Convincing performance for cinema, live broadcasting and virtual roductionAdapting to the evolving needs of the market and designed with versatility in mind, the EOS C400 offers an all-in-one solution tailored to support a vast range of different productions, from indie cinema and documentary, live and virtual broadcasts to the electronic news gathering field. The EOS C400 is the first high-end RF mount cinema EOS camera, ushering in a groundbreaking new era for Canon products particularly within the EOS R System. Compact yet mighty, the innovative design packs advanced features and specifications typically found in larger cameras into a more nimble box shaped design, prioritising ease of use and operability without compromising on capability. Moreover, specific in-camera connectivity such as genlock, return input and 12-pin lens terminal all support live multi-camera productions. BSI sensor and triple ISO The EOS C400 is equipped with a cutting-edge 6K full frame backside-illuminated, stacked CMOS sensor (BSI), boasting 16 stops of dynamic range. The technology enhances light capture efficiency and facilitates faster readouts, ensuring superior image quality. Setting a new standard, the camera introduces the Canon triple base ISO technology, crafted for optimal performance in low light environments and delivering the cleanest optical results. With base ISO levels of 800, 3,200 and 12,800 when shooting in Canon Log 2 or 3, users have greater flexibility when it comes to shooting in challenging lighting conditions. To make the shooting process that much easier, an automatic switching mode detects ambient lighting and adjusts the base ISO level accordingly, enhancing the overall user experience. RF mount Supporting Canon RF mount technology, the EOS C400 seamlessly integrates with a wide array of RF prime, zoom, hybrid, cinema and VR lenses. For added flexibility without the need for third party accessories, the camera also supports the option to use a variety of Canon’s EF-EOS R mount adapters as well as the new PL-RF mount adaptor. Additionally, the camera has enhanced metadata capabilities and connectivity options facilitating real time frame-by-frame data capture enhancing both VFX and Virtual Production workflows. Dual Pixel CMOS AF II Canon is now introducing its Dual Pixel CMOS AF II to its cinema EOS system, providing filmmakers with improved autofocus features. With comprehensive 100% coverage across the sensor plane, the Dual Pixel CMOS AF II delivers swift and precise performance, upgrading filmmaking clarity and reliability whilst providing piece-of-mind that you are nailing the shot every time. This latest system also unlocks additional benefits such as face/ eye/ body tracking and animal detection and tracking, especially useful when working solo in a fast-paced environment. Recording formats With more options when it comes to internal recording formats, users can now tailor the format to suit their specific needs. Options include Canon’s scalable 12-bit Cinema RAW Light LT/ ST/ HQ, reliable 4:2:2 10-bit XF-AVC and all-new MP4 based XF-AVC S and XF-HEVC S formats, accommodating several types of professional requirements. All of which accommodate detailed filmmaking workflows with professional filename and metadata support. Compact design Users familiar with the EOS C500 Mark II will appreciate the EOS C400’s recognisable design, now upgraded with an even more compact form while still offering an extensive array of connectivity. This enables operators to access the full suite of features typically associated with larger scale production cameras without the burden of size, weight or attaching additional modules. The new compact design and enhanced accessories such as a versatile LCD bracket, advanced top handle and improved hand grip offer compatibility with a range of shooting styles whether handheld, on a gimbal, drone or shoulder-mounted. Introducing the latest Cine Servo lens The all new CN7x17 KAS T available with either RF or PL mount sits within the Canon Cine Servo lens range, an evolution to the previous CN7x lens but with improved updates designed to bolster operational performance and extend compatibility with virtual and VFX workflows. With an expansive 7x optical zoom and 17-120mm focal length, the lens appeals to live sports and news, documentary, film, remote and virtual productions. 11 iris blades produce softly diffused highlights and silky out of focus backgrounds. Among its standout features are improved connectivity between the lens and camera, streamlining processes such as real-time lens distortion correction, frame by frame lens metadata and virtual production workflows with an Unreal Engine plug-in tailored for the EOS C400. The PL mount variant of the lens supports both Cooke /i TechnologyTM and ZEISS eXtended DataTM for lens metadata and distortion/ shading correction1. Features Canon Full-frame Back-illuminated Stacked CMOS sensor provides high sensitivity and low noise image 6K (6000 x 3164) / 60P 12-bit Cinema RAW Light format at maximum 2.1Gbps recording bit rate 4K (4096 x 2160) / 120P YCC422 10-bit XF-AVC Intra format at maximum 1.2Gbps recording bit rate 2K (2048 x 1080) / 180P YCC422 10-bit XF-AVC Intra format at maximum 300Mbps recording bit rate Support new file format XF-HEVC S and XF-AVC S / Long GOP which use computer -friendly format for easy editing Support 6K oversampling and debayering for high quality 4K video with less moiré[1] Canon Log 2 & 3 Gamma selection to realize a wide dynamic range up to 16stops Supports HDR (HLG and PQ) recordingSupports three switchable base ISO for the best dynamic range and S/N ratio depends on the scene Support new 3D LUT that converts to CMT DCI / CMT HLG / CMT PQ is provided for the gamma recorded by the camera Offers Tally and Return video for multi-camera live production Built-in Dual Pixel CMOS AF II with animal and body (people) detection for quick and accurate continuous AF function Built-in 5-axis electronic IS system, provide more powerful image stabilization effect when paired with a compatible RF lens supported optical IS 3.5" 2,760,000-dot high resolution LCD touch panel, able to choose focus point with a touch CFexpress (Type B) and SD card (UHS-II) slot for 6K RAW (CFexpress) / 2K proxy (SD card) simultaneous recording Built-in 2-stop, 4-stop, 6-stop, 8-stop and 10-stop ND filters Supports 24-bit / 48kHz 2-channel audio input New optional PL mount adaptor PL-RF for attaching PL lens Built-in Wi-Fi & Ethernet supports IP streaming for online video streaming in real time12G-SDI output terminal, able to view 4K video on 4K display with just one SDI cable Provides Cinema RAW Development software for RAW data preview and output Provides XF Utility software for XF-AVC video capture and playback Support EOS VR System, enables VR recording with a single sensor, providing a simple VR workflow without the need for post-shoot stitching What’s in the box EOS C400 Body Handle Unit Camera Grip (incl. grip attachment ring) LCD Monitor & Attachment Unit MC-5U Monitor Cable Microphone Holder & Screws Body Cap Tape Measure Hook Hex Wrench BP-A60N Battery CG-A20 Battery Charger CA-CP300B Power Adapter User Manual

Introducing the Raptor Scope: Revolutionizing Your Viewing Experience Preorder now, available approximately end of Q3/beginning Q4 In the field of high-end optics, the Raptor Scope stands out as a remarkable achievement in precision engineering and cutting-edge design. Its high-definition optical system ensures that every scene observed is rendered with remarkable accuracy and vividness in a Full Frame image coverage (44mm). Built to endure the hardest environments, the Raptor Scope is crafted from premium materials that guarantee durability and reliability. With its compact design and intuitive controls, this Scope ensures effortless handling and operation, allowing users to focus on the observation without distractions. The image rotation compensator while panning the snorkel is the perfect example for this userfriendly optical tool. Also, this feature can be used for 360° rotating images avoiding the rotation of the whole camera system. Its versatile design allows to use a PL, LPL or other mounts to attach to the camera, as well a Rear Booster to convert it to Super35 format increasing the F/ to 4.0. For the front lenses, it comes with a M-Mount system and we also offer other mount possibilities like PL, LPL, Canon EF, etc. With the Raptor Scope, you will be closer to the wonders of world and beyond. Highlights New optical and mechanical design S35 & FF coverage Easy switch between the formats Unlimited Pan, Tilt & Roll moves Image rotation compensator F/4.0 (in S35 mode) Internal Focusing (Constant Lens Length) UMS PL-Mount Available additional front mounts: PL, LPL, Canon EF, Nikon F, (Sony E in 2025) Extended Color Correction (APO) Robust Mechanical Design Technical Specifications Pan – Tilt – Roll: 360° (Unlimited) Rear Attachment: 0.75x Booster for image coverage of 35mm. Constant lenght Aperture: F/5.6 at FF (44mm) F/4.0 at S35 (35mm) Camera Mount: UMS PL mount Lenses Mount: Leica M Optional front mounts: PL, LPL, Canon EF, Nikon F, (Sony E in 2025) Focus: Near to Camera. 180° Rotation Iris: Near to Camera. 90° Rotation Max. Image Diameter: +44 mm / +1.73'' Length: (Flange to Front) 29,6 cm / 11.6“ (PL to M version) Weight: TBA Support: ¼ Tread for standard lens support Input lenses (standard set): 24, 35, 50, 75, 90 M-mount Full Frame PDF DOWNLOADSRaptor Scope Data Sheet Raptor Scope Accessories

SmallHD Quatnum 32***Coming Soon October 2024***Quantum Dop OLED Reference Master HDR Monitor Our 32” HDR monitor is designed to provide reference HDR/SDR images for post- production color grading and mastering, as well as critical on-set monitoring by Cinematographers, DITs, and Directors. Quantum 32 boasts uniform luminance, the widest possible color gamut, and an exceptionally wide viewing angle. www.smallhd.com/quantum Quantum 32 is the result of a partnership between SmallHD and Samsung Display Corporation to create an HDR reference monitor that meets the requirements of motion picture production and post. SDC has pioneered quantum dot OLED, utilizing Nobel Prize-winning nanotechnology to achieve unparalleled color and dynamic range. FeaturesImproved Color Pipe ControlsImproves contextual understanding with simöified descriptions and layout.Built-in CalibrationCalibrate Quantum 32 with new PageOS in-monitor auto-calibration tool. No 3rd-party software required.New Fleet Control AppProvides total remote access to all network connected SmallHD monitors. Control settings, tools and more.Multi-Function Rotary EncodersOne-touch controls with the ability to change different tools, settings and functions on the fly.Multi-View EOTFs and LUTSSimultaneously display up to 4 SDR and HDR feeds with or without LUTs. Compare SDR and HDR feeds.SDI Output of Processed SignalsAllows 3D LUTs to be applied to output video. Video can be sent downstream to other devices with LUT applied.Product Highlights 31.5" Quantum Dot OLED DisplayBrightness: 1000nits Resolution: 3840 x 2160 (UHD)Contrast Ratio: 1,500,000:1Bith Dept: 10-bit Gamut Coverage: 99% DCI-P3 / 80% Rec.2020 HDMI: 1x HDMI 2.0 input and 1x HDMI 2.0 output SDI: 4x 12G-SDI input and 4x 12G-SDIUser Interface: Joystick with Rotary DialUser Customizable Function Buttons & Rotary EncodersFleet Control remote access appPageOS Features:Enhanced Color Pipe controlsSimultaneous Multi-View of different inputs, color pipes, LUTs and much more     

Prism Mobile is the most compact bonded cellular video encoder in its class, delivering reliable 4K HDR streaming from the most challenging locations for live coverage on the go and camera-to-cloud workflows. Mission-Critical Network Bonding: Get exceptional worldwide internet connectivity virtually anywhere with two internal high-throughput Node modems with high-gain antennas uniquely designed for video applications. For maximum redundancy, Prism Mobile can bond* up to 9 network connections across cell phone Hotspots (4x), Ethernet (2x), and Cellular Modems (3x) – ensuring your stream never misses a beat. Achieve Prism’s true potential with Core, Teradek’s streaming media orchestration platform. Core allows you to securely monitor, manage, route, distribute, and archive your live video feeds from anywhere in the world. Features Two built-in 5G or LTE modems with high-gain antennasCBRS & Private Mobile Network readyBuilt-in Network BondingHEVC / AVC Compression12G-SDI & HDMI i/oUp to 4Kp60 10-bit HDR video8 CH. Audio | 5.1 & 7.1 Surround soundLicenses for return video and multi-outputLow-SWaP Design: 864g with battery platesGold / V-Mount: 3hr Runtime (tested in ideal conditions with a 90Wh battery)On-Board Recording, Store and Forward and Camera-To-Cloud Ready (Core, Fram.io, Sony C3 Portal, Sony Ci, PIX, AVID)Multiple Protocols: SRT, MPEG-TS, RTMP(S), RT, RIST, RTSP, TRT, HLS, DASH, WHIPPrism app for iOS and AndroidCore Cloud compatible, Local Control SDK available  Available Models:10-2857-5SV Prism 857-5SV Mobile dual 5G SW V-Mount 10-2857-5SG2 Prism 857-5SG2 Mobile dual 5G SW 26V Gold Mount 10-2857-5SG Prism 857-5SG Mobile dual 5G SW Gold Mount 10-2857-5S Prism 857-5S Mobile dual 5G SW No Mount 10-2857-CV Prism 857-C Mobile Mk II HEVC/AVC Encoder V Mount10-2857-CG26 Prism 857-CG26 Mobile Mk II HEVC/AVC Encoder Gold Mount 26V 10-2857-CG Prism 857-CG Mobile Mk II HEVC/AVC Encoder Gold Mount 10-2857-C Prism 857-C Mobile Mk II HEVC/AVC Encoder

A lightweight and portable Easyrig for all sound engineers and boom operators Easyrig used their 30 years long experience in weight distribution and camera support to focus on a new market: Boom Operators & Sound Engineers. And after 5 years of intensive research and testing they released the new Easyrig Boom Rig. Similar to the Easyrig camera support, the Boom Rig distributes the weight of the boom pole across your hips via the vest, protecting you from injuries to your shoulders, arms or back and gives you the greatest possible freedom and relief when operating in high or low mode. The Boom Rig is designed to be operated with boom pole weights from 2-10 kg ( 4.4-22 lbs ). It will be your best tool for use with drama, documentaries, commercials and anywhere else a boom is essential! The Easyrig Boom Rig is designed in a way that all the weight of the boom pole is on your hips while still being able to have full control of the boom pole. You still operate the boom with your hands as you always have, but you can now do it without damaging your shoulders, arms, or back. The Easyrig Boom Rig allows the user to operate high- and low-angles. You can attach a mixer to it in the front and even fasten the boom to the side of the vest to be able to free both your hands while it is attached to the rig. The Boom Rig gives you the advantages of being able to operate the boom with your hands while having the weight of the pole distributed to your hips. This relieves your shoulders, arms, and back of fatigue. The roller hanger allows you to twist the boom with ease. The system comes with mounting hangers for your mixer and case. Featured on the side is a hanger to hook and rest the boom to allow your hands to be free. You can now focus on the boom being in the correct position without the worry of your body. We have been working with experts in the field to perfect this new invention, such as Kevin Cerchiai from Atlanta, Ljudfadern and SoundImage from Sweden, Thomas Wallis from Germany, among others. Adjustable Weight Range By turning the knob in the back, the Boom Rig can be adjusted to fit your boom perfectly. It can take weights between 2.5-10 kg (5.5-22 lbs). Fits All Booms The Boom Rig can be attached to any boom with the easy-to-use hook. The hook has rollers that allows the user to easily twist the boom pole. Hooks for MixerAttach a mixer to the front of the Boom Rig vest for easy access and to have the weight on the hips. Free Your HandsFree your hands by attaching the pole to the side hook of the Boom Rig vest. Specs Load Range: 2.5-10 kg (5.5-22 lbs) Weight: 3.8 kg (8.3 lbs) Weight: 3.8 kg (8.3 lbs)

The Orca OR-440 Sound Harness is a high-end solution designed for audio professionals who need to carry heavy mixer sound bags comfortably over long periods. This harness is an upgraded version of the OR-40, incorporating several innovative features to enhance both comfort and functionality. Key Features: Aluminum Spine Support: The harness includes an adjustable and removable aluminum spine that helps distribute the weight of your equipment evenly between your shoulders and waist, significantly reducing strain during extended use. 3D Memory Foam and Mesh: The shoulder and waist areas are lined with special 3D memory foam combined with a mesh system to maximize airflow, keeping you cool even in warm conditions. Custom Fit: The harness features a waist belt that can be adjusted using unique roller buckles, ensuring a snug fit around your hips for optimal weight distribution. It is designed to fit users with a waist perimeter ranging from 60 cm (23.5 inches) to 130 cm (51 inches). Compact and Portable: The harness can be packed down into a compact size of 40 x 20 x 12 cm (15.7 x 7.8 x 4.7 inches) for easy transport when not in use. Versatile Configuration: The OR-440 can be used with or without the spine, depending on the size of the sound bag you are carrying, offering flexibility for different setups. Specifications: Dimensions: Length: 77 cm (30.31 inches), Width: 67 cm (26.37 inches) Spinal System Height: Adjustable from 43 cm (17 inches) to 60 cm (23.5 inches) Weight: 1.16 kg (2.557 lbs) This harness is ideal for audio professionals seeking a balance between comfort and durability while managing heavy equipment during shoots or live events.

The EZ-3 lens is the new Tele-lens addition to the versatile, future proof Angénieux EZ series. Based on the same philosophy as EZ-1 and EZ-2, the EZ-3 is a compact and affordable cinestyle zoom lens. It also includes improvements such as a quick IRO Technology ® mechanism and dual focus scales (feet-meters). The new Tele zoom 45 - 165 mm T2.3/T3 S35 and 68 - 250 mm T3.5/T4.5 FF works with multiple camera formats, thanks to its easy interchangeable mount system (PL, RF, EF, E).   FEATURES Compact and affordable cinestyle tele zoom  Based on the same philosophy as EZ-1 & EZ-2  New quick IRO Technology® mechanismS35 & FF user configurable Compact & lightweight: 2,6 Kg / 4,40 lb & 265mm / 10,4" Fully compatible with EZ-1 & EZ-2 accessores Long tele reach- S35 45 - 165mm T2.3/T3 I Constant T-Stop 45 - 135 mm T2.3Constant T-stop across the entire zoom range when iris is set to T3 or slower T-stop- FF 68 - 250mm T3.5/T4.5 I Constant T-Stop 68 - 200mm T3.5Constant T-stop across the entire zoom range when iris is set to T4.5 or slower T-stop Dula feet-meter scale focus ringEasy feet-meter conversion with standard screwdriver and no collimator   TECH SPECS Focal Length:          45-165mm (S35 Format) | 68-250mm (FF/VistaVision Fromat) Zoom Ratio:            3.7x Aperture:                 T2.3/T3 (S35 Format) |  T3.5/T4 (FF Format) MOD:                      4ft / 1.2m Format:                    S35mm and FF/VistaVision Weight (approx.):   2,60 kg Front diameter:      114 mm Image Size             24 x 13.6mm (S35) | 37.7 x 24.9mm (FF)   USEFULL ACCESSORIES RF Mount (#66069850AA) EF Mount (#320811) E Mount (#320810) EZ Transport Case (#320986) EZ Hood (#322051) Front protective glass (#66067166AA)  

A portable-type wide zoom lens, supporting two types of cinema large sensors Cinematic expression to the broadcast live production. Super long zoom coverage to the cinema world. The portable lens inherits FUJINON cinema lens' DNA. Fujifilm present the Duvo HZK14-10 mm, an advanced zoom lens designed to meet the high demands of professional broadcast and cinematic productions. Combining versatility with exceptional optical quality, this lens is engineered to deliver superior performance in a variety of shooting scenarios. Delivering 7.1x zoom covering 14-100mm, a focal range that is frequently used on set, achieves compact size and is lightweight at 266.9mm in length and 2.54kg in weight. This lens can be utilized with tripod, as well as shoulder-mounted operation, with a steadicam or for high-angle shooting using a crane. The shallow depth of field allows for cinematic image expression with beautiful bokeh effect, making it ideal for sporting events, live concerts, reality show, and other live broadcasts. Key Features: Versatile Focal Range: The Duvo HZK14-100mm offers a focal length range of 14-100mm, which can be extended to 21-150mm using the built-in 1.5x dual format expander. This extensive zoom range allows for a wide array of dynamic shots, from wide-angle perspectives to detailed close-ups. High Zoom Ratio: With a 7.1x zoom ratio, the lens provides a broad range of focal lengths, making it ideal for capturing diverse scenes and subjects without the need for multiple lenses. Exceptional Optical Performance: The lens features a T2.9 aperture at 14-75mm and T3.9 at 100mm, delivering bright, clear images with excellent low-light performance. Its advanced optical design minimizes distortions and aberrations, ensuring consistent image quality throughout the zoom range. Close Focus Capability: The Duvo HZK14-100mm has a minimum object distance (M.O.D.) of just 0.28 meters from the front lens, allowing for detailed close-up shots and enhanced versatility in various shooting environments. Robust and Lightweight Design: Measuring approximately 266.9mm in length and weighing 2.54kg, the lens is built for durability and reliability while remaining relatively lightweight for ease of use in field conditions. Wide Front Diameter: The 114mm front diameter accommodates a range of filters and accessories, enhancing the lens’s flexibility and adaptability for different shooting needs. Details: 7.1x zoom covering 14-100mm with compact and lightweight design Maximum aperture of T2.9 from the wide-end 14mm to 75mm Supporting cameras with Super 35mm sensor and sensors equivalent to full frame Cinematic visual expressions with beautiful bokeh Same drive unit as the portable-type broadcast zoom lens Connectable to a third party wireless lens controller Breathing Compensation Technology Remote Back Focus Cooke /i ZEISS eXtended Data system Technical Specifications: Model Name: HZK14-100mm Focal Length: 14-100mm (1x), 21-150mm (1.5x) Zoom Ratio: 7.1x Extender: 1.5x Dual format expander T-No: T2.9 (14-75mm) / T3.9 (100mm) Minimum Object Distance (M.O.D.): 0.28m Approximate Size: 266.9mm (Length) Weight: 2.54kg Front Diameter: 114mm Applications: The Fujifilm Duvo HZK14-100mm is ideal for a range of professional applications including live broadcast, high-end cinematic productions, and detailed wildlife filming. Its robust construction and high optical performance make it a valuable addition to any production setup. Conclusion: The Fujifilm Duvo HZK14-100mm lens stands out for its versatile focal range, high zoom ratio, and exceptional image quality. Designed for professional use, it offers the reliability and performance needed to meet the demanding requirements of broadcast and cinematic productions. Explore the full capabilities of the Duvo HZK14-100mm and elevate your creative projects with Fujifilm’s advanced optical technology.

Format PL mount lenses by a factor of 1.4x. It allows the use on large cameras up to 47 mm sensor diameter and supports a maximum aperture of T-Stop 2.0. The PLx1.4VV is characterized by a robust and durable mechanical design with stainless steel PL mounts and anodized aluminum as well as a decorative surface outside and flair minimized surfaces inside. It features high-index, low-dispersion glass to ensure the highest possible resolution and contrast with minimal optical degradation. The adapter is designed to mount to most digital cameras with a native PL mount. The UMS system is not usable with this expander. The PLx1.4VV is incompatible with mirror cameras but can be used with most of the S35 PL lenses. Technical Data Max. Image Diameter (mm): 47 Magnification: 1.4 Max. Input T-Stop: 2.0 Light Drop (Stops): 1.0 Lens Mount: PL Standard Camera Mount: PL Mount Diameter (mm): 77.0 Length (mm) PL to PL: 16.4 Weight (kg): 0.5Download Data Sheet

  Sony Burano - A New Era in Cinematography Versatile, lightweight, and compact full-frame 8K cinema camera with 16 stops of latitude, image stabilization for PL and E-mount lenses. Easily configurable for solo and team production. BURANO is a new concept in cinema cameras. It takes VENICE’s superior image quality and usability but re-imagines it for solo and small team productions. 33% lighter than VENICE 2, more power efficient and supporting CFexpress media – it’s not just our smallest full-frame CineAlta camera, in many ways it’s our most technically advanced. Expect uncompromising image quality wherever you are, whatever the size of your crew.Smaller, Lighter, Stronger At 6.39 lb including the PL adapter, BURANO is approximately 33% lighter than Sony’s top-of-the-line VENICE 2 digital cinema camera – a significant advantage when shooting hand-held or shoulder mounted, as well as when using with gimbal, drone, cranes and jibs.All the button and key layouts have been carefully considered to suit the new compact size and solo or team operation. The main cinematography controls are on the Operator Switch Side and can be illuminated for use in dark environments. The camera has tally lights in three positions, so operators can check status from four different directions. There’s also an optional audio beep for recording start and stop.Despite its compact size, BURANO is engineered to Sony’s highest standards of reliability with a housing constructed of sturdy magnesium alloy and aluminum for shooting in the harshest environments. Recording for hours on end is no problem with a highly efficient cooling system, which is completely isolated from the image sensor and other dust sensitive components.Smarter Shooting BURANO makes shooting the highest quality 8K simpler than you can imagine. The world’s first PL mount compatible camera with a built-in stabilization system*. A ground-breaking combination of our unique electronic variable ND filter system with in-body image stabilization (IBIS) in a full-frame PL and E-mount cinema camera. For the first time in a full-frame CineAlta camera, Fast Hybrid and Subject Recognition AF with AI makes it easier to get the shots you want under the most demanding scenarios. With BURANO, you don’t need a studio or big crew to excel.* As of September 2023, based on Sony research for cinema cameras with standard equipped PL mount   Shoot The Way You WantBURANO adapts to be the camera you want to be whatever the shoot. A multi-purpose touchscreen LCD monitor, with a flexible mounting system and versatile, robust handle, allow you to easily configure BURANO for different shooting styles. A lightweight, compact chassis and ergonomic balance make it easy to switch between shoulder-mount, handheld, gimbal or drone operation. BURANO can be configured for large and small projects, solo or with an entire crew. It’s all your choice.Full-Frame 8.6K SensorBURANO has a large 3.6 x 2.4 cm full-frame image sensor that delivers high-quality images and superb rendition with wide latitude and a rich color gamut. It achieves the beautiful bokeh and dynamic wide-angle shooting that only a full-frame sensor can provide. 8K image quality with a maximum resolution of 8632 x 4856 and, through oversampling, it can output phenomenal looking 4K content.Multiple Image Scan Modes BURANO supports 16:9 and 17:9 readouts in full-frame (8.6K) and Super 3.5 cm (5.8K). Image scan modes include full-frame and Super35 as well as finely optimized down sampled and high-speed modes such as 6K 60p (FF crop), 5.8K 60p (S35), and 4K 120p (S35 crop*) catering to a wide range of production requirements. * Only 17:9 in Super 35 Cropped (S35c) mode16 Stop LatitudeWith a wide latitude of 16 stops*, BURANO captures beautiful, low-noise images under almost any lighting conditions. The camera’s wide dynamic range captures everything from highlights to shadows expertly with superb color rendition, giving operators maximum flexibility in color grading. * S-Log3 shooting. Sony measurements.Wide Color GamutBURANO features Sony’s signature S-Gamut/S-Gamut.Cine wide color space that, as with the VENICE 2, covers a gamut exceeding BT.2020 and DCI-P3. S-Log3 and X-OCN also dramatically enhances creative flexibility in post-production. As BURANO offers the same color accuracy as VENICE 2, it’s easy to use both cameras together for a seamless and efficient post-production workflow.   Internal 16-bit X-OCN LT and XAVC H recordingDespite its compact dimensions, BURANO offers internal recording of X-OCN LT* as well as our new XAVC H and proven industry standard XAVC-I format. X-OCN is Sony’s compressed RAW format that records everything that the 8.6K sensor can capture in a broad latitude 16-bit scene linear file full of rich tonal gradation. X-OCN LT’s high efficiency reduces storage requirements and accelerates file transfer times for 8K content for a post-production workflow that’s comparable to a 4K project.BURANO also features 10-bit S-Log3 with XAVC H-I HQ recording at 1200 Mbps and XAVC H-I SQ recording at 800 Mbps for 8K30p image quality. This enables even greater data savings and faster post-production workflow.* Not compatible with X-OCN XT and X-OCN ST recording formatsNew in-camera Looks for Ready-to-Use Footage BURANO has four new looks – Warm, Cool, Vintage and Teal and Orange – to choose between alongside the established s709 and 709 (800) looks in Cine EI mode. Creatively tuned to suit typical shooting scenarios, they give the operator a choice of distinctive, engaging looks at the touch of a button. Moreover, LUT data from a shoot can be embedded in those clips’ metadata for an efficient color workflow. s709: Kodak 2383-like natural tones and colors s709(800): Standard 709 tone curve for accurate color reproduction Anamorphic Lens De-Squeeze functionBURANO comes with an anamorphic de-squeeze function as standard. The monitoring menu gives a choice from 1.3x/2.0x, based on the anamorphic lens’ magnification. The result can be seen on the LCD monitor display, and on external monitors at FHD resolution. The camera monitor output supports SDI or HDMI for X-OCN shooting, and HDMI for non-X-OCN content.In-Body Stabilization with PL mount lenses BURANO is the world’s first cinema camera that supports in-body optical image stabilization (IBIS) for almost any attached lens, including for the first time PL. The new, compact image stabilization system was originally developed for the Alpha series of mirrorless cameras. Featuring a gyroscopic sensor and control algorithm, it compensates for camera shake even for handheld shooting while walking. The stabilization is so effective that it removes the need for any extra equipment for many applications.Stabilization is even greater with E-mount lenses, allowing more difficult shots to be captured without blurring. Camera shake data can be passed to post production for precise alignment with CGI and in volume stages.Electronic Variable ND Filter Sony’s unique electronic Variable ND Filter has been redesigned to be both smaller and compatible with the built-in image stabilization mechanism. It can smoothly and continuously change its density from 0.6 (1/4) to 2.1 (1/128). With physical ND filters no longer needed, operators can adjust the electronic filter density by simply rotating the ND dial. Operators can maintain a constant depth of field by adjusting the electronic ND filter and the iris control together. Continuous or stepped changes can be selected with the ND STEP/VARIABLE switch, depending on the application. The [Auto ND] function automatically adjusts the filter density to give correct exposure, effectively allowing the use of the ND filter as an alternative Auto IRIS.Catch the action with Fast Hybrid AF*Effortlessly track fast moving subjects with pin-sharp focus, even when using wide lens aperture settings to maintain a shallow depth of field with BURANO’s full-frame sensor. Originally developed by Sony’s Alpha camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognizes and locks on to human faces.The dedicated 627-point phase detection AF sensor covers approximately 88.7% of the whole image area, allowing consistently accurate, responsive AF tracking, even with shallow depth-of-field.AI Subject Recognition AF with touch*Our onboard AI processing unit recognizes not only eye position but also accurately senses human torso and head positions. Subject Recognition AF automatically draws a frame around people’s faces when they are detected. Human pose estimation technology recognizes body and head position, so you can even track a subject facing away from the camera or wearing a mask.Touch a person to focus on, and the camera will track that person precisely. Even in challenging situations like a bowed head or when hair is covering a face, the camera accurately captures the eyes, so that operators can focus accurately even in the most difficult circumstances.* Over 70 E-mount lenses can use BURANO’s advanced Hybrid AF and AI Subject Recognition AF featuresDual CFexpress Type B Slots Sony’s new CFexpress card VPG400 allows for reliable capture at exceptional high data rates, including X-OCN LT recording in full 8K.BURANO’s dual media slots allow relay and simultaneous recording*, while versatile CFexpress Type B media are convenient for backing up and transferring data in the field. An additional SD card slot is for storing Proxy and camera setting information.* XAVC-only   Specifications     Pre-Order-Now @ Band Pro Munich info@bandpro.de    

CINE GEAR 2023 Technical Award Winner - Camera Technology: Accessories KOKO: A recording monitor with video assist functions in your hands. FEATURES Touchscreen Sharp, super bright (2000nits) True colour 10" HD (1920x1080) Camera Batteries Powered via regular V-, B- or Gold Mount batteries Metadata Digital cinema automatic metadata reading & recording Fast Boots in 1.5 seconds and quick rec-to-play switch SSD Recording Records to removalbe SSD Rock Solid Tough construction materials and high-end connectors No Software No additional software needed Connections USB-C, 3.5mm jack for headphones, audio in/out, and Ethernet connection  Technical Specs Screen: 10.1", TFT LCD, Touchscreen Display size: 1920x1200pixels, 8bit Screen brightness: 2000Nits Inputs: 4x 12G-SDI Outputs: 4x 12G-SDI TC: BNC-LTC / SDI embedded Connect up to 4x 1080p60 or 1x 4K Recording media: removalbe SSD disk (4mm thick) Camera battery socket: V-, B- or Gold Mount Recording: Apple ProRes Automatic metadata capture: Arri, Sony, Canon, Red: Focus, Iris, Zoom, Balance, Shutter, ISO, Looks USB: USB-C Power input: 12-17 VDC Power consuption: 25W Power connection: Lemo 2pin connector Dimensions (WxHxD): 25,0 x 16,9 x 3,3 cm Weight: 1,3 kg Mounting: Optiona all around the monitor   Functions: Rec-Stop-Play in/out Histogram Waveform Focus assist Zebra False color LUTs Metadata   In the Box Power supply Sunhood V-Mount battery mount  

  Cooke S8/i FF Series The flagship Cooke prime lens series, optimised for digital and film cameras. Focal length range: 18mm – 135mm (16 lenses) Format: Full Frame  Mount: PL or LPL Speed: T1.4 A complete range of perfectly matched high-speed full frame cine lenses, consisting of 16 different focal lengths from 18mm to 350mm. All created to the same exacting standard and hand-crafted to the same exceptional quality and reliability. * Lineup of 11 lenses is available now (18, 25, 27, 32, 35, 40, 50, 65, 75, 100 and 135mm), with more focal lengths coming later in 2023. FEATURES All-Spherical Design The new S8/i FF features premium all-spherical lenses, which produce a uniquely organic, cinematic quality, which is characterised by smooth, spherical bokeh and minimal colour fringing, enabling you to create sensitive and emotive images with a high degree of dimensionality. Faster With a maximum aperture of T1.4 across the majority of the focal lengths range, the S8/i FF lenses are amongst the very fastest produced for larger than Full Frame capture. They offer excellent control over depth of field and flare characteristics, whilst still providing exceptional low light performance. Lighter Compact and light, agile and easy to handle, the new S8/i FF lenses have been created for a wide variety of situations and today’s digital cinema cameras. Being lighter, however, has not compromised strength, durability, or their exceptional image aesthetic. Smarter Designed from the ground up to incorporate our very latest intelligent /i technology, which includes /i data focus and iris position, /i motion inertial data and /i maps, our factory calibrated shading and distortion data. They also benefit from a high degree of modularity, which increases reliability and reduces servicing time. Handcrafted Precision Modern and traditional grinding and polishing techniques are combined to achieve the highest level of precision. Sophisticated thin film equipment and traditional cementing processes are utilised to ensure optimum coatings. Finally, lenses are meticulously assembled, exhaustively tested, checked and re-checked.   SPECIFICATIONS  

The LED Dino Light now in RGBWW with IP65 rating.The Lightstar LUXED-P9-LM-IP65 is a waterproof RGBWW high output LED spotlight. It can be controlled over the dimmer, DMX, lumenradio and the free Lightstar app. Perfect for outdoor sets on a cherry picker.It’s robust, versatile and the perfect match for your set. The Lightstar LUXED-P9 comes with a yoke-mount for easy mounting. The slim structure of the LUXED-9 is perfect for lighting stands in small areas and studios. The LUXED-P9 gives you full control with the tools of your choice. You can use DMX, lumenradio or free app to change your settings and adjust each one of the 9 spots seperately. Expect astonishing 1440W of bi-color and 720W of RGB light, that will change the way you work on set. The high-quality frame offers you endless possibilities to mount your LUXED-P9 whereever you need it. FEATURES Color temperature: 2400-10000K Dimming: 0-100% Control: Cable DMX 4-channel control per unit or LumenRadio IP class: IP65 Dimensions: 1256x1218x216mm    

Freelensing Cine® is a system that leaves the lens virtually suspended in front of the camera sensor allowing the operator a fast and intuitive movement. It allows for shifts, parallel and perpendicular to the focal plane, rotation of the optical center, and a combination of both pan and tilt movements. It allows to control the focal planes and to choose where to have them in the frame, both to increase the depth of field or to minimize it. Currently works with ARRI Alexa Mini, Mini LF, 35, Sony Venice 1 & 2, RED V-Raptor XL, V-Raptor and DSMC2, although each camera has its own characteristics.   MARRIAGE BETWEEN CAMERA and FREELENSING CINE®     Choose the appropriate camera mount (ARRI ALEXA MINI, MINI LF, 35, SONY VENICE 1 & 2, RED V-RAPTOR XL, V-RAPTOR & RED DSMC2) Fix the corresponding camera mount to the bellows Prepare de camera at the standard 19mm height Remove the PL or LPL mount that is placed on the camera body Insert the camera into the Freelensing Cine® or the other way around Align the Freelensing Cine® to the sensor of the camera Place the camera mount (already installed in the bellows of the Freelensing Cine® Set all Freelensing Cine® settings to “0” (except Z-axis) Finish adjusting Fix all camera peripherals (rods, etc)     WHAT MOVEMENTS DOES FREELENSING CINE® OFFER?   Y-Axis Shift Offset X-Axis Shift Offset Y-Axis Rotation (Tilt-Y) X-Axis Rotation (Swing-X) Z-Axis Shift Offset “Collimation” Combination of all the movements     OPERATING MANUAL FREELENSING CINE®https://www.bandpro.de/media/pdf/61/c3/ba/V-03-OPERATING-MANUAL-FREELENSING-CINE.pdf      

ZEISS Nano Primes are cinema lenses designed for modern full frame mirrorless cameras – initially available for Sone E-mount. Lenses for everyone looking for highest performance and cinematic look in a small package. The six focal lengths all feature a consistent high speed of T1.5, come with a small and robust real cine lens housing with professional cine ergonomics and have an interchangeable mount. Nano Primes are lenses for all cinematographers. No matter if up-and-coming or seasoned DP. For all budgets. No matter if small or big. For all projects. No matter if for commercials, documentaries, or music videos, for series, independent or features films. Lenses that check all the boxes when it comes to look, ergonomics, size and weight or lens data workflow. Lenses that you can afford. Lenses that won‘t let you down. The complete set comes with a lens case. ZEISS Nano Primes are the go-to lenses for everyday: True Cinema. For All. Product Features Comprehensive Focal Range Featuring focal lengths of 18mm, 24mm, 35mm, 50mm, 75mm, and 100mm, Nano Primes offer a comprehensive range, delivering versatile angles of view from wide-angle to telephoto. This makes them the preferred choice for a broad spectrum of cinematic requirements. Covering Cinematic Full-Frame Leveraging full-frame sensors enhances visual depth and character. Nano Primes are designed to accommodate these larger sensors, providing cinematographers of all levels – from aspiring to seasoned professionals – the ability to create images abundant in volume and personality. Cinematic Look in Every Shot The high speed of the Nano Primes, coupled with their close focus capability, achieves a mesmerizing shallow depth-of-field, even in wide-angle shots. With a maximum aperture of T1.5 and a rounded 12-blade iris, these lenses produce an exquisite bokeh, allowing the creation of authentic cinematic visuals. Providing a versatile and subtle sharpness reminiscent of Supreme Primes, they serve as an excellent choice for B-Cam and C-Cam, or as a cost-effective alternative. Full Cine Ergonomics in a Small Package Nano Primes showcase exceptional precision and durability. With a compact design housing a 95mm compendium ring and an 86mm screw-in filter thread, these lenses seamlessly integrate with gimbals and drones. The uniform positioning of focus and iris rings simplifies lens changes, complemented by easy-to-read calibrated scales, a fluid 280° focus rotation, and a precise 90° iris ring rotation for meticulous control. Tested for Harsh Conditions Made for challenging conditions such as cold and rain, Nano Primes undergo rigorous testing to guarantee unparalleled durability in the most demanding filming environments. Nano Primes stand as the reliable choice for everyday lenses. Interchangeable Mount The Nano Primes are equipped for seamless mount exchange, facilitated by the trusted ZEISS IMS (Interchangeable Mount System). Featuring user-adjustable back focus through shims, these lenses guarantee precise scales, even with entry-level cameras that typically exhibit higher mount mechanics tolerances. Electronic Interface for Real-Time Lens Data The Nano Primes come with an integrated electronic interface on the mount, enabling real-time transmission of metadata, including focal length, focus distance, and aperture, directly to the camera. Additional lens data, covering distortion and vignetting, is accessible within the ZEISS CinCraft ecosystem. This information proves valuable for post-production (CinCraft Mapper) and is compatible with the newly introduced CinCraft Scenario camera tracking system. Used and Maintained Around the Globe Hand-assembled and meticulously engraved with individually calibrated scales, ZEISS Nano Prime lenses prioritize serviceability from the early stages of development. ZEISS has established a robust global service network in recent years, with authorized service stations providing maintenance to factory standards in the US, Europe, and Asia. Lens-SetArt-Nr 2595-736 (Meter) / 2595-737 (Feed)ZEISS Nano Prime 18 mm T1.5 - Aperture: T1.5 to T16 - Close Focus: 0.25 m / 9.8‘‘ - Length: 112 mm / 4.4’’ - Front Diameter: 95 mm / 3.7‘‘ - Weight: 1.19 kg / 2.62 lbs - Rotation Angle of Focus Scale: 280° - Horizontal Angle of View: 90.3° ZEISS Nano Prime 24 mm T1.5 - Aperture: T1.5 to T16 - Close Focus: 0.35 m / 13.8‘‘ - Length: 89 mm / 3.5 - Front Diameter: 95 mm / 3.7‘‘ - Weight: 0.88 kg / 1.93 lbs - Rotation Angle of Focus Scale: 280° - Horizontal Angle of View: 74.2° ZEISS Nano Prime 35 mm T1.5 - Aperture: T1.5 to T16 - Close Focus: 0.45 m / 17.7‘‘ - Length: 89 mm / 3.5‘‘ - Front Diameter: 95 mm / 3.7‘‘ - Weight: 0.87 kg / 1.92 lbs - Rotation Angle of Focus Scale: 280° - Horizontal Angle of View: 53.8° ZEISS Nano Prime 50 mm T1.5 - Aperture: T1.5 to T16 - Close Focus: 0.50 m / 19.7‘‘ - Length: 89 mm / 3.5‘‘ - Front Diameter: 95 mm / 3.7‘‘ - Weight: 0.92 kg / 2.04 lbs - Rotation Angle of Focus Scale: 280° - Horizontal Angle of View: 40.4°   ZEISS Nano Prime 75 mm T1.5 - Aperture: T1.5 to T16 - Close Focus: 0.75 m / 29.5‘‘ - Length: 112 mm / 4.4‘‘ - Front Diameter: 95 mm / 3.7‘‘ - Weight: 1.13 kg / 2.48 lbs - Rotation Angle of Focus Scale: 280° - Horizontal Angle of View: 27.7° ZEISS Nano Prime 100 mm T1.5 - Aperture: T1.5 to T16 - Close Focus: 1.0 m / 39.4’’ - Length: 112 mm / 4.4‘‘ - Front Diameter: 95 mm / 3.7‘‘ - Weight: 1.26 kg / 2.77 lbs - Rotation Angle of Focus Scale: 280° - Horizontal Angle of View: 20.7° 

In 2017, Sony introduced a next-generation motion picture camera system, focused on large format production: the VENICE. Working with extensive and detailed input from the film industry, we designed VENICE to give cinematographers more creative freedom. A 6K image sensor offered incredible detail and colors. Dual-base ISO drove remarkable low-light performance. An 8-step internal ND filter mechanism saved precious time on set.Now, VENICE 2 builds on this success, with new capabilities in a familiar, compact body. Remarkable ImagesVENICE 2 offer a choice between 8K (MPC-3628) and 6K (MPC-3626) sensors, both of wich boast incredibly wide latitude and gamut. Use greater freedom of expression in grading than ever before, with either 16 or 15+ stops of latitude and exquisite color rendition.   Sensor interchangeable between other models   36x24mm Full-Frame Sensor for Cinema VENICE 2 features one of two 36x24mm full-frame image sensors, designed specifically for the demands and performance of high-end cinematography. Each offers remarkable sensitivity, latitude and color rendition, and because the sensor blocks are interchangeable, users can easily switch between sensors—without any extra firmware—and can even use the sensor from their original VENICE. The new 8K sensor can capture images up to a maximum resolution of 8640 x 5760, while the established 6K sensor offers up to 6048 x 4032. Both offer powerful oversampling for incredible 4K images Super35 full height 2.0x squeeze AnamorphicFor anamorphic shooting and production, Super35 full height 2x squeeze anamorphic is supported. Dual Base ISOVENICE 2 features dual base ISO, meaning that the 8K sensor offers Base ISO3200 in addition to Base ISO800, while the 6K sensor has Base ISO500 and Base ISO2500. 8K sensor excels in low-light, High Dynamic Range capture, with an exposure latitude from 6 stops over to 10 stops under 18% Middle Gray, for a total of 16 stops.6K sensor offers an exposure latitude from 6 stops over to 9 stops under 18% Middle Gray, for a total of 15+ stops. High Frame Rate VENICE 2 can shoot at speed of up to 120fps at 4K and 90fps at 6K, when using the 6K sensor. In combination with an anamorphic license, it also allows shooting at speed of up to 75fps at 4K 4:3 and 72fps at 4K 6:5. With the 8K sensor, VENICE 2 can achieve up to 60fps at 8.2K and 90fps at 5.8K.   Supporting all major of motion picture lenses in the market Full-Frame Anamorphic lens Full-Frame Spherical lens S35mm Spherical lens E-Mount lens Image Mode details for 6K image sensor in V1.0       SPECIFICATIONS for VENICE 2 with 8K image Sensor #MPC-3628 Image Device: 35mm full size, single-chip CMOS image sensor Imaging Device Pixel Count: 50.0M (Total) Image sensor interchangeable Built-in ND Filters: Clear, 0.3 (1/2), 0.6 (1/4), 0.9 (1/8), 1.2 (1/16), 1.5 (1/32), 1.8 (1/64), 2.1 (1/128), 2.4 (1/256) ISO Sensitivity: ISO800, ISO3200 (Dual Base ISO) Lens Mount: PL Mount and E-Mount Latitude: 16 stops Compact and X-OCN internal Recording 4K ProRes internal Rec VENICE 2 can apply 4K or HD LUTS to it´s monitor output. Dimensions (WxHxD): 15,2x 15,8x 2,5cm Weight: approx. 4,3Kg Almost same I/O and screw holes for accessories An evolved product design based on VENICE More information about the Sony VENICE can be found at www.sonycine.com  Click here to download the Special Report from FD Times.