The Canon EOS C400 is a groundbreaking digital cinema camera designed for professional filmmakers who demand superior image quality and versatile shooting capabilities. With its Super 35mm CMOS sensor, the C400 delivers stunning 4K resolution and exceptional dynamic range, making it perfect for both narrative films and documentaries. The camera's advanced DIGIC DV 4 image processor ensures fast processing speeds and enhanced low-light performance, allowing filmmakers to capture breathtaking visuals in any lighting condition.Equipped with Canon's Dual Pixel CMOS AF technology, the EOS C400 provides smooth and precise autofocus, ensuring that your subjects remain sharp and in focus even during dynamic scenes. The camera also features a modular design, enabling filmmakers to customize their setups according to their specific needs, whether on a gimbal, tripod, or handheld. With a range of recording formats, including XF-AVC and MP4, the C400 offers flexibility for post-production workflows, making it an invaluable tool for any professional production team.In addition to its impressive performance, the Canon EOS C400 boasts a user-friendly interface with customizable controls and a high-resolution LCD touchscreen. The camera supports a wide range of lens options, making it compatible with Canon EF and PL mount lenses, allowing for endless creative possibilities. Elevate your storytelling with the Canon EOS C400, a camera that seamlessly blends cutting-edge technology with intuitive operation.Features of Canon EOS C400Super 35mm CMOS sensor for exceptional image quality4K recording capability with multiple recording formatsDual Pixel CMOS AF for fast and accurate autofocusDIGIC DV 4 image processor for enhanced low-light performanceModular design for flexible rigging and customizationHigh-resolution LCD touchscreen for easy operationSupports Canon EF and PL mount lenses for creative versatilityBuilt-in Wi-Fi for remote control and file transferTechnical SpecificationsSensor type: Super 35mm CMOSRecording resolution: Up to 4K (4096 x 2160)Frame rates: Up to 60 fps in 4KISO range: 160 to 102400Video formats: XF-AVC, MP4Connectivity: HDMI, SDI, USB 3.0Power supply: BP-955 BatteryWeight: Approximately 2.5 kg (body only)Dimensions & WeightDimensions: 168 x 186 x 176 mm (W x H x D)Weight: Approximately 2.5 kg (body only)Included in the PackageCanon EOS C400 camera bodyBP-955 battery packAC adapterUser manualLens mount capHand strap

Introducing the Raptor Scope: Revolutionizing Your Viewing Experience Preorder now, available approximately end of Q3/beginning Q4 In the field of high-end optics, the Raptor Scope stands out as a remarkable achievement in precision engineering and cutting-edge design. Its high-definition optical system ensures that every scene observed is rendered with remarkable accuracy and vividness in a Full Frame image coverage (44mm). Built to endure the hardest environments, the Raptor Scope is crafted from premium materials that guarantee durability and reliability. With its compact design and intuitive controls, this Scope ensures effortless handling and operation, allowing users to focus on the observation without distractions. The image rotation compensator while panning the snorkel is the perfect example for this userfriendly optical tool. Also, this feature can be used for 360° rotating images avoiding the rotation of the whole camera system. Its versatile design allows to use a PL, LPL or other mounts to attach to the camera, as well a Rear Booster to convert it to Super35 format increasing the F/ to 4.0. For the front lenses, it comes with a M-Mount system and we also offer other mount possibilities like PL, LPL, Canon EF, etc. With the Raptor Scope, you will be closer to the wonders of world and beyond. Highlights New optical and mechanical design S35 & FF coverage Easy switch between the formats Unlimited Pan, Tilt & Roll moves Image rotation compensator F/4.0 (in S35 mode) Internal Focusing (Constant Lens Length) UMS PL-Mount Available additional front mounts: PL, LPL, Canon EF, Nikon F, (Sony E in 2025) Extended Color Correction (APO) Robust Mechanical Design Technical Specifications Pan – Tilt – Roll: 360° (Unlimited) Rear Attachment: 0.75x Booster for image coverage of 35mm. Constant lenght Aperture: F/5.6 at FF (44mm) F/4.0 at S35 (35mm) Camera Mount: UMS PL mount Lenses Mount: Leica M Optional front mounts: PL, LPL, Canon EF, Nikon F, (Sony E in 2025) Focus: Near to Camera. 180° Rotation Iris: Near to Camera. 90° Rotation Max. Image Diameter: +44 mm / +1.73'' Length: (Flange to Front) 29,6 cm / 11.6“ (PL to M version) Weight: TBA Support: ¼ Tread for standard lens support Input lenses (standard set): 24, 35, 50, 75, 90 M-mount Full Frame PDF DOWNLOADSRaptor Scope Data Sheet Raptor Scope Accessories

Discover SmallHDs most advanced 4K display technology to date. Designed for demanding reference HDR color grading and critical on-set monitoring applications, Quantum 32 utilizes Nobel Prize winning quantum dot nanoparticles in a unique OLED panel design that directly emits narrow spectrum RGB light evenly in all directions, provides uniform luminance up to 1000nits, and extends color gamut coverage to over 80% of BT.2020, enabling pristine images with exceptionally wide color volume and viewing angle.Quantum 32 boasts a resolution of 3840 x 2160 (UHD), 10-Bit color processing, 1,500,000:1 contrast ratio, four 12G/6G/3G/HD-SDI inputs and outputs, and much more. The Unibody Smart Chassis offers multiple, interchangeable mounting points, DC power IN and 2-pin power OUT, 100mm VESA Mount, Dovetail mounting rail for batteries and other accessories, and new WiFi support. Quantum 32 ships ready for color-critical studio and broadcast desktop use and includes optional top handle and cheese plate inserts for mobile field production configurations.Quantum 32 features a new, more powerful central processor with an entirely custom-designed architecture running PageOS, SmallHD’s unique operating system. PageOS is an intuitive and highly customizable page-based monitoring interface with extensive tools for video engineering workflows, and numerous third-party software integrations. . Features of Quantum  32 True Reference OLED with 1000nits brightnessScreen Size: 31.5” Quantum Dot OLED DisplayInput/Output: 4x 12G/6G/3G/HD-SDI Resolution: 3840 x 2160 (UHD) Brightness: Up to 1000nits Color: 97% DCI-P3/80% Rec.2020 Contrast Ratio: 1,500,000:1 Bit Depth: 10-Bit  Technical Specifications Panel: Quantum Dot OLEDDiagonal Size: 31.5"Resolution: 3840 x 2160Max. Brightness: up to 1000NitsViewing Angle: 180 degreeBacklight Type: QD-OLEDRefresh Rate: Synchronizes with input from 48Hz to 60HzIn-/Output BNC: YCC 4:2:2 @ 10bits up to DCI-4Kp30In-/Output HDMI: YCC 4:2:2 @ 12bit, RGB & YCC 4:4:4 @ 8bits up to DCI-4Kp60Power Input:1x 3pin XLR (142W max, 25V-34V, 12A max)Power Output: 2x 2pin (12V / 2A combined), 1x USB-A (2.4A) Front, 1x USB-A (1.5A) Rear, 1x USB-C (5V / 1.5A) RearConsumption: 186w (monitor only) 267w (w/max access. power draw)Battery Types: 26V+ Dimensions & WeightDimensions without feed (HxWxL): 49,5 x 77,3 x 7,4 cmDimensions with feet and handle (HxWxL): 54,4 x 77,3 x   16,0 cmWeight: 8,3Kg Included in the Package Power Supply Unit for Quantum 32 Quantum 32 Transport Screen ProtectorPower Supply Unit for Quantum 32 (17-3044)Quantum 32 Transport Screen Protecotr (17-1072)3/8 & 1/4-20 Combination Cheese Stick1/4-20 Cheese Stick

Prism Mobile is the most compact bonded cellular video encoder in its class, delivering reliable 4K HDR streaming from the most challenging locations for live coverage on the go and camera-to-cloud workflows. Mission-Critical Network Bonding: Get exceptional worldwide internet connectivity virtually anywhere with two internal high-throughput Node modems with high-gain antennas uniquely designed for video applications. For maximum redundancy, Prism Mobile can bond* up to 9 network connections across cell phone Hotspots (4x), Ethernet (2x), and Cellular Modems (3x) – ensuring your stream never misses a beat. Achieve Prism’s true potential with Core, Teradek’s streaming media orchestration platform. Core allows you to securely monitor, manage, route, distribute, and archive your live video feeds from anywhere in the world. Features Two built-in 5G or LTE modems with high-gain antennasCBRS & Private Mobile Network readyBuilt-in Network BondingHEVC / AVC Compression12G-SDI & HDMI i/oUp to 4Kp60 10-bit HDR video8 CH. Audio | 5.1 & 7.1 Surround soundLicenses for return video and multi-outputLow-SWaP Design: 864g with battery platesGold / V-Mount: 3hr Runtime (tested in ideal conditions with a 90Wh battery)On-Board Recording, Store and Forward and Camera-To-Cloud Ready (Core, Fram.io, Sony C3 Portal, Sony Ci, PIX, AVID)Multiple Protocols: SRT, MPEG-TS, RTMP(S), RT, RIST, RTSP, TRT, HLS, DASH, WHIPPrism app for iOS and AndroidCore Cloud compatible, Local Control SDK available  Available Models:10-2857-5SV Prism 857-5SV Mobile dual 5G SW V-Mount 10-2857-5SG2 Prism 857-5SG2 Mobile dual 5G SW 26V Gold Mount 10-2857-5SG Prism 857-5SG Mobile dual 5G SW Gold Mount 10-2857-5S Prism 857-5S Mobile dual 5G SW No Mount 10-2857-CV Prism 857-C Mobile Mk II HEVC/AVC Encoder V Mount10-2857-CG26 Prism 857-CG26 Mobile Mk II HEVC/AVC Encoder Gold Mount 26V 10-2857-CG Prism 857-CG Mobile Mk II HEVC/AVC Encoder Gold Mount 10-2857-C Prism 857-C Mobile Mk II HEVC/AVC Encoder

The Easyrig Boom Rig is a specialized support system designed specifically for sound engineers and boom operators, providing a lightweight and ergonomic solution for long and demanding shoots. Drawing from Easyrig's 30 years of expertise in weight distribution, the Boom Rig is crafted to relieve the strain on shoulders, arms, and back by transferring the weight of the boom pole directly to the operator’s hips through a comfortable vest. This innovative approach not only prevents fatigue and potential injury but also allows the operator the freedom to focus on precise audio capture without discomfort.With adjustable weight capacity between 2.5-10 kg, the Easyrig Boom Rig can accommodate various boom pole setups, making it ideal for a wide range of production types including drama, documentaries, and commercials. The system supports high and low-angle operations, enabling flexibility in capturing sound in different environments and setups. Additionally, the Boom Rig includes a unique side hook that secures the boom pole, allowing the user to free both hands when needed.The Boom Rig’s user-friendly design makes it easy to set up in under a minute. Attachments for a mixer on the vest's front provide convenient access while distributing additional weight to the hips. The included backpack-style transport bag ensures ease of portability. With its robust, comfortable build and practical features, the Easyrig Boom Rig empowers sound professionals to work longer and with greater efficiency, improving overall audio performance on set.Features Easyrig Boom RigDesigned specifically for sound engineers and boom operatorsDistributes boom pole weight to hips, relieving shoulder and back strainSupports boom pole weights from 2.5-10 kg with adjustable tension knobCompatible with all boom poles through a versatile hook system with rollersHigh and low-angle operation for diverse shooting environmentsFront attachment for a mixer, allowing hands-free accessQuick and easy setup in under a minutePortable design with a backpack-style transport bagTechnical SpecificationsWeight capacity range: 2.5-10 kgHook with rollers for easy boom pole movementHeight and power adjustments on the support barVest with breathable, ergonomic materialsSide hook to secure boom pole for hands-free useCompatible with standard audio mixer setupsQuick setup time of approximately one minuteTransport bag with backpack functionalityDimensions and WeightWeight (without accessories): approx. 2.2 kgAdjustable height range: 100-150 cmBackpack dimensions: 55 x 40 x 25 cmIn the Box1 x Vest with breathable material1 x Boom hook with rollers1 x Upper support bar1 x Mixer holder1 x Side hook1 x Strap for securing boom hook1 x User manual1 x Transport bag (usable as a backpack)

The Orca Sound Harness OR-440 is expertly designed for audio professionals who need to comfortably carry and access their mixer bags over extended periods. Built with an adjustable aluminum spine, this harness balances the weight of your equipment evenly across the shoulders and waist, significantly reducing strain. The OR-440 offers customizable support, allowing users to work efficiently during long shoots or live events without compromising on comfort.The harness features 3D memory foam combined with a breathable mesh system in the shoulder and waist areas. This setup keeps the user cool, even in challenging conditions. The unique roller buckles on the waist belt allow for a tailored fit around the hips, accommodating a range of waist sizes. When not in use, the harness can be packed down into a compact, portable size, making it easy to carry and store between shoots.Ideal for professionals using the Easyrig Boom Rig, the OR-440 adapts effortlessly to various sound bag sizes, with or without the aluminum spine attached. It offers a versatile configuration, allowing sound mixers to focus on capturing flawless audio rather than struggling with equipment discomfort.Features Orca Sound Harness OR-440Adjustable aluminum spine for optimal weight distribution3D memory foam and breathable mesh for maximum comfortCustomizable roller buckles for secure waist fitCompact size when packed for easy storage and portabilityFlexible setup for use with different sound bag sizesCompatible with the Easyrig Boom RigDurable construction for extended wearDesigned for professional audio use in long shooting sessionsTechnical SpecificationsAdjustable spinal system height from 43 cm to 60 cmWeight distribution across shoulders and waist3D memory foam in shoulder and waist sectionsBreathable mesh to regulate temperatureRoller buckle system for waist belt adjustmentCompact pack size of 40 x 20 x 12 cm when not in useLightweight design at 1.16 kgDimensions and WeightLength: 77 cmWidth: 67 cmWeight: 1.16 kgIncluded in the PackageOrca Sound Harness OR-440Removable aluminum spine support

The Angénieux Type EZ-3 Pack is a remarkable addition to the renowned EZ series, designed to meet the demands of today’s filmmakers. This versatile telephoto zoom lens offers an impressive focal length range of 45-165mm (S35) and 68-250mm (FF/VistaVision) with aperture options of T2.3/T3 and T3.5/T4.5 respectively. Known for its compact and lightweight design, weighing only 2.6 kg (4.4 lb) and measuring 265mm (10.4 inches) in length, the EZ-3 combines portability with exceptional optical performance.What sets the EZ-3 apart is its innovative quick IRO Technology® mechanism, allowing for seamless adjustments and enhanced usability. Its user-configurable design supports both S35 and FF formats, making it a flexible choice for diverse shooting situations. With a constant T-stop throughout its zoom range, filmmakers can maintain exposure consistency, providing a more efficient shooting experience. Additionally, the dual focus scales (feet-meters) facilitate easier handling for international crews, further solidifying the EZ-3’s position as an essential tool for modern cinematography. FeaturesCompact and affordable cinestyle tele zoomBased on the same philosophy as EZ-1 & EZ-2New quick IRO Technology® mechanismS35 & FF user configurableCompact & lightweight: 2.6 Kg / 4.40 lb & 265mm / 10.4"Fully compatible with EZ-1 & EZ-2 accessoriesLong tele reachS35 45 - 165mm T2.3/T3 I Constant T-Stop 45 - 135 mm T2.3Constant T-stop across the entire zoom range when iris is set to T3 or slower T-stopFF 68 - 250mm T3.5/T4.5 I Constant T-Stop 68 - 200mm T3.5Constant T-stop across the entire zoom range when iris is set to T4.5 or slower T-stopDual feet-meter scale focus ringEasy feet-meter conversion with standard screwdriver and no collimatorTechnical SpecificationsFocal Length: 45-165mm (S35 Format) | 68-250mm (FF/VistaVision Format)Zoom Ratio: 3.7xAperture: T2.3/T3 (S35 Format) | T3.5/T4 (FF Format)MOD: 4ft / 1.2mFormat: S35mm and FF/VistaVisionWeight (approx.): 2.60 kgFront diameter: 114 mmImage Size: 24 x 13.6mm (S35) | 37.7 x 24.9mm (FF)Dimensions and WeightDimensions: 265mm (10.4 inches) in lengthWeight: 2.6 kg (4.4 lb)AccessoriesRF Mount (#66069850AA)EF Mount (#320811)E Mount (#320810)EZ Transport Case (#320986)EZ Hood (#322051)Front protective glass (#66067166AA)

A portable-type wide zoom lens, supporting two types of cinema large sensors Cinematic expression to the broadcast live production. Super long zoom coverage to the cinema world. The portable lens inherits FUJINON cinema lens' DNA. Fujifilm present the Duvo HZK14-10 mm, an advanced zoom lens designed to meet the high demands of professional broadcast and cinematic productions. Combining versatility with exceptional optical quality, this lens is engineered to deliver superior performance in a variety of shooting scenarios. Delivering 7.1x zoom covering 14-100mm, a focal range that is frequently used on set, achieves compact size and is lightweight at 266.9mm in length and 2.54kg in weight. This lens can be utilized with tripod, as well as shoulder-mounted operation, with a steadicam or for high-angle shooting using a crane. The shallow depth of field allows for cinematic image expression with beautiful bokeh effect, making it ideal for sporting events, live concerts, reality show, and other live broadcasts. Key Features: Versatile Focal Range: The Duvo HZK14-100mm offers a focal length range of 14-100mm, which can be extended to 21-150mm using the built-in 1.5x dual format expander. This extensive zoom range allows for a wide array of dynamic shots, from wide-angle perspectives to detailed close-ups. High Zoom Ratio: With a 7.1x zoom ratio, the lens provides a broad range of focal lengths, making it ideal for capturing diverse scenes and subjects without the need for multiple lenses. Exceptional Optical Performance: The lens features a T2.9 aperture at 14-75mm and T3.9 at 100mm, delivering bright, clear images with excellent low-light performance. Its advanced optical design minimizes distortions and aberrations, ensuring consistent image quality throughout the zoom range. Close Focus Capability: The Duvo HZK14-100mm has a minimum object distance (M.O.D.) of just 0.28 meters from the front lens, allowing for detailed close-up shots and enhanced versatility in various shooting environments. Robust and Lightweight Design: Measuring approximately 266.9mm in length and weighing 2.54kg, the lens is built for durability and reliability while remaining relatively lightweight for ease of use in field conditions. Wide Front Diameter: The 114mm front diameter accommodates a range of filters and accessories, enhancing the lens’s flexibility and adaptability for different shooting needs. Details: 7.1x zoom covering 14-100mm with compact and lightweight design Maximum aperture of T2.9 from the wide-end 14mm to 75mm Supporting cameras with Super 35mm sensor and sensors equivalent to full frame Cinematic visual expressions with beautiful bokeh Same drive unit as the portable-type broadcast zoom lens Connectable to a third party wireless lens controller Breathing Compensation Technology Remote Back Focus Cooke /i ZEISS eXtended Data system Technical Specifications: Model Name: HZK14-100mm Focal Length: 14-100mm (1x), 21-150mm (1.5x) Zoom Ratio: 7.1x Extender: 1.5x Dual format expander T-No: T2.9 (14-75mm) / T3.9 (100mm) Minimum Object Distance (M.O.D.): 0.28m Approximate Size: 266.9mm (Length) Weight: 2.54kg Front Diameter: 114mm Applications: The Fujifilm Duvo HZK14-100mm is ideal for a range of professional applications including live broadcast, high-end cinematic productions, and detailed wildlife filming. Its robust construction and high optical performance make it a valuable addition to any production setup. Conclusion: The Fujifilm Duvo HZK14-100mm lens stands out for its versatile focal range, high zoom ratio, and exceptional image quality. Designed for professional use, it offers the reliability and performance needed to meet the demanding requirements of broadcast and cinematic productions. Explore the full capabilities of the Duvo HZK14-100mm and elevate your creative projects with Fujifilm’s advanced optical technology.

Format PL mount lenses by a factor of 1.4x. It allows the use on large cameras up to 47 mm sensor diameter and supports a maximum aperture of T-Stop 2.0. The PLx1.4VV is characterized by a robust and durable mechanical design with stainless steel PL mounts and anodized aluminum as well as a decorative surface outside and flair minimized surfaces inside. It features high-index, low-dispersion glass to ensure the highest possible resolution and contrast with minimal optical degradation. The adapter is designed to mount to most digital cameras with a native PL mount. The UMS system is not usable with this expander. The PLx1.4VV is incompatible with mirror cameras but can be used with most of the S35 PL lenses. Technical Data Max. Image Diameter (mm): 47 Magnification: 1.4 Max. Input T-Stop: 2.0 Light Drop (Stops): 1.0 Lens Mount: PL Standard Camera Mount: PL Mount Diameter (mm): 77.0 Length (mm) PL to PL: 16.4 Weight (kg): 0.5Download Data Sheet

  Sony Burano - A New Era in Cinematography Versatile, lightweight, and compact full-frame 8K cinema camera with 16 stops of latitude, image stabilization for PL and E-mount lenses. Easily configurable for solo and team production. BURANO is a new concept in cinema cameras. It takes VENICE’s superior image quality and usability but re-imagines it for solo and small team productions. 33% lighter than VENICE 2, more power efficient and supporting CFexpress media – it’s not just our smallest full-frame CineAlta camera, in many ways it’s our most technically advanced. Expect uncompromising image quality wherever you are, whatever the size of your crew.Smaller, Lighter, Stronger At 6.39 lb including the PL adapter, BURANO is approximately 33% lighter than Sony’s top-of-the-line VENICE 2 digital cinema camera – a significant advantage when shooting hand-held or shoulder mounted, as well as when using with gimbal, drone, cranes and jibs.All the button and key layouts have been carefully considered to suit the new compact size and solo or team operation. The main cinematography controls are on the Operator Switch Side and can be illuminated for use in dark environments. The camera has tally lights in three positions, so operators can check status from four different directions. There’s also an optional audio beep for recording start and stop.Despite its compact size, BURANO is engineered to Sony’s highest standards of reliability with a housing constructed of sturdy magnesium alloy and aluminum for shooting in the harshest environments. Recording for hours on end is no problem with a highly efficient cooling system, which is completely isolated from the image sensor and other dust sensitive components.Smarter Shooting BURANO makes shooting the highest quality 8K simpler than you can imagine. The world’s first PL mount compatible camera with a built-in stabilization system*. A ground-breaking combination of our unique electronic variable ND filter system with in-body image stabilization (IBIS) in a full-frame PL and E-mount cinema camera. For the first time in a full-frame CineAlta camera, Fast Hybrid and Subject Recognition AF with AI makes it easier to get the shots you want under the most demanding scenarios. With BURANO, you don’t need a studio or big crew to excel.* As of September 2023, based on Sony research for cinema cameras with standard equipped PL mount   Shoot The Way You WantBURANO adapts to be the camera you want to be whatever the shoot. A multi-purpose touchscreen LCD monitor, with a flexible mounting system and versatile, robust handle, allow you to easily configure BURANO for different shooting styles. A lightweight, compact chassis and ergonomic balance make it easy to switch between shoulder-mount, handheld, gimbal or drone operation. BURANO can be configured for large and small projects, solo or with an entire crew. It’s all your choice.Full-Frame 8.6K SensorBURANO has a large 3.6 x 2.4 cm full-frame image sensor that delivers high-quality images and superb rendition with wide latitude and a rich color gamut. It achieves the beautiful bokeh and dynamic wide-angle shooting that only a full-frame sensor can provide. 8K image quality with a maximum resolution of 8632 x 4856 and, through oversampling, it can output phenomenal looking 4K content.Multiple Image Scan Modes BURANO supports 16:9 and 17:9 readouts in full-frame (8.6K) and Super 3.5 cm (5.8K). Image scan modes include full-frame and Super35 as well as finely optimized down sampled and high-speed modes such as 6K 60p (FF crop), 5.8K 60p (S35), and 4K 120p (S35 crop*) catering to a wide range of production requirements. * Only 17:9 in Super 35 Cropped (S35c) mode16 Stop LatitudeWith a wide latitude of 16 stops*, BURANO captures beautiful, low-noise images under almost any lighting conditions. The camera’s wide dynamic range captures everything from highlights to shadows expertly with superb color rendition, giving operators maximum flexibility in color grading. * S-Log3 shooting. Sony measurements.Wide Color GamutBURANO features Sony’s signature S-Gamut/S-Gamut.Cine wide color space that, as with the VENICE 2, covers a gamut exceeding BT.2020 and DCI-P3. S-Log3 and X-OCN also dramatically enhances creative flexibility in post-production. As BURANO offers the same color accuracy as VENICE 2, it’s easy to use both cameras together for a seamless and efficient post-production workflow.   Internal 16-bit X-OCN LT and XAVC H recordingDespite its compact dimensions, BURANO offers internal recording of X-OCN LT* as well as our new XAVC H and proven industry standard XAVC-I format. X-OCN is Sony’s compressed RAW format that records everything that the 8.6K sensor can capture in a broad latitude 16-bit scene linear file full of rich tonal gradation. X-OCN LT’s high efficiency reduces storage requirements and accelerates file transfer times for 8K content for a post-production workflow that’s comparable to a 4K project.BURANO also features 10-bit S-Log3 with XAVC H-I HQ recording at 1200 Mbps and XAVC H-I SQ recording at 800 Mbps for 8K30p image quality. This enables even greater data savings and faster post-production workflow.* Not compatible with X-OCN XT and X-OCN ST recording formatsNew in-camera Looks for Ready-to-Use Footage BURANO has four new looks – Warm, Cool, Vintage and Teal and Orange – to choose between alongside the established s709 and 709 (800) looks in Cine EI mode. Creatively tuned to suit typical shooting scenarios, they give the operator a choice of distinctive, engaging looks at the touch of a button. Moreover, LUT data from a shoot can be embedded in those clips’ metadata for an efficient color workflow. s709: Kodak 2383-like natural tones and colors s709(800): Standard 709 tone curve for accurate color reproduction Anamorphic Lens De-Squeeze functionBURANO comes with an anamorphic de-squeeze function as standard. The monitoring menu gives a choice from 1.3x/2.0x, based on the anamorphic lens’ magnification. The result can be seen on the LCD monitor display, and on external monitors at FHD resolution. The camera monitor output supports SDI or HDMI for X-OCN shooting, and HDMI for non-X-OCN content.In-Body Stabilization with PL mount lenses BURANO is the world’s first cinema camera that supports in-body optical image stabilization (IBIS) for almost any attached lens, including for the first time PL. The new, compact image stabilization system was originally developed for the Alpha series of mirrorless cameras. Featuring a gyroscopic sensor and control algorithm, it compensates for camera shake even for handheld shooting while walking. The stabilization is so effective that it removes the need for any extra equipment for many applications.Stabilization is even greater with E-mount lenses, allowing more difficult shots to be captured without blurring. Camera shake data can be passed to post production for precise alignment with CGI and in volume stages.Electronic Variable ND Filter Sony’s unique electronic Variable ND Filter has been redesigned to be both smaller and compatible with the built-in image stabilization mechanism. It can smoothly and continuously change its density from 0.6 (1/4) to 2.1 (1/128). With physical ND filters no longer needed, operators can adjust the electronic filter density by simply rotating the ND dial. Operators can maintain a constant depth of field by adjusting the electronic ND filter and the iris control together. Continuous or stepped changes can be selected with the ND STEP/VARIABLE switch, depending on the application. The [Auto ND] function automatically adjusts the filter density to give correct exposure, effectively allowing the use of the ND filter as an alternative Auto IRIS.Catch the action with Fast Hybrid AF*Effortlessly track fast moving subjects with pin-sharp focus, even when using wide lens aperture settings to maintain a shallow depth of field with BURANO’s full-frame sensor. Originally developed by Sony’s Alpha camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognizes and locks on to human faces.The dedicated 627-point phase detection AF sensor covers approximately 88.7% of the whole image area, allowing consistently accurate, responsive AF tracking, even with shallow depth-of-field.AI Subject Recognition AF with touch*Our onboard AI processing unit recognizes not only eye position but also accurately senses human torso and head positions. Subject Recognition AF automatically draws a frame around people’s faces when they are detected. Human pose estimation technology recognizes body and head position, so you can even track a subject facing away from the camera or wearing a mask.Touch a person to focus on, and the camera will track that person precisely. Even in challenging situations like a bowed head or when hair is covering a face, the camera accurately captures the eyes, so that operators can focus accurately even in the most difficult circumstances.* Over 70 E-mount lenses can use BURANO’s advanced Hybrid AF and AI Subject Recognition AF featuresDual CFexpress Type B Slots Sony’s new CFexpress card VPG400 allows for reliable capture at exceptional high data rates, including X-OCN LT recording in full 8K.BURANO’s dual media slots allow relay and simultaneous recording*, while versatile CFexpress Type B media are convenient for backing up and transferring data in the field. An additional SD card slot is for storing Proxy and camera setting information.* XAVC-only   Specifications      

CINE GEAR 2023 Technical Award Winner - Camera Technology: Accessories KOKO: A recording monitor with video assist functions in your hands. FEATURES Touchscreen Sharp, super bright (2000nits) True colour 10" HD (1920x1080) Camera Batteries Powered via regular V-, B- or Gold Mount batteries Metadata Digital cinema automatic metadata reading & recording Fast Boots in 1.5 seconds and quick rec-to-play switch SSD Recording Records to removalbe SSD Rock Solid Tough construction materials and high-end connectors No Software No additional software needed Connections USB-C, 3.5mm jack for headphones, audio in/out, and Ethernet connection  Technical Specs Screen: 10.1", TFT LCD, Touchscreen Display size: 1920x1200pixels, 8bit Screen brightness: 2000Nits Inputs: 4x 12G-SDI Outputs: 4x 12G-SDI TC: BNC-LTC / SDI embedded Connect up to 4x 1080p60 or 1x 4K Recording media: removalbe SSD disk (4mm thick) Camera battery socket: V-, B- or Gold Mount Recording: Apple ProRes Automatic metadata capture: Arri, Sony, Canon, Red: Focus, Iris, Zoom, Balance, Shutter, ISO, Looks USB: USB-C Power input: 12-17 VDC Power consuption: 25W Power connection: Lemo 2pin connector Dimensions (WxHxD): 25,0 x 16,9 x 3,3 cm Weight: 1,3 kg Mounting: Optiona all around the monitor   Functions: Rec-Stop-Play in/out Histogram Waveform Focus assist Zebra False color LUTs Metadata   In the Box Power supply Sunhood V-Mount battery mount  

  Cooke S8/i FF Series The flagship Cooke prime lens series, optimised for digital and film cameras. Focal length range: 18mm – 135mm (16 lenses) Format: Full Frame  Mount: PL or LPL Speed: T1.4 A complete range of perfectly matched high-speed full frame cine lenses, consisting of 16 different focal lengths from 18mm to 350mm. All created to the same exacting standard and hand-crafted to the same exceptional quality and reliability. * Lineup of 11 lenses is available now (18, 25, 27, 32, 35, 40, 50, 65, 75, 100 and 135mm), with more focal lengths coming later in 2023. FEATURES All-Spherical Design The new S8/i FF features premium all-spherical lenses, which produce a uniquely organic, cinematic quality, which is characterised by smooth, spherical bokeh and minimal colour fringing, enabling you to create sensitive and emotive images with a high degree of dimensionality. Faster With a maximum aperture of T1.4 across the majority of the focal lengths range, the S8/i FF lenses are amongst the very fastest produced for larger than Full Frame capture. They offer excellent control over depth of field and flare characteristics, whilst still providing exceptional low light performance. Lighter Compact and light, agile and easy to handle, the new S8/i FF lenses have been created for a wide variety of situations and today’s digital cinema cameras. Being lighter, however, has not compromised strength, durability, or their exceptional image aesthetic. Smarter Designed from the ground up to incorporate our very latest intelligent /i technology, which includes /i data focus and iris position, /i motion inertial data and /i maps, our factory calibrated shading and distortion data. They also benefit from a high degree of modularity, which increases reliability and reduces servicing time. Handcrafted Precision Modern and traditional grinding and polishing techniques are combined to achieve the highest level of precision. Sophisticated thin film equipment and traditional cementing processes are utilised to ensure optimum coatings. Finally, lenses are meticulously assembled, exhaustively tested, checked and re-checked.   SPECIFICATIONS  

The LED Dino Light now in RGBWW with IP65 rating.The Lightstar LUXED-P9-LM-IP65 is a waterproof RGBWW high output LED spotlight. It can be controlled over the dimmer, DMX, lumenradio and the free Lightstar app. Perfect for outdoor sets on a cherry picker.It’s robust, versatile and the perfect match for your set. The Lightstar LUXED-P9 comes with a yoke-mount for easy mounting. The slim structure of the LUXED-9 is perfect for lighting stands in small areas and studios. The LUXED-P9 gives you full control with the tools of your choice. You can use DMX, lumenradio or free app to change your settings and adjust each one of the 9 spots seperately. Expect astonishing 1440W of bi-color and 720W of RGB light, that will change the way you work on set. The high-quality frame offers you endless possibilities to mount your LUXED-P9 whereever you need it. FEATURES Color temperature: 2400-10000K Dimming: 0-100% Control: Cable DMX 4-channel control per unit or LumenRadio IP class: IP65 Dimensions: 1256x1218x216mm    

Freelensing Cine® is a system that leaves the lens virtually suspended in front of the camera sensor allowing the operator a fast and intuitive movement. It allows for shifts, parallel and perpendicular to the focal plane, rotation of the optical center, and a combination of both pan and tilt movements. It allows to control the focal planes and to choose where to have them in the frame, both to increase the depth of field or to minimize it. Currently works with ARRI Alexa Mini, Mini LF, 35, Sony Venice 1 & 2, RED V-Raptor XL, V-Raptor and DSMC2, although each camera has its own characteristics.   MARRIAGE BETWEEN CAMERA and FREELENSING CINE®     Choose the appropriate camera mount (ARRI ALEXA MINI, MINI LF, 35, SONY VENICE 1 & 2, RED V-RAPTOR XL, V-RAPTOR & RED DSMC2) Fix the corresponding camera mount to the bellows Prepare de camera at the standard 19mm height Remove the PL or LPL mount that is placed on the camera body Insert the camera into the Freelensing Cine® or the other way around Align the Freelensing Cine® to the sensor of the camera Place the camera mount (already installed in the bellows of the Freelensing Cine® Set all Freelensing Cine® settings to “0” (except Z-axis) Finish adjusting Fix all camera peripherals (rods, etc)     WHAT MOVEMENTS DOES FREELENSING CINE® OFFER?   Y-Axis Shift Offset X-Axis Shift Offset Y-Axis Rotation (Tilt-Y) X-Axis Rotation (Swing-X) Z-Axis Shift Offset “Collimation” Combination of all the movements     OPERATING MANUAL FREELENSING CINE®https://www.bandpro.de/media/pdf/61/c3/ba/V-03-OPERATING-MANUAL-FREELENSING-CINE.pdf      

ZEISS Nano Primes are cinema lenses designed for modern full frame mirrorless cameras – initially available for Sone E-mount. Lenses for everyone looking for highest performance and cinematic look in a small package. The six focal lengths all feature a consistent high speed of T1.5, come with a small and robust real cine lens housing with professional cine ergonomics and have an interchangeable mount. Nano Primes are lenses for all cinematographers. No matter if up-and-coming or seasoned DP. For all budgets. No matter if small or big. For all projects. No matter if for commercials, documentaries, or music videos, for series, independent or features films. Lenses that check all the boxes when it comes to look, ergonomics, size and weight or lens data workflow. Lenses that you can afford. Lenses that won‘t let you down. The complete set comes with a lens case. ZEISS Nano Primes are the go-to lenses for everyday: True Cinema. For All. Product Features Comprehensive Focal Range Featuring focal lengths of 18mm, 24mm, 35mm, 50mm, 75mm, and 100mm, Nano Primes offer a comprehensive range, delivering versatile angles of view from wide-angle to telephoto. This makes them the preferred choice for a broad spectrum of cinematic requirements. Covering Cinematic Full-Frame Leveraging full-frame sensors enhances visual depth and character. Nano Primes are designed to accommodate these larger sensors, providing cinematographers of all levels – from aspiring to seasoned professionals – the ability to create images abundant in volume and personality. Cinematic Look in Every Shot The high speed of the Nano Primes, coupled with their close focus capability, achieves a mesmerizing shallow depth-of-field, even in wide-angle shots. With a maximum aperture of T1.5 and a rounded 12-blade iris, these lenses produce an exquisite bokeh, allowing the creation of authentic cinematic visuals. Providing a versatile and subtle sharpness reminiscent of Supreme Primes, they serve as an excellent choice for B-Cam and C-Cam, or as a cost-effective alternative. Full Cine Ergonomics in a Small Package Nano Primes showcase exceptional precision and durability. With a compact design housing a 95mm compendium ring and an 86mm screw-in filter thread, these lenses seamlessly integrate with gimbals and drones. The uniform positioning of focus and iris rings simplifies lens changes, complemented by easy-to-read calibrated scales, a fluid 280° focus rotation, and a precise 90° iris ring rotation for meticulous control. Tested for Harsh Conditions Made for challenging conditions such as cold and rain, Nano Primes undergo rigorous testing to guarantee unparalleled durability in the most demanding filming environments. Nano Primes stand as the reliable choice for everyday lenses. Interchangeable Mount The Nano Primes are equipped for seamless mount exchange, facilitated by the trusted ZEISS IMS (Interchangeable Mount System). Featuring user-adjustable back focus through shims, these lenses guarantee precise scales, even with entry-level cameras that typically exhibit higher mount mechanics tolerances. Electronic Interface for Real-Time Lens Data The Nano Primes come with an integrated electronic interface on the mount, enabling real-time transmission of metadata, including focal length, focus distance, and aperture, directly to the camera. Additional lens data, covering distortion and vignetting, is accessible within the ZEISS CinCraft ecosystem. This information proves valuable for post-production (CinCraft Mapper) and is compatible with the newly introduced CinCraft Scenario camera tracking system. Used and Maintained Around the Globe Hand-assembled and meticulously engraved with individually calibrated scales, ZEISS Nano Prime lenses prioritize serviceability from the early stages of development. ZEISS has established a robust global service network in recent years, with authorized service stations providing maintenance to factory standards in the US, Europe, and Asia. Lens-SetArt-Nr 2595-736 (Meter) / 2595-737 (Feed)ZEISS Nano Prime 18 mm T1.5 - Aperture: T1.5 to T16 - Close Focus: 0.25 m / 9.8‘‘ - Length: 112 mm / 4.4’’ - Front Diameter: 95 mm / 3.7‘‘ - Weight: 1.19 kg / 2.62 lbs - Rotation Angle of Focus Scale: 280° - Horizontal Angle of View: 90.3° ZEISS Nano Prime 24 mm T1.5 - Aperture: T1.5 to T16 - Close Focus: 0.35 m / 13.8‘‘ - Length: 89 mm / 3.5 - Front Diameter: 95 mm / 3.7‘‘ - Weight: 0.88 kg / 1.93 lbs - Rotation Angle of Focus Scale: 280° - Horizontal Angle of View: 74.2° ZEISS Nano Prime 35 mm T1.5 - Aperture: T1.5 to T16 - Close Focus: 0.45 m / 17.7‘‘ - Length: 89 mm / 3.5‘‘ - Front Diameter: 95 mm / 3.7‘‘ - Weight: 0.87 kg / 1.92 lbs - Rotation Angle of Focus Scale: 280° - Horizontal Angle of View: 53.8° ZEISS Nano Prime 50 mm T1.5 - Aperture: T1.5 to T16 - Close Focus: 0.50 m / 19.7‘‘ - Length: 89 mm / 3.5‘‘ - Front Diameter: 95 mm / 3.7‘‘ - Weight: 0.92 kg / 2.04 lbs - Rotation Angle of Focus Scale: 280° - Horizontal Angle of View: 40.4°   ZEISS Nano Prime 75 mm T1.5 - Aperture: T1.5 to T16 - Close Focus: 0.75 m / 29.5‘‘ - Length: 112 mm / 4.4‘‘ - Front Diameter: 95 mm / 3.7‘‘ - Weight: 1.13 kg / 2.48 lbs - Rotation Angle of Focus Scale: 280° - Horizontal Angle of View: 27.7° ZEISS Nano Prime 100 mm T1.5 - Aperture: T1.5 to T16 - Close Focus: 1.0 m / 39.4’’ - Length: 112 mm / 4.4‘‘ - Front Diameter: 95 mm / 3.7‘‘ - Weight: 1.26 kg / 2.77 lbs - Rotation Angle of Focus Scale: 280° - Horizontal Angle of View: 20.7°