, and a highly durable, reliable construction, VENICE lets you simply concentrate on filming, and not the camera.   Full-Frame sensor for cinema VENICE features an all-new Full-Frame sensor with the classic 36 x 24-mm dimensions that have been a staple of photography for over 100 years. Designed exclusively for high-end cinematography, this sensor can capture images up to a maximum resolution of 6048 x 4032. Switchable imager modes mean VENICE can support an unprecedented number of cinematic aspect ratios for complete creative freedom:   Full width 36 mm 6K In full-frame, you can use the full 6048 pixel width of the sensor for 6K imager modes such as 3:2, 2.39:1*, 1.85:1, 17:9, and 16.9*. Equivalent to 4-perforation motion picture film, these 6K modes allow for extra-shallow depth of field, super-wide shooting, and other creative effects.   Super35 anamorphic 4K For super-wide screen productions, VENICE offers two full-height 2x squeeze anamorphic imager modes that include 6:5 and 4:3 recording modes for 12:5 (known as 2.39:1) and 8:3 (2.66:1) scenes, respectively. Explore how VENICE can meet your production requirements with the firmware and licensing requirements in the aspect ratio chart: Fast shutter VENICE’s high-speed readout sensor minimizes the jello effect typical in CMOS sensors.   Phenomenal latitude VENICE has an exceptional 15+ stops of latitude, with low noise for extraordinary performance in delivering phenomenal images in conditions from searing sunlight to almost no light. VENICE’s real-world performance also excels at High Dynamic Range imaging and allows unprecedented creative freedom in grading.   More colors for more expression VENICE can exceed Rec. 2020 color space. This means the color range is wider than DCI-P3 and can beautifully reproduce the true color of the scene in front of your lens. This also provides the broad palette in the grading suite using the established workflow of Sony’s third-generation LOG gamma encoding (S-Log3) and ultra-wide color space.   More colors for more expression VENICE can exceed Rec. 2020 color space. This means the color range is wider than DCI-P3 and can beautifully reproduce the true color of the scene in front of your lens. This also provides the broad palette in the grading suite using the established workflow of Sony’s third-generation LOG gamma encoding (S-Log3) and ultra-wide color space.   Dual Base ISO VENICE has a base ISO of 500 to provide the optimal dynamic range for typical cinematography applications with on-set lighting. A secondary High Base ISO of 2500 excels in low-light High Dynamic Range capture, with an exposure latitude from 6 stops over to 9 stops under 18% Middle Gray, for a total of 15 stops. High Base ISO 2500 is ideal whenever you’re using slow lenses or shooting dimly-lit environments. Combining ISO2500 with VENICE’s internal eight-step Optical ND filter system offers the ability to emulate different ISOs while maintaining maximum latitude of +6 and -9 stops, enabling you to use VENICE as an ISO1250 camera.     World’s first 8-step mechanical ND Filters VENICE is the world’s first camera of its class with a servo-controlled 8-step mechanical ND filter mechanism built into the camera chassis. It offers a massive ND of 0.3 (1/2 = 1 stop) to ND2.4 (1/256 = 8 stops) range that reduces time lost on set changing external filters. The ND filters also greatly increase VENICE’s flexibility when being controlled remotely on drones and cranes, or in an underwater housing.     Next generation viewfinder The DVF-EL200 was created as the perfect partner for VENICE. A 1920 x 1080 OLED panel enables precise, high-resolution focusing and framing, including False Color Display at the touch of a button. A rotary encoder provides instant access to brightness, peaking and contrast. An all-new ergonomic design allows for tool-free attachment/detachment and reconfiguring within seconds. The industry-standard LEMO connector offers exceptional durability.    Engineered to survive VENICE’s chassis is engineered to be amazingly robust and has been rigorously tested in the harshest conditions. Its ventilation system is completely isolated from all electronic components to prevent ingress of dust, sand and splash. The silent-running fan can be cleaned or even swapped out on set quickly and easily.   Easily configurable VENICE has a fully modular design and even the sensor block is interchangeable. So, as sensor technology advances in far future, you have the opportunity to upgrade without investing in a new camera. In order to maintain ergonomic balance for operators, the top handle and viewfinder are easily adjustable. As the height of the camera from the bottom to the optical center of the lens mount is the same as the F55, base plates and other accessories used for the F55 can be used with VENICE. The AXS-R7 recorder can be attached to VENICE with just four screws.   Additional features of the Venice camera: native PL- and E-mount (Lever lock type) anamorphic aspect ratios of 4:3 and 6:5 at 4K for shooting both 2.4:1 and 2.66:1 widescreen desqeeze function on monitor out for several anamorphic squeeze factors up to 16bit of tonal range when recording in RAW or X-OCN (16-bit eXtended tonal range Original Camera Negative) file formats downsampling from Full Frame Image with 6K resulution to 4K XAVC codec parallel recording of Proxy Files or XAVC on SxS cards while recording 6K (RAW or X-OCN) on AXS cards the Select FPS function lets you choose frame rates from 1 frame per second to as high as 120 fps, depending on imager mode.  *Note: higher Framerates than 60fps require the HFR License available from summer 2019 several control tools for checking aperture an focus such as: up to 4.0x Dot-by-Dot magnification of the viewfinder image, Surround View (Look Around), High/Low Key, USER 3D LUTs, ACES compatibility Full menu control via web browser based wired and wireless connection 1x HFR License and much more... More information about the Sony VENICE can be found at www.sonycine.com  

The PLx2 VV optical extender doubles the focal length of Vista Vision Format PL mount lenses. The extender is the larger version of our well-received PLx2 adapter. Thanks to its compact optical and mechanical design, the PLx2 VV is compatible with a wide range of lenses. The PLx2 VV features high-index, low-dispersion glass to ensure the highest possible resolution and contrast with minimal optical degradation. In doubling the image size, the transmitted light is spread over 4 times the area, decreasing the brightness by two f-stops. The optical design has been optimized for modern lenses and digital cameras, and the maximum input T-Stop is 1.9. The PLx2 VV is designed to mount to any digital cinema camera with a native PL mount. The UMS Mount System makes it easy to change the mount to Canon EF, Sony E or others without re-shimming.Modern cameras require high quality optics designed and optimized for electronic sensors. PL Extenders increase the focal length of 35 mm PL mount lenses. Our extenders feature high-index, low-dispersion glass and flare optimized systems to ensure the highest possible resolution and contrast with minimal optical degradation. The highly telecentric optical design avoids all micro lens issues.Advantages Extends the Focal Length Telecentric Design for Digital Cameras High Performance at all T-Stops Flare Optimized High-End Systems Fits Most PL lenses on the Market PL-PL Extender PL UMS Mount System for Flexibility Technical specifications Optical design (lenses/groups): 7/5 Max. image diameter (mm): 46.4 Magnification: x2 Max. imput T-Stop:  1.9 Light drop (stops):  2.0 Lens Mount: PL Standard Camera Mount: PL UMS Mount* Diameter (mm): 78.0 Length (mm) PL to PL:  34.8 Weight (kg):  0.5 Extender Compatibility Cameras ARRI Alexa/Studio ARRI 35mm Aaton 35mm Phantom High-Speed Sony F3/F5/F55/F65 Canon C300/C500 (PL Mount) RED One, Epic, Scarlet, Dragon, Weapon Lenses  

CINE GEAR 2023 Technical Award Winner - Camera Technology: Accessories KOKO: A recording monitor with video assist functions in your hands. FEATURES Touchscreen Sharp, super bright (2000nits) True colour 10" HD (1920x1080) Camera Batteries Powered via regular V-, B- or Gold Mount batteries Metadata Digital cinema automatic metadata reading & recording Fast Boots in 1.5 seconds and quick rec-to-play switch SSD Recording Records to removalbe SSD Rock Solid Tough construction materials and high-end connectors No Software No additional software needed Connections USB-C, 3.5mm jack for headphones, audio in/out, and Ethernet connection  Technical Specs Screen: 10.1", TFT LCD, Touchscreen Display size: 1920x1200pixels, 8bit Screen brightness: 2000Nits Inputs: 4x 12G-SDI Outputs: 4x 12G-SDI TC: BNC-LTC / SDI embedded Connect up to 4x 1080p60 or 1x 4K Recording media: removalbe SSD disk (4mm thick) Camera battery socket: V-, B- or Gold Mount Recording: Apple ProRes Automatic metadata capture: Arri, Sony, Canon, Red: Focus, Iris, Zoom, Balance, Shutter, ISO, Looks USB: USB-C Power input: 12-17 VDC Power consuption: 25W Power connection: Lemo 2pin connector Dimensions (WxHxD): 25,0 x 16,9 x 3,3 cm Weight: 1,3 kg Mounting: Optiona all around the monitor   Functions: Rec-Stop-Play in/out Histogram Waveform Focus assist Zebra False color LUTs Metadata   In the Box Power supply Sunhood V-Mount battery mount  

The Echo 36 workstation cart from Innovativ is an ideal cart to use on-set, in the studio, or on location to carry and have the equipment within arm's reach, and can also function as a mobile workstation for data management operators. The workstation can be configured to hold several monitors, a laptop, and even mount a camera. This allows the operator on-set to help the cinema photographer manage data more efficiently. The top shelf has 10" of height adjustment in 2" increments. A 2.5" port located on the cart helps to pass through computer and power cables. Also, the Echo's wheels roll easily and are quiet because of the 100% sealed bearings, and the wheels secure by stepping on the manual locking brakes. Should you wish to have an easier and smoother stop for your cart, hydraulic brakes are available separately. Echo 36 Cart size: Collapsed: 22.75″H x 24″W x 36″L Assembled: 39″H x 24″W x 36″L Weight: 93lbs Standard Equipment Top & Bottom Shelf 1 Set Quick Grips 2 Accessory Channel Blocks 2 Accessory Crossbars 2.5 in Cable hole (Echo 36/48 only) Top combo locking drawer w/ soft drawer slides Bottom combo locking drawer w/ soft drawer slidesRolled front lip of top shelf Foot Brake System Hydraulic Brake Systems can be added at time of order but are not standard equipment Features: Made in the USA Completely tools free design Constructed of premium 5052 and 6061 aluminum and stainless steel hardware 30% lighter than other carts currently serving the marketplace Upright posts lock in place and will not loosen over time 10″ of top shelf height adjustment in 2″ increments 100% sealed bearing wheels that are extremely quiet and easy to roll Equipped with INOVATIV’s Foot Brake System Type II and III anodizing on all uprights and machined parts Durable texture black powder coat on top and bottom shelfs 5 year limited warranty